Biblical Scenes in Art

Prints depicting significant biblical events like the raising of Lazarus and the adoration of the Magi, rich in historical and emotional depth.

Adoration of the Kings, Mary and Joseph show the Christ child to the three sages. The three offer the child their gifts. In the background members of their entourage. In the distance the star that led them to the stable in Bethlehem seems to be adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh), anonymous, Antwerp, 1614 - 1650, paper, engraving, h 300 mm × w 200 mm

Opwekking by Lazarus, Simon de la Vallée, After Girolamo Muziano, 1690 - 1730 print France paper engraving / etching the raising of Lazarus ('Lazarus, come out')

The Raising of Lazarus, with Christ standing at left ca. 1729 Simon Vallée. The Raising of Lazarus, with Christ standing at left. Simon Vallée (French, born ca. 1700). ca. 1729. Etching and engraving. Prints

Antwerp, Rubens, Peter Paul, Galle, Cornelis (I), Theodoor, Breviarium romanum, Scenes from the Old and New Testament, Adoration of the Magi, verso center bottom - stamped, Mary and Joseph show the Christ child to the three wise men. The three offer the child their gifts. In the background members of their entourage. In the distance shines the star that led them to the stable in Bethlehem. The print is part of a series with scenes from the Old and New Testament., print, prints, height 302 mm, width 199 mm, South Netherlands, 1571 - 1633, print maker, printmaker, 1612 - 1616, paper, papier, engraving, engraving (printing process), 1576 - 1650-03-29, Work conception, 1577-06-28 - 1640-05-30

The Entombment, from The Passion of Christ ca. 1598-1617 Anonymous. The Entombment, from The Passion of Christ 398378

Gravestone of Christ; The passion. Christ is placed in a cave by a number of men in a grave. The Maria's and the apostle John are crying. In the foreground the thorns crown and the ointment of Mary Magdalene.

Adoration of the Kings, Mary and Joseph show the Christ child to the three sages. The three offer the child their gifts. In the background members of their entourage. In the distance the star that led them to the stable in Bethlehem seems to be adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh), anonymous, Antwerp, 1614 - 1650, paper, engraving, h 300 mm × w 200 mm

Gravestone of Christ; The passion. Joseph van Arimatea and Nikodemus lay the body of Christ in the grave while Mary Magdalena, Mary and John watch with others mourning.

Christ in the court of Getemane; The little passion. Three apostles sleeping, Christ praying on the mountain. Angel with a chalice to the sky.

Cross direction, right part. The gravened Maria Magdalena surrounded by women and children. In the background John the Evangelist and Maria. With an empty margin.

Coronation of the H. Rosalia. Saint Rosalia is crowned by the Christ child with a wreath of roses. Her attributes lie at her feet the lily and a skull. The Christ child is on the shot of Mary. They are accompanied by the Apostles Petrus and Paul. In the margin a four-line caption and a two-person caption with a command in Latin.

Revival of Lazarus.

Saint Joseph carrying the Christ Child on the flight into Egypt 1760-1800 Giuliano Traballesi. Saint Joseph carrying the Christ Child on the flight into Egypt. Giuliano Traballesi (Italian, Florence 1727-1812 Milan). 1760-1800. Etching and engraving. Prints

Christ on the olive mountain. Christ prays at the olive mountain at night. An angel appears for him with a cross and a chalice. Christ disciples have fallen asleep. In the background a procession soldiers with torches can be seen looking for Christ to capture Him.

Adoration of the Magi, Philippe Lambert Joseph Spruyt, 1747 - 1801

Visioen van de H. Augustinus van Hippo met de H. Monica en de H. Nicolaas van Tolentino; S. Monica S.P. Augustinus S. Nicolaus Tollentinas.In the middle is the H. Augustinus van Hippo. He is wearing a choir cover over his Augustinian monk trij and is flanked by two angels. Left is his mother, the H. Monica, and the right knees the H. Nicolaas from Tolentino. Nicolaas van Tolentino also carries an Augustinian monk trij with a star, who refers to the vision for his death. For him there are three small loaves as reference to the miracle of the colds. A few writings, a miter and a bishop's staff. All saints look up, where Christ with the Holy Spirit in a cloud. He is surrounded by angels with different attributes, among other things a flaming sword, an eye on a staff, a ring that bites in his own tail (symbol of eternity) and an olive branch. In the margin a three-legged assignment in Latin.

Worship of the Christ child by the three kings, Anonymous, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Group men and women on clouds in worship for Tetragram, Gilles Rousselet, After Charles II Errard, 1647 print Paris paper engraving / etching tetragram (in Roman or Hebrew script) ~ symbol of God the Father. clouds. the blessed worshipping in heaven

Errard, Charles, France, Audran, Christ giving communion to the apostles, verso - stamped, print, prints, height 171 mm, width 106 mm, 1594 - 1674, print maker, printmaker, 1611 - 1674, paper, papier, engraving, engraving (printing process), Work conception, French, 1607 - 1689

The Entombment (PassionSeries). Artist: Nicolaes de Bruyn, Flemish, 1571-1656 After: Hendrick Goltzius, Dutch, 1558-1617

Worship of kings. Maria and Joseph show the Christ child to the three kings. The three offer the child their gifts. Members of their effect.

France, Louis XIV (King of France), unknown, Cortona, Pietro da, Paris, Edelinck, Gerard, Saint Martina at the feet of Mary, verso - stamped, Saint Martina kneeling and offering a book to Mary with the Christ Child on her lap. Next to Mary, print, prints, height 445 mm, width 335 mm, South Netherlandish, French, 1640-10-20 - 1707-04-02, print maker, printmaker, 1666 - 1707, paper, engraving, engraving (printing process), Work conception, Italian, 1596 - 1669-05-16, after a design by, Publication (Event), Publication, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Christ and Zacheus.

Christ gives the keys to the church to Peter. Peter is kneeling before Christ who handles him the keys of the church. The other apostles are around it. On the right a gate. In the background a hilly landscape with a water mill.

Liberation of Peter from prison, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching the angel leads Peter past the sleeping guards. prison, jail

. The floured Christ is led by soldiers for Pilate. Pilate is at an increase for a monumental niche. At the bottom of the margin a bible verse to Latin from matte. 27: 2.

The Visitation. Artist: Carlo Maratti (Italian, Camerano 1625-1713 Rome). Dimensions: sheet: 8 7/16 x 5 11/16 in. (21.5 x 14.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

Holy Family. John Smith (England, Northampton, 1652-1743)Carlo Maratta (after) (Italy, Camerano, 1625-1713). England, 1707. Prints; mezzotints. Mezzotint

Adoration of the Kings, Jacob Gole, After Carlo Maratta, 1670 - 1724 print In the presence of Mary and Joseph, the Christ child is worshiped by the three sages from the East who have been drawn up with the child with their gifts. Amsterdam paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Aanbidding Door de Herders, Matteo Piccioni, After Paolo Veronese, 1641 print Mary with the Christ child in her arms. In the middle the manger and right in the foreground Joseph. Around them the ox, the donkey and three shepherds who see the child. Above them three cherubs. Assignment in the lower margin. print maker: Italyafter painting by: ItalyVaticaanstadRome paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present. cherubs, i.e. children's heads with wings

Worship of kings.

H. family with Elisabet, Zacharias and Johannes de Boper, Cornelis Galle (I), After Jan van der Straet, c. 1620 - c. 1625 print The Holy Family together with Elisabet, Zacharias and Johannes de Baptist as a child. John kneels for the young Christ. His lamb lies on the ground for Maria. Under the show a Latin verse. print maker: Southern Netherlandspublisher: Antwerp paper engraving Holy Family visiting Elisabeth on the return journey

Communie van de H. Bonaventura; S. Bonaventvra.The Saint Bonaventura receives the host of an angel. He is supported by another angel while kneading on the steps. In the background a priest at the altar. In the air putti with a cross staff and a cardinal hat. In the margin a caption in Latin.

The birth of the Virgin Mary, Anna rests in bed while the child is looked at in wonder. Line engraving by R. van Audenaerd after A. Carracci.

Holy Family (Virgin Reading). 1613 - 1678. Carpioni, Giulio, 1613-1678. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Gravestone of Christ; Scenes from the breast story of Christ. The body is lifted by Jozef van Arimatea and Nikodemus in the sarcophagus. Johannes and Maria watch. On the right two more holy women, including Mary Magdalene. Behind them the cave. Under a mereotric explanation in Latin.

. The command of Christ, with Golgotha in the background and soldiers at the Dead Body of Christ. In the foreground thorns crown and nails.

Graphing of Christ. .

Adoration of the Shepherds 18th century Anonymous, Italian, Bolognese 18th century artist Italian. Adoration of the Shepherds. Anonymous, Italian, Bolognese 18th century artist. 18th century. Pen and ink touched with gouache. Drawings

The Circumcision mid-17th-early 18th century Gerard de Lairesse Dutch. The Circumcision 352284

Adoration of the Shepherds. Artist: Anonymous, Italian, 18th century. Dimensions: 11 × 9 3/16 in. (27.9 × 23.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Mary with Christ standing on her lap and St Catherine, with sword and part of her wheel, sitting against a wall Two men in adoration, Mary with Christ and St Catherine of Alexandria, print maker: Willem Basse, print maker: Titiaan, (mentioned on object), Titiaan, Amsterdam, 1633 - 1672, paper, etching, h 185 mm × w 268 mm

The adoration of the shepherds at the birth of Christ; a shepherd-boy plays a flute. Stipple engraving by J.B. Michel, 1780, after G. Farington after C. Cignani.

Holy family surrounded by Saints, Etienne Picart, After Jacopo Palma (Il Vecchio), 1682 print paper engraving / etching Holy Family, and derived representations. founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata. the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig. the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

. Petrus kneels before the risen Christ and receives the keys from him. On the left two sheep, who refer to the assignment, who gave Christ after his death at his appearance to Peter: "Weid my lambs" (John 21: 15-17). Three disciples look.

Raising of Lazarus. Draughtsman: Moses ter Borch. Dating: 1651. Place: Zwolle. Measurements: h 212 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

Grave of Christ, Hieronymus Wierix, After Maerten de Vos, 1584 print Christ is placed in the grave by Joseph of Arimatea and Nikodemus. Around the tomb Maria, Maria Magdalena, Johannes and two other women. The cross in the background. In the margin a two -way caption in Latin. Antwerp paper engraving Christ's entombment (possibly by angels)

Saint Romuald. Engraving by G.B. Tolosani after P. Locatelli after A. Sacchi.

Saint Mary (the Blessed Virgin) with the Christ Child, Saint John the Baptist, Saint Antony the Great, Saint Elisabeth or Saint Anne, Saint Gregory the Great and an angel. Engraving by J. Frey, 1739, after A. Balestra.

Death of H. Franciscus, Pierre François Basan, After Caravaggio, 1733 - 1797 print Numbered at the bottom 29. France paper engraving martyrdom, suffering, misfortune, death of St. Francis of Assisi. crown of thorns ~ instruments of the Passion. angels

Antwerp, Rubens, Peter Paul, Galle, Cornelis (I), Theodoor, Breviarium romanum, Scenes from the Old and New Testament, Outpouring of the Holy Spirit, verso middle - stamped, Mary and the disciples of Christ are sitting in a room. The dove of the Holy Spirit appears in the middle of the group. Tongues of fire burn above the heads of the apostles and Mary, symbolizing the outpouring of the Holy Spirit in their hearts. The print is part of a series with scenes from the Old and New Testament., print, prints, height 302 mm, width 198 mm, South Netherlands, 1571 - 1633, print maker, printmaker, 1612 - 1616, paper, engraving, engraving (printing process), 1576 - 1650-03-29, Work conception, 1577-06-28 - 1640-05-30

Tranking of Christ. Two men place the body of Christ in the grave. The right is Johannes de evangelist. On the left is the grieving Maria. In the background the three crosses on Golgota. Italian verse in undermarge.

Christ and the Canaanite woman. A Canaanitary woman throws himself before Christ healed her daughter, who is tied by a demon.

Presentation in the Temple, Jacopo De'barbari, 1509 - 1516 print Italy paper engraving presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

Filippo Neri in worship for Maria and Child, Charles de la Haye, After Ciro Ferri, 1651 - 1680 print publisher: RomeItaly paper etching / engraving historical persons. Madonna (i.e. Mary with the Christ-child) in the air, or on the clouds. armorial bearing, heraldry

Christ Taken Prisoner in the Garden, from The Passion of Christ, plate 8 1664 Grégoire Huret French. Christ Taken Prisoner in the Garden, from The Passion of Christ, plate 8 645184

Leeks of Christ, Cornelis Cort, After Taddeo Zuccaro, 1567 print For a cave in a rock lies the dead body of Christ, supported by Mary and two other women. Behind them Joseph of Arimathea and Nicodemus. On the right is John who covers his face. On the right in the background the Mount Golgotha with the empty crosses. paper engraving Christ's body supported

Thomas taught by Petrus and Paul; The life of the Saint Thomas of Aquino. Thomas from Aquino is surprised by Petrus and Paul in his study. He has a vision of Mary with the child. Print from a series of 30 prints that depict the life story of Thomas from Aquino. The prints, to design and issued by Otto van Veen, are made by C. Boel, E. van Penaeren, C. Galle and G. Swanenburgh.

Worship by the shepherds; Life of Christ. Maria with the child, Joseph, the OS and the donkey, in a shed. Above them three angels. On the left a group of men and women in worship. In the foreground is a chicken. The print is part of an album.

Christ Before Caiaphas, from The Passion of Christ ca. 1598-1617 Anonymous. Christ Before Caiaphas, from The Passion of Christ 398296

Frans Crabbe's early 16th-century copper engraving and etching depicts the birth of Christ, showing figures, Mary, Joseph, and the infant in a stable setting.

Holy Family, Schelte Adamsz. Bolswert, After Anthony Van Dyck, 1596 - 1659 print Holy family with Mary and Child and Joseph in the company of Engel with floral wreath. Under the show is a verse in Latin. paper engraving Holy Family, and derived representations

The adoration of the magi: a king kneels before the infant Jesus, seated on Mary's lap. Engraving by E. Fessard after C.J. Natoire.

Maria Magdalena zalft de voeten van Christus.Christ is sitting at the table with a number of apostles. Maria Magdalena scarves the feet of Christ. Reference to Bible text in undermarge. Numbered at the bottom right: AB No. 6.

Heuvel, Antoine van den, Zuidelijke Nederlanden, Duvivier, Guillaume (17th century), The temptation of St. Anthony, Southern Netherlands, verso - stamped, St. Anthony kneels before an altar stone on which are a crucifix, an hourglass, a skull and a pile of books. Devilish and monstrous creatures pull him by his robe and assail him in all sorts of ways. In front of him is the pig. Behind him is a beautifully dressed lady who offers him a glass of wine. An old woman with devil's wings tries to seduce him to look at her. At the top of the cave a flying devil playing with a jawbone., print, prints, height 314 mm, width 248 mm, print maker, printmaker, 1660 - 1670, paper, etching, etchings, Work conception, 1600 - 1677-08-05

Italy, Correggio, Cort, Cornelis, Carracci, Agostino, Mary with Child and Saint Jerome and Mary Magdalene, verso - stamped, The Christ Child sits on Mary's lap. An angel shows him a book. In the foreground on the left is Saint Jerome with a lion. On the right, Saint Mary Magdalene kneels and strokes Christ's leg with her cheek. On the right a small boy with an ointment jar., print, prints, height 477 mm, width 330 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1586 - 1586, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1533 - 1578, after print by, 1489 - 1534-03-05

H. family with Elisabet, Zacharias and John the Baptist; The life of John the Baptist. The H. family together with Elisabet, Zacharias and John the Baptist as a child. John kneels for the young Christ. His lamb is located for Maria on the floor. Under the show a Latin fresh.

Three male saints and female saint of Benedictine Order.

Baptism of Christ, Hieronymus Wierix, 1563 - Before 1586 print Christ is baptized by John the Baptist, in the presence of an angel, in the Jordaan. God in the form of a pigeon falls down on Him. In the background a face on the city of Jerusalem. Antwerp paper engraving baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

Print, The Holy Family, 1635; France; engraving on white paper; 22.5 × 30.9 cm (8 7/8 × 12 3/16 in.); Bequest of George Campbell Cooper; 1896-3-139

The birth of Christ. .

The Virgin and Child with Saints Anne, John the Baptist, Zeno, and Anthony 1739 Johann Jakob Frey the Elder. The Virgin and Child with Saints Anne, John the Baptist, Zeno, and Anthony. Johann Jakob Frey the Elder (Swiss, active in Rome 1681-1752). 1739. Etching and engraving. Prints

Leef of Christ, Roeland van Bolten, After Jacopo Tintoretto, 1604 print Christ was taken from the cross. (Luke 23:53). Four figures, Joseph of Arimatea, Maria, Maria Magdalena and another woman tried him. Maria fainted. At the bottom right are the tools (hammer and pipeline) to remove the nails from his hands and feet. Four the print has a Latin caption. print maker: Zwolle (possibly)after painting by: Venicepublisher: Amsterdam paper engraving Christ's body supported by Mary, others present

St. Francis of Assisi, Francis, Giovanni di Pietro di Bernardone, 1181 or 1182 to 3 October 1226, the founder of the Order of Friars Minor, Ordo fratrum minorum, Franciscans, St. Francis of Assisi has a vision of Mary and the Child, 1586, Holland, Historic, digitally restored reproduction from a 19th century original

Worship through the kings. Maria is on your lap with the Christ child. Joseph is behind them. The three kings kneel for the Christ child. A camel in the background.

Umbria Terni Terni S. Maria Assunta, Duomo9. Hutzel, Max 1960-1990 Exterior views: baroque facade, bell tower, portico, blind gothic portal with a vinescroll archivolt, and preserved main portal with an inhabited vinescroll architrave. Interior views: main altar marble ciborium and altar painting of the Assumption of the Virgin; half-dome fresco of the Trinity; mixed media altarpiece formed by a wooden crucifix hung on top of a painting of the crucifixion with saints Mary and Mary Magdalen; fresco fragments of Saint Anthony Abbot; organ by Bernini, and various paintings. Sacristy: ornate interior with ceiling paintings by Pietro da Cortona; museum with architectural fragments and a tomb effigy; reliquary of St. Valentine in the shape of an arm and hand; gold processional cross; terracotta statue of the Madonna and Child and a stone statue of the Pieta.. Crypt: 10th and 11th-century capitals; Roman and medieval sculptural fragments; and the tomb of St. Anastasia. Also included with the

The worship of the kings. .

The circumcision of Christ, a group of men, women and angels surrounding him, the young Saint John the Baptist at lower right, after Reni 1687-1717 Engraved by Giacomo-Maria Giovannini Italian After a painting by Reni (in reverse). Verso is not visible as print is laid to another sheet of paper.. The circumcision of Christ, a group of men, women and angels surrounding him, the young Saint John the Baptist at lower right, after Reni 668647

Capturing of Christ. After the betrayal by Judas, Christ is being captured. The soldiers come to him and grab him. One of them is about to bind a rope to bind the neck of Christ. At the front right, Judas stands with the money pouch. Caption in Latin.

Meal in Emmaus, Willem Isaacsz. van Swanenburg, after Peter Paul Rubens, 1611 print Christ sits at the table with his students. He blesses and breaks the bread, causing his students to recognize him. On the right a woman gives a glass of wine and there is a dog under the table. Under the performance is a six -line, Latin text with a description of the scene and a praise on Rubens, in which he is compared with Apelles. Leiden paper engraving the supper at Emmaus: Christ is recognized while blessing or breaking the bread. vegetables (with NAME). (family) meal (+ serving, servants at table, meal). glass of wine. dog

Holy Family (Repos pendant la fuite en Égypte) 1635 Claude Mellan French. Holy Family (Repos pendant la fuite en Égypte) 392632

. Christ is laid by Joseph of Arimatea and Nikodemus in the grave. On the right a group of mourning women under whom Maria and Maria Magdalena. Left in the foreground are passions in a basket. In the margin a four-line caption, in two columns, in Latin. Below a two-legged caption in Latin.

Paid of Christ. Christ has been taken from the cross. (Luke 23:53). Four figures, Joseph of Arimatea, Maria, Mary Magdalene and another woman expain him. Maria has fainted. At the bottom right are the tools (hammer and pincers) to get the nails out of his hands and feet. Celebrate the print has a Latin caption.

Adoration of the Kings, Servatius Raeven, 1500 - 1549 print The Christ child, in the presence of Mary and Joseph, is worshiped by the three sages from the East who have taken up with their gifts in the child. Netherlands (possibly) paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Dood Van Maria, Giuseppe Cammilleri, After Carlo Maratta, 1805 drawing Maria on her deathbed with the apostles around the bed that came back from all over the world to watch her deathbed. One of them holds a burning candle. Italian text in the lower margin with pen in brown. Italy paper. pencil. chalk the Dormition: Mary on her deathbed; the apostles are gathered around her (John the Evangelist may be shown sleeping or dreaming)

. Maria is next to the Christ child, behind her state of Joseph. The shepherds are shear in worship around them. Angels watch from heaven. In the background the proclamation to the shepherds. In the margin a eight-line caption, in two columns, in Latin.

Christ presents communion to the Apostles, Charles Audran, After Charles Errard, 1611 - 1674 print France paper engraving institution of the Eucharist, i.e. Christ showing or blessing bread (host) and/or wine (Matthew 26:26-27; Mark 14:22-23; Luke 22:19-20; John 13:26; 1 Corinthians 11:23-25)

Opwekking by Lazarus, Isaac Duchemin, After Adriaan de Weerdt, 1660 - 1693 print A man and a woman help the old Lazarus out of his grave. After Christ had called him, Lazarus was brought back to life. The bystanders in the cave look at the old man with disbelief. print maker: Brusselspublisher: Amsterdam paper engraving the raising of Lazarus ('Lazarus, come out')

The Holy Laurentius. Saint Laurentius stands with staggered arms, while a poor dressed young man gets the knot out of the cord of his dalmatics. An old man behind him points aside, where the fire will be burned under the grid on which Laurentius will be tortured. Two richly dressed men, one in oriental costume, the other in Western clothing, looking at Laurentius. Above them a angel floats. Two Romans are in the background under a balance of balance. Right a statue of a male nude. Under the image an eight control fresh in Latin.

Five disciples at the table at the last supper. On the left, a woman brings in a bowl of food. To the right, Judas holds the bag of silver pieces behind his back., Last Supper (left leaf), print maker: Jan Harmensz. Muller, Gillis Coignet (I), publisher: Cornelis Danckerts (I), Amsterdam, 1594 and/or 1631 - 1656, paper, engraving, h 443 mm × w 325 mm

The Christ Child Adored by Angels late 16th-mid-17th century Gottfried de Wedig German. The Christ Child Adored by Angels 340707

unknown, Cnobbaert, Maria, Diepenbeeck, Abraham van, Antwerp, Galle, Cornelis (II), An unknown saint (Ignatius of Loyola) kneels before Mary and child, verso center bottom - stamped, An unknown saint (Ignatius of Loyola) kneels before a stand with a bible. Next to him stands an angel pointing to the apparition of Mary and child. In a cartouche below the print the Latin caption 'Dans vera cordis Gavdia'., print, prent, prints, prenten, height 256 mm, width 145 mm, Zuid-Nederlands, 1615 - 1678-10-18, print maker, printmaker, 1625 - 1678, paper, papier, engraving, graveren (drukprocedé), Work conception, 1596-05-09 - 1675, after a design by, Publication (Event), Publicatie, Zuid-Nederlands - 1671-03-10, publisher, uitgever, gever van privilege

The Virgin Mary and Christ child, St Paul, Mary Magdalene, St Benedict and Joseph. Drawing by F. Rosaspina, c. 1830, after B. Ramenghi, il Bagnacavallo.

Communion of the Apostles. Johann Martin Schuster; German, 1667-1738. Date: 1687-1738. Dimensions: 447 × 333 mm. Red chalk on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Commissioning. The command of Christ for the Tomb. The body of Christ is supported by Joseph van Arimatea. Maria collapses in the arms of John the Evangelist.

Worship of the Christ child by monks, Anonymous, After Peter Paul Rubens, 1598 - 1690 print Mary sits next to Christ, who is in the manger, and shows him to a group of kneeling monks. Joseph watches. Behind him the ox and the donkey. In the distance a mountain landscape. print maker: Low Countriesafter design by: Antwerp paper engraving adoration of the Christ-child ~ Christ's birth. monk(s), friar(s)

Jacob Blessing Ephraim and Manasseh 1881 After Frederick Richard Pickersgill British. Jacob Blessing Ephraim and Manasseh 642897

Christ heals a madman, draughtsman: Louis Fabritius Dubourg, 1746, paper, h 318 mm × w 272 mm

Triptych after Anth. Blocklant: resurrection of Mary, Mary with the infant Jesus, the donator with his patron saint, proclamation to Mary and adoration by the shepherds. On 3 plates, print maker: Paulus Constantijn la Fargue, after: Anthonie Blocklandt, , 1739 - 1782, paper, etching, engraving

The Marriage of the Virgin Artist's working dates 1596-1659 Netherlands. Engraving in black on ivory wove paper . Schelte Adamsz. Bolswert

Christ gives the keys to Peter, François Requirements, After Peter Paul Rubens, 1705 - 1778 print Christ gives the keys to Peter. Three other disciples in the background. Under the show two lines of Latin in mirror image. Counterprint of the print with the same title. print maker: Paris (possibly)after painting by: Antwerp paper counterproof / etching Christ gives the keys of heaven to Peter

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