Biblical Scenes and Passion Art

Depictions from the Passion narratives, featuring Christ before various figures, dramatic emotions, and intricate detailing in traditional artworks.

Anthonisz., Cornelis, Allegory of the Prodigal Son, The Reunion and Forgiveness of the Prodigal Son, verso center bottom - stamped, One of a series of six. Son (Filius Prodigus) is embraced by Peace (Pax). Around them are Justice (Justicia), Joy (Laeticia) and Fortitude (Constantia). Above them the Holy Spirit in a halo. In the background the father (Pater) in conversation with the personification of the Jewish people (Gens Judaica), two men who are going to slaughter a cow, and a church interior (Ecclesia) with the baptism of a child and the celebration of the Eucharist., print, prent, prints, prenten, height 270 mm, width 208 mm, 1499 - 1553, print maker, prentmaker, 1535 - 1545, second quarter 16th century, paper, papier, houtsnede

Christ before Herod in a Hall, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. Christ before Herod in a Hall, from Speculum passionis domini nostri Ihesu Christi 664489

Anthonisz., Cornelis, Allegory of the Prodigal Son, The Reunion and Forgiveness of the Prodigal Son, verso center bottom - stamped, One of a series of six. Son (Filius Prodigus) is embraced by Peace (Pax). Around them are Justice (Justicia), Joy (Laeticia) and Fortitude (Constantia). Above them the Holy Spirit in a halo. In the background the father (Pater) in conversation with the personification of the Jewish people (Gens Judaica), two men who are going to slaughter a cow, and a church interior (Ecclesia) with the baptism of a child and the celebration of the Eucharist., print, prent, prints, prenten, height 270 mm, width 208 mm, 1499 - 1553, print maker, prentmaker, 1535 - 1545, second quarter 16th century, paper, papier, houtsnede

The thorn corant; The passion. Christ is on a raise with a thorns crown on the head. He is surrounded by men; Some of them hit him with sticks, one briefs Christ a staff. This print is part of a series of twelve prints with scenes from the suffering story.

Christ for Pilate; The passion. Christ is brought to Pilatus, which is on a throne.

Absalom kills Amnon; History of Amnon and Tamar. Absalom and his servant, both with raised sword, are about to kill Amnon during the feast. Two other brothers watch out. Above a cartouche with text in Latin. Sixth print from a series of seven with the story of Amnon and Tamar.

A copper engraving by Albrecht Dürer from 1512 depicting Christ before Pilate, showing figures, composition, and early 16th-century German engraving techniques.

Prison of John the Baptist. John the Baptist is being captured and Herod gives his throne with precipitated eyes assignment for his decapitation. To the right of behind the throne, the executioner approaches its sword. Under the show two lines in Latin.

Christ for Kajafas, Adriaen Collaert, 1570 - 1618 print Christ is tried by Kajafas. The high priest tears his clothes and shouts that Christ is slasping God. The print has a Latin caption paper engraving Caiaphas tearing his clothes ~ trial of Christ

1 of 12 plates from the series XII. Fidei Apostolici Symbola (The Apostles Creed). Publisher: Adriaen Collaert, Flemish, 1560-1618 After: Maarten de Vos, Flemish, 1532-1603

Messeling of Christ, Albrecht Dürer, 1509 print Christ is, bound by a column, flashed by men with branch forests. This print is part of the press series 'De Kleine Passie', consisting of a title print and 36 Biblical scenes (mainly from the suffering story). Nuremberg paper flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Pilatus washes his hands, Anonymous, After Maerten de Vos, 1560 - 1600 print While Christ is led away by soldiers, Pilatus washes his hands in innocence in the background. Under a one -line explanation in Latin. print maker: Low Countriesafter design by: Antwerp paper engraving Pilate washing his hands (in innocence)

Lambert Suavius, Apostles Peter and John Healing the Paralytic, 1553 Apostles Peter and John Healing the Paralytic

Copper engraving by Marcantonio Raimondi, early 16th century, depicting a clipping scene, illustrating daily life or ceremonial practice in a biblical or historical context.

Mirakel of the Holy Dominicus with the Albigenzen, Theodoor Galle, After Pieter de Jode (I), After Joannes Nys, 1611 print The Holy Dominicus and the heretical leader of the Albigenzen both throw their Bible in the fire. The Bible of Saint Dominic does not burn, but jumps out of the fire. The print has a Latin inscription and caption and is part of a press series for a book about the life of the Holy Dominicus. print maker: Antwerpafter drawing by: Antwerpafter design by: AntwerpPolandpublisher: Antwerp paper engraving St. Dominic, surrounded by the Albigense heretics, throws his book into the fire but it leaps out intact, while the heretical books are consumed by the fire

Christ for Kajafas, Jan Luyken, 1684 print Print at the top right numbered: Foli. 91. Amsterdam paper etching Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71)

Christ shown to the people (Ecce Homo), Zacharias Dolendo, after Karel van Mander, 1596 - 1598 print Pilatus shows Christ to the people who have gathered at the Marktplaats for a large building. A soldier pulls Christ cloak on side. Christ now stands half naked in front of the people with the crown on his head. Print from a series of 13 prints and a title print manufactured by Z. Dolendo and J. de Gheyn II. paper engraving Christ alone (also called 'Ecce Homo')

Hendrik Goltzius, Flagellation of Christ, 1597 Flagellation of Christ

Christ shown to the people (Ecce Homo) Passion of Christ (series title), Pilate shows Christ to the people who have gathered in the marketplace in front of a large building. A soldier pulls Christ's cloak aside. Christ is now half naked before the people with the crown of thorns on their heads. Print from a series of 13 prints and a title print made by Z. Dolendo and J. de Gheyn II., Christ alone (also called 'Ecce Homo'), Zacharias Dolendo (mentioned on object), Leiden, 1596 - 1598, paper, engraving, h 140 mm × w 105 mm

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, B. Erminoldvs abbas, Abbot Erminoldus refuses Emperor Henry IV access to the Abbey of Prüfening, verso lower left - stamped, St. Abbot Erminoldus stands in front of the entrance gate of the Abbey of Prüfening. Around the abbey are the soldiers of Emperor Henry IV. He gestures to Emperor Henry IV and the Bishop of Bamberg that they are not welcome in the abbey. The print has a Latin caption and is the 48th print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlands, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Chief of Kafarnaüm begs Christ for help, 1629 print In Kafarnaüm, a Roman centurio kneels, surrounded by his soldiers, before Christ. He asks him to heal his servant. At the top left, the man is healed in his house. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing the centurion of Capernaum, kneeling before Christ, begs him to heal his paralytic servant (or son) (Matthew 8:5-13; Luke 7:1-10; John 4:46-54)

Christ Crowned with Thorns, from The Passion 1512 Albrecht Dürer German. Christ Crowned with Thorns, from The Passion 391369

. Moses and Aaron shed on earth while Joshua and Kaleb tear their clothes. They told the people they had to rely in God on which the people threaten to stony them. In the background the encounter tent of the Israelites. In the margin a two-legged caption in Latin.

A woodcut by Albrecht Dürer, circa 1508-1509, depicting Christ before Anna from the Little Passion series, showing figures, gestures, and composition.

Woodcut by Hans Schäufelin from 1507 showing Pontius Pilate washing his hands, including Christ, soldiers, gestures, and basin.

. Susanna is veiled for the elders led, who blame her from infidelity and her veil. As judges they then condemn her. Around them a large crowd. The print has a Latin caption stating the Bible place than. 13:34.

Christ for Annas; The little passion. Christ is led by armed men for Annas. This print is part of the 'De Kleine Passie' print series, consisting of a title print and 36 biblical scenes (mainly from the suffering story).

Turibius de Mogrovejo administers the holy molding to Rosa van Lima, Anonymous, After Carlo Maratta, in or after 1625 print Saint Turibius de Mogrovejo, Archbishop of Lima, administers the holy molding to Rosa van Lima, who kneels for him with a wreath of roses on the head. Cartouche with assignment in the lower margin. print maker: Italyafter design by: ItalyRome paper etching archbishop, bishop, etc. (Roman Catholic). the Dominican Tertiary Rosa (Rose) of Lima; possible attributes: anchor, crown of thorns, crucifix, infant Christ (in her arms or on a bunch of roses), lily, (wreath of) roses

Pilate shows Christ to the Jews gathered outside the courthouse, Ecce Homo The Passion (series title), print maker: Nicolaes de Bruyn, (mentioned on object), Nicolaes de Bruyn, Hendrick Goltzius, Netherlands, 1618, paper, engraving, h 184 mm × w 138 mm

Zacharias near Herod, Jacob de Weert, After Maerten de Vos, 1580 - 1600 print Zacharias stands with tied hands in front of Herod, sitting on a throne. On either side of him are soldiers who are about to kill the children in their hands. In the distance a man is imprisoned by a soldier. Under the show is a three -line, Latin text with the description of the scene. Antwerp paper engraving story of the birth and youth of John the Baptist (Luke 1:5-25, 1:57-80). the massacre of the innocents

Saint. Joachim in front of the Lord's altar unknown

Absalom seizes power, Johannes Wierix, After Maerten de Vos, 1585 print Absalom embraces an Israelite at the city gates of Jerusalem. For example, he approached everyone from Israel who came to ask a statement with the king, and in this way he palped the people of Israel. Under the show a reference in Latin to the Bible text in 2 SAM. 15. Antwerp paper engraving Absalom speaks with the people near the gate of the city

The Flagellation, from The Small Passion ca. 1509 Albrecht Dürer German. The Flagellation, from The Small Passion 388053

Man takes an oath in court, 1685 print Print at the top right numbered: 701. Amsterdam paper etching swearing an oath (with two fingers raised). magistracy, judges

Ecce Homo, Jan -Baptist Barbé, After Maerten de Vos, 1598 - 1618 print Pontius Pilatus shows the brushed Christ to the Jewish people (John 19: 4-7). The print has a Latin caption. The print is part of a series about the life of Christ. Antwerp paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Gamaliël advises the persecution of the apostles, Anonymous, after Johann Jakob von Sandrart, 1697 print paper etching The warning of Gamaliel

Christ falls while carrying his cross to Calvary. Simon of Cyrene helps him. A Roman soldier urges him to get up. A woman and her small child look on sadly. Carrying the Cross Life and Passion of Christ Dominica Passionis Mysteria Typicis Advmbrationibvs Adamussim Effigiata , print maker: Antonie Wierix (II), Maerten de Vos, publisher: Gerard de Jode, Antwerp, 1583 - 1587, paper, engraving, h 199 mm × w 122 mm

Marriage of Tobias and Sara, Symon Novelanus, 1560 - 1590 print Raguel gives his daughter Sara to Tobias. In the background, Tobias and the angel are welcomed at the table by Raguel and his wife Edna. At the bottom of the margin an explanatory text in Latin. To Tobit 7: 9-14. Cologne paper etching Raguel gives Sarah to Tobias as his wife. Tobias and the angel in Raguel's house

Hendrik Goltzius, Christ before Pilate, 1596 Christ before Pilate

Messeling of Christ, Marcantonio Raimondi, After Albrecht Dürer, 1511 - 1534 print Numbered in the bottom right: 15. print maker: Italyafter design by: Germany paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Antwerp, Galle, Theodoor, Poland, Galaminio, Augustino, Nys, Joannes, Jode, Pieter de (I), Vita et miracula SP Dominici, Life and miracles of Saint Dominic, Study period of Saint Dominic, verso bottom center - stamped, During his study period, Saint Dominic sells all his possessions to help the poor of the city with alms. The print has a Latin inscription and caption and is part of a series of prints for a book about the life of Saint Dominic., print, book illustration, prints, width 90 mm, height, 150 mm, South Netherlandish, 1571 - 1633, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), 1570 - 1634-08-09, intermediary draughtsman, after a drawing by, Work conception, after a design by, 1552 - 1639, writer, Publication (Event), Publication, publisher

Woodcut by Hans Wechtlin, circa 1508 with edition 1522, depicting the Crucifixion of Christ, showing figures, cross, and early 16th-century German printmaking techniques.

Wenceslaus Hollar, Jesus before Caiaphas Jesus before Caiaphas

After his capture, Christ is taken away by soldiers, Boëtius Adamsz. Bolswert, 1622 print paper engraving Christ is led away ~ Garden of Gethsemane

Christ shown to the people (Ecce Homo), Hieronymus Wierix, After Bernardino Passeri, 1593 print Pontius Pilatus shows Christ, dressed in a cloak and with thorns on his head, on an elevation to the people. People call for his crucifixion. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Martyrdom of Saint Sebastiaan, 1500 - 1599 print Sebastiaan tied to column. Bystanders, a few with bow in hand. Pocket with arrows on the floor. paper engraving the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk

Ridicule, Alexandre Vallée, 1568 - 1618 print Nancy paper engraving mockings of Christ, who may be blindfolded

Absalom grabs to power; History of David and Absalom; Thesaurus Sacrarum historiarum Veteris Testamenti (...). Absalom an Israelite embraces at the city gates of Jerusalem. For example, he performed everyone from Israel who came to a statement asking the king, and in this way he palmed the people of Israel. Under the show a reference in Latin to the Bible text in 2 SAM. 15.

A richly dressed woman stands between a group of nuns and a young man. The latter has taken off his hat for the woman and grabbed her hand. A curious crowd has gathered in the background. Print marked upper right: Tom. i. pag. 208., Richly dressed woman surrounded by a crowd of curious people, print maker: Jacob Folkema, (mentioned on object), intermediary draughtsman: Jacob Folkema, (mentioned on object), 1702 - 1767, paper, etching, h 165 mm × w 121 mm

Society of Christ, Christoffel of Sichem (II), After Hendrick Goltzius, 1657 print Christ, dressed in a loincloth and tied to a pillar, is beaten by a number of men with a scourge and rods. Amsterdam paper flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

"Etching by Josef Ferdinand Fromiller depicting the martyrdom of Saint Paul, showing figures, gestures, instruments, and symbolic religious elements."

Joseph tells his dreams to Jacob; History of Joseph. Joseph arriving by Doorway Room and Joseph surrounded by seven of his eleven brothers, talking against Jacob and Rachel.

Vain man wants to be praised by the people, Wierix (Rejected Attribution), After Bernardino Passeri, 1593 print In the foreground a vain man, with a devil on his head, who gives his money to the poor. He shows the bystanders how 'good' he is, and lets the man bumped around the man next to him. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving '... that your alms may be in secret' ~ doctrine of Christ on possessions (Matthew 6:4). Christ's sermon on the mount (Matthew 5-7)

Dresses of the nudes, David Custos, 1625 - 1629 print print maker: Venicepublisher: Italy paper engraving clothing the naked, 'nudus vestitur' ~ one of the (seven) Acts of Mercy - VV - Christ present

Christ for Pilate. Christ is brought to Pilatus by armed soldiers. Pilate asks the combined crowd where she accuses Christ. With various elements from the show are letters. The print is part of an album.

Parable of the lost son: The third son gets paid his part of the legacy; Parable of the lost son. The lost son asks his father for his inheritance. The father hands the son a bag of money. On the right front of the building there are men with horses waiting to leave with the lost son. Right behind Christ with his disciples how he told the parable.

The Seven Founders of the Serbieten Congregation, Antonio Tempesta, 1591 print The seven founders of the Servieten Congregation. Text in Latin in STUDMARGE. Print Maker: Romevatican City paper etching prior general of the Order of the Servites, Philip Benizzi of Florence; possible attributes: book, cross, lily, tiara at his feet

Val van Jericho, Harmen Jansz Muller, after Gerard van Groeningen, 1579 - 1585 print Seven priests blow on their ram hests, while they walk out of the covenant for the Ark. The walls of the city of Jericho collapse and the people storms the city. At the bottom of the margin a reference to the Bible text in Latin. print maker: Amsterdampublisher: Antwerp paper engraving the Israelites march around Jericho: in the procession the main body of the soldiers comes first, next are seven priests who blow on trumpets, followed by the priests carrying the ark and a rear guard. on the seventh day, at a signal from Joshua, the people start to shout and the walls of Jericho crumble

Paul proclaims the doctrine of Christ in Rome; Acts of the Apostles. The apostle Paul preaches the doctrine of Christ in Rome. All kinds of people listen to him. Soldiers guard Paul. The print is part of an album.

Potiphar's Wife Accuses Joseph (copy) 17th century Clement de Jonghe Dutch. Potiphar's Wife Accuses Joseph (copy) 364809

Pilate Washing His Hands, pl. 13 from the series Passio, Mors, et Resurrectio, Dn. Nostri Iesu Christi (The Passion, Death, and Resurrection ofChrist). Engraver: Crispijn de Passe the Elder, Dutch, 1565-1637 After: Stradanus (Jan van der Straet), Flemish, 1523-1605 Publisher: Philip Galle, Flemish, 1537-1612

Antwerp, Galle, Theodoor, Poland, Galaminio, Augustino, Nys, Joannes, Jode, Pieter de (I), Vita et miracula SP Dominici, Life and miracles of Saint Dominic, Funeral procession of Saint Dominic, verso center bottom - stamped, The body of Saint Dominic is carried into the church by four bishops. A long funeral procession follows. The print has a Latin inscription and caption and is part of a series of prints for a book about the life of Saint Dominic., print, book illustration, prints, width 90 mm, height, 150 mm, South Netherlandish, 1571 - 1633, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), 1570 - 1634-08-09, intermediary draughtsman, after a drawing by, Work conception, after a design by, 1552 - 1639, writer, Publication (Event), Publication, publisher

. In the Temple of Baal, people descend the idols. For the altar, the Baälsprieser is killed with a halberd. The Hogepriest Jojada is going on hand with the seven-year-old king Joas. At the bottom of the margin a verse in Latin about the show.

Léonard Gaultier, Christ Teaching in the Synagogue, probably c 1576 1580 Christ Teaching in the Synagogue

Onthoofding van Johannes de Doper.John the Baptist kneeled, behind him a lot with raised sword. Under Middle Arch of Building Party with Herod at the table, head of John is proposed on a scale.

The Taking of Christ, from The Little Passion Series, Albrecht Dürer, German, 1471-1528, Woodcut on paper, Saint Peter, with sword upraised, stands over the fallen servant of the High Priest. In the background, Christ receives the Kiss of Judas as he is taken by the soldiers. Monogram of Dürer, lower right., Germany, ca. 1509-1511, Print, Print

Christ for Herod, Anonymous, Hans Schäufelein, 1506 - 1507 print paper Christ before King Herod; sometimes a gorgeous robe is brought (Luke 23:8-11)

Achitofel and Chusai at Absalom; History of David and Absalom; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Achitofel and the Arkite Chusai advise Absalom about the Arms Plan against King David. In the background, Jonatan and Achimaices, who will transfer the news about the plan to King David, in a well in the yard of the house of a man from Bachurim. His wife places a hatch over the opening of the well, so that nothing can be seen. Under the show a reference in Latin to the Bible text in 2 SAM. 17: 1. This print is part of an album.

Antwerp, Galle, Theodoor, Poland, Galaminio, Augustino, Nys, Joannes, Jode, Pieter de (I), Vita et miracula SP Dominici, Life and miracles of Saint Dominic, Consecration of Saint Dominic, verso center bottom - stamped, Saint Dominic is consecrated by the bishop. The print has a Latin inscription and caption and is part of a series of prints for a book about the life of Saint Dominic., print, book illustration, prints, width 90 mm, height, 150 mm, South Netherlandish, 1571 - 1633, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), 1570 - 1634-08-09, intermediary draughtsman, after a drawing by, Work conception, after a design by, 1552 - 1639, writer, Publication (Event), Publication, publisher

Judgment of Solomon, Anonymous, After Boëtius Adamsz. Bolswert, after Peter Paul Rubens, 1630 - 1702 print King Solomon sits on his throne and felt his judgment. In front of the throne the two women who both claim the motherhood of the living child. The deceased child is on the ground. Solomon instructs the living baby to share in two to determine who the child's mother is. A man pulls his sword and grabs the child at the ankle. The real mother begs to let the child live. Under the show the title in Latin, four four -line verses in Dutch and a reference to the Bible text in 1 Kon. 3:16. Amsterdam paper engraving Solomon gives verdict; he commands a soldier to divide the living child in two

Vatican City, Papal Court, Rome, Tempesta, Antonio, Vita B. Philippi Benicii Florent. ord. servor B. Mariae virginis, The Life of Philippus Benitius, Saint Philippus decides to follow Christ, The Seven Founders of the Servite Congregation, recto lower right - handwritten in brown ink, The Seven Founders of the Servite Congregation. Text in Latin in bottom margin., print, prints, verso - stamped, 2, height 115 mm, width 80 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1591 - 1591, paper, papier, etching, etchings, grantor of privilege

Geseling Van Christ; The Flagellation; Life's passion and death of Jesus Christ ..

ECCE homo (Bartsch 16, Huttontin 148) Israel van Meckenem (v.1445-1503). ECCE Homo (Bartsch 16, Hollstein 148). Burin, 15th century.

Tobit and Anna with the goat; History of Tobias; Theatrum Biblicum (...). In the background, Anna deserves her money with spiders and weaving for her clients. In addition to her wages, she gets a kid home as a reward. Anna stands with the kid under the arm for her blind man Tobit, who thinks she stolen it. On the right in the background, Tobit prays to God. Under the show a reference in Latin to the Bible text in Tobit. 2.

The Marriage of the Virgin, no. 4 from The Life of theVirgin. Artist: Jacques Callot, French, 1592-1635

Christ for Annas. The high priest Annas intersects Christ about his students and about his doctrine. One of his servants is about to hit Christ in the face. In the background the denial of Peter. With various elements from the show are letters. The print is part of an album.

Crossing and meeting Veronica, Harmen Jansz Muller, After Maarten van Heemskerck, 1565 print Christ carries the cross and looks at Veronica, who shows him the canvas, on which the print of Christ's face was left behind. At the bottom of the margin a verse in Latin. Print is part of a series about the seven bleeding of Christ. paper engraving Christ meets Veronica, who has a cloth to wipe Christ's face

Presentation of Christ in the Temple, Valentin Lefèbvre, After Paolo Veronese, 1682 print In the temple, a group of people gathered at the altar. The high priest Simeon kneels down for the Christ child that is held by Mary. Behind Maria, Joseph looks leaning on his staff. On the far right, a woman holds a cage with two pigeons. The print is part of a 53-part series of prints to paintings by Titian and Veronese. paper etching presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

The cross -support, 1540 print Tenth print from a series of fourteen with the passion, used in the Passional Buch. In the middle of the foreground surrounded by soldiers, Christ collapses under the weight of the cross. A soldier on the left kicks him. Simon van Cyrene grabs the cross. In the background on the right is Maria in the midst of male and female followers. At the top in the middle two coats of arms. paper carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian)

Geseling Van Christ; Leven en passie van Christ; The mysteries of the Passion of Typika Advmbrationibvs Adamussim Effigiata.Christ dressed in a loincloth and tied to a pillar, is kicked and fled by soldiers.

Petrus and Johannes heal a paralyzed at the temple gate. At the temple gate a beggar asks Petrus and Johannes to an alms. Peter has no money, but heals him in the name of Christ and presents the man's hand to help him stand up. A group of men looks. Right two men indicate the scene. In the temple and in the background on a men's and women bridge. In the middle of the Bible story from hand. 3 in Latin.

Etching by Josef Ferdinand Fromiller showing Saint Thomas undergoing martyrdom, depicted with traditional apostolic symbols and Christian iconography.

Christ Expelling the Moneylenders from the Temple. Dated: probably c. 1509/1510. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Albrecht Dürer.

Ark of the covenant to Jerusalem; Praise to music; Encomium Musices. The Ark the covenant is introduced to Jerusalem. King David walks for the ark and plays on his harp. Others blowing Israelites on bazuines and horns. Right a ram, goat and bull. The print has a Latin caption with verses. At the bottom right a reference to 2. Samuel 6

Elijah orders all the priests of Baal captured and taken to the river Kison. There they are executed. Next to him is King Ahab. The print has a Latin caption and is part of a series on Elijah and the priests of Baal, Massacre of the priests of Baal Elijah and the priests of Baal , print maker: Philips Galle, Maarten van Heemskerck, (mentioned on object), Hadrianus Junius, Haarlem, 1567, paper, engraving, h 202 mm × w 248 mm

The host is administered to the patient, Boetius Adamsz. Bolswert, Henry Aertssens, 1639.

Christ shown to the people (Ecce Homo), Anonymous, After Cornelis Cort, After Etienne Dupérac, After 1572 - Before 1649 print Christ is fascinated on a landing of an antique building, with thorns on the head, surrounded by three soldiers. Pilate, on the right, shows Christ to the people who, seen in the foreground on the back, shouts that he must be crucified. One of the men holds a cross. Rome paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Thirsty Laven. .

Albrecht Dürer, The Betrothal of the Virgin, c1504 1505 (printed 1560s 1570s) The Betrothal of the Virgin

Outpouring of the Holy Spirit; Acts of the Apostles. Cornelius has gathered at home with his family members and close friends. Peter tells them about Christ and during his sermon the Holy Spirit descends on the heads of the guests. Under the margin a two-person caption in Latin.

Ester kneels for Ahasveros. Ester kneels for Ahasveros and gets his golden scepter looked as a sign that he wants to receive her.

Copper engraving by Marcantonio Raimondi showing Christ before the high priest Annas, capturing figures, gestures, and interior elements, created in the first half of the 16th century.

Hans Schäufelin's 1507 woodcut shows the flagellation of Christ, depicting soldiers, Christ, and instruments of punishment.

Ecce Homo. Dated: c. 1480. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem.

Chamor and Sichem ask Jacob to Dina's hand; History of Dina and Sichem; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Sichem and his father Chamor come to Jacob and ask him to wonder his daughter Dina to Sichem. Jacob sits in his tent surrounded by his wife and twelve sons. Jacob's sons set the condition that Sichem and his people have to be circumcised because they only want to marry their women to circumcised men. At the bottom of the margin a reference in Latin to the Bible text in Gen. 34: 6. This print is part of an album.

Embleem met man die zich met goede daden voorbereid op een gebed tot God; Den wech des eeuwich levens.A man with bible and rosary in hand follows an angel who points to an appearance of God in heaven. The man gives a crippled beggar money. A short Latin text refers to the book Tobit, verse 12 in which Tobias thank God and praise.

Judaskus and Arrest of Christ; Passion and resurrection of Christ; Passio et resdrrectio D.n. IESV Christi. Judas coast Christ on the cheek. The soldiers surround and arrest him. Peter tries to chase out a soldier. The print has a Latin caption

Christ before Caiaphas Christ before Annas (). 1509. Cranach, Lucas, 1472-1553. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Daniel feeds the dragon; History of Daniel, bell and the dragon. King Cyrus asks Daniel to honor the dragon as a deity. Daniel refuses this and asks permission to kill the dragon without the use of weapons. It feeds the dragon with cooking of tar, greasy and bones that open the dragon inside.

Offerande of the loot of the Midjanites, Gilliam van der Gouwen, after Gerard Hoet (I), 1728 print Moses and the priest Eleazar take the gold jewelry from the loot of the Midjanites as a sacrifice for God (Num. 31: 50-54). The print has a Hebrew, Latin, French, English, German and Dutch caption. print maker: Amsterdampublisher: The Hague paper engraving / etching the officer's oblation after the battle of the Israelites against the Midianites; Moses and Eleazar take the gifts to the Tabernacle

Christ before the Sanhedrin, Johann Sadeler (I), 1589

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