Biblical Scenes in Art

Historical prints illustrating significant biblical events, including the Adoration of the Magi and the Birth of Virgin Mary, characterized by detailed figures and religious themes.

Italy, Raphael, Raimondi, Marcantonio, Veneziano, Agostino, Lamentation, verso inset sheet - handwritten in brown ink, The body of Christ is mourned by the Marys and other followers. In the background Golgotha with the three crosses., print, prints, verso - stamped, C: It 18 N. 105, height 241 mm, width 165 mm, Italian, 1490 - 1536, print maker, printmaker, 1500 - 1536, paper, ink, engraving, engraving (printing process), pen, Work conception, 1482 - 1534, after print by, 1483-04-07 - 1520-04-07, intermediary draughtsman

Adoration of theMagi. Artist: Adam van Noort, Flemish, 1562-1641

Birth of the Virgin, Carlo Maratta, 1635 - 1713 print A number of women take care of the newborn Maria. Anna just gave birth in bed is in the background. Rome paper etching birth of Mary

Bliżej Kultury unknown

Esther before Ahasuerus; Frans Crabbe van Espleghem (Flemish, about 1480 - 1552); about 1525; Pen and dark brown ink, with touches of gray-brown wash, over black chalk, incised for transfer (recto); black chalk (verso); 23.7 x 19.4 cm (9 5,16 x 7 5,8 in.)

Ongelovy Thomas, Anonymous, Hans Schäufelein, 1506 - 1507 print paper the incredulity of Thomas

This copper engraving by Jacopo de' Barbari from the late 15th to early 16th century depicts the adjoining of kings, showing figures, gestures, crowns, and ceremonial setting.

A red chalk drawing by Domenico Maria Canuti from 1670-1680 depicting Lucretia dying in the arms of her husband Tarquinius Collatinus and her father, executed on brown paper with ink wash.

Masinissa has the poison cup brought to Sophonisbe, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. pencil. ink pen / brush death of Sophonisbe: she receives from a servant a cup of poison sent to her by Masinissa

Masinissa has the poison cup brought to Sophonisbe. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 284 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

Italy, Raphael, Raimondi, Marcantonio, Veneziano, Agostino, Lamentation, verso inset sheet - handwritten in brown ink, The body of Christ is mourned by the Marys and other followers. In the background Golgotha with the three crosses., print, prints, verso - stamped, C: It 18 N. 105, height 241 mm, width 165 mm, Italian, 1490 - 1536, print maker, printmaker, 1500 - 1536, paper, ink, engraving, engraving (printing process), pen, Work conception, 1482 - 1534, after print by, 1483-04-07 - 1520-04-07, intermediary draughtsman

Fotoreproductie van de engraving La Chapente du Logis, Edmond proud, after Hieronymus Wierix, c. 1855 - in or before 1860 photograph paper albumen print carpenter. angels

Anonymous / 'Christ distributing bread to his Apostles'. XVI century. Wash, Pencil, Chalk ground, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.

Drawing of the last supper. Barocci, Federigo, 1528-1612. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Anonymous / 'The Holy Family with Saint John'. Early XVIII century. Grey wash, Pencil on brown paper. Museum: Museo del Prado, Madrid, España.

Venice, Carpioni, Giulio (I), Holy Family with Mary Reading, The Holy Family in a Landscape. Mary is reading a book. The Christ Child sits on her lap and gestures to the viewer to be quiet., print, prints, height 211 mm, width 144 mm, Italian, 1613 - 1679, print maker, printmaker, 1623 - 1679, paper, papier, etching, etchings

Artist: Hendrick Goltzius, Dutch, 1558-1617, The Adoration of the Magi, from the series The Birth and Early Life ofChrist, ca.1594, Engraving, Sheet: 46.2 × 34.7 cm (18 3/16 × 13 11/16 in.) (trimmed toimage), Made in The Netherlands, Dutch, 16thcentury, Works on Paper -Prints

The Adoration of the Magi, from the series The Birth and Early Life ofChrist. Artist: Hendrick Goltzius, Dutch, 1558-1617

Adoration of the Magi; Attributed to Jusepe de Ribera (Spanish , Italian, 1591 - 1652); Spain; about 1620; Pen and brown ink with a wash over black chalk, heightened with white; 27.6 x 21.7 cm (10 7,8 x 8 9,16 in.)

Galileo Galilei and three muses; Title page for: Galileo Galilei, Opere di Galileo Galilei, 1656. Galileo is kneeling for three muses (astronomy, perspective and maths), which sit on a throne. He points to planets in the air. In the background a sailing ship at sea and a soldier with a gun on the coast.

Judit shows the head of Holofernes to the people, Anonymous, After Domenichino, 1591 - 1691 print Judit shows the head of Holofernes to the people, next to her is her maid. She keeps the bag open in which the head was stored. paper etching Judith shows Holofernes' head to the people

Pastorale scene, Jan Thomas, after Peter Paul Rubens, 1627 - 1678 print For a group of trees, a shepherdin drops a shepherd who touches her rug. In the middle, a shepherd embraces a shepherd, whose rug is highly suspended. On the right a woman crowns the shepherd and a man blows his bagpipes. At the bottom of the margin, three two -line texts in French with references to the shepherd's characters of Phillis, Tircis and Amarillis. Antwerp paper etching pastorals, Arcadian scenes. bagpipe, musette - CC - out of doors. couple of lovers. falling

Men on audience. View in a palace hall with a man sitting for an image of the Bacchus wine god. For the man a group of four men on audience and a dog.

Adoration of the Kings, Polidoro da Caravaggio (Possible), After Rafaël, 1510 - 1543 drawing A group of men in a humble attitude, used to the left. A cavalry can be seen in the background. prepared paper. ink pen / brush

The Passion: The Agony in the Garden, 1521. Lucas van Leyden (Dutch, 1494-1533). Engraving;

Rest on the Flight Into Egypt. Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: sheet: 6 1/4 x 5 1/2 in. (15.9 x 14 cm). Date: ca. 1506. Museum: Metropolitan Museum of Art, New York, USA.

Illustration for Gotter's poetry Chodowiecki, Daniel Nikolaus (1726 1801)

Wood engraving, England, by Thomas Bewick.

Flight into Egypt(copy). Artist: Unknown

Master H. F. E. (aka Monogrammist HE) (Italian, 1486 - 1551). Adoration of the Shepherds, before 1551. Etching. Plate: 340 mm x 228 mm (13.39 in. x 8.98 in.).

Polyxena is sacrificed by Neoptolemy on the tomb of Achilles. Design for a print, Sacrifice of Polyxena, draughtsman: Antoine Sallaert, (attributed to), 1600 - 1658, paper, brush, h 194 mm × w 256 mm

Young Mary as a seamstress, Hieronymus Wierix, Anonymous, 1563 - before 1619

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Virtue and Pomone. Thirty-fifth number of a series of 52 pieces. (A. de Vesme 498; Dutuit 116) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Four figures study a map, Jan Luyken, 1703 print Amsterdam paper etching studying a map. (story of) Hercules (Heracles)

Drawing by Giovanni Odazzi showing a sacred conversation, executed in chalk with feather work, shaded in brown and gray wash.

The HolyFamily. Artist: Guido Reni, Italian, Bologna, 1575-1642

Joachim's sacrifice is refused, Albrecht Dürer, 1511 print Joachim stands with Anna at a table, around which many people stand. The high priest behind the table pushes the lamb that Joachim offers off the table. Latin text printed on the fresh side. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. Nuremberg paper letterpress printing Joachim's and Anna's sacrifice refused

Maarten van Heemskkk (1498-1574), the covenant book becomes laest up for Jerusalem's inhabitants, 1569

Abraham van Diepenbeeck drawing of P. Gabriel Maria as a child with his family by a fireplace, executed in brown pen and white highlights over graphite, printed template.

Lot sits in a cave next to one of his daughters. His other daughter is pouring his cup full of wine. In the background, the fire of the cities of Sodom and Gomorrah and Lot's wife as a pillar of salt. Below the scene a reference in Latin to the Bible text in Gen. 19, Lot and his daughters Ebrietas History of Lot Theatrum biblicum , Frans Menton, print maker: anonymous, publisher: Claes Jansz. Visscher (II), Amsterdam, 1579 and/or 1596 - 1643, paper, engraving, h 207 mm × w 256 mm

The Bird Seller, c. 1700-10. Willem van Mieris (Dutch, 1662-1747). Black and white chalk on blue paper, laid down on brown paper; sheet: 26 x 22.3 cm (10 1/4 x 8 3/4 in.). In this market scene, the Dutch artist Willem van Mieris portrayed a man and woman in a poultry shop who negotiate over the price of a bird. A curtain is pulled aside above to reveal the sceneas if the viewer sees something in secretwhile a faux relief panel below them portrays amorous putti. Market scenes portraying a man and a woman often carried amorous or lascivious connotations in 17th-century Holland, undertones that were acknowledged and enjoyed by the middle-class patrons who purchased such works.

Brown ink draft by Albrecht Dürer depicting the coronation of Christ for 'The Green Passion', including two circular intake holes and needle holes, 1504.

Nuremberg, Dürer, Albrecht, Brussels, Simonau & Toovey, Iesus-Christ amené à Pilate, Reproduction of Christ before Pontius Pilate by Albrecht Dürer, recto - printed, photomechanical print, reproduction, page, photos, photographically illustrated books, 5, height 114 mm, width 73 mm, Belgian, maker, manufacturer, 1866 - 1871, paper, Woodburytype, Work conception, German, 1471-05-24 - 1528-04-05

José del Castillo / 'Episode in the Life of a Saint'. Second half of the XVIII century. White chalk, Black chalk on pink paper. Museum: Museo del Prado, Madrid, España.

Anonymous drawing depicts the discovery of the Moses sculpture, showing figure, posture, drapery, facial features, and surrounding composition.

Descent From the Cross. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 11-1/4 x 8-1/4 in. (28.6 x 21 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Geboorte van Hercules; Iuno compressis genibus alcmenae partum differt; Metamorphoseon sive transformationum; Metamorfosen van Ovidius.Juno delays the birth of Hercules and his brother iPhicles, by sitting with crossed knees and fingers in front of the door of Alcmene. Title in Latin in undermarge.

Virgilius in the basket. Artist: Lucas van Leyden. Draughtsman: Hendrick Goudt. Dating: 1596 - 1598. Measurements: h 243 mm × w 186 mm. Museum: Rijksmuseum, Amsterdam.

Woodcutter: Alessandro Gandini, Italian, active 1550-99, Maker, formerly attributed to: Ugo da Carpi, Italian, ca. 1480- 1532, After: Parmigianino, Italian, 1503-1540, After: Raphael, Italian, 1483-1520, Publisher: Andrea Andreani, Italian, 1558/59-1629, Christ at the House ofSimon, mid-16th century, printed1609, Chiaroscuro woodcut from 4 blocks, sheet: 24.9 × 36.1 cm (9 13/16 × 14 3/16in.), Italian, 16thcentury, Works on Paper -Prints

The sons of SCEVA are attacked by a possessed man (), Pieter Fransz de Grebber (attributed to), 1610 - 1652 drawing paper. chalk

Christ before Herod in a Hall, from Speculum passionis domini nostri Ihesu Christi. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Ulrich Pinder (German, active 1493-before 1519). Dimensions: Sheet: 9 7/16 × 6 3/8 in. (24 × 16.2 cm). Publisher: Published for Ulrich Pinder, by Friedrich Peypus (Geman). Date: 1507. Museum: Metropolitan Museum of Art, New York, USA.

Esther Before Ahasuerus 1518 Lucas van Leyden Netherlandish. Esther Before Ahasuerus 364776

Albrecht Dürer, Pilate Washing His Hands, probably c 1509 1510 Pilate Washing His Hands

Lot welcomes the angels; History of Lot. Lot at the city gate of Sodom, in conversation with two angels. He invites them to eat and overnight. First print from a series of four with the story of Lot (Genesis 19).

Christ and the Samaritan Woman at the Well. Artist: Giuseppe Passeri (Passari) (Italian, Rome 1654-1714 Rome). Dimensions: sheet: 9 7/16 x 7 3/16 in. (24 x 18.3 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Susanna and the elders, Jan Saenredam, After Hendrick Goltzius, 1575 - 1607 print The half-naked Susanna is on the edge of the bath at a fountain. Two elders starve her while bathing and appeal to her. The print has a Latin caption. paper engraving the elders spying upon Susanna

Italy, Bonasone, Giulio, Group of figures under star, verso - stamped, A group of figures in a landscape at night. On the left women with children and on the right older men with beards. A number of men are looking up at a star in the sky. Possibly an allegory of astrology., print, prent, prints, prenten, height 228 mm, width 147 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, etching, etsen, Work conception, after own design by

Fragment of the anointing of David. Draughtsman: anonymous. Intermediary draughtsman: Frederik Sustris (attributed to). Dating: 1550. Measurements: h 410 mm × w 325 mm. Museum: Rijksmuseum, Amsterdam.

Hendrick Goltzius (1558-1617); Lucas van Leyden (1494-1533), Kings worship, 1594

Jesus Christ Parting from the Virgin to go and Suffer Death. Daniel Hopfer, I; German, 1470-1536. Date: 1490-1536. Dimensions: 287 x 217 mm (plate). Etching in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

The Nativity ca. 1544-48 Geoffroy Dumoûtier French. The Nativity 368755

The Daughters of Minyas 1545 Antonio Fantuzzi Italian. The Daughters of Minyas 336763

The DecoLlation of Saint John the Baptist Harmensz van Rijn Rembrandt (1606-1669). The decolation of Saint John the Baptist (B 92 - 1st state), 1640.

Jupiter and Mercury at Philemon and Baucis, François Joseph Lonsing, 1749 - 1799 print Jupiter and Mercury are sitting at the table in the house of the elderly couple Philemon and Baucis. Philemon tries to catch a fleeing goose, but Jupiter is stopping him. paper etching (story of) Mercury (Hermes). (story of) Neptune (Poseidon). (story of) Philemon and Baucis

Abraham van Diepenbeeck depicts Teiresias giving Ulysses advice for the journey home using black chalk and reddish highlights, showing figures, gestures, and a blood-drinking ritual on paper.

Bacchanalian Scene with Nymphs and Putti. Artist: Attributed to Gerard de Lairesse (Dutch, Liège 1641-1711 Amsterdam). Dimensions: sheet: 9 x 7 5/8 in. (22.9 x 19.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Dronkaard with Death, Anonymous, Hans Holbein (II), After 1547 print paper dance of Death; Death together with one or more human beings

Amsterdam, Pietersz., Doen, Cornelisz. van Oostsanen, Jacob, The Little Passion, Denial of Peter, Cornelisz van Oostsanen, A woman points to Peter and asks whether he does not also belong to Christ. Peter denies this. In the background Christ looks on with his hands tied. The print is part of a book., print, book illustration, prints, height 112 mm, width 81 mm, height 141 mm, width 101 mm, Northern Netherlands, 1475 - 1533, print maker, printmaker, 1523 - 1523, paper, woodcut, Publication (Event), Publication, publisher

. The lost son wastes his money by leading a loose life. He strikes his arm around the means of a prostitute and holds a glass of wine in the other hand. A woman plays the lute and a man brings a pie inside.

The Adoration of the Magi. Artist: Attributed to Monogrammist 9 (Italian); After () Battista Franco (Italian, Venice ca. 1510-1561 Venice). Dimensions: plate: 11 5/8 x 17 3/8 in. (29.5 x 44.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

The Holy Kinship. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 4 13/16 × 3 3/4 in. (12.3 × 9.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

Susanna and De Elders, Hans Collaert (I), After Maerten de Vos, 1579 print Susanna is attacked by two elders when bathing. She tries to stop them. The print has a Latin caption and is part of a series with the story of Susanna (Daniel 13: 1-64). Antwerp paper engraving the elders making advances towards Susanna

Italy, Raphael, Vico, Enea, Lamentation, verso - handwritten in brown ink, The Lamentation of Christ before the Tomb. The body of Christ is supported by Joseph of Arimathea. Mary Collapses in the Arms of John the Evangelist., print, engraving, prints, engravings, verso - stamped, aphaël a Urbino del... Ao 1510, recto top center - handwritten in brown ink,, recto bottom left - handwritten in brown ink, Memoria NB: the original drawing by Raphaël d'Urbino, after which this print is engraved, of the same size as the plate, drawn and resinated with the pen, and slightly heightened with white, was purchased by van Walraven, on 14 October Ao 1765 for f 205 by Pieter IJver, and sent by him to a lover in London., height 354 mm, width 256 mm, Italian, 1523 - 1567, print maker, printmaker, 1548 - 1548, paper, engraving (printing process), etching, Work conception, 1483-04-07 - 1520-04-07

Saint Cajetan of Thiene Holding the Infant Jesus 1730-40 Gaetano Gherardo Zompini Italian On Christmas Eve in 1517 Saint Cajetan (Gaetano Thiene, Italian, 1480-1547) had a vision in which the Blessed Virgin offered him the Christ Child. Cajetan is here identified by his attribute, a branch of lilies, and by the high-collared habit of the Theatine order, of which he was one of the founders. Possibly executed in preparation for an engraving, this highly finished sheet was attributed to Gaetano Zompini by an annotation of the so-called "Reliable Venetian Hand": these inscriptions, in neat, slanting letters, giving the artist's name and place of origin, are the work of a still-unidentified Venetian collector of the eighteenth century.Attributions to Gaetano Zompini in the "Reliable Venetian Hand" appear on five drawings, all similar in style to the present example (Bettagno, 1966, nos. 118, 120-122, 183), including the "Chirst Giving the Keys to St. Peter" in the Witt Collection, Courtauld

Sixth life of sixty years with man counting his money with his wife, Assuerus van Londerseel, Nicolaes de Bruyn, Claes Jansz. Visscher (II), 1598 - 1602

Donato Creti / 'The Virgin and Child with Saints'. Early XVIII century. Pencil on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Christ Washing the Feet of the Apostles. Israhel van Meckenem; German, c. 1440/45-1503. Date: 1465-1503. Dimensions: 201 x 143 mm (image); 212 x 149 mm (sheet trimmed within plate mark). Engraving on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Engraved copies of The Little Passion n.d. After Albrecht Dürer German. Engraved copies of The Little Passion 400705

St. John with the Lamb. Unknown Netherlandish artist; possibly Jan Claudius de Cock (Flemish, 1668-1736). Date: 1515-1525. Dimensions: 194 x 189 mm. Pen and brown ink with brush and brown wash, over traces of black chalk, on gray laid paper, laid down on cream wove paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: AERT CLAESZ.

Jojada calls Joash king. Draughtsman: anonymous. Dating: 1720 - 1740. Place: France. Measurements: h 217 mm × w 335 mm. Museum: Rijksmuseum, Amsterdam.

The Martyrdom of Saint Lucy: Her Last Communion before Being Dragged by Oxen. Artist: Giovanni Battista Maganza il Giovane (Italian, Calaone ca. 1509-1586 Vicenza). Dimensions: 10 7/16 x 5 11/16in. (26.5 x 14.4cm). Former Attribution: Alessandro Maganza (Italian, Vicenza 1556-after 1630 Vicenza ()) (). Date: 1556-1630. Museum: Metropolitan Museum of Art, New York, USA.

Album n � 4; Stained glass project for Saint Jean de Maurienne: life of Saint Thecle Gsell-Laurent workshop. Album n � 4; Stained glass project for Saint Jean de Maurienne: life of Saint Thecle. Photography.

Master AG, The Agony in the Garden, c 1480 1490 The Agony in the Garden

Birth of Minerva from the head of Jupiter, Jan Snellinck (i), Chrispijn van den Broeck (Rejected Attribution), c. 1575 - c. 1580 drawing Design for a print. paper. ink pen / brush (story of) Minerva (Pallas, Athena)

The Infant Hercules Strangling Serpents in His Cradle (recto); Crowned Woman Kneeling in Landscape, and Other Sketches (verso). Attributed to Prospero Fontana; Italian, 1512-1597. Date: 1532-1597. Dimensions: 168 x 128 mm. Pen and brown ink with brush and brown wash (recto), and pen and brown ink (verso), on tan laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Clair-obscur woodcut by Andrea Andreani from the first decade of the 17th century depicting the adjoining of kings, showing figures, gestures, and ceremonial elements.

Vocation of Saint Pierre and Saint Andrew Jacques Dumont (said the Romain) (1701-1781). Vocation of Saint Pierre and Saint Andrew. Blood, white chalk, around 1733. Paris, Carnavalet museum.

Domenichino, Rome, Frey, Jacob (der Ältere), Judith Showing the Head of Holofernes to the People, verso - stamped, With caption in Latin., print, prent, prints, prenten, height 384 mm, width 309 mm, 1681 - 1752-01-11, print maker, printmaker, 1718 - 1719, paper, papier, engraving, engraving (printing process), Italian, 1581-10-21 - 1641-04-06

Sitting elegant pair, anonymous, 1607 print An elegant dressed couple in conversation for a wall -overgrown wall. paper etching / engraving couple of lovers. conversation, dialogue; conversation piece

Procession of supplicants The life of Niobe (copies) (series title), A procession of supplicants in a landscape. In the foreground on the right a female figure with a cornucopia., Procession, non-Christian religions, Giovanni Battista Galestruzzi, Rome, in or after 1656, paper, etching, h 110 mm × w 211 mm

The Virgin and Child with Saint Joseph, Attendant Angels, and a Group of Supplicants 1540/41-1609 Federico Zuccaro (Zuccari) Italian This dynamic sketch of the Virgin and Child with Saints is most closely related to the altarpiece in the Farratino Chapel in the Cathedral of Amelia, dating around 1559-64, but which includes in the foreground Saints Peter and Bartholomew, instead of donors, as in the drawing. A similar composition as in this sketch is recorded on a double-sided drawing at the Musée du Louvre, Paris (inv. 12281; 25.4 x 17.3 cm) with the Virgin and Child and St. Joseph on one side and a truncated, roughly sketched version of the entire composition on the verso.. The Virgin and Child with Saint Joseph, Attendant Angels, and a Group of Supplicants 341669

Antwerp, Jode, Gerard de, Menton, Frans, Collaert, Hans (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Lot, Hospitalitas, Lot and the Two Angels, Lot invites the two angels for a meal and an overnight stay at his home. In the background we see what preceded this scene: Lot walks from the city gate with the angels to his house. Below the scene is a reference in Latin to the Bible text in Gen. 19. This print is part of an album., print, album leaf, prints, height 207 mm, width 257 mm, South Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1550 - 1615-03-24, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Italy, San Martino, Marco, Hunter, verso - stamped, A hunter stands with his prey over his shoulder and a hunting dog at his side next to a woman. He touches the seated woman by her wrist. In the background a tower., print, prints, width 136 mm, height, 157 mm, Italian, 1615 - 1680, print maker, printmaker, 1625 - 1680, paper, papier, etching, etchings, plaattoon

Allegorical composition: Universal Exhibition of 1900 Albert Besnard (1849-1934). Allegorical composition: universal exposure of 1900. Charcoat on paper. 1900.

Nederlanden, Leyden, Lucas van, Grote serie Vrouwentricken, Samson en Delilah, Delilah cuts the hair of the sleeping Samson. In the background Samson is captured by the Philistines., print, prent, prints, prenten, height 412 mm, width 289 mm, Noord-Nederlands, 1494-06 - 1533-08, print maker, prentmaker, 1512 - 1516, first quarter 16th century, paper, papier, houtnijd

Three men and a woman, Anonymous, After Frederick Bloemaert, After Abraham Bloemaert, c. 1679 - c. 1750 print Three men - on the back, sideways and frontal - with a woman more in the background. Copy to a performance from the drawing book by Abraham Bloemaert, in the edition of Nicolaas Visscher. Netherlands paper engraving human races; peoples; nationalities (+ men)

Non Met de Dood, Anonymous, Hans Holbein (II), After 1547 print paper dance of Death; Death together with one or more human beings

Anonymous depiction of the magician Elymas being punished with blindness by Paul, showing two figures in interaction, executed with feather and laved technique.

The Beheading of John the Baptist Rembrandt (Rembrandt van Rijn) Dutch. The Beheading of John the Baptist 391628

The home of the lost son. The return of the lost son: he knress for his father on the bordes of his parental home. Two figures in the doorway, a third look out of the window.

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