Biblical Scenes in Art

Engravings depicting biblical narratives, showcasing historical and cultural interpretations of religious stories from different periods.

A society of patriotic ladies, at Edenton in North Carolina , Patriotism, Boycotts, Tea, United States, History, Revolution, 1775-1783

Willem Panneels. La Nativity, according to Rubens (Dutuit 8). Eat, 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Baptism Dererdopers, 1535, 1657 - 1659 print Meeting of the re -buyers in a house where the re -baptism is applied. Without the verse. Print from the book cut, with text on Verso. Northern Netherlands paper etching / engraving Baptism ~ Protestant service Amsterdam

Feast of Nabal; History of David and Saul; History of David and Abigaïl; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Nabal and Abigai are sitting at Nabalal Feestmaoth and Nabal can be poured again. On the right in the background the bed from Nabal and Abigai. After Nabal had slammed his ruffle, Abigaïl told what she had done. Nabal died on that announcement. On the left in the background the funeral procession, with which Nabal's body is carried away. Under the show a reference in Latin to the Bible text in 1 Sam. 25. This print is part of an album.

Verloren zoon verkwist zijn erfenis.The lost son wastes his legacy with the ladies of light morals. He can be entertained in a Lusthof with music and benevolent ladies. In the foreground he dances with a woman. On the ground there are playing cards and right a woman keeps the notch. In the background the lost son, after the money is on, the inn or the brothel was carried out. With various elements from the show are letters. The print is part of an album.

Christ Before Caiaphas, from The Fall and Salvation of Mankind Through the Life and Passion of Christ ca. 1513 Albrecht Altdorfer German. Christ Before Caiaphas, from The Fall and Salvation of Mankind Through the Life and Passion of Christ 429638

Aanbidding door de herders.The worship of the Christ child in a stable by the shepherds, Joseph and Mary and the OS and the donkey. In the background on the left the annunciation on the shepherds by an angel.

. A performance in a cartouche of palm branches. A man has a bowl of soup and gives a sick patient to eat, one of the works of mercy.

The lost son says goodbye to his father; History of the lost son. In the margin a two-legged text in Latin.

A society of patriotic ladies, at Edenton in North Carolina , Patriotism, Boycotts, Tea, United States, History, Revolution, 1775-1783

Worship of kings.

Holy Lucianus celebrates the sacrament in prison and simple celebration of the Supper, Jan Luyken, 1700 print Two performances on a plate. Upstairs: In the prison of Antioch, St. Lucianus lies on the ground. He uses his chest as a table and blesses the bread and wine placed on it. Thus he celebrates the Supper with the other trapped around him. Below: celebration of the Last Supper by the first Christians. The believers are sitting around a long table while one of them breaks the bread. Amsterdam paper etching prison, jail. the early Christian Churches, e.g. Armenians, Copts, Syrians. male saints (with NAME). Communion ~ Holy Mass

Dood van de Heilige Bruno, François Chauveau, After Eustache Lesueur, 1623 - 1676 print print maker: Parisafter painting by: Parispublisher: ParisFrance paper etching / engraving the founder of the Order of the Carthusians, Bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s). martyrdom, suffering, misfortune, death of St. Bruno

. The lost son says goodbye to his father. He shakes him the hand from his horse. A gate in the background.

A society of patriotic ladies, at Edenton in North Carolina , Patriotism, Boycotts, Tea, United States, History, Revolution, 1775-1783

The Lost Son says goodbye to his father, Salomon Savery (Possible), 1610 - 1665 print In the margin a two -line text in Latin. Amsterdam paper engraving / etching the parable of the prodigal son (Luke 15:11-32). leave-taking and departure of the prodigal son

Procession of leprosy in a village, Claes Jansz. Visscher (II), 1640 - 1670 print The annual festive parade of the leprosy roses with clappers on Koppermaandag (the first Monday after Epiphany) stops at the door of a house in a village, around 1608. In the foreground children playing in the foreground, a man with a drum, one Man who drinks from a jug and a man with a kind of homemade movable scaffolding on a stick, with dolls between bushes with apples. With caption. Amsterdam paper etching / engraving leper's procession. leper's rattle. dancing around the maypole

Two representations on one slide. Above: in the prison at Antioch Saint Lucianus lies chained to the ground. He uses his chest as a table and blesses the bread and wine placed on it. Thus he celebrates the Lord's Supper together with the other prisoners seated around him. Below: celebration of the last supper by the early Christians. Around a long table the faithful are seated while one of them breaks the bread., Saint Lucian celebrates the Lord's Supper in prison and simple celebration of the Lord's Supper posture in prison / Posture of the Lord's Supper in a poor and simple manner , print maker: Jan Luyken, (mentioned on object), publisher: Jacobus van Hardenberg, bookseller: Barent Visscher, Amsterdam, 1700, paper, etching, h 273 mm × w 158 mm

Worship by the shepherds.

Wedding ceremony in Ashkenazian Jews, Bernard Picart (workshop of), 1723 print Marriage ceremony in Ashkenazian Jews. In the open air, a Jewish wedding couple is together under a prayer rug, the tallite. The groom gives his bride the ring. Opposite the bridal couple is the rabbi. paper etching / engraving 'kiddushin', Jewish wedding

Victim of possession or sorcery (no. 3), ca. 1658. Interior with a person suffering from a form of falling illness or madness, interpreted as possessure or daze. A man stands on his head in his bed. Numbered: 3.

. Jacob, in a bed under a canopy, makes a blessing gesture with his right hand. Around his bed and kneeling are twelve sons. On the right wall are probably Ephraim and Manasse, the two sons of Joseph. On the right a woman sitting at a table. Under a reference to Gen. 49: 1-28 And the title of the print in Hebrew, French, German, Latin, English and Dutch.

Adoration of the Kings, Johannes Glaber, After Gerard de Lairesse, 1656 - 1726 print Mary and Joseph show the Christ child to the three sages and their entourage. They offer the child their gifts. The front king kisses the child's feet. In the background the star that led them. The print is part of a series with biblical, mythological and allegorical representations. print maker: unknownpublisher: Amsterdam paper etching adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Dood van de Heilige Bruno, François Chauveau, After Eustache Lesueur, 1623 - 1676 print print maker: Parisafter painting by: Parispublisher: ParisFrance paper etching / engraving / counterproof the founder of the Order of the Carthusians, Bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s). martyrdom, suffering, misfortune, death of St. Bruno

Lazarus begins to the feast of the rich man; Parable of the rich man and the poor Lazarus; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. The rich man is sitting at a banquet. Around him noble men and women. Musicians make music. In the foreground is the poor Lazarus beg.twee dogs licking his wounds. In the background, Lazarus is thrown away under the threat of heads. Under the show a reference in Latin to the Bible text in Luc. 16:19. This print is part of an album.

Passover celebration in Egypt. The Israelites are around a table and eating hastily the lamb. With shoes on their feet, the handling of hand and sticks in their hands they are ready to defend them from their exile. In the background a sign with blood is applied to the door station. Biblical performance from ex. 12: 1-27 With the title of the show in six languages in the margin.

Brassing beggars, Pieter Serwouters, After David Vinckboons, 1673 - 1709 print In front of an inn with the name d'aserusclep, there is a group of bracing beggars around a table, including a musician with hinged man, a woman with a child on the chest, a liberating couple, a vomiting man and a man with a wooden leg. On the left a round dance. From the house is 'the broom extinguishing', which indicates that it is a dubious building. Under the sign of the inn a man and woman, whose man has a lazarus valve in his hand. Also on the two signs, a lazarus valve is also depicted. In the background, a woman and a man with one leg, "honest beggars", pass the inn. Instead, they walk in the direction of a church. Under the print on either side of the title each four verse rules in Dutch. Amsterdam paper engraving proverbs, sayings, etc.. beggar. carousal, drinking-bout, orgy. person with a physical disability. leper's rattle. nursing, suckling. hurdy-gurdy player. group dancing. drunken brawl (usua

Depicts Spaniards and Indigenous people participating in a feast, drawn with gray feather, black chalk, and reddish traces, emphasizing figures and arrangement.

Procession of lepers in a village, ca. 1608, 1608 print The annual festive parade of the leprosy roses with clappers on Koppermaandag (the first Monday after Epiphany) stops at the door of a house in a village, around 1608. In the foreground children playing in the foreground, a man with a drum, one Man who drinks from a jug and a man with a kind of homemade movable scaffolding on a stick, with dolls between bushes with apples. With caption of 6 lines in Dutch. print maker: Northern Netherlandspublisher: Amsterdam paper etching 'blue Monday'. leper's procession

Nederlanden, D' Waare Beelde van het H. Sacrament van Mirakel Geschiet tot Amsterdam op de H. Stede in 't jaar 1345, Mirakel van Amsterdam, 1345, Het mirakel van Amsterdam, 15 maart 1345. In the middle the sick man in bed receiving the host from the priest, on the right in the background the man vomits the host and the host is thrown into the fire. On the left believers kneel next to the bed, in the background the sacrament procession. Below the print a verse in four verses of two lines., print, prent, historieprent, prints, Frederik Muller Historieplaten, height 182 mm, width 252 mm, print maker, prentmaker, 1720 - 1740, first quarter 18th century, second quarter 18th century, paper, papier, etching, etsen

Pl. 3. The idle 'prentice at play in the church yard , Churches, Play Recreation. William Hogarth (1697-1764). Prints

Christ drives out the money changers from the temple, 1660 Zwolle paper. ink. chalk brush Zwolle paper. ink. chalk brush

Worship by the kings; Prociseales adoreant Eum, et apple thesauris Suis obtulerunt egg munera, aurum, thus, et myrrham; Spacious bible. The three kings worship the Christ child, which puts the hand on the head of the kneeled king. Behind them are men from their consequences. Under the show the title in Latin and a reference to the Bible text in mat. 2: 1.

Antwerp, Galle, Philips, Vos, Maerten de, Typus Divinae indulgentiae atqz misericordiae, erga eos quibus ex toto corde transgressionum poeni tet et ad dnm deum se convertunt, Penance and Repentance in the Old Testament and the New Testament, Mary Magdalene Washes the Feet of Christ, verso center bottom - stamped, In the House of Simon washes a sinful woman (Mary Magdalene) Christ's feet with her tears and dries them with her hair. Christ forgives her sins. The print has a Latin caption and is part of a series on penance and repentance in the Old and New Testaments., print, prints, 42, recto top right - written, verso bottom center - stamped, height 200 mm, width 226 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1547 - 1612, paper, papier, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Pen drawing by Christian Wilhelm Ernst Dietrich depicting the circumcision of Christ in the temple, executed in light brown with gray washes around 1732.

Martyrdom of Saint Andreas. View in a room where Saint Andreas is tied up on a wooden table. He is tortured by different men. A crowd looks. On the right a look through a landscape with a temple and other structures.

Dancing farmers for an inn, approx. 1650. Dancing farmers for an inn, approx. 1650. A man and woman dancing together outside an inn on the music of a schalmei. Drinking farmers watch. In the caption a verse of 4 lines.

Receipt of a new member of the Bentvueghels, ca. 1700; The Roomsen is a painter; Initiation of a Bentvueghel. Reception and initiation of a new member of the Bentvueghels, ca. 1700. Members of the Bentrifles, the group of Dutch artists in Rome, dressed up as bacchants with a priest who points to the new member with a stick. One of them is bent forward, a burning candle sticks out of his buttocks. In the margin poems in Latin, Dutch and French.

Calling Matthew, Ignace-Joseph de Claussin, after Van Schout, 1807 print France paper etching / engraving calling of Matthew (Levi), the tax-collector (usually with money lying on the table and people paying taxes) (Matthew 9:9; Mark 2:14; Luke 5:27-28)

Two figural scenes with allegorical pronunciation, from a series of illustrations symbolizing virtue/human features and attitudes: Conformitas voluntatis cum divina; Fides et Catholicae religionis (Sacred performance in the church interior Scene of Holy Communion . Rugendas, Rosenstiegl, Franz

Le choeur d'une église Espagnole , Musicians, Choirboys, Priests, Alphonse Legros (1837-1911)

. Charming dressed figures at a table where it is eaten and drunk. In the middle the bride with a wreath above her head, attaches to a canopy.

Christ turning wine into water at the wedding at Cana 1743-63 Pietro Monaco. Christ turning wine into water at the wedding at Cana. After Jacopo Bassano (Jacopo da Ponte) (Italian, Bassano del Grappa ca. 1510-1592 Bassano del Grappa). 1743-63. Etching. Prints

. Christ is sitting with Maria at the table and looks at Joseph, who leans against a base. Through the window a face on a mountain landscape. A French text of ten rules on the base.

Women examine their sheets on motholes; The Moth.

Cornelius Musius hung in Leiden, 1572, 1790 print Father Cornelius Musius is hung by the Geuzen van Lumey at night in Leiden, December 10, 1572. Netherlands paper etching violent death by hanging Leiden

Visiting Prisoners 1635 Abraham Bosse French. Visiting Prisoners 386192

Nativity. Artist: Johann Georg Bergmuller, German, 1688-1762

Begging for Alms, 1819. Nicolas Toussaint Charlet (French, 1792-1845). Lithograph;

A pen and wash drawing by Luca Cambiaso depicting the Birth of Christ, showing the infant Christ, figures, and surrounding setting.

Ste. Marthe, vierge (St. Martha, Virgin), July 29th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. Ste. Marthe, vierge (St. Martha, Virgin), July 29th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Italy, Romano, Giulio, Bonasone, Adoration of the Shepherds, verso - stamped, The adoration of the Christ Child in a stable by the shepherds, Joseph and Mary and the ox and the donkey. In the background on the left the annunciation to the shepherds by an angel., print, prent, prints, engravings, height 275 mm, width 436 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, engraving, engraving (printing process), Work conception, 1499 - 1546-01-11

The circumcision ceremony of well-to-do European Jews Date: 1737

Christus in Schriftgeleerden; Collection of eighty-five original prints.The print is part of an album.

Adoration by De Herders, Hans Witdoeck, After Peter Paul Rubens, 1630 - 1642 print Maria stands next to the Christ child in the stable, behind her stands Joseph. The shepherds and their wives get around them in worship. Their shadows stand out on the wall of the stable. On the right in the foreground the ox and the donkey. In the margin a two -way caption in Latin. Antwerp paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present. shadow

Worship by the shepherds. In an open stable, Mary is kneeling for the Christ child, which she wraps into a cloth. Joseph is next to it. Right three shepherds, the OS and the donkey. Two boys look over the wall of the stable. In the background the proclamation to the shepherds.

Meal in Emmaus, Willem Isaacsz. van Swanenburg, after Peter Paul Rubens, 1611 print Christ sits at the table with his students. He blesses and breaks the bread, causing his students to recognize him. On the right a woman gives a glass of wine and there is a dog under the table. Under the performance is a six -line, Latin text with a description of the scene and a praise on Rubens, in which he is compared with Apelles. print maker: Leidenpublisher: Amsterdam (possibly) paper engraving the supper at Emmaus: Christ is recognized while blessing or breaking the bread. vegetables (with NAME). (family) meal (+ serving, servants at table, meal). glass of wine. dog

Nobles in a deliberation, Jacob Folkema, 1702 - 1767 print A group of nobles are considering a departure, in the foreground there is a nobleman who points to a rosary and two serrated pieces of paper that are on the table next to him. paper etching nobility and patriciate; chivalry, knighthood

The return of the lost son; History of the lost son. In the margin a line of text in Latin.

Parable of the workers in the vineyard.

THE FOOL SELLING WISDOM A crowd, including someone carried in a sedan chair, gathers round a lute-playing man Date: 17th century

. A dentist pulls a tooth in the open air at a farmer. In the meantime, the farmer is robbed by a man who is growing in his pouch. Next to him is a basket with eggs on the floor. A man and a woman stand behind the dentist. On the right is a man with a basket in the hands with a distillation device. Left in front of the house are carafes and jars on a table.

Simon De Kramer refuses to kneel at Bergen op Zoom for a procession, 1553; Simon, Mercier, Brulé à Bergue-op-Zoom, Ao. 1553 / Simon, Krahmer Zu Bergen Auff Zohm Verbrent, AO. 1533 .. Simon De Kramer refuses to kneel for a procession preceded by a priest with the holy sacrament over a market in Bergen op Zoom. The merchant remains standing for his stall.

Council meeting in which the miracle is sealed, 11; The miracle of Amsterdam, 1345; Amstelredams Honor Ende Up Cums through the Denckwaerdighe Miraklen Aldaer happened by the H. Sacrament des Altaers Anno 1345. Council meeting of the magistrates of the city in the town hall where the authenticity of the miracle is sealed. PRENT No. 11 From the series of 16 performances of the Miracle of Amsterdam, to the events on March 15, 1345. Under the show two six-line verses in Latin and Dutch.

Christ expands the money exchangers from the temple.

. The merciful Samaritan arrives with the injured traveler at an inn and pays the innkeeper. The latter has a burning candle in hand. In the middle, the wounded traveler is taken from a horse. On the stairs of the inn there is a servant with a torch. Scene from the Bible story The merciful Samaritan (Luc.10: 30-37). Also representing the night, as one of the four times of the day.

A dying man is given the last rites by two Franciscan monks. Etching.

Of high to low, man is rewarded for his virtue; Degening the Catholic clergy. The Personification of Grace (Favor) rewards every virtuous person. In her hands a heart with a shovel (love for the worker) and a heart with a scepter (love for the ruler). In the background the man who visits the sick is rewarded with a bag of money, while the Bangenweavers are rewarded by the king with privileges. The print has a Dutch, Latin and French caption and is part of a twellable series with the degeneration of the catholic clergy and the causes of the uprising and the images storm.

Depiction of the presentation of Christ in the temple by Nicolaes Maes, executed in brown and gray lavated pen with white corrections and vertical kinks near the edges.

Lot washes the feet of the angels, Claes Moeyaert, 1612 - 1655 print Lot washes the feet of the two angels. Two women prepare the meal in his house. In the background a man in the doorway. Amsterdam paper etching Lot entertaining the angels

The prayer for meals, Stephan de Praet, After Claes Janssen, 1635 - 1645 print A family consisting of father, mother and three children is sitting with folded hands around a set table in a sober room. The two youngest children are. In the foreground are utensils: a wooden tub, a kettle, a jug, a wine barrel and a sieve. In the background, a man, seen on the back, is on an inverted basket by the fireplace. Under the image a poem in Dutch. print maker: Danzigpublisher: Amsterdam paper engraving prayer at table, saying grace. the poor. Humility; 'Humiltí' (Ripa). devotion, piety; 'Divotione' (Ripa)

Christ is housed as a stranger; Foreign nationals house; M 52 C Ir Habt Mich Hervigt; Working of mercy. Christ is welcomed as traveling alien or pilgrim (Matthew 25:35).

People in Nagasaki trampling on Christian cult images. Etching, ca. 1789.

Care of victims in Babyloniënbroek, 1809. Care of victims in a chapel in Babyloniënbroek, during the flood of January 1809.

Birth of Christ and announcement to shepherds. Maria and Joseph kneel at the manger with the newborn Christ. Three little angels look at the child and a shepherd proves his honor. Very small in the background shows the announcement to the shepherds.

Illustration for a Book: Reception of Monks at a City Gate 1696-1770 Giovanni Battista Tiepolo Italian. Illustration for a Book: Reception of Monks at a City Gate 339293

Parable of the king's wedding festival, 1643 print The king's wedding party where the guests enjoy a meal. The person left at the table has no wedding clothes on. He is being taken away hard. The king is next to him. He believes that "many have been called, but only a few chosen" (Matt. 22:14). print maker: Antwerpprint maker: unknownafter design by: Antwerppublisher: Amsterdam paper engraving the king sees a guest without a wedding garment: 'bind him hand and foot .. and cast him into the outer darkness' ~ parable of the royal wedding-feast

Villagers dancing around the bonfire for the feast of St. John the Baptist, midsummer. Lithograph from Henry Rene Allemagne's Sports and Games of Skill (Sports et Jeux d'Adresse), Librairie Hachette, Paris, 1903.

Church service in a village church. A church service takes place in a village church. In the foreground the spectators and on the right a preacher chair with a pastor and aforestor.

Women praying and spinning in an interior, by the window Satan whispers a fourth woman in the ear, Jan Luyken, 1687 print Amsterdam paper etching one person praying. spinning-wheel. devil(s) and demons: Satan

Visit prisoners Abraham Bosse (1602-1676). Visit the prisoners.

Last Supper, Jan Tersteeg, After Rafaël, 1765 - 1807 print The Last Supper of Christ with his students. The students are shocked by the announcement that one of them will betray Christ. Amsterdam paper etching announcement of the betrayal of Christ, and the reaction of the apostles

Maria van Bourgondia on her park bed, 1872 print Maria van Bourgondia is laid out on her sparkle bed, March 27, 1482. Around the bed four burning candles and mourning relatives. paper etching deathbed. lying in state Used

Petrus denominated Christ. High priest house kajafas at night. In the foreground carding soldiers for a fireplace, behind them the apostle Peter who talks to a maid. Kajafas stands on a balustrade with a group of soldiers. Left on an increase in the rooster for the INSCRIPTION SPQR on a wall. Under the show a verse in two couplets of four rules each in Latin by T. Schrevelius.

Procession dans une église Espagnole , Musicians, Religious processions, Churches, Clergy, Alphonse Legros (1837-1911)

Pentecost Party in The Hague; Coutume de la Pentecote, à la Haye. Presentation of a use during Pentecost in The Hague: Flowers decorated girls go along the doors to pick up money.

A 1782 drawing by Françoise Jeanne Ridderbosch showing the adoration of the shepherds in a barn, executed in pen with gray and black washes in copper engraving style.

After Jacques Callot, Nativity, etching on laid paper.

FESTIVAL OF THE PRESEPE, IN THE ARA COELI CHURCH, AT THE CAPITOL, ROME, 1871

Monk and Death, Rudolph Meyer, 1650 print Two monks with the death of a skeleton behind them, who grasps one of the monks. paper etching abbot. dance of Death; Death together with one or more human beings. personifications of Death; 'Morte' (Ripa)

Last Supper, Albrecht Altdorfer, c. 1506 - 1538 print Christ and the twelve disciples at the table. Judas, seen on the back and with a money pouch on his belt, gets up with Christ at the same time. Eighteenth print from a series of forty. Germany paper Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

THE ADORATION OF THE SHEPHERDS.

Worship by the Kings (middle part), Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print The holy family sitting in a stable. Around the stable are and kneel the three kings with their entourage in worship of the Christ child. print maker: Italyafter drawing by: Italyafter design by: Italypublisher: RomeVaticaanstad paper etching adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

From high to low, man is rewarded for his virtue, Dirck Volckertsz. Coornhert, After Adriaan de Weerdt, 1604 print The Personification of Gunst (Favor) rewards everyone virtuous. In her hands a heart with a shovel (love for the worker) and a heart with a scepter (love for the ruler). In the background, the man who visits the sick is rewarded with a bag of money, while the baskets are rewarded by the king with privileges. The print has a Dutch, Latin and French caption and is part of a twelve -part series with the subject of the degeneration of the Catholic clergy and the causes of the rebellion and the iconoclasm. print maker: Germanyafter design by: Colognepublisher: The Hague paper etching / engraving Favour; 'Favore' (Ripa). profane heart symbolism ~ love - AA - female human figure. ruler conferring privileges. handicrafts, craftsman at work. Rewarding Goodness Low Countries

The Lobbish Life of the Lost Son, Salomon Savery (Possible), 1610 - 1665 print In the margin a rule of text in Latin. Amsterdam paper engraving / etching the parable of the prodigal son (Luke 15:11-32). the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn

Procession dans une église Espagnole , Musicians, Religious processions, Churches, Clergy, Alphonse Legros (1837-1911)

Maria van Burgundy on her purge bed. Maria van Burgundy is advanced on her praal bed, March 27, 1482. To the bed four burning candles and grieving family members.

Lead and brush drawing by Christian Wilhelm Ernst Dietrich from 1733 showing Christ healing the sick, emphasizing figures, gestures, and spatial arrangement.

Philip Galle after Maerten van Heemskerck, And They were All Filled with the Holy Ghost And They were All Filled with the Holy Ghost

Through the devil, godleman, disguised as Jew, is grabbed; That von Gott Verwoffne Menschliche Wolffs-Zung.

Le choeur d'une église Espagnole , Musicians, Choirboys, Priests, Alphonse Legros (1837-1911)

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