Biblical Scenes in Art

Intricately designed prints illustrating biblical narratives through allegorical representations and ornate decoration typical of early 18th-century artworks.

Jozef commissioned to save the grain and Jozef's brothers tell Jakob that Jozef lives, Bernard Picart (workshop of), After Bernard Picart, 1683 - 1733 print Two performances on a leaf, reversed in relation to each other. Presentation 1: Joseph instructs Egypt as a vicerity to harvest and store the grain. In the middle of a reference to the Bible text in Gen. 41:48. The performance is caught in an ornamental list of hybrid animals. Presentation 2: Jozef's brothers tell their father Jakob that Joseph is still alive. Jakob does not believe this in the first instance. In the middle of a reference to the Bible text in Gen. 45:25. The show is caught in an ornamental list of putti and crabs. Amsterdam paper etching / engraving Jacob is told of Joseph's position. Joseph prepares for the famine and stores up corn. ornament ~ hybrid beings; human and animal forms mixed. mask, mascaron ~ ornament. ornament ~ festoon, garland

Jozef commissioned to save the grain and Jozef's brothers tell Jakob that Jozef lives, Bernard Picart (workshop of), After Bernard Picart, 1683 - 1733 print Two performances on a leaf, reversed in relation to each other. Presentation 1: Joseph instructs Egypt as a vicerity to harvest and store the grain. In the middle of a reference to the Bible text in Gen. 41:48. The performance is caught in an ornamental list of hybrid animals. Presentation 2: Jozef's brothers tell their father Jakob that Joseph is still alive. Jakob does not believe this in the first instance. In the middle of a reference to the Bible text in Gen. 45:25. The show is caught in an ornamental list of putti and crabs. Amsterdam paper etching / engraving Jacob is told of Joseph's position. Joseph prepares for the famine and stores up corn. ornament ~ hybrid beings; human and animal forms mixed. mask, mascaron ~ ornament. ornament ~ festoon, garland

Nicolas Boileau with a Sater. The writer Nicolas Boileau-Despréaux takes a Sater, which represents the satire, at the arm. The Sater holds a scales with the names of Virgilius and Chapelain. In the background the mountain parnassus. The performance is caught in an ornamental list of two dragons in the top corners.

Rocaille framing with putti. Rocaille framing with two putti. Publisher number 113.

Saturnus, Apollo in Bacchus; 1st remark from Saturn to Apollo, 2nd remark from Apollo to Bacchus; C oval medallions; New historical iconology or attributes Hierogliphyats (...). An Oval Medallion with the Sun and the Moon, An Eagle With Lightning Bolts, A Winch, A Globe, A Map, Horns and Measuring Instruments. Print Number 13.

Cartouche with two male torsos; Cartouches The Diferents Inventions (...). A mountain landscape is depicted in the cartouche. Leaf 10 from series of 13 sheets with cartouches in French lobe style.

Three young men at waterfall; Figures in landscapes; 10me Livre K Morceaux de Caprices, A Divers Usages. A young man with rod stands on a shore next to a waterfall, next to him is a young man who travels his hand towards a swimming young man in the water. Around the show an oramic frame.

Vase and painting attributes. An ornamented vase with garlands in a rectangular frame. Byond this a panel with garlands and painting attributes such as a bust, a palette, brushes and a canvas. Publisher number 67.

Paneelvulling met monument met kreeft en vis.Panel filling with a monument with water bird, lobsters, nets and fish. Above a calm and drinking couple in a landscape. Completely above a putto with the crowbar.

Design for a Tabernacle, Plate 3 from the series 'Tabernacle'. Artist: Franz Xavier Habermann (German, 1721-1796). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for a tabernacle in frontal elevation. The tabernacle is built up out of C-volutes and is decorated with rocaille ornaments. The structure has a deep central niche, and is crowned by a baldachin of rocaille ornaments. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Fountain with in love couple, Johann Esaiaas Nilson, 1731 - 1788 print Above a rocaille fountain is a couple in love. The fountain is decorated with four putti, they symbolize the four elements fire, earth, air and water. Augsburg paper etching / engraving garden fountain. cupids: 'amores', 'amoretti', 'putti'. the four elements, and ether, the fifth element. couple of lovers

Personification of the Macedonian Empire, Heinrich Ulrich, After Jost Amman, 1582 - 1671 print Female figure sitting on a broken column with a scepter and a shield. On the left an animal with four cups and four wings. Ruins in the background. Numbered in the middle: 3. paper engraving four great beasts rising from the sea ~ Daniel's visions. the leopard with four bird's wings and four heads ~ Daniel's visions. personifications of countries, nations, states, districts, etc.. landscape with ruins

Cartouche with Triton and Dolphin, Anonymous, c. 1688 print The edge of the cartouche is decorated with dod densen. From series of vignettes with sea codes and allegories, used as an illustration in the book Histoire Metallique de la République de Hollande by P. Bizot. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Amsterdam (possibly) paper etching

Angel Approaching Man on an Ass (BibleScene). Artist: Unknown

Vignette, François Joullain, France, 1697 - 1778, Etching on paper, France, 1760-1761, Print, Print

Cartouche with fama and divine and human wisdom. Design for a cartouche intended for a map of the island of Malta. Left fama with her trumpet, on the right a personification of divine and human wisdom. Design for a print.

Print, Fan leaves, Eighth and ninth plates of the set, "Divers Desseins de grands Eventails, Encrans, et autres Ornamens, inventés et gravés par Nicolas Loire"; Engraved by Alexis Loir; After Nicolas Loir (French, 1624 - 1679); France; etching, engraving on laid paper; 35.1 x 38.7 cm (13 13/16 x 15 1/4 in.); 1944-16-11-1

Vase with putti and snakes; B Iie Cahier De Petits Vases. A vase with putti and snakes worn by two putti.

Fame with the French coat of arms.

Johann Esaias Nilson, Cartouches Modernes orné avec des (diferentes Figures) (Plate VI 1 from the set) Cartouches Modernes orné avec des diferentes Figures (Plate VI-1 from the set)

Rolling cartouche with Daphne and Apollo, 1640 print Daphne has turned into a tree. From series of 38 cartouches, decorated with masks, garlands of fruit and flowers, shells and animals. paper engraving Apollo pursuing the nymph Daphne (as yet not metamorphosed)

Vignette with boy carrying for a lady flute in landscape ..

Peace and war sitting under four ornaments; La Décoration Industrielle. / La Paix et La Guerre. Top left are peace and war on a pedestal, right is a fountain depicted at the top of a putto that leads a swan. Bottom right: 21.

Frieze, from the set, 'Ornemens à la Mode', Jacques Androuet Du Cerceau the Elder, French, ca. 1515 - after 1584, Engraving on laid paper, An escutcheon with the title between two friezes, either with a landscape in the center., France, ca. 1650, ornament, Print, Print

Two Putti with medallion from Laurier, Claude Mellan (Attributed to), After Claude Mellan, 1608 - 1688 print paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'

Fountain with male figure, anonymous, after Jacques de la Joue (II), 1738 - 1749 print A fountain with rocaille ornaments and a male figure in a niche. Around a rocaille frame with two naked figures with a trident. Paris paper etching ornamental fountain. standing figure

Design for a Frontispiece with an Allegory of Brazil. Artist: Ottmar Elliger the Younger (German, Hamburg 1666-1735 St. Petersburg). Dimensions: sheet: 10 5/8 x 8 in. (27 x 20.3 cm). Date: late 17th-mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for Coat of Arms, from 'Livre de Cartouches', Nicolas Guérard, French, 1648-1719, Etching on paper, Plate 4. Four escutcheons. Four native men, a satyr. Two captives., France, ca. 1680, Print, Print

Dutch Virgin with the Dutch lion. The Dutch virgin is in her hand with the freedom slate. In addition to her the Dutch lion with the bundle arrows, symbol of unity. At the top of the Dutch weapon, at the bottom of the coat of arms of The Hague.

. Allegory on the uplifting of Prince Willem IV to Stadholder in May 1747. The Dutch lion with sword, lance and freedom hat watches in the Dutch garden in the Divine Light Orange tree. In accompaniment with weapons of the seven provinces and portrait medallions from Prince Willem IV and his wife Anna van Hanover and the earlier Princes of Orange. At the top right: p. 1.

Avitae virtutis Heres avitae gloriae Heros splendebit in utroque, Vignette with putti at (grave) monument, verso - stamped, Four putti stand at a (grave) monument with portrait medallion and bust. Below a motto and cartouche with a hand with sword surrounded by a branch. In the background a landscape with buildings and a mill., print, prints, etching, engraving, engraving (printing process)

Print (France & England); engraving on paper; 1902-27-4

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), five small pieces for the poemata of the urban pope VIII, David playing the harp in front of Saul, head of chapter. Second piece. (A. de Vesme 912. Dutuit 39 bis) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Augsburg, Nilson, Johann Esaias, Cartouches Modernes orné avec des diferentes Figures, Cartouche with three figures, verso - stamped, A putto sits next to a vase on a rocaille cartouche with the series title. To the left of the cartouche are a man and a woman, to the right is a woman with a jug. In the bottom margin are two columns with two-line German text. Publisher's number VI., print, ornament print, title print, prints, ornament prints, height 186 mm, width 287 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1731 - 1788, paper, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

The title vignette for Eloge de Milord Marechal d'Alembert Chodowiecki, Daniel Nikolaus (1726 1801)

Deraisme, Pierre -Georges (n.1859 - D.1932), XVIIIth medallion (main title), 1895. Graphite. Ink and watercolor on block sheet. Petit Palais, Museum of Fine Arts of the City of Paris.

Alessandro de 'Medici en Jordan Ursinus Anonymous, after Jeremias Wachsmuth, 1721 - 1756 print Two rocaille frames. On the left a rhino in a tropical landscape. Above and below the show The texts Alexand Medices Magnus Dux Hertruriae, Non Recedo Nisi Vincam. On the right a deer yacht scene. Up and below the show The texts Iordan Ursinus Rom Dux Vice Rex Siciliae, Non Reddunt Cornua Tutum. Augsburg paper etching ornaments ~ art (+ framing decorations). hoofed animals: rhinoceros. stag-hunting

Plate 7: a cartouche flanked by two satyrs, crowned with half a herm and half a cardinal's hat, from 'Nouvelles inventions de Cartouches' ca. 1647 Stefano della Bella Italian. Plate 7: a cartouche flanked by two satyrs, crowned with half a herm and half a cardinal's hat, from 'Nouvelles inventions de Cartouches' 397878

Paris, Tavernier, Melchior, France, Rabel, Daniel, Cartouches de diferentes Inventions, Cartouche with mask, The forehead of the mask consists of a fan-shaped claw of a bird of prey. The cartouche depicts a hilly landscape with a river and a city in the background. Sheet 5 from a series of 13 sheets with cartouches in French lobe style., print, ornamental print, prints, ornamental prints, height 174 mm, width 130 mm, 1578 - 1637-01-03, print maker, printmaker, 1632 - 1632, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Bliżej Kultury unknown

Bad of the wife of the Sultan, Claude Augustin Duflos, after Jacques de la Joue (II), 1731 - 1761 print A half -naked woman with a lute in her hand lies on a bed of cushions on a rocaille throne with half moons. The throne runs out at the bottom in a waterfall. On the left are two servants, on the right two servants respectfully bent forward. At the top right is the sultan with a staff. In the background fountains and the sun. paper etching / engraving taking a bath - AA - in the open air. ruler, sovereign - BB - female ruler

Personificatie van de nacht; Diverse kerkelijke voorwerpen; Disegni diversi inventati e delineati da Giovanni Giardini da Forlì.Night personification in a car drawn by two owls. The night holds a trunk with flowers why a winged figure is wound. The winged figure holds an oil burner, with which a bat floats. Numbered upper left: No. 72.

Print, Engraving on paper, France and England, before 1902, Print

Man delved into book and woman at Koe, 1690 - 1710 print Central a standing man reading in a book. Above it a half figure with two faces, a crown on the head, a baby under the arm, and a scythe in the other hand. Leaning in the middle of a woman against a monument and a cow. Amsterdam paper etching / engraving ornaments ~ art. reading. cow

Cartouche in landscape with colonnade; Cartouches in landscapes. A rocaille cartouche in a landscape with a colonnade and left a tree.

Vignette with Two Nymphs 1778 Jean-Baptiste Huet I French. Vignette with Two Nymphs 399126

Rocaille frame. Picture frame with rocaille ornaments and floral motifs. Publisher number 146.

Helmet on which a coat of arms hangs, 1625 print With leaf vines. Leaf from series of coats of arms with empty compartments. Amsterdam paper engraving

Lazio Viterbo Caprarola Palazzo Farnese068. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cartouche with tree in storm; Sic Spes Destituit; Eight cartouches. A cartouche with a tree in a storm and a banderole with text. The cartouche contains a skeleton with mantle.

Comedy 1804 England. Pen and gray wash on cream wove paper, laid down on cream card . William Marshall Craig

Coat of arms of Hohenstein-Müllenheim by Straßburger Meister using brown and gray ink with red laved accents, circa 1530, showing disc tear and heraldic symbols.

Apollo shares rewards to arts and sciences, Minerva crowns the genius of France. .

Kalenderblad December, Andreas Reinhard (I), after Groot, 1686 - 1752 print paper etching the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'

Augsburg, Nilson, Johann Esaias, Cartouches Modernes a compagnés par des Enfans, Cartouche with four musicians and a monkey, verso - stamped, A rocaille cartouche with a pine cone as a crowning. Below the cartouche sits a monkey with a triangle. On the left a man plays a harp and a man and a woman are dancing. On the right a woman plays a string instrument. In the bottom margin a German text. Publisher number VII., print, ornamental print, title print, prints, ornamental prints, height 185 mm, width 285 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1731 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

A gray ink allegorical drawing by Johann Christian Sambach depicting the death of Leopold II, showing symbolic figures, composition, and narrative elements.

Design for Fan, from 'Écrans à Main', Etching on paper, Escutcheon: The embarcation for Cythera. Two couples and two puttos with torches, near a boat. Children at a bow contest are shown on top, persons resembling skaters, at the bottom., France, ca. 1725, Print, Print

Cartouches Modernes avec des Enfans qui representant les Modes d'Augsbourg, etching counterproof with drawing in pen and black ink and gray wash, on laid paper incised with grounding in red chalk for transfer on verso, sheet (cut within plate): 17.2 x 26.8 cm (6 3/4 x 10 9/16 in.), Schuster 1936, no. 66, State counterproof of proof state, Johann Esaias Nilson (artist) German, 1721 - 1788

Punt, Jan, Amsterdam, Crescite heroum soboles, Allegorical representation on the occasion of the marriage of Arnout van Citters and Sara Jacoba Ockerse, verso - stamped, Allegorical representation made on the occasion of the marriage of Arnout van Citters and Sara Jacoba Ockerse, married in Middelburg on 3 April 1737. The marriage god Hymen receives the couple and their entourage and leads them to the altar in a temple. In the sky putti with a horn of plenty and Fame. The representation is set in an ornamental frame, crowned with the couple's coats of arms, and on the plinth Liberty and a river god., print, wedding print, prints, height 241 mm, width 196 mm, Noord-Nederlands, 1711-04-02 - 1779-12-18, print maker, printmaker, 1737 - 1737, paper, papier, etching, etchings, engraving, engraving (printing process), colour printing, Work conception, after own design by

The Duel (Le Duel), from Essai de Papilloneries Humaines par Saint Aubin ca. 1756-60 Charles Germain de Saint-Aubin French. The Duel (Le Duel), from Essai de Papilloneries Humaines par Saint Aubin. Charles Germain de Saint-Aubin (French, Paris 1721-1786 Paris). ca. 1756-60. Etching; first state of two. Prints

Design for a Cartouche and a Representation of 'Taste', Plate 4 from 'Neu Inventierte auf die artigste Facon Sehr nutzliche Schild.'. Artist: After Johannes Rumpp (Central European, active Augsburg ca. 1730-1750). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Engraver: Johann Georg Pintz (German, 1697-1767). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for a rocaille cartouche, with a depiction in which a man is offered a cup of poison (likely the mythological story of King Aegeus and Theseus) in the central compartment, to illustrate the sense of 'taste'. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Foolishness dancing in the world. The personification of the foolishness dances with spot cobs in her hands on the globe. On either side of her horns of abundance, filled with worldly things, such as playing cards, money and musical instruments. The performance has been caught in an ornamental picture frame of leaf raft, rollerwork, two zotskopen.

Cirre a tweece a tweequers in a Leafap, Carl Albert Von Lose Lose Lose Losing, Affeinian Duvivian (SR.45 print On the left on a hill is a shepherd with his cattle, a standing and a sitting man on the right and a village in the background. Around the show a frame with dragons. Germany paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. village. dragon

Project for a declaration by Louis XVIII Anonymous. Project for a declaration by Louis XVIII. Chinese ink lavis, 1800-1825. Carnavalet Museum, History of Paris.

Minerva with the weapon of The Hague, Pieter Willem van Megen, 1760 - 1785 print Vignette with the goddess Minerva in a crowned oval with a spear and the weapon of The Hague. The Hague paper etching (story of) Minerva (Pallas, Athena)

The game / from / colimaliar Popular Image

Putto driving on bird, c. 1866 - c. 1900 print The bird's tail ends in a leaf vank. At the top right it is stated: n ° .73. publisher: Parispublisher: Londonprinter: Paris paper

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), vignettes for the book Les Triomphes de Louis le Just XIII by the name by Jean Valdor. Three rounds with Latin legend. Twenty-fifth number of a suite of 34 pieces. (A. de Vesme 952-957. Incomplete; Dutuit manuscript, Italian school, page 83. n ° 166) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Cartouche and Draken, 1736 - 1762 print A rocaille cartouche with the serial title. On the left is an oriental man, two dragons for the cartouche. Publishing number 16. paper etching ornament ~ cartouche. dragon

Putto driving on bird; Exuivers d'ornements aux Deux Crayons PAR BOLORDEAUX .. The tail of the bird runs out in a leaf rank. At the top right state listed: n ° .73.

Geharnaste ridder te paard / Drie wielen met kroon; Qui Cupit / Valer; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a landscape with a hearted knight on horseback. Among three wheels or wheels with a crown above. The concern of King Sancho IV and Ferdinand IV of Castile.

Ornament with the holy Bernardus van Menthon and two winged figures, 1714 print Numbered top left: no. 24. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching ornaments ~ art. angels. saints

Drawing, Triumph of Peace, Roundel, for the Aldini Villa at Montmorency; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and grey-brown wash over black chalk on textured paper; 24.2 x 22.1 cm (9 1/2 x 8 11/16 in.)

Memorial for Petrus Pijpers, Allegorical memorial for the poet Petrus Pijpers. In the middle the monument with the portrait of Pijpers on it, in a circular frame. On the monument two incense barrels, a harp with a laurel wreath, a snake and a number of books. There are also books in front of the monument. Below the portrait a two-line verse, other memorial structures, Petrus Pijpers, Theodoor Koning (mentioned on object), Amsterdam, 1789, paper, engraving, h 229 mm × w 148 mm

Hel, 1569 print Hell with fire in the middle. Satan is in hand with a trident with the three -headed dog Cerberus above the Hellemond. Damaged are torn and tortured by devils and demons. Around the show a edge text in Latin. This print is part of an album. paper engraving representations of hell (with the damned and devils), usually with burning fires - TT - with the devil (Lucifer) as ruler. the damned souls beaten, pricked, scourged, etc. by devils. devil(s) and demons

Antwerp, Hendricx, Gilles, Rogiers, Theodoor, Rubens, Peter Paul, Neefs, Jacob, Dish with triumph of Galatea, verso - stamped, A dish belonging to a water jug of Charles I, King of England. An oval dish with the triumph of Galatea or the birth in the middle of Venus: a naked woman surrounded by sea nymphs and tritons. Around the image are shell motifs and a border with sea creatures and water animals., print, ornament print, prints, ornament prints, height 219 mm, width 282 mm, Northern Netherlands, 1610-06-03 - 1660, print maker, printmaker, 1630 - 1660, paper, etching, etchings, Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, Work conception, 1602 - 1654, after design by, Publication (Event), Publication, publisher

Five trophies; Frontispices et trophées. Designs for five trophies. Top upstairs with square shovel and basket with flowers, top right with stairs and watering can, in the middle with pigeon on cartouche surrounded by musical instruments, hat, cage and rake, bottom with shovel and basket with flowers and bottom right with a jug, basket and grape rank. Publisher number XXXII.

Two putti with bust of Pan and Bijenkorf in Cartouche, Abraham Delfos, 1741 - 1820 print Bust van Pan sculpted by putto and other putto kneeled at Bijenkorf with honey bowl, in cartouche with curly leaf work and flowerguirlandes. paper etching (story of) Pan. cupids: 'amores', 'amoretti', 'putti'. bee-hive

Crowned family crest of Hogendorp flanked by a soldier and a bird of prey.

Watch case between two bouquets, Anonymous, After Jacques Vauquer, c. 1631 - c. 1736 print Watch case with the worship of the shepherds. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Netherlands (possibly) paper engraving

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), vignettes for the book Les Triomphes de Louis le Just XIII by the name by Jean Valdor. Three rounds with Latin legend. Twenty-first number of a suite of 34 pieces. (A. de Vesme 952-957. Incomplete; Dutuit manuscript, Italian school, page 83. n ° 166) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for a part of a list, c. 1785 - c. 1790 Design for a part of a list of the weapon held by two putti of Pope Pius VI Braschi. Rome paper. ink pen / brush

Hubert François Gravelot, Coat of Arms with Three Putti Coat of Arms with Three Putti

Design for an Escutcheon in Honor of William Earl Cowper (ca. 1665-1723), François Boucher, French, 1703 - 1770, Charcoal, brush and brown wash on tan paper, In the same direction as the etching--a memorial to William Earl Cowper after François Boucher by Nicolas-Dauphin de Beauvais, 1921- 6- 58. Justice with a pair of scales and a sword; Prudence and Peace are on top; attributes referring to Cowper at the bottom., ca. 1730, graphic design, Drawing, Drawing

Bookplate: Bibliotheque de G.N.P. Hasselaer. unknown, graphic artist

Design for Cartouche with Large and Small Compartments, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, In the upper compartment, two boys catching birds., Germany, 1745, ornament, Print, Print

Birth and marriage memorial, Joannes Bemme, After C. Groeneveld, 1800 - 1841 print In the middle a monument with two burning hearts and free space for text to be filled in. To the left of the Allegorical figures monument: religion, justice and mother love. To the right of the monument the abundance, the working position, the poverty and the God confidence. In the foreground all kinds of symbols. Rotterdam paper etching Justice, 'Justice'; 'Givea' (Ripa) ~ One of the four cardinal virtues. Parental love. Allegorical representation ~ Religion; 'Religion' 'religion of SS. Mauritio e Lazarus', 'religion True Christian' (Ripa). Profane Heart Symbolism ~ Love. 'Cornucopia' Horn of Plenty

Netherlands, Monogrammist IFL, Letter of Wishes with the Descent of the Holy Spirit, recto - handwritten in brown ink, Letter of Wishes with inscribed cartouche within a decorative frame with a representation of the Descent of the Holy Spirit (Pentecost). Handwritten message in calligraphy (Pentecost Letter) by G. van Vliet to his grandfather., print, engraving, popular print, letter of greetings, prints, engravings, popular prints, verso - stamped, OO, O i, verso - handwritten in brown ink, Pentecost Letter To My Dear Grandfather, There Descends the Guest from Above, height 420 mm, width 328 mm, height 405 mm, width 320 mm, Dutch, print maker, printmaker, 1775 - 1775, paper, papier, ink, inkt, etching, etchings, kleuren, kalligrafie, pen, Publication (Event), Publicatie, publisher

Wood engraving, England, by Thomas Bewick.

Greek warriors defeating Amazons on horseback. The destruction of the Amazons. In jaspidum, sanguin and dactylotheca. From the collection of the antiquarian Charles Francis Greville. Debellatio Amazonum. Mezzotint copperplate engraving by John Spilsbury from his Collection of Fifty Prints from Antique Gems, John Boydell, London, 1785.

Neüe inventiones von unterschiedlich nützlicher Silber-arbeit... ; pl. 11, Abraham Drentwet, 1647 - 1727, Black ink on paper, bound in half-leather and boards, Germany, ca. 1725, Print, Print

Drawing, Sepulchral Monument for Poet Pietro Giodani; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash, graphite on laid paper, lined; Image: 17.9 x 25.2 cm (7 1/16 x 9 15/16 in.)

Print, Le Temps de L'Après-dîné, from a set of the hours of the day; Print Maker: Francois Antoine Aveline; After Jean Mondon (French, fl. 1736 - 1745); France; engraving and etching on paper; 35.5 × 43.5 cm (14 in. × 17 1/8 in.); 1902-19-3

Print (France)

Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso) 1740-60 Anonymous, Italian, Bolognese, 18th century Italian. Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso) 343285

Cartouche with two putti at the top, Daniel Rabel, 1634 print In the compartment, a country house can be seen surrounded by trees. Page 5 from series of 13 sheets with cartouches in French lobe style. From the first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Mercury with the head of Argus; Gods and Goddesses (copies). Mercury holds the chopped head of Argus in his left hand. Argus's body lies on his feet. On the left is a horse. The show is caught in a round list. In the undermaster the name of the designer. Numbered at the top right: 7.

Print, Design for Fountain with an Anchor; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Georg Siegmond Roesch; Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); France; etching and engraving on off-white laid paper; Platemark: 35.9 x 23.5 cm (14 1/8 x 9 1/4 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Hey; Coqco ... (IT)

Man and his profession , The hunter, Jakob Matthias Schmuter Schmuzer -, Drawer, Burchard Edinger, Lithographer, Matthias Rudolph Toma -, Printer, Publisher

Drawing (Italy); pen and gray ink with gray wash support: off-white paper on secondary paper support

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