Biblical Scenes and Historical Figures

Illustrations of biblical encounters, including figures like Abraham and Melchizedek, depicted in intricate linework and washes.

Vatican City, Raphael, Italy, Veneziano, Agostino, Isaac Blessing Jacob, verso - stamped, Isaac lies in bed and blesses his son Jacob. Jacob, who has disguised himself as his brother Esau, brings food to his father. In the background on the left Esau enters., print, prent, prints, height 225 mm, width 305 mm, Italian, 1490 - 1536, print maker, printmaker, 1524 - 1524, paper, papier, engraving, engraving (printing process), 1483-04-07 - 1520-04-07, after a painting by

Jan Claudius de Cock illustrated Abraham meeting Melchizedek from Genesis 14:18, using brown ink and gray wash over graphite pencil on light gray tinted paper.

Wszyscy Święci w MNK Gaber, August (1823 1894)

Heinrich Aldegrever, The Two Elders Before the Judge, 1555 The Two Elders Before the Judge

History of Suzanne n � 2: The old men accuse Suzanne d'adultery (Hollstein 31) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). Story of Suzanne n � 2: The old men accuse Suzanne d'adultery (Hollstein 31). Burin, 1555.

. Elisabet and Maria meet, in a city street with classic buildings and many figures.

Vatican City, Raphael, Italy, Veneziano, Agostino, Isaac Blessing Jacob, verso - stamped, Isaac lies in bed and blesses his son Jacob. Jacob, who has disguised himself as his brother Esau, brings food to his father. In the background on the left Esau enters., print, prent, prints, height 225 mm, width 305 mm, Italian, 1490 - 1536, print maker, printmaker, 1524 - 1524, paper, papier, engraving, engraving (printing process), 1483-04-07 - 1520-04-07, after a painting by

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Fall and the Redemption of Mankind through the Life and Passion of Christ, Foot Washing, Christ kneels before Peter and washes his feet. Peter protests. The other apostles stand barefoot around the two. The print is part of a thirty-part series of prints about the Fall and Christ's Passion., print, prints, width 195 mm, height, 248 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1548 - 1548, paper, papier, etching, etsen, 1498 - 1574, intermediary draughtsman

Judgment of Solomo, Theodoor van Thulden (Possible), 1616 - 1669 drawing paper. ink pen / brush Solomon gives verdict; he commands a soldier to divide the living child in two. Solomon gives verdict; he commands a soldier to divide the living child in two

Jozef explains the dreams of the pharaoh; History of Joseph. Joseph stands for the throne of the pharaoh and explains him that the seven fat and the seven lean cows stand in his dream for seven good and seven bad harvest years. Joseph is honored in Egypt in the background of the print. The print is part of a series about the history of Joseph.

Etching by Giovanni Lanfranco depicting a scene of Noah's victim, showing figures, animals, and landscape elements from the biblical narrative.

Philippe de Champaigne drawing of the beheading of Saint Protasius, executed in black chalk with gray wash.

Odysseus says goodbye to Alcinüs, Theodoor van Thulden, After Francesco Primaticcio, 1632 - 1633 print Odysseus says goodbye to King Alcinüs. In the background, the Faaaken prepares a ship to sail Odysseus to Ithaca. Paris paper etching / engraving Ulysses at Alcinous' court

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Wierix, Johannes, Thesaurus sacrarum historiarum veteris testamenti, Miracles of Christ, Raising of the son of the widow of Nain, recto top right on mounting paper - handwritten, Christ raises the son of the widow of Nain to life. The boy sits down on his bier and looks at Christ. The funeral procession leaves the gate of the city. Below the image a reference in Latin to the Bible text., print, prints, verso - stamped, O Seigneur, en rendents a sa mere son fils ressuscité, vous montrez bien que la vie et la mort dependent de vous ..., recto center bottom on mounting paper - handwritten in brown ink, 34, height 207 mm, width 261 mm, Zuid-Nederlands, 1549 - 1618, print maker, printmaker, 1579 - 1579, paper, papier, engraving, engraving (printing process), Work conception, 1515 - 1599, after a design by, Publication (Event), Publication, Noord-Nederlands, 1509 - 1591-02-05, publisher

Christ Before Pilate. Artist: Thomas Blanchet (French, Paris 1614-1689 Lyon). Dimensions: sheet: 7 1/16 x 4 9/16 in. (17.9 x 11.6 cm). Date: ca. 1670-80. Museum: Metropolitan Museum of Art, New York, USA.

Italy, Parmigianino, Caraglio, Giovanni Jacopo, Marriage of Mary and Joseph, verso - stamped, View of a temple where the marriage of Joseph and Mary is performed by a high priest, in the presence of a large group of men and women., print, prints, height 460 mm, width 240 mm, Italian, 1505 - 1565, print maker, printmaker, 1515 - 1565, paper, papier, engraving, engraving (printing process), Work conception, 1503-01-11 - 1540-08-24

Ceres refuses help to Psyche, master of the dice, after Michiel Coxie (I), c. 1530 - c. 1560 print On the left the kneeling psyche who asks the goddess Ceres for help. On the right is Ceres with a horn of abundance, scythe, rake and corners. Italian text in two cartouches in STUDMARGE. Numbered twice in the bottom left: 19. Italy paper engraving Psyche with Ceres. 'Cornucopia', Horn of Plenty. city-view, and landscape with man-made constructions

Anonymous drawing of the Adoration of the Shepherds, created with brown pen and brush, wash, and white highlights, from the second half of the 16th century.

Abraham van Diepenbeeck depicts Ulysses disguised as a beggar standing in front of the entrance to his palace, drawn in black chalk, showing figure, costume, and architectural details.

General with his entourage, Antonio Busca, Anonymous, 1635 - 1686 print A young general (possibly Emperor Augustus) is under a tree and is surrounded by soldiers and servants. A eagle above his head. paper etching commander-in-chief, general, marshal. the soldier; the soldier's life. predatory birds: eagle

Lucretia instructing her daughters in needlework from Giovanni Ostaus's, La vera perfettione del disegno di varie sorte di recami (Venice, 1557) 1557 Giuseppe Salviati (Giuseppe Porta, called Il Salviati) Italian An argument among the generals of the Roman tyrant Tarquin about whose wife was the most chaste resulted in a surprise visit to Rome, where the men discovered that their women were up to no good. Only the beautiful Lucretia, wife of Collatinus, was found virtuously engaged in needlework. In the background of this woodcut, we see Collatinus with the king's son, who conceived a passion for Lucretia that led to her rape and subsequent suicide. When her kinsmen, seeking vengeance, drove Tarquin from Rome, the Roman republic was founded. Giuseppe Salviati painted a fresco of the same subject on the façade of the Palazzo Loredan in Venice.This woodcut is cut from the second page of what appears to be the first edition of the lacebook by Giovanni Ostaus, La vera perfettione del diseg

The Holy Family with angels at right and overhead 1652 Giovanni Battista Beinaschi. The Holy Family with angels at right and overhead. Giovanni Battista Beinaschi (Italian, Fossano 1636-1688 Naples). 1652. Etching; second state of three. Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Prints

King Josia tears his clothes when hearing the words from the code, Philips Galle, After Maarten van Heemskerck, c. 1569 print King Josia is surrounded by members of the court. For him, the court writer Safia who reads him from a large book that is held by two boys. When hearing the words of Safia, the king tears his cloak. Haarlem paper engraving Saphan reads the book of Law aloud to the king who tears his clothes in dismay

Man Seated Beneath a Statue of Bacchus, Receiving anAudience. Artist: Giovanni Battista Franco (called Il Semolei), Italian, 1498(?)-1561

Hubert François Gravelot, Tenth Day, Ninth Story Saladin Bestows Rich Gifts on the Sleeping Torello, c 1757 Tenth Day, Ninth Story: Saladin Bestows Rich Gifts on the Sleeping Torello

Scenic, Psyche Bringing Venus a Goblet of Water from the Fountain of Youth; Designed by Merry-Joseph Blondel (French, 1781-1853; active Paris, France 1802-1851); Manufactured by Joseph Dufour et Cie. (France); France; block printed on handmade paper

Simsons wife begs to reveal him the solution of the puzzle; History of Simson. The Philistine woman is kneeling next to a bed and begged Simson to reveal her the solution of his mystery. Tired of her heal tells Simson her the solution, after which she will tell the wedding guests. At the right, the guests consult with each other what the solution to the mystery could be.

Clair-obscur woodcut by an anonymous artist depicting astronomy, created with two plates in the 16th century, showing celestial observation and instruments.

Title page: Roman heroes; Roman heroes.

De Aanbidding there Herders, His Rottenhammer (I), 1574 - Before 1608 drawing paper. ink pen / brush adoration of the Christ-child by the shepherds; Mary and Joseph present

The Entombment, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 8 1/16 x 5 7/16 in. (20.5 x 13.8 cm). Date: 1596.Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the

Psyche punished by smart and pain, master of the dice, after Michiel Coxie (i), c. 1530 - c. 1560 print The personifications of smart and pain punish Psyche on behalf of the goddess Venus. Venus sits on the right on a chair and watches. Italian text in two cartouches in STUDMARGE. Numbered twice in the bottom left: 21. Italy paper engraving other scenes from the story of Cupid and Psyche. Pain, Sorrow, Sadness; 'Dolore', 'Dolore di Zeusi' (Ripa)

Hooghe, Romeyn de, Netherlands, Allegory of the Court and the Generality, print, prints, Frederik Muller History Plates, height 173 mm, width 288 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1705 - 1707, first quarter 18th century, paper, etching, etchings, Work conception, after own design by

Gerard van Honthorst (1592-1656), Harald Klak and his family dobes in Mainz, after 1637

Andreani, Andrea, Parmigianino, Italy, Vicentino, Niccolò, Adoration of the Magi, verso - stamped, On the left sits Mary with the Christ Child. The magi offer gifts and behind them stands a camel., print, prent, prints, enten, height 163 mm, width 239 mm, Italian, print maker, prentmaker, 1605 - 1605, first quarter 16th century, first quarter 17th century, paper, papier, chiaroscuro woodcut, Work conception, 1503-01-11 - 1540-08-24, after a design by, Publication (Event), Publication, 1559 - 1629, publisher

The Calumny of Apelles. Girolamo Mocetto; Italian, c. 1470-after 1531. Date: 1500-1506. Dimensions: 318 x 457 mm. Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Massacre of the Innocents; group of women and children being attacked, two angels at upper left, after Reni ca. 1640-70 Engraved by Gian Battista Bolognini Italian After a painting by Reni which at the time was in the church of San Domenico in Bologna. Verso is not visible as print is laid to another sheet of paper.. Massacre of the Innocents; group of women and children being attacked, two angels at upper left, after Reni 668692

Hendrik Goltzius (Dutch, 1558 - 1617), Christ Crowned with Thorns, 1597, engraving

Amsterdam, Tirion, Isaak, Punt, Jan, Title page for: Jan Wagenaar, Vaderlandsche historie, 1749, Allegory of writing history, verso - stamped, History draws the Dutch History in her book. She is talking to an allegorical figure, with wings on her head. Next to her are Strength, in armor, and Freedom with her lance in her hand. Behind them are soldiers. In the foreground is a lion, surrounded by three putti and various religious attributes. In the air Father Time pushes aside a drapery., print, engraving, title page, prints, height 186 mm, width 116 mm, Noord-Nederlands, 1711-04-02 - 1779-12-18, print maker, printmaker, 1749 - 1749, paper, papier, etching, etchings, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1705 - 1765, publisher

Alexander the Great commanding that the work of Homer be placed in the tomb of Achilles ca. 1500-1534 Marcantonio Raimondi Italian. Alexander the Great commanding that the work of Homer be placed in the tomb of Achilles 342676

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The Return of the Prodigal Son. Dated: c. 1548. Dimensions: sheet: 24.7 x 18.5 cm (9 3/4 x 7 5/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Dirck Volckertz Coornhert after Maerten van Heemskerck.

The virtuous woman buys a field, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1555 print The virtuous woman gives a trade show to a trader. She bought the field in the background. The print is based on Proverbs 31:16: "If she puts her sights on a field, she buys him." The image has a German caption and is part of a six -part press series that praises the activities of the virtuous housewife. print maker: Haarlemafter design by: Haarlempublisher: Groningen paper etching / engraving the book of Proverbs (with BOOK CHAPTER:VERSE). buying. cultivated land. ideal wife

Laban cherchant ses dieux. Dated: 1753. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Gabriel Jacques de Saint-Aubin.

Presentation of Mary, Cornelis Cort, Taddeo Zuccaro, Giovanni Orlandi, 1602

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Frisian with the punishment of Niobe (plate 4). The festivities in Thebe in honor of Latona, the mother of Apollo and Diana. The Thebans kneel to worship of the image of Latona. The print has a Latin caption. Middle left plate from a print with a frieze from eight plates

The Fury Tisiphone at the Palace of Athamas. Antonio Tempesta (Italy, Florence, 1555-1630)Wilhelm Janson (Holland, Amsterdam). Italy, published 1606. Prints; etchings. Etching

Copy of Annibale Carracci's St. Roch Giving Alms, 1595 or after. Copy after Annibale Carracci (Italian, c. 1560-1609). Black chalk/charcoal() with stumping, with brush and brown and gray wash; framing lines in black chalk/charcoal(); sheet: 48.5 x 69 cm (19 1/8 x 27 3/16 in.).

Allegorical representation with earth and justice, Pieter de Jode (II), After Peter Paul Rubens, 1628 - 1670 print Allegorical representation with the personification of the earth, sitting on a throne. On her head a castle, in her right hand a scepter with which she leans on a globe. She is crowned by a woman and a putto with a laurel wreath. Next to her is the personification of justice with a scale and a sword, with her left foot she tramples a snake. Antwerp paper engraving / etching Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. 'Terra', 'Carro della terra' (Ripa). Abstract Ideas and Concepts (+ personification)

Judge giving a judgment History of Emperor Trajan (series title), A judge sits on a raised. It is flanked on either side by two men. A level below are two men, two women and a child., Magistracy, judges, administration of justice, trial, Battista Franco (mentioned on object), Italy, 1520 - 1561, paper, etching, h 160 mm × w 120 mm

Noah offers a sacrifice, after Raphael’s painting in the Vatican loggia. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

Saint John and Saint Peter Healing the Cripple. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: sheet: 12 1/8 x 16 11/16 in. (30.8 x 42.4 cm). Date: 1553. Museum: Metropolitan Museum of Art, New York, USA.

Simson en delila, Jacopo Palma (the young), 1554 - 1611 print Delila, sitting on the floor, is about to cut the hairs from Simson who fell asleep on her lap. paper etching Samson's hairlocks are cut off by Delilah

Sadeler, Zuccaro, Taddeo, Rome, Cort, Cornelis, Presentation of Mary in the Temple, verso - stamped, Mary is accompanied to the temple by her mother Anna. At the door of the temple she is awaited by the high priest Zacharias., print, engraving, prints, engravings, height mm, width mm, Work conception, Northern Netherlands, 1533 - 1578, after print by, 1570 - 1620, paper, engraving (printing process), print maker, printmaker, Italian, 1529-09-01 - 1566-09-02, after design by, Publication (Event), Publication, publisher

Andreani, Andrea, Parmigianino, Italy, Vicentino, Niccolò, Adoration of the Magi, verso - stamped, On the left sits Mary with the Christ Child. The magi offer gifts and behind them stands a camel., print, prent, prints, enten, height 167 mm, width 238 mm, Italian, print maker, prentmaker, 1605 - 1605, first quarter 16th century, first quarter 17th century, paper, papier, chiaroscuro woodcut, Work conception, 1503-01-11 - 1540-08-24, after a design by, Publication (Event), Publication, 1559 - 1629, publisher

Étienne Parrocel red chalk drawing showing Raguel welcoming Tobias and the angel into his house.

Joseph Interpreting the Dreams in Prison 1512 Lucas van Leyden Netherlandish. Joseph Interpreting the Dreams in Prison 364708

Conrad Meyer, Consolation of the Imprisoned Consolation of the Imprisoned

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, Noah offers a sacrifice, after Raphael’s painting in the Vatican loggia, Etching, platemark: 15.2 × 17 cm (6 × 6 11/16 in.), Made in Italy, Italian, 17th century, Works on Paper - Prints

The Queen of Seba puts Solomon to the test with riddles, Jan Punt, After Jacob de Wit, after Peter Paul Rubens, 1749 print Solomon on his throne receives the queen of Seba with her entourage. Under the rectangular representation a verse in Latin from 1 Kon. 10: 1. Amsterdam paper etching / engraving the queen of Sheba before Solomon, testing him with questions Carolus Borromeuskerk

Justice surrounded by putti and cherubins, anonymous, 1600 - 1800 print The personification of justice is on a cloud with scales and law book in her hand. She is surrounded by putti and cherubins. paper etching Justice, 'Justitia'; 'Divine Giustitia' (Ripa) ~ One of the Four Cardinal Virtues. Cupids: 'Amores', 'Amoretti', 'Putti'

Christ among the Doctors. Artist: Battista Franco (Italian, Venice ca. 1510-1561 Venice). Dimensions: sheet: 14 5/16 x 18 3/16 in. (36.3 x 46.2 cm). Date: ca. 1540-45. Museum: Metropolitan Museum of Art, New York, USA. Author: Battista Franco.

Anton Kern depicted an allegorical group using brushwork in reddish brown and gray, with white heightening.

A drawing by Étienne Parrocel showing the Israelites vowing loyalty to Joshua, executed with pen, brush, ink, and chalk on brownish paper.

To prove that it is not the image of the god Bel who eats the food, but the priests, Daniel sprinkles ashes on the floor of the temple. King Cyrus has the door of the temple sealed, so that no one can enter unnoticed and eat the food. In the foreground two jesters, Daniel sprinkles ash on the temple floor History of Daniel, Bel and the dragon (series title), draughtsman: Maarten van Heemskerck, 1564, paper, pen, h 196 mm × w 249 mm

Amsterdam, Luyken, Caspar, David plays the harp for Saul, verso - manuscript in brown ink, print, prints, verso - stamped, 101, height 113 mm, width 148 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Rome, Mola, Pier Francesco, Joseph and his brothers, verso - stamped, Joseph stands before a palace and addresses his brothers, some of whom are kneeling before him., print, prints, height 380 mm, width 448 mm, 1612-02-29 - 1666-05-13, print maker, printmaker, 1622 - 1666, paper, papier, etching, etchings, Work conception, after own design by

Engraver: Giorgio Ghisi, Italian, 1520-1582, After: Francesco Primaticcio, Italian, 1504-1570, Three Muses and a Putto withCymbals, Engraving, platemark: 29 × 16.5 cm (11 7/16 × 6 1/2in.), Italian, 16thcentury, Works on Paper -Prints

Liberation of phineus; Liberant Phineum Boreae Filee A Cibi Sui Raptoribus Harpyis. The blind phineus, king of Thracia, is robbed by the harpies of his meal and sprocket with their droppings. On their arrival on the island, the brothers expell calaïs and zetes the harpies.

Chalk and feather drawing by Michele Alberti showing the body of a young martyr placed in a crypt, surrounded by an angel with a martyr crown, a temple with a male statue, a palace, and an obelisk in the background, executed with lavated technique.

unknown, Rome, Vacarius, Laurentius, Italy, Pino, Marco, Alberti, Cherubino, Circumcision of Christ, verso - stamped, Circumcision of Christ by priests in the temple, in the presence of Mary, Joseph and a large crowd of spectators., print, prints, 12, recto - handwritten in brown ink, height 416 mm, width 266 mm, 1553 - 1615, print maker, printmaker, 1580 - 1580, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1525 - 1587, after a design by, Publication (Event), Publication, publisher, granter of privilege

Bacchanalian Scene with Nymphs and Putti n.d. Attributed to Gerard de Lairesse Dutch. Bacchanalian Scene with Nymphs and Putti 350551

Boaz buys the land of Ruth and Naomi, Philips Galle, After Adriaan de Weerdt, 1557 - 1591 print Boaz receives a sandal from a looser at the city gates to confirm the purchase of the land of Ruth and Naomi. A group of elders witness the purchase and boaz 'promise to marry Ruth. print maker: Haarlempublisher: Antwerp paper engraving Boaz, the kinsman, and the elders of the city discuss Elimelech's inheritance

Charles-Antoine Coypel (French, 1694 - 1752) after Giovanni Benedetto Castiglione (Italian, 1609 - 1664). Hagar and Ishmael, ca. 1740-1750. Etching. Plate: 320 mm x 467 mm (12.6 in. x 18.39 in.).

. Upon returning to Ithaca, Odysseus is confronted with the beggar Irus. In a fight between the two, Odysseus beats irus. Bystanders watch. At the bottom of the margin four two-year verses in Latin.

Party farmers and soldiers for an inn, 1636 - 1679 print A group of soldiers and farmers has gathered for an inn. In the middle a man raises his glass. At his feet is a big jug. On the left, a soldier shoots on the birds in the tree. paper etching / engraving hotel, hostelry, inn. drunken brawl (usually peasants fighting in an inn). bird hunting. container of glass: bottle, jar, vase

Allegory on vanity, Franz Aspruck, 1606 drawing paper. ink pen / brush scenes symbolizing 'Vanitas'. scenes symbolizing 'Vanitas'

Torture of the holy quirinus van Neuss, Jan Claudius de Cock, c. 1683 - Before 1736 print The saint is kneeling in the middle at a block on which he laid his left hand. On the right a executioner is about to cut Quirinus off. In addition to Quirinus, a woman kneels on the ground with the severed hand of the saint. Antwerp paper etching male saints (with NAME) - martyrdom, suffering, misfortune, death of male saint

Cybele before the Council of the Gods; Pietro da Cortona (Italian, 1596 - 1669); Italy; 1633; Pen and brown ink with brown wash, heightened with white bodycolor, over black chalk, with the outlines indented with the stylus for transfer; 19.5 × 14.4 cm (7 11,16 × 5 11,16 in.)

Studies of Details from Trajan's Column Nicolas Poussin French ca. 1635

Pierre Brebiette, Drunken Silenus, 1626 Drunken Silenus

Artist: Georg Pencz, German, ca. 1500-1550, Tobit Blinded, pl. 3 from the series The Story ofTobit, ca.1543, Engraving, 7 × 10.6 cm (2 3/4 × 4 3/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Sketchbook Folio, The Virgin and Child with Saints, Study after Gerolamo Marchesi; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and light brown wash over black chalk on white laid paper; 21.8 x 15.4 cm (8 9/16 x 6 1/16 in.)

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Goltzius, Hendrick, Collaert, Hans (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Martyrdom of Christ and the Apostles, Martyrdom of Matthew, Matthew is killed with a sword while reading mass. To the left of the scene of his martyrdom he is depicted again, with a set square in his hand. Below the scene is an explanatory text in Latin. This print is part of an album., print, album sheet, prints, height 210 mm, width 284 mm, Southern Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1576 - 1580, paper, engraving, engraving (printing process), Northern Netherlands, 1558-01 - 1617-01-01, Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

A drawing by François Boucher showing wet begging women and a naked beggar with a small child, executed in red chalk.

Martyrdom of Saint Erasmus. Engraving by G.M. Mitelli after N. Poussin.

Noah brings a thanksgiving offering to God, Biblical scenes (series title), Historia del Testamento Vecchio / Dipinta in Roma nel Vaticano da Raffaelle di Urbin (...) (series title), Giovanni Lanfranco (mentioned on object), Italy, 1607, paper, etching, h 131 mm × w 177 mm

Panthea before Cyrus the Great, King of Persia, 17th century, Pieter Crijnse Volmarijn, Dutch, c.1629 - 1679, 6 7/8 x 8 1/4 in. (17.46 x 20.96 cm) (sheet)15 3/4 x 19 3/4 in. (40.01 x 50.17 cm) (outer frame), Pen and gray-brown ink and wash on laid paper, Netherlands, 17th century

Apollo on Parnassus, Marc Antonio Raimondi, Italian, 1483 - 1527, Raphael, (Italian, 1483-1520), Engraving on paper, Apollo playing his lyre is seated under four olive trees in mid-distance. He is surrounded by several figures., Italy, ca. 1520, Print, Print

Adoration of the Shepherds. Matham, Jacob (1571-1631), graphic artist, Bloemaert, Abraham (1566-1651), painter

The accommodation of aliens; Thesaurus (...) Novi Testamenti. Design for a print.

The Three Marys. Dated: 1590s. Dimensions: sheet (corners trimmed off): 15 x 13.8 cm (5 7/8 x 5 7/16 in.). Medium: pen and brown ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Willinges.

Amsterdam, Visscher, Claes Jansz. (II), Broeck, Crispijn van den, History of Tobias, Tobias and his father want to pay the angel, verso - stamped, Tobit kneels before a chest of coins and offers them to the angel. Tobias and Anna stand behind him. The angel Raphael refuses the money. Around the image a marginal inscription in Dutch and Latin., print, prent, prints, prenten, diameter 166 mm, Work conception, South Netherlands, 1524 - 1591, after a design by, 1601 - 1652, paper, papier, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher

Geldheer speaks a woman with two children. Presentation from Roman History: Armeer amidst his soldiers for his tent sitting, a woman with two (dead) Children speak.

Sibyl Announcing the Birth of Christ to the Emperor Augustus 1505-71 Bartolomeo Neroni (Il Riccio) Italian. Sibyl Announcing the Birth of Christ to the Emperor Augustus. Bartolomeo Neroni (Il Riccio) (Italian, Siena 1505/15-1571 Siena). 1505-71. Pen and brown ink, brush and pale brown wash, over black chalk. Drawings

The Prodigal Son Squanders his Fortune with Prostitutes late 16th-mid-17th century Augustin Braun German. The Prodigal Son Squanders his Fortune with Prostitutes 360256

Saints Peter and John healing the Sick early 16th century Parmigianino (Girolamo Francesco Maria Mazzola) Italian. Saints Peter and John healing the Sick 391867

The Entombment ofChrist. After: Andrea Mantegna, Italian, ca. 1431-1506

'Religious Procession'. The Netherlands. The Netherlands, circa 1530. Dimensions: 13,4x27,8 cm. Museum: State Hermitage, St. Petersburg. Author: Aetrgen van Leyden ( ).

The Hague, Hondt, Pieter de, Amsterdam, Picart, Bernard, Hoet, Gerard (I), Sluyter, Pieter, David anointed as king, verso lower right - stamped, Under the watchful eye of his father and brothers, Samuel anoints David, who kneels before him. His shepherd's staff lies next to him on the ground. In the background, an offering burns on a high altar. Illustration of the Bible text 1 Sam. 16: 13. Below the image the title in Hebrew, English, German, Latin, French and Dutch., print, book illustration, prints, height 354 mm, width 218 mm, Northern Netherlands, 1675 - 1733, print maker, printmaker, 1705 - 1720, paper, papier, etching, etchings, engraving, engraving (printing process), 1648-08-22 - 1733-12-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1673-06-11 - 1733-05-08, publisher, uitgever, Publicatie

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