Biblical Scenes in Art

Classic artworks depicting significant biblical events, rendered in vibrant colors and rich detail, reflecting the dramatic narratives of life, death, and resurrection.

The Raising of Lazarus Sebastiano del Piombo (C. 1485-1547/Venetian) National Gallery, London

Raising of Lazarus, altarpiece by Santi di Tito (1536-1603). Church of Santa Maria Novella, Florence. Italy, 15th-16th century.

the burial of Christ. Museum: CATEDRAL DE TOLEDO, Toledo, SPAIN. Author: GIOVANNI BELLINI. JESUS.

Coronation of the Virgin with Saint Augustine and Saint William of Aquitaine by Giovanni Lanfranco, (1582-1647), France, Paris, Musee du Louvre

'Assumption of the Virgin Mary'. Italy. Dimensions: 307x332 cm. Museum: State Hermitage, St. Petersburg. Author: Guercino (Giovanni Francesco Barbieri).

The Entombment of Christ. circa 1525 by Titian

The Raising of Lazarus Sebastiano del Piombo (C. 1485-1547/Venetian) National Gallery, London

José de Ribera / 'The Raising of Lazarus', ca. 1616, Spanish School, Oil on canvas, 171 cm x 289 cm x 9 cm, P07768. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Lamentation (The Pieta) by Gioacchhino Assereto; Oil on canvas; c. 1640

Peter Paul Rubens / 'The Descent from the Cross. Central panel', 1612-1614, Oil on canvas. Museum: Onze Lieve Vroukathedral, TORRE DEL LAGO, Belgien. JESUS. MARY MAGDALENE. JOSEPH OF ARIMATHEA.

The Way to Calvary, by Jacopo Bassano, circa 1545, National Gallery, London, England, UK, GB, Europe

Pietro Novelli / 'The raising of Lazarus'. 1635 - 1640. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Our Lady of Assumption church. Jesus flogged Cordon. France.

Deposition Of Christ, by Filippo Vitale (1585-89 - 1650), Church of Santa Maria Regina Coeli, Naples, Campania. Italy, 17th century.

'The Burial of Saint Steven', ca. 1562, Spanish School, Oil on panel, 160 cm x 123 cm, P00842. Author: JUAN DE JUANES (1510-1579). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Christ Crowned with Thorns. Before Christs trial, Roman soldiers placed a plaited crown of thorns on his head, dressed him in a cloak and mocked him. After all, was he not the ‘King of the Jews? The scene is dramatically illuminated by a torch, held by the boy at the left. Honthorst probably made this painting for a clandestine Catholic church (schuilkerk) in Amsterdam.

DETALLE - EL EXPOLIO - 1577 - 79 - O/T - MANIERISMO ESPAÑOL - Conj nº 257. Author: EL GRECO. Location: CATEDRAL-INTERIOR. Toledo. SPAIN. JESUS. CRISTO EXPOLIO.

El Greco, Dominico (1541-1614) National Gallery, London Painting 106x129,7 Bible Christ driving the Traders from the Temple

Die Grablegung Christi ist ein Altargemälde des italienischen Renaissance-Künstlers Raffael aus dem Jahr 1507. Das Bild bildete zusammen mit weiteren Werken Raffaels den zentralen Teil eines Altars in der Kirche San Francesco al Prato in Perugia / The Entombment of Christ is an altarpiece by the Italian Renaissance artist Raphael from 1507. The painting, together with other works by Raphael, formed the central part of an altar in the church of San Francesco al Prato in Perugia, Historisch, historical, digital improved reproduction of an original artwork from the time / digital restaurierte Reproduktion einer Originalvorlage aus der damaligen Zeit, genaues Originaldatum nicht bekannt.

El Greco (1541-1614). Cretan painter. Jesus Christ Stripped of his Garments. Detail. National Gallery. Oslo. Norway.

The Flagellation, by Jean Baptiste Vanloo, oil on wood panel, (1684-1745), England, London, Christie's Images

Detail from 'the Disputation of the Sacrament' Fresco by the Italian Renaissance artist Raphael. It was painted between 1509 and 1510. in the Apostolic Palace in the Vatican. In the painting, Raphael has created a scene spanning both heaven and earth. Above, Christ is surrounded by a halo, with the Blessed Virgin Mary, John the Baptist at his right and left. Other various biblical figures such as Adam (far left, bared chest), Jacob (far right, red robe and sword) and Moses (right, holding tablets with the ten commandments) are to the sides. God the Father sits above Jesus, depicted reigning over the golden light of heaven, and below Christ's feet is the Holy Spirit. On opposite sides of the Holy Spirit are the four gospels, held by putti. Below, on the altar sits the monstrance. The altar is flanked by theologians who are depicted debating Transubstantiation and Divinity is the Holy Eucharist

Painting titled 'Christ's Charge to Peter' by Peter Paul Rubens (1577-1640) Flemish Baroque painter. Dated 17th Century

Martyrdom of Saint Bartholomew by Jose de Ribera, Spain, Madrid, Real Academia de Bellas Artes

Notre Dame de l'Assomption de Cordon church. Fresco. The Flagellation of Christ. France. France.

Painting titled 'The Cleansing of the Temple'. The painting depicts Christ driving the Money Changers from the Temple. Painted by El Greco (1541-1614) born Doménikos Theotokópoulos, was a painter, sculptor and architect of the Spanish Renaissance. Dated 16th Century

The Dead Christ Supported by an Angel and Adored by a Franciscan. Date/Period: 1584/1589. Painting. Oil on canvas. Width: 126.7 cm. Height: 86 cm (without frame). Author: PAOLO VERONESE.

Our Lady of Mercy, by Bartolomeo della Porta known as Fra Bartolomeo (1472-1517). Detail.

The Mocking of Christ, by Crespi Giovan Battista known as il Cerano, 17th Century, oil on canvas, cm 213 x 118

Tanzio da Varallo, Saint Sebastian, c 1620 1630 Saint Sebastian

Paul resuscitating the young Eutychus, fresco, Basilica of St Paul Outside the Walls, Rome. Italy, 19th century.

Christ and the Penitent Sinners. Dating: 1610 - 1651. Measurements: h 207 cm × w 253 cm; d 8 cm. Museum: Rijksmuseum, Amsterdam. Author: Gerard Seghers.

Baptism of Christ Giovanni Agostino da Lodi (16th Century /Italian) Oil on Wood Panel Pinacoteca di Brera, Milan

Presentation of the Virgin Mary in the Temple, by Circignani Niccolo known as Pomarancio, 1603 - 1606, 17th Century, canvas. Italy, Umbria, Assisi, Perugia, Santa Maria degli Angeli Church. Detail of the figures in the foreground on the right. Presentation of the Virgin Mary in the Temple figure drapery crowd. multitude floor with geometric designs ocher pink white dark. brown tones. hues. shades green..

The Resurrection Luca Giordano (1634-1705 Italian) Christie's Images, London, England

Lamentation of Christ, Anthony van Dyck, (1635), painting, (1635), Belgian Art

GIOVENONE, Giuseppe, called 'Il Giovane' (1524-1609). 'Resurrection of Jesus', 16th century. Mannerism art. Painting. ITALY. PIEDMONT. Turin. Galleria Sabauda (Sabauda Gallery).

Italy,Rome,The Vatican,Vatican Museum,Pinacoteca,The Transfiguration by Raffaello

Stations of the Cross by an unknown artist in the handling of the Catholic pilgrimage church to the Holy Trinity in Kappl, Waldsassen, Tirschenreuth County, Upper Palatinate, Bavaria, Germany. 7 Station - Jesus falls under the cross for the second time / Kreuzwegstationen eines unbekannten Künstlers im Umgang der katholischen Wallfahrtskirche zur Heiligsten Dreifaltigkeit in Kappl, Waldsassen, Landkreis Tirschenreuth, Oberpfalz, Bayern, Deutschland. 7 Station - Jesus fällt zum zweiten Mal unter dem Kreuz.

El Greco (1541-1614). Cretan painter. The Disrobing of Christ (El Expolio), 1580-1600. Detail. Museum of Fine Arts. Budapest. Hungary.

Pieta with Saints, Sarto, Andrea del, 1525.

Feeding of the Multitude /Clerck/ C17th

LA FLAGELACION - TABLA IZQUIERDA - 1560 - O/T - 33x23 - NP 2723 - RENACIMIENTO FLAMENCO - CONJUNTO 3545. Author: MARCELLUS COFFERMANS (1520-1575). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. CRISTO DE LA COLUMNA. CRISTO BARBADO.

Christ of the coin, 1623-1624, by Anton van Dyck (1599-1641), oil on canvas, 140x120 cm.

Saint Roch visits the plague victims - Saint Roch Altarpiece (San Rocco visita gli appestati - Pala di San Rocco), by Jacopo da Ponte known as Bassano, 1580, 16th Century, oil on canvas, 350 x 210 cm

Christ Carrying the Cross (recto); The Resurrection (verso). Sodoma (Giovanni Antonio Bazzi) (Italian, 1477 - 1549)

Job (Hebrew: , Arabic: Ayyub) is the central character of the Book of Job in the Hebrew Bible. Job is also recognised as a prophet of God in the Qur'an. The Book of Job begins with an introduction to Job's character. He is described as a blessed man who lives righteously. God's praise of Job prompts Satan to challenge Job's integrity and suggesting that Job serves God simply because he protects him. God removes Job's protection, allowing Satan to take his wealth, his children, and his physical health in order to tempt Job to curse God. Despite his difficult circumstances, he does not curse God, but rather curses the day of his birth. And although he protests his plight and pleads for an explanation, he stops short of accusing God of injustice. Most of the book consists of conversations between Job and his three friends concerning Job's condition and its possible reasons, after which God responds to Job and his friends. The characters in the Book of Job consist of Job, his

Christ Appearing to Saint Peter Agostino Carracci (1557-1602 Italian)

Christ Presented to the People (Ecce Homo) ca. 1540-49 Sodoma (Giovanni Antonio Bazzi) Italian Sodoma was trained in Lombardy, where he absorbed Leonardo da Vincis ideas about the use of contrasting physiognomies for heightened dramatic effect. The turbaned figure is Pilate, who presents the resigned but dignified Christ to the viewer as an object of contemplation. His clothes, like the presence of the evidently Black figure shouting at Jesus, seem to transform the Hebrew tormentors into Muslims, reflecting European anxieties about the threat posed by an expanding Ottoman Empire.. Christ Presented to the People (Ecce Homo) 437978

Crucifixion by Jacob Cornelisz van Oostsanen (1470 - 1533); Oil on wood; 1507

The Miracle of Christ Healing the Blind, El Greco, circa 1570, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

England, London, Trafalgar Square, National Gallery, Painting of Christ Driving the Traders from the Temple by El Greco dated 1600

Ecce gay. Ecce gay. Christ becomes fascinated and with thorns of the light of a torch by Pilatus and a soldier to the people.

ANONYMOUS (WORK COPIED FROM: WEYDEN, ROGIER VAN DER)/ The Descent from the Cross, 16th century. Oil on panel, 200 x 263 cm. OriginMadrid, Royal Convent of Santa María de los Ángeles, of Franciscan Poor Clares (donation of Leonor de Mascareñas), 1564-1835; Trinity Museum, 1835-1872.LOCATION: Granada - Royal Chapel of Granada (Storage). Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Jesus and the money changers, c1860. Artist: Anon

RETABLO MAYOR - DEGOLLACION DE SANTIAGO. Author: Francisco Ribalta. Location: Iglesia parroquial. Algemesí. Valencia. SPAIN. Apóstol Santiago el Mayor.

Christ Resurrecting Lazarus Albert Kueckler (19th C. Danish)

This painting is the central panel of a triptych titled Christ a La Paille by Peter Paul Rubens for tomb of an Antwerp merchant.

Tribute Money with Jesus Christ, Saint Thomas (right) apostles and tribute collector, from Brancacci Chapel, fresco

Mourning the dead Christ, 16th century

Christ Healing the Blind ca. 1570 El Greco (Domenikos Theotokopoulos) Greek El Greco painted this masterpiece of dramatic storytelling either in Venice or in Rome, where he worked after leaving Crete in 1567 and before moving to Spain in 1576. It illustrates the Gospel account of Christ healing a blind man by anointing his eyes. The two figures in the foreground may be the blind mans parents. The upper left portion of the composition is unfinished. El Greco painted two other versions of the subject, and seems to have taken this one with him to Spain.. Christ Healing the Blind 436572

Christ Instructs Peter to Feed My Sheep. Dating: 1624. Place: France. Measurements: h 127 cm × w 108 cm × t 3.7 cm; d 6 cm. Museum: Rijksmuseum, Amsterdam. Author: Claude Vignon.

Illustration from the 'Grand Catechism for Families'. 1907. depicting the resurrection of Christ

Ecce homo, by Fiori Federico known as Barocci (Baroccio), Mazza Ventura, 17th Century, oil on canvas. Italy, Lombardy, Milan, Brera Art Gallery. Detail. Ecce homo Jesus Christ mantle: cloak red orange crown of thorns stick white child dress: garment blue gold.

Pieta'. Master of Saint-Germain-des-Pres (active Paris c1500).

RETABLO DE SAN PEDRO - 1655 - JESUS CON LOS DOCTORES. Author: FRANCISCO RIZI DE GUEVERA. Location: ST. PETER'S CHURCH. FUENTE EL SAZ. MADRID. SPAIN. INFANT JESUS.

Pieta, by Robusti Jacopo known as Tintoretto, 1563, 16th Century, oil on canvas. Italy, Lombardy, Milan, Brera Art Gallery. Whole artwork. Young man Apostle St John Virgin Mary Madonna mother St Mary Magdalene body corpse Jesus Christ wounds sheet drapery: draping brown hues: tones chiaroscuro halos: aureoles white.

The Crucifixion of Saint Peter. Santa Maria in Traspontina church. Rome. Italy.

The Crucifixion; about 1530; Oil on oak panel Maerten van Heemskerck; Netherlandish; 1498-1574

Lamentation over Dead Christ, by Cozzarelli Giacomo, 1495 - 1498, 15th Century, polychrome terracotta. Italy, Tuscany, Siena, Osservanza basilica, Aurelio Castelli Museum. Detail. Men apostles dresses: robes: garments Virgin Mary Mother mantle: cloak veil drapery: draping pain torment dead body Jesus corpse white green red brown tones: shades.

Descent from the Cross 1612-14 Peter Paul Rubens (1577-1640/Flemish) Oil on Triptych Panel Cathedral of Our Lady, Antwerp, Belgium

Painting of The Dream of Saint Joseph by Philippe de Champaigne dated 1642

"CRISTO ATADO A LA COLUMNA Y AZOTADO". Pintura sobre madera. Detalle del Retablo (siglo XVIII) de la Iglesia Parroquial de San Pedro. Limpias. Cantabria. España.

The Disrobing of Christ or El Expolio (Latin: Exspolum) is a painting begun in the summer of 1577 and completed in the spring of 1579 for the High Altar of the sacristy of the Cathedral of Toledo, where it still hangs. It is one of El Grecos most famous works

Jesus Christ with Mary Magdalene by Lucas Cranach the Younger, oil on copper , after 1532, 1515-1586, Russia, St. Petersburg, State Hermitage, 84x123

Vincenzo Civerchio, Christ Instructing Peter and John to Prepare for the Passover, Italian, c. 1460-1470-probably 1544, 1504, tempera on panel

The Martyrdom of Saint Andrew. Charles Le Brun (French, 1619 - 1690)

'The Trinity' (detail), 1577-1579, Oil on canvas, P00824, Before restoration. Author: EL GRECO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. ESPIRITU SANTO. DIOS PADRE. CRISTO MUERTO. PADRE ETERNO.

Martyrdom of Saint Cucuphas. Date/Period: From 1502 until 1507. Painting. Oil on wood. Height: 1,640 mm (64.56 in); Width: 1,330 mm (52.36 in). Author: AYNE BRU.

Gallerie dell'Accademia. Dead Christ supported by the Virgin Mary, Nicodemus, Saint John the Evangelist, and the Two Marys by Giambattista Cima da Conegliano.

Jesus Driving the Money Changers from the Temple Artist Unknown

Lamentation over the Dead Christ, by Perugino (ca 1450-1523), fresco, Basilica of Saint Peter, Perugia, Umbria. Italy, 15th-16th century.

The Last Supper ca. 1652 Philippe de Champaigne (1602-1674 French) Oil on canvas Musee du Louvre, Paris, France

Detail of the painting The Raising of the Cross by Peter Paul Rubens inside the Cathedral of Our Lady, Antwerp, Flemish Region, Belgium, Europe

Twelve Years Old Christ in the Temple, by Koch Joseph Anton, 1810 - 1821, 19th Century, tavola. Italy, Lazio, Rome, National Gallery of Modern Art. Whole artwork. Jesus Christ boy child: baby temple of Jerusalem listening attention sermon Holy Virgin Mary Madonna Doctors of the Law colors inlaid throne scriptures parchments book town.

The Good Samaritan Giovanni Battista Langetti (1635-1676 Italian) Christie's Images, London, England

The Baptism of Christ. Christ's baptism. On the right, John the Baptist Christ with the water of the Jordaan. In heaven God the father and the pigeon of the Holy Spirit. Links Some other people, some dry and dress.

Biblical Story, The Captivity of Christ, Michelangelo Merisi, called Caravaggio, Historical, digitally restored reproduction from a 19th century original.

Christ Fell under the Cross, by Bonsignori Francesco, 1487 - 1505, 15th Century, canvas. Italy, Lombardy, Mantua, Ducal Palace. Whole artwork. Christ fell under the cross Madonna Virgin Mary Pious Women Three Maries St John Mary Magdalene embracing the cross halo: aureole simple necklaces folds of drapery black red brown white yellow light blue: azure.

Jacopo del Sellaio (1442-1494). Italian painter. Florentine school. The Lamentation over the Dead Christ with Saints Francis and Jerome. Tempera on panel. The State Hermitage Museum. Saint Petersburg. Russia.

Job (Hebrew: , Arabic: Ayyub) is the central character of the Book of Job in the Hebrew Bible. Job is also recognised as a prophet of God in the Qur'an. The Book of Job begins with an introduction to Job's character. He is described as a blessed man who lives righteously. God's praise of Job prompts Satan to challenge Job's integrity and suggesting that Job serves God simply because he protects him. God removes Job's protection, allowing Satan to take his wealth, his children, and his physical health in order to tempt Job to curse God. Despite his difficult circumstances, he does not curse God, but rather curses the day of his birth. And although he protests his plight and pleads for an explanation, he stops short of accusing God of injustice. Most of the book consists of conversations between Job and his three friends concerning Job's condition and its possible reasons, after which God responds to Job and his friends. The characters in the Book of Job consist of Job, his

Sanchez, Pedro. Spanish painter active in Seville in the second half of the fifteenth century. The Burial of Christ. Painting on wood. Museum of Fine Arts. Budapest, Hungary.

Mucius Scaevola in the presence of Lars Porsenna. Date/Period: Early 1640s. Painting. Oil on canvas. Height: 1,675 mm (65.94 in); Width: 2,200 mm (86.61 in). Author: Matthias Stom.

Christ showed to the people, by Paolo Farinati (1524-1606).

El Greco / Christ healing the Blind

The baptism of Christ, workshop of Jan van Scorel, c. 1535

Botticelli, Mourning Christ

Lamentation over dead Christ, central panel of the Haneton Triptych, by Bernaert van Orley (ca 1492-1541), oil on canvas, 87x109 cm.

Painting of Saint Paul Healing the Cripple at Lystra. Painted by Karel Dujardin (1626-1678). Dated 17th Century

Resurrection of son of Theophilus King of Antioch, from Brancacci Chapel, fresco

The dead Christ supported by two mourning angels trimmed. To 1475/80. (Giovanni Bellini; Venice 1516 Venice To 1430/31)

of 3