Biblical Scenes in Art

Dramatic depictions of biblical events, including healings and significant moments, showcasing detailed figures and historical context.

Christ and the Adulterous Woman, Francesco Saverio Mergolo, Italian, 1746-1786, Brush and gray wash, pen and brown ink, graphite on paper, The woman, soldiers, and two disciples at left, Christ with others at right. He points at the words He has written. The woman rather undisturbed., Italy, 1750-60, figures, Drawing, Drawing

Presentation of Christ in the temple (right part). In a temple, Mary kneels with the Christ child in her arms. Mary is surrounded by several figures including Joseph and the High Priest Simeon. For Maria there are an altar, worn by putti, and a man with a big book. A woman with two pigeons is behind Maria.

Christ and the Adulterous Woman, Francesco Saverio Mergolo, Italian, 1746-1786, Brush and gray wash, pen and brown ink, graphite on paper, The woman, soldiers, and two disciples at left, Christ with others at right. He points at the words He has written. The woman rather undisturbed., Italy, 1750-60, figures, Drawing, Drawing

Peter and John heal a paralyzed man at the temple gate, Lambertus Suavius, 1553 print At the Tempelpoort, a beggar Peter and Johannes asks for an alms. Peter has no money, but heals him in the name of Christ and the man reaches the hand to help him stand up. A group of men watches. On the right two men point to the scene. In the temple and in the background on a bridge men and women. In the middle of the Bible story. 3: 4-31 in Latin. Southern Netherlands paper engraving disabilities, deformations. healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31)

Christ drives out the money changers from the Temple, Cornelis Cort, After Federico Zuccaro, 1602 print Christ the traders with a branch forest out of the temple. On the left a man who falls over a low table and a man with a big jute bag. In front of a man on his knees with a money pouch. In the background livestock traders with an ox and pigeons. paper engraving purification of the temple ('first' and 'second'): Christ driving the money-changers from the temple with a whip (Matthew 21:12-13; Mark 11:15-17; Luke 19:45-46; John 12:12-19)

Petrus and Johannes heal a moatchele; Paintings and sculptures in Rome. Petrus takes the hand of a crippling, which is at a gate. John is next to it. Christ appears in heaven. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print).

Predikende H. Stefanus, Gabriel Le Brun, After Guillaume Perrier (II), 1635 - 1660 print print maker: Francepublisher: Paris paper engraving the deacon and (proto)martyr Stephen; possible attributes: censer, stones

Christ touches his bride, Johann Sadeler (I), After Maerten de Vos, 1590 print The bride of Christ (the church) sits on a throne in a temple. Christ is standing outside with his cross in a garden and through a window his hand touches her shoulder. In the background, spectators look at a high priest who preaches over the tables of the law and a lamb is sacrificed on an altar. The print has a Latin caption about the Solomon Song of Solomo and is the fifth print of a six -part series. paper engraving Song of Solomon, Song of Songs (with BOOK CHAPTER:VERSE) (+ Christ bearded). Tabernacle, Temple, Synagogue, and other sanctuaries ~ Jewish religion. 'Ecclesia' as bride of Christ (the Lamb), 'Ecclesia sponsa Dei', 'sponsus-sponsa'

Eliezer and Rebekka; History of Abraham; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Eliezer, the servant of Abraham, meet Rebekah at the well. She lets him drink out of her jug. On the right the camels and the result of elevener. On the left the women from the city are watering at the fountain. The fountain is crowned by a river god. Under the show a reference in Latin to the Bible text in Gen. 24. This print is part of an album.

Allegory with Christ who shows his wounds. Christ sits opposite a woman in a room. He shows her his wounds. The woman tramples a devil under her feet. Three angels are behind Christ. One is a banner, another a bowl with fruit and flowers. Under the show a reference to Genesis 3:15 and Hosea 13:14.

Jozef verklaart de dromen van de farao.Joseph stands for Pharaoh, who is on his throne, and explains his dreams. In the background the magicians and scholars from Egypt, who could not explain the dreams. Top left were the dreams pictured: the seven fat and the seven lean cows. A dog in front. Under the show a mereotric explanation in Latin, Hebrew, English, German, Dutch and French. Above a reference to the Bible text in Gen. 41: 15-36.

Allegorical vignette with the weapon of a Cardinal, Pieter Tanjé, After Louis Fabritius Dubourg, 1716 - 1761 print Around a monument with the coat of arms of a cardinal and bishop, there are and standing several allegorical figures. On the left are believers at a lamb, and is the purity with a white lily in her hand. On the right the personification of the church: Ecclesia, with a miscarriage in her hand. Behind her is the divine inspiration, with the pigeon of the Holy Spirit above her head. Putti play in the foreground with the episcopal staff and miter. On the left the rooster of Peter. Amsterdam paper etching / engraving the Church personified, 'Ecclesia', usually with chalice and banner. insignia of cardinal, e.g. hat, mantle. Incorruption, Purity; 'Purità' (Ripa). cupids: 'amores', 'amoretti', 'putti'

Presentation of Christ in the temple (left part). In a temple, Mary kneels with the Christ child in her arms. Mary is surrounded by several figures including Joseph and the High Priest Simeon. For Maria there are an altar, worn by putti, and a man with a big book. A woman with two pigeons is behind Maria.

Saint Joseph and a bishop in an altar with Mary with child, Marco Dente, 1498 - 1532 print With the Christ child, Mary is sitting on an altar on her lap. In the foreground are a bishop with a book and Saint Joseph leaning on a staff. paper engraving Madonna: i.e. Mary with the Christ-child. archbishop, bishop, etc. (Roman Catholic). the foster-father of Christ, Joseph of Nazareth, husband of Mary; possible attributes: flowering rod or wand, lily, carpenter's tools

Adoration of the shepherds, print maker: Jan Luyken, (mentioned on object), Jan Luyken, (mentioned on object), publisher: Willem Broedelet, Amsterdam, 1700, paper, etching, h 274 mm × w 182 mm

David is anointed by Samuel; Story of David and Saul. David kneels for the prophet Samuel, who beats him from a horn to king. His harp is located for David. Among other things his father Isaï and David's brothers watch. The head of a cow is sacrificed behind Samuel. At the rear left, Samuel asks God for the Council and the right is David picked up to appear before Samuel. At the bottom of a cartouche with a three-legged text in Latin and in the margin a single-line caption in Latin from 1 Sam. (Incorrectly referred to as 1 kings on the print).

Christ in Debate with Pharisees, Matthijs Pool, After Bernard Picart, 1720 - 1728 print Pharisees put Christ to the test. They show him a tax coin. However, Christ has passed their angry design and answers: "Then give what the emperor belongs to the emperor, and give to God what God belongs." Illustration of the Bible text mat. 22:19. Under the show the title in Hebrew, English, German, Latin, French and Dutch. print maker: Amsterdampublisher: Amsterdampublisher: The Hague paper etching / engraving Christ (in the temple) in debate with Pharisees about the tribute to Caesar (Matthew 22:15-22; Mark 12:13-17; Luke 20:20-26)

Christ for Kajafas, Marinus Robyn van der Goes, after Jacques Jordaens, 1630 - 1639 print Antwerp paper engraving Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71)

Truth and faith for a relief with the worship of the shepherds, Jacob van der Schley, 1741 print For a relief of the worship of shepherds are personifications of the truth and faith and five angels. There are a winch and a trumpet in the foreground. Amsterdam paper etching / engraving adoration of the Christ-child by the shepherds; Mary and Joseph present. Fides (faith) as Roman personification. Truth; 'Verití' (Ripa). cupids: 'amores', 'amoretti', 'putti'

The virtuous woman does charity, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1555 print The virtuous woman hands out bread to the poor. One of the beggars is the personification of charity. In the background the virtuous woman dresses the nudes. The print is based on Proverbs 31:20: "She extends her hands to the needy, she gives the poor help." The image has a German caption and is part of a six -part press series that praises the activities of the virtuous housewife. print maker: Haarlemafter design by: Haarlempublisher: Groningen paper etching / engraving the book of Proverbs (with BOOK CHAPTER:VERSE). Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. feeding the hungry, 'esuriens cibatur' ~ one of the (seven) Acts of Mercy. clothing the naked, 'nudus vestitur' ~ one of the (seven) Acts of Mercy. ideal wife

Ludwig Krug (German, c. 1488 - 1532), The Adoration of the Magi, engraving

Ecce Homo, Nicolaes Lauwers, After Peter Paul Rubens, 1610 - 1659 print This print is part of an album. Southern Netherlands paper engraving Christ alone (also called 'Ecce Homo')

King David receives his harp ..

Simeon and the Christ child; Christ in the arms of Simeon.maria and Jozef meet the old man Simeon at the temple in Jerusalem. The old man takes the Christ child into his arms. He was promised that he would see the Messiah before he would die. Illustration for the New Testament, Luc. 2, 28. Under the show a title in Greek, English, German, Latin, French and Dutch.

Birth of John the Baptist. Right right lies Elisabet in the baby bed and is embraced by one of the women who visit her. Angels keep the sky of her bed up. Left front a group of women gives the child a bath. From a window in the rear wall of the room, God looks the father to the events.

Jan Muller after Abraham Bloemaert, The Raising of Lazarus, c 1600 The Raising of Lazarus

Presentation of Christ in De Tempel, Jan Wandelaar, 1725 print In the temple, Mary gives the Christ child to the kneeling Simeon. Joseph is next to her. Anna looks with folded hands. At the top right it is: Page: 31. North Netherlands paper etching / engraving presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

Christ blesses the children; Let the children come to me; Events from the life of Christ; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Christ blesses the children who are brought to him by mothers. The disciples look. Under the show a reference in Latin to the Bible text in Luc. 18:15. This print is part of an album.

Christ anointed by Maria Magdalena; Venientem Ad Me Non Ejiciam Foras; Spacious bible. Christ with his apostles at the table in the house of Simon de Fareeër, where a woman washes his feet with her tears and she dries with her hair. In addition to her, a bottle with oily film. Some of the apostles are around the table, rear left-handed servants bowls with food inside. Simon sits on the left in a chair, he bears the legal tables above his forehead. Under the show the title in Latin, two four-line verses in Dutch, a four-line verse in Latin, two four-regulated verses in French and a reference to the Bible text in Luc. 7.

Doornenkring van Christus, Crispijn van de Passe (I), 1601 print Two soldiers with sticks push the crown on the head of Christ. A third soldier is about to hit Christ in the face. The show is caught in an oval frame with an edge writing in Latin. Print from a series with the passion of Christ. Cologne paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Moses and Aaron for the Pharaoh. The pharaoh is sitting on a high throne under a canopy. Soldiers stand next to him. Moses and Aaron stand for him. The city can be seen through an arcuate niche. A group of people are waiting for the Palast of the Pharaoh.

Het Sterfbed Van Maria, Pietro Aquila, After Giovanni Maria Morandi, 1660 - 1692 print Maria is on her deathbed. The apostles and praying women stand around the bed. Putti floating above the bed. Italy paper etching the Dormition: Mary on her deathbed; the apostles are gathered around her (John the Evangelist may be shown sleeping or dreaming)

Ludwig Krug, The Adoration of the Magi The Adoration of the Magi

Kruisafneming, Cornelis Cort, after Girolamo Muziano, 1568 print Christ is taken from the cross by Nicodemus and Joseph of Arimathea. There are four ladders against the cross. Maria Magdalena grabs Christ's feet. There are weeping women on the ground. Rome paper engraving descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Pheroras kneels in fine dress for his brother Herod.

Ananias heals the blindness of Paulus, 1591 - 1600 print Ananias stands for the kneeling Paul and heals him through the laying on of hands of his blindness. Two women and a few soldiers watch behind them. Under the show a two -line text in Latin. This print is part of an album. paper engraving Ananias restores Saul's sight by laying on hands

De Heilige Familie Met Engelen, Giovanni Battista Beinaschi, After Domenico Cerrini Perugino Giovanni, 1652 print A landscape with the holy family and three angels. Text in Italian in STUDMARGE. Italy paper etching Holy Family, and derived representations. angels

Batseba leads her son Solomon to the throne, Gilles Rousselet, after Sébastien Bourdon, 1645 print A crowned Batseba leads her son Salamo to a throne on which a crown and scepter lie. Behind them, bystanders and angels look in clouds. Above them two putti hold a open Bible with a title. In the lower margin the Latin text Egredimini et Videte Filiae Sion Regem Salomonem in Diademate Quo Coronavit Illum Mater Sua. Paris paper engraving Solomon and Bathsheba. Solomon enthroned

The holy family with angels. A landscape with the holy family and three angels. Text in Italian in undermarge.

Presentation of Christ in the temple. .

Dressing the nudes; Seven works of mercy; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. In an interior, men and women share clothing to the people who have no clothing. Christ is in the middle of the space. Under the show a reference in Latin to the Bible text in mat. 25:36. This print is part of an album.

Christ in discussion with the scribes in the temple. The 12-year-old Christ discusses the scribes in the temple.

Peter and John for the High Priest, 1558 print Peter and John are brought before the court, consisting of the high priest, scribes and elders. print maker: Haarlempublisher: Antwerp paper engraving the high priest and Sadducees have Peter and the apostles put in prison (Acts 5:17-42)

Christ blesses the children, Jan Luyken, 1703 - 1713 print Print Maker: Haarlem Publisher: Amsterdam paper etching Christ blessing children brought by their mothers, usually with some disciples disapprovingly looking on (Matthew 19:13-15; Mark 10:13-16; Luke 18:15-17)

Biblical scene from the Old Testament The idol Moloch holds a child sacrificed to him by the Israelites Around the statue of Moloch a crowd of people looks on, next to the statue three figures blow the trumpet Print marked at upper right: 2 Part, Page 23, The idol Moloch receives human sacrifices The idol Moloch, to whom the children in their glowing arms were offered , print maker: Jan Lamsvelt, (mentioned on object), P. Goeree, (mentioned on object), 1684 - 1743, paper, engraving, h 283 mm × w 173 mm

Christ Driving Moneychangers from the Temple, one of four scenes from the Life ofChrist. Artist: Unknown

Crossing, Antonie Wierix (II), After Maerten de Vos, 1583 - 1587 print Christ falls to Golgota while wearing his cross. Simon van Cyrene helps him. A Roman soldier encourages him to get up. A woman and her little child look sad. Antwerp paper engraving Christ collapsing ~ carrying of the cross

Jona preaches in Nineve about the destruction of the city in forty days. Third print from a series of four about the Bible book Jona.

Christ and the Samaritan woman; Conversions of sinners; Theatrum Biblicum (...). Christ rests at the Jakobsbron, after he sent his disciples to the city. On the left they leave for the city. A Samaritan woman is coming to draw water and speaks with Christ. Under the show a reference in Latin to the Bible text in John. 4: 6.

. Two soldiers push the thorns crown with sticks on the head of Christ. A third soldier is about to hit Christ in the face. The performance is caught in an oval frame with a peripheral panel. Print from a series with the passion of Christ.

Calling of Zacheus, Philips Galle (attributed to workshop or), After Maerten de Vos, 1547 - 1612 print The Tollenaar Zacheus crawled into a tree to see Christ at his entry into Jericho. Christ calls Zacheus with him and forgives his sins after he has shown repentance. The print has a Latin caption and is part of a series about penance and repentance in the old and New Testament. paper engraving calling of Zacchaeus, who is sitting in a fig-tree (Christ passing through Jericho)

Christ heals a possessed man in the synagogue, Gilliam van der Gouwen, after Bernard Picart, 1728 print Christ orders an unclean spirit to leave from a possessed man. The unclean spirit makes the man convulsion and leaves him (Mar. 1:23). The print has a Greek, Latin, French, English, German and Dutch caption. print maker: Amsterdampublisher: The Hague paper engraving / etching healing of a possessed man in a synagogue (Mark 1:23-28; Luke 4:33-37)

Christ heals the sick of Bethesda.

Mocking and thorns of Christ, Anonymous, After Schelte Adamsz. Bolswert, After Anthony Van Dyck, 1630 - 1654 print Christ is crowned by a soldier with a crown and he gets a reed stalk from another man as a scepter. On the left a soldier dressed in a lion sheet. At the bottom of the margin a reference to the Bible text in mat. 27 in Latin. Antwerp paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

King Cyrus and Daniël discover the footsteps in the axis, 1601 - 1633 print King Cyrus and Daniël come to the temple in the morning and see footsteps in the axis that Daniel has sprinkled over the floor. They discover the secret entrance to the temple and Cyrus lets the priests and their families imprison and killed. print maker: Haarlempublisher: Antwerp paper engraving the priests of Bel and their relatives are arrested; they are put to death afterwards

Absalom appeals to the jamming Tamar; History of Tamar and Amnon. Tamar is sitting on the street under a pillar and she scot fabric on her head and tears her multicolored dress because she was raped by Amnon. Her brother Absalom looks for her, followed by two servants, and bears up her about the incident to be silent.

The Adoration of the Shepherds 1569 Cornelis Cort Netherlandish. The Adoration of the Shepherds. Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). 1569. Engraving. Prints

Allegorical performance with an angel; Title page for: Willem Hendrik Sels, Salomon, King of Israel, 1765. An angel, the personification of poetry, a monk reaches a roll of paper. In the foreground is an old man with a beard to write a book, next to him a woman. In the background the figures with symbols of true faith.

Esther for Ahasveros, Richard Collin, After Peter Paul Rubens, 1650 - 1679 print Esther collapses for the throne of King Ahasveros. She must be supported by two servants. King Ahasveros reaches her. Under the portrait a Latin verse and a episcopal weapon. paper engraving Esther before Ahasuerus (Esther 5:1-4)

Reproductive Print of the Miracles of St. Francis Xavier Altarpiece 1615-39 Ignatius Cornelis Marinus. Reproductive Print of the Miracles of St. Francis Xavier Altarpiece 412522

Ascension of Maria, Jacques Callot, after Girolamo Muziano, 1608 - 1611 print Mary rises to heaven in a cloud of angels; The apostles look at her from the ground. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print. Rome paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

The preaching of St. John theBaptist. Artist: Willem Swanenburg, Dutch, 1581-1612

King David receives his harp ..

Conversation with the Samaritan woman; Life of Christ; Vita I. Christi. Christ is at a source in conversation with a Samaritan woman. He asks her about water from her jug. The apostles in the background (John 4: 1-30). The print has a Latin caption. The print is part of a series about the life of Christ.

Maria and Joseph's marriage.

Mary Magdalene washes the feet of Christ, print maker: Cornelis Galle I, Maerten de Vos, 1598 - 1618

Saint Rochus divides its riches among the poor. In a courtyard there is the Holy Rochus on the left. He gives coins to a crowd that stands for him. In the middle a man with a violin and left a sick lying on a car.

Opwekking the young man in Naïn, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching Christ touches the bier of the son of the widow of Nain: the young man sits up

. During a feast in honor of Herodes, Salome de Koning and her mother presents a dish with the hairded head of John the Baptist. The partygoers look curiously to the head. The print has a Latin caption.

Petrus and John are released; History of Petrus and Johannes. Petrus and Johannes for the high priest. After a deliberation of the court, the apostles are released and they can leave without buoys. In addition to them, the cured beggar walks with his stools.

The departure of Rebekka; Performances to paintings by Amigoni. Rebekah says goodbye to her family before leaving Canaan to marry Isaak. Reference to Bible text in Latin in undermarge.

The Holy Family with the Virgin Bathing the Christ Child. Giulio di Antonio Bonasone (Italy, Bologna, circa 1498-1580). Italy, circa 1550-1560. Prints; engravings. Engraving

Healing the man at the Betesda bath.

Saint Mary (the Blessed Virgin) and Saint Joseph with the Christ Child and Saint John the Baptist. Engraving by A. Vallée, 1592.

Sadeler, Johann (I), Vos, Maerten de, Keulen, Virtutes Iesu Christi Filii Dei Vivi, Virtues of Christ, Prosapia, Adoration of the Magi: family, verso lower left - stamped, The three kings have followed a star to the stable. They greet the Christ child and offer gifts. The second print of an eight-part series with scenes from the life of Christ depicting his principal virtues., print, prints, height 180 mm, width 134 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Blocklandt, Anthonie, Galle, Philips, Den Grooten Figuer-Bibel, Six scenes with Christ and women from the gospels, Van Christi Herder-Ampt, en andere gheschiedenissen, Christ heals a crippled woman, lower right - handwritten in brown ink, Christ teaches in the synagogue. He heals a woman who has been crooked for years and can no longer stand up. Christ sits on a chair, the woman kneels before him. He holds hands on her head. Below the image a reference in Latin to the Bible text. This print is part of an album., print, prent, albumblad, prints, prenten, 89, height 209 mm, width 257 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, prentmaker, 1575 - 1581, paper, papier, engraving, engraving (printing process), Work conception, 1532 - 1583, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Holy Viviane refuses to sacrifice the pagan gods, Giovanni Battista Mercati, after Pietro da Cortona, 1626 print A group of women sacrifices a pagan statue for a gallery. Saint Viviana turns his back on the women and the image. Assignment in the end margin. print maker: Romeafter painting by: RomeItalyItaly paper etching female saints (with NAME). Sacrifice

Ananias heals the blindness of Paul; Acts of the Apostles. Ananias stands for the kneeling Paul and heals him through the commitment of his blindness. Behind them two women and some soldiers watch. Under the margin a two-person caption in Latin.

Cointha refuses to sacrifice the idols, Jan Luyken, 1685 print Amsterdam paper etching places and objects of worship ~ non-Christian religions

Saint Joseph and a bishop in an altar with Mary with child, Marco Dente, 1498 - 1532 print With the Christ child, Mary is sitting on an altar on her lap. In the foreground are a bishop with a book and Saint Joseph leaning on a staff. Italy paper engraving Madonna: i.e. Mary with the Christ-child. archbishop, bishop, etc. (Roman Catholic). the foster-father of Christ, Joseph of Nazareth, husband of Mary; possible attributes: flowering rod or wand, lily, carpenter's tools

Healing the Paralytic (Jésus-Christ prouve en guérissant un paralytique, qu'il a le pouvoir de pardonner les péchés). Artist: Claude Vignon (French, Tours 1593-1670 Paris). Dedicatee: Charles De Lorme (French). Dimensions: sheet: 8 13/16 x 6 5/16 in. (22.4 x 16 cm). Publisher: Pierre Mariette (French, 1596-1657). Series/Portfolio: Miracula Domini Nostri Jesu Christi, no. 8. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Luyck, Hans van, Antwerp, Broeck, Crispijn van den, Collaert, Hans (I), Foot washing of Peter, recto right below - written, Christ sits kneeling before Peter and washing his feet. Peter protests. The other apostles stand and sit barefoot around the two (John 13:4-17). The print has a Latin caption., print, prints, verso bottom center - stamped, 244, recto bottom center - written, 1, height 202 mm, width 259 mm, South Netherlandish (before 1775), 1540 - 1581, print maker, printmaker, 1534 - 1580, paper, engraving, engraving (printing process), Work conception, South Netherlandish, 1524 - 1591, after a design by, Publication (Event), Publication, publisher

Esther for Ahasverus, Frans Crabbe Van Espleghem, 1490 - 1552 print Esther Kneelt, Ahasverus on Throne is skepting against Head of Esther. Low Countries paper engraving Ahasuerus holds out his sceptre to Esther (Esther usually kneeling)

Paul hits the wizard of Elymas with blindness. Design for a print.

. In the middle of a niche, Mary is next to the Christ child in the manger. Behind Maria is Jozef and the OS and the donkey. Shepherds kneel for the Christ child. The print has a Latin text as a caption.

Holy family with Johannes and Elisabeth, Nicolas Pierre Loir, 1634 - 1679 print France paper etching Holy Family with John the Baptist, Elisabeth present

Worship through the kings. Maria, Joseph and the Christ child sitting in a ruin. Around the ruin there is a crowd of people, between which the kings that the Christ child are worshiped. In the background right the camels of the kings and a barn.

Saint Mary (the Blessed Virgin) with the Christ Child, Saint Catherine of Siena and Saint Mary Magdalen. Engraving by F. Rosaspina, after L. Bendini after F. Albani, 1599.

Healing of the man at the Bad van Betesda, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching Christ says to a paralytic man: 'Rise, take up your pallet (bed)'

Worship of the shepherds, Cornelis Bloemaert (II), After Rafaël, 1633 - 1692 print The shepherds worship the child in the stable. They kneel for Maria, Joseph and the child, one of them has taken a sacrificial lamb. Engelen make music on string instruments in a corner of the stable. Joseph is leaning back against a column, Maria is about to breastfeed the child. Rome paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Two kings, accompanied by their ministers and officers, shake each other above the peace altar in a temple. In the air the alloying eye surrounded by light rays and harpies that tumble out of heaven. In the background statues of virtues with in the middle peace and justice that embrace each other. Ambarsiness, discrimination, deception and wickedness at war in the foreground. With an empty margin.

Mary with Christkind, surrounded by saints and angels, Anonymous, After Paulus Pontius, after Peter Paul Rubens, 1661 - 1684 print Mary shows the Christ child to the saints, including Mary Magdalena, who surround her. Three angels laurels the Christ child. In the foreground the H. Hiëronymus, accompanied by his lion, who holds the Bible and raises his hand. In the margin a caption in Latin. Antwerp paper engraving Madonna: i.e. Mary with the Christ-child (+ donor(s), supplicant(s), whether or not with patron saint(s)). the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone. the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Bathseba kneels for David.

Interior with crib in which Louis XIII. Hovelings are located around Louis XIII on his deathbed. Left in the foreground A clerk that puts a candle on a table.

Léonard Gaultier, Christ Heals the Paralyzed Man, probably c 1576 1580 Christ Heals the Paralyzed Man

Christ and the Samaritan woman. Christ rests at the Jakobsbron and sends his disciples to the city. A Samaritan woman is coming to draw water and speaks with Christ.

Punishment of the man without wedding clothing; Similarity of a wedding party. A wedding party where guests are credited to a meal. A man without wedding clothes wants to join the wedding party but is stopped by the king who has organized the party. He believes that "many are called, but only few chosen" (Matt. 22:14). In the background the man is punished by throwing him into the hell fire. The print has a Latin caption and is part of a six-part series about the parable of a wedding party.

Circumcision of Christ, Giuliano Traballesi, After Guido Reni, 1737 - 1812 print The Christ child is circumcised on a table. A group of men and women watches. In the foreground an angel keeping a bowl up. print maker: Italyafter own design by: Italyafter painting by: Sienapublisher: Florence paper etching / engraving circumcision of the Christ-child by the priest in the temple (Luke 2:21)

Worship through the kings. Maria is on a cave with the Christ child. By a city gate behind the procession consisting of the kings and their consequences. In margin under the print, Latin lines.

Mystical marriage of Saint Catharina, Schiavone, c. 1550 - c. 1560 print Mary holds the Christ child while he slides a ring around the finger of Saint Catharina who kneels before him. On the left an angel and two standing saints on the right. Italy paper the mystic marriage of St. Catherine of Alexandria with the infant Christ: the Christ-child puts a ring on her finger

Jeremiah pulled out of the pit, Jan Luyken, 1712 print Amsterdam paper etching Jeremiah is released from the dungeon

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