Biblical Scenes in Art

Artistic renderings of significant biblical events, depicting moments of religious importance with dynamic compositions.

Visioen van Holy Augustinus, Pieter de Jode (II), After Anthony Van Dyck, 1628 - 1670 print The Holy Augustine gets a vision. He wears the bishop's robe and his miter is next to him, with a few books. Two angels support him. One of the angels points to heaven. Augustine sees the throne Christ, a tetragram and the Holy Spirit (a pigeon) and angels with various attributes. In the margin a caption in Latin. England paper engraving / etching St. Augustine contemplating the Trinity

Crossing.

Ascension of Mary with apostles, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print print maker: Netherlandspublisher: Antwerp paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

The Assumption of the Virgin, according to Rubens (Dutuit 4) Bo�tius Adamsz Bolswert (said Biodius), Adams Schelte. The Assumption of the Virgin, according to Rubens (Dutuit 4). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Paulus Pontius engraved 'Mary Himmelfahrt' in 1624, depicting the Assumption of Mary with angels and symbolic religious elements in copper engraving format.

Petrus receives the keys, Giovanni Battista Pasqualini, After Guercino, 1624 print Peter receives the keys to the Kingdom of Heaven of Christ and is shown on his throne. There are two figures on the right, possibly other disciples. There are two angels on the throne, one with the papal tiara (Triregno). Two other angels keep a cloth up as a canopy. Bottom left a cartouche with an assignment and six lines of Latin text. At the bottom right a coat of arms. print maker: Italyafter painting by: ItalyVaticaanstad paper engraving Christ gives the keys of heaven to Peter. throne of St. Peter. canopy, baldachin. insignia of the pope, e.g. tiara

Paulus Pontius, after Sir Peter Paul Rubens, The Assumption of the Virgin, 1624 The Assumption of the Virgin

Copper engraving and etching by Georg Friedrich Schmidt from the 18th century depicting Mary's temple, illustrating figures, architecture, and 18th-century printmaking techniques.

Visioen van Holy Augustinus, Pieter de Jode (II), After Anthony Van Dyck, 1628 - 1670 print The Holy Augustine gets a vision. He wears the bishop's robe and his miter is next to him, with a few books. Two angels support him. One of the angels points to heaven. Augustine sees the throne Christ, a tetragram and the Holy Spirit (a pigeon) and angels with various attributes. In the margin a caption in Latin. England paper engraving / etching St. Augustine contemplating the Trinity

Visioen of St. Augustine van Hippo with St. Monica and the H. Nicolaas van Tolentino, Arnold Loemans, after Pieter de Jode, after Anthony van Dyck, 1642 print In the middle is the Holy Augustine of Hippo. He is wearing a choir cap over his Augustinian monk food and is flanked by two angels. On the left is his mother, St. Monica, and the H. Nicolaas van Tolentino kneels on the right. Nicolaas van Tolentino also wears a Augustinian monk spy with a star who refers to the vision before his death. In front of him there are three small loaves as a reference to the miracle of the colders. Front left a few writings, a miter and a bishop's staff. All saints look up, where Christ with the Holy Spirit is on a cloud. He is surrounded by angels with different attributes, including a flaming sword, an eye on a staff, a ring that bites in its own tail (symbol of eternity) and an olive branch. In the margin a three -line assignment in Latin. Antwerp paper engraving Augustine, bishop of Hippo; possible

Image of care N.M.P. in the Warsaw cathedral church Jezierski, J. (N.N.)

The Holy Women at Christ's Tomb, from The Passion of Christ, plate 20. Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 19 11/16 in. × 14 in. (50 × 35.6 cm). Series/Portfolio: The Passion of Christ. Date: 1664. Museum: Metropolitan Museum of Art, New York, USA.

Ascension of Maria. Maria is taken to heaven by angels on the clouds. Two of them respectively have a flower wreath and a palm branch in hand. Around the grave of Maria the collected apostles praying for her soul. They look up with a surprise. With an empty margin.

Maria with child and Saint Luke, Pietro Aquila (attributed to), after Carlo Maratta, 1660 - 1692 print Maria stands on the left on a cloud with the Christ child on her arm. Saint Luke is on the right and shows Mary and Christ the portrait he has painted. Behind the painting is an ox. At the top right, three cherubs float. Italy paper etching St.Luke painting or drawing the Madonna (i.e. Mary and the Christ-child), sometimes Joseph present

Grave by two angels, Pierre Daret, After Simon Vouet, 1641 print print maker: ParisFrance paper engraving Christ's entombment (possibly by angels)

Minerva protects three virtues, Gerard de Lairesse, 1668 - 1670 print In a temple, Minerva takes care of the personifications of the three virtues: godly (veiled woman); Innocence (young woman with lamb and a lily in hand); Justice (blindfolded woman with scales in hand). Minerva looks threatening at the vices that try to get closer to the right with burning torch and dagger. They are hereby blinded by the smoke from a fallen sacrifice column. A putto with torch and a crane (symbol of vigilance) flies in the air, a star hangs above. This print is a pendant of "Ubi Necessitas Speranda Benignitas". paper etching (story of) Minerva (Pallas, Athena). Piety, 'Pietas', 'Timor Dei' ~ the Three Theological Virtues. Innocence; 'Innocenza', 'Innocenza o purití' (Ripa). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. shore-birds and wading-birds: crane

Rest on the Flight Into Egypt. The holy family rests under a palm tree in flight to Egypt. Joseph shows the Christ child on two angels. Reference to Bible text in undermarge.

Christ appearing to Saint Margaret of Cortona 1728 Pietro Marchesini Italian. Christ appearing to Saint Margaret of Cortona 664663

Martina of Rome, saints.

Death of H. Anna, Nicolas Etienne Edelinck, after Andrea Sacchi, 1691 - 1767 print Anna, the mother of Maria, on her deathbed surrounded by those present including Mary with the Christ child. Anna looks up to two cherubs and three putti that hold a curtain. print maker: Netherlandsafter painting by: Romepublisher: Paris paper engraving death of Anna, usually Mary and Christ present. cupids: 'amores', 'amoretti', 'putti'

Christ on the Mount of Olives. Dimensions: plate: 23.5 x 27 cm (9 1/4 x 10 5/8 in.) sheet: 35.5 x 29.5 cm (14 x 11 5/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Pieter de Bailliu after Sir Peter Paul Rubens.

Wszyscy Święci w MNK Gregory, Antonio (.. 1772)

Ecstatic vision of Paulus, Jeremias Falck, after Johann Liss, 1655 - 1677 print Paul is in a room in the middle of the books opened and surprises to a heavenly vision. An angel lifts a curtain on a shows clouds with singing and musician angels and at the top right the holy trinity: God the Father, Christ and the Holy Spirit in the form of a pigeon. Under the performance text in Latin. print maker: Amsterdamafter painting by: Italypublisher: AmsterdamNetherlands paper engraving other scenes ~ acts and journeys of Paul

De Heilige Andreas Corsini Knielend Voor Maria Met Kind, Giovanni Girolamo Frezza, After Carlo Maratta, 1686 - 1748 print The holy Andreas Corsini kneeling for Mary with child. Putti floating around Mary and the Christ child. Maria points to a magazine with the text: s eruus meus es tu / quia elegi te / ette gloriaboror. print maker: Italyafter painting by: Italypublisher: RomeVaticaanstad paper engraving Madonna: i.e. Mary with the Christ-child. Andrew Corsini, Carmelite friar and bishop of Fiesole; possible attributes: aspergillum, lamb, sword, wolf

The Queen of Zeba verifies cross; BeaTae Mariae Virginis Officium.The Queen of Seba is Kneeld in Front of the Cross, Which is founded by Two Men.

St. Paschal Baylon Adorning the Blessed Sacrament. Artist: Mariano Salvador de Maella (Spanish, Valencia 1739-1819 Madrid). Dimensions: 9-3/4 x 6 in. (24.8 x 15.2 cm). Date: 1739-1819. Museum: Metropolitan Museum of Art, New York, USA.

Ascension of Maria, Paulus Pontius, after Peter Paul Rubens, 1624 print This print is part of an album. Antwerp paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Noord-Nederland, Wandelaar, Jan, Christ in the garden of Gethsemane, verso lower left - stamped, Christ kneeling and praying to God. In the front Peter and the two sons of Zebedee are sleeping. Top right: page: 118., print, book illustration, prints, height 145 mm, width 85 mm, Northern Netherlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1725 - 1725, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Maria with child, the Holy Francis and the Holy Hieronymus. Maria stands on a crowbar with the Christ child in her arms. On clouds around you are the Holy Francis and the Holy Hieronymus with musician angels. Caption in Latin in undermarge.

Rest on the Flight into Egypt, Francesco Villamena, after Girolamo Muziano, 1597 print At the foot of a tree, Mary sits on her lap with the Christ child. Behind her the young John the Baptist and his mother Elisabet. Joseph on the right with the donkey. Assignment in the end margin. print maker: Italyafter drawing by: ItalyVaticaanstadItalyItaly paper engraving rest on the flight into Egypt

John the Baptist preaching, Landscape with John the Baptist, in camel's fur, preaching in the midst of the people. In the left foreground a man with turban, seen on the back. Right in the foreground a man in a rowing boat. Below the show the title in Hebrew, English, German, Latin, French and Dutch, John preaching, Dirk Jongman (mentioned on object), 1705 - 1720 and/or 1720 - 1728, paper, etching, h 366 mm × w 232 mm

H. Thomas van Aquino receives the chastity belt, Cornelis Galle (II), After Abraham van Diepenbeeck, 1625 - 1678 print The saint Thomas van Aquino, kneeling for a crucifix, receives a chastity belt from two angels. He looks up at Maria with child on a cloud cover, surrounded with angels and cherubins. A putto stops another putto with a cardinal hat, which refers to the rejection of the Sacred Thomas of high ecclesiastical worthy. On the right in the background, the bright Pertrus and Saint Paul come through a gate. Antwerp paper engraving the Dominican theologian, 'Angelic Doctor' Thomas of Aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast). altarcross, crucifix. Mary sitting or enthroned, the Christ-child sitting on her knee (Christ-child to Mary's left) (+ angel(s))

Annunciation. An angel who points to heaven with the right hand, proclaims the birth of Christ to the kneeling Mary. The angel is accompanied by a number of small angels.

Willem Panneels. The assumption of the Blessed Virgin, according to Rubens (Dutuit 12). Etching, 17th century. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Copper engraving by Philippe Thomassin from 1568-1613 depicting the adoration of the shepherds, showing biblical figures, animals, and detailed composition.

The worship of the shepherds; The early life of Mary; Master pieces. Maria and Joseph show, seated in / with a ruin, their newborn child to two shepherds. In the background the proclamation to the shepherds by an angel. Under the show four Latin fresh rules. This print is part of a series of six prints with scenes from the early life of Mary. They are called the 'masterpieces' because Goldzius has simulated the work of different illustrious predecessors.

Saint Teresa of Avila interceding for Bernardino de Mendoza ca. 1641-72 François Langot. Saint Teresa of Avila interceding for Bernardino de Mendoza. François Langot (French, born Melun, died after 1679). ca. 1641-72. Engraving; reverse copy. Herman Weyen (Flemish, died Paris, 1672). Prints

An angel supports Christ's body, two other angels stand beside them. In the background the bottom of the cross. In the foreground the crown of thorns. In the lower margin a Latin text in two columns, Lamentation of Christ by three angels., print maker: anonymous, Agostino Veneziano, Andrea del Sarto, Italy, publisher: Antwerp, c. 1510 - c. 1570, paper, engraving, h 299 mm × w 221 mm

Annunciation; Life of Mary. Maria is sitting on a chair and reads a book. She is visited by the angel Gabriel. He proclaims her the birth of a son who will be called Christ. In the air God the father and the pigeon as a symbol of the Holy Spirit. Around God the Angel Choir. The print has a Latin caption.

Venice, Senate of Venice, Wagner, Joseph, Italy, Ricci, Sebastiano, Bartolozzi, Francesco, Saint Romuald, verso - stamped, The Holy Spirit in the form of a dove appears to the Benedictine monk Romuald. Romuald is seated before a crucifix with a book and a quill in his hand. Two putti with a mitre and a bishop's staff in the foreground., print, prints, height 573 mm, width 341 mm, Italian, 1727-09-25 - 1815-03-07, print maker, printmaker, 1739 - 1780, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1706 - 1780, Work conception, 1659-01-08 - 1734-05-15, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

Maria's death bed; Scenes from the life of Mary. Design for a print.

Netherlands, Holy Trinity enthroned on the clouds, verso - stamped, Christ, God the Father and the dove of the Holy Spirit enthroned on the clouds in heaven. On the left a man and a woman kneel before them. In the foreground several female saints, among others Catherine with the wheel and Agnes with the lamb. Behind them sit the church fathers, and behind them the evangelists with their animals., print, prent, prints, height 137 mm, width 78 mm, print maker, prentmaker, 1650 - 1750, paper, papier, etching, etchings, engraving, engraving (printing process)

`Musée d'Anvers. - La Descente de Croix par Rubens` `Descent from the Cross`, painting by Peter Paul Rubens (1577-1640) from the museum in Antwerp. Hermans, Gustave (1856-1934), photographer

Crucifixion of Andreas, Alexander Foot (II), After Peter Paul Rubens, 1645 - 1695 print Antwerp paper engraving crucifixion of Andrew: he is undressed and tied to the cross

Etching by Georg Friedrich Schmidt depicting Mary's temple with architectural elements, columns, and interior space, highlighting religious iconography.

Etching by Georg Friedrich Schmidt depicting the temple of Mary, showing architectural details and religious iconography, produced in the 18th century.

Jesus Chrystus w świątyni Consult the overpriesters over the Messiah, Z: albumu Places the Dutch translation of Klopstock's Messiah by M. Johan Meerman, Lord of Dalem and Vuren: Drawn by Fugger and Gerraverd by John

Brown pen drawing by Martin Johann Schmidt showing the risen Christ sending out the apostles before the Ascension, with white highlights on blue-gray paper, circa 1795.

A 1782 drawing by Françoise Jeanne Ridderbosch depicting the biblical scene of the proclamation to the shepherds, executed in pen with gray and black washes in copper engraving style.

Coronation of the H. Rosalia. Saint Rosalia is crowned by the Christ child with a wreath of roses. Her attributes lie at her feet the lily and a skull. The Christ child is on the shot of Mary. They are accompanied by the Apostles Petrus and Paul. In the margin a four-line caption and a two-person caption with a command in Latin.

Saint Andreas and a kneeled sacred seated on a cloud; Ascension of Maria.Saint Andreas and a Kneely Sacred Seated on a Cloud. They are surrounded by angels.

Death of Maria Magdalena in the poor of two angels, Pieter de Bailliu (I), after Peter Paul Rubens, 1623 - 1660 print paper engraving death of St. Mary Magdalene

Allegory on the Peace of Aachen, 1748, Simon Fokke, 1749 drawing Allegory on the Peace of Aachen closed on October 18, 1748 between the Allies (Republic, England and Austria) on the one hand and France, Prussia and Spain on the other. Europe kneels with the bull for peace with a horn of abundance, behind her the Dutch Virgin, in the clouds De Faam, centrally an obelisk with weapons of the fighting parties. On the right father pulls the curtain aside to reveal the spectacle, in the foreground on the left the singing or poetry. Design for a print. Northern Netherlands paper symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). proclamation of peace. personifications of countries, nations, states, districts, etc.. peace and prosperity, 'Pax et Abundantia' Netherlands

Iron engraving 'Christ on the Ölberg' by Albrecht Dürer, 1515, depicting Christ in the Garden of Gethsemane with detailed figures and composition.

Saint Teresa of Avila interceding for Bernardino de Mendoza ca. 1640-59 Schelte Adams à Bolswert. Saint Teresa of Avila interceding for Bernardino de Mendoza. Schelte Adams à Bolswert (Dutch, Bolsward 1581-1659 Antwerp). ca. 1640-59. Engraving; second state of three. Gillis Hendricx (Flemish, active 1640-1677). Prints

The theological virtues faith, hope and love surrounded by clouds. Moses is standing next to them; He shows the inside of his palms. In the foreground on the right under a tree a man who embraces the worldly power. There is a bag of money to his feet.

Raising of Lazarus 18th century () Anonymous, German, 18th century German. Raising of Lazarus 334863

Holy Louis IX worn by two angels to heaven, François Tortebat, after Simon Vouet, 1664 print print maker: Parisafter painting by: Franceafter drawing by: Parispublisher: ParisFrance paper etching / engraving Louis IX, king of France; possible attributes: crown of thorns, fleur-de-lis on his coat, three nails, sceptre with fleur-de-lis, model of church, hand of justice. the soul carried to heaven by angels

The Virgin Mary with the Christ Child and angels above; with St Louis of Toulouse, St Clare, St Francis, John the Baptist, St Catherine of Alexandria and St Alexis below. Drawing by F. Rosaspina, c. 1830, after Annibale Carracci.

Resurrection of Christ The Passion (series title), Christ floats at the entrance of his grave with a victory banner in his hand. The three Marys are standing at the entrance of the grave and see an angel sitting on the pushed away stone. A few soldiers are frightened and a few are sleeping on the floor, Christ, usually holding a banner, arises from the grave, often combined with sleeping and / or frightened soldiers, Christ floating above or near the tomb, angel (s) addressing the holy women, Resurrection of Christ, anonymous, Netherlands, 1596 and/or 1596 - 1667, paper, engraving, h 198 mm × w 130 mm

Kruisafname, Wolfgang Kilian, after Paolo Farm, 1591 - 1620 print Text in Latin in the lower margin. Venice paper engraving / etching descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Kruisafneming, anonymous, after Peter Paul Rubens, 1619 - 1652 print Christ is removed from the cross by Johannes, Nikodemus and Joseph from Arimatea. They are on ladders. Christ's body is taken care of by Mary and Mary Magdalena. Under a two -line caption in Latin from Mat. 26. print maker: Low Countriesafter painting by: Antwerppublisher: Antwerp paper engraving descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

The Pentecost 1574 Giovanni Battista Mazza Italian. The Pentecost. Giovanni Battista Mazza (Italian, active 1580). 1574. Engraving. Luca Bertelli (Italian, active 1564-89). Prints

Holy Martina at the feet of Maria, Gerard Edelinck, after Pietro da Cortona, 1666 - 1707 print Saint Martina kneels a book to Mary with the Christ child on her lap. Next to Maria three other people and above her two putti. Under the performance a caption in Latin. print maker: Parisafter design by: unknownpublisher: unknownFrance paper engraving Madonna (i.e. Mary with the Christ-child) accompanied or surrounded by others

Salomon receives the queen of Sheba, Gerard de Lairesse, 1670 - 1675 print Biblical show from 1 Kon. 10: 1-3. The throne Salomon is in his hand with a scepter. He receives the queen of Sheba who kneels for him. Being behind her gifts. paper etching Solomon and the queen of Sheba (1 Kings 10:1-3; 2 Chronicles 9:1-9)

Ascension of Enoch.

Saint Benedict. Engraving by C. Guérin after G.G. Serangeli after E. Le Sueur.

Christ raises Jairus' daughter. Etching after C. de Lafosse.

Allegorical title page with patriarch Abraham and truth; Title page for: Arnold Hoogvliet, Abraham the patriarch, in XII books, S.A .. Truth, a radiant sun above her head, sacrifices a lamb on an altar. In her hands she holds a sacrifice scale and a knife. In addition to her the patriarch Abraham, which holds the chained vanity, idolatry and a man with sentence. For his feet, moderation kneel, with a horse steam to her arm. She grabs to his winged foot. On the left in the background Three shepherds with their herd of sheep.

The resurrection, 1596 print Christ floating at the entrance of his grave, where the three Marys and some sleepy soldiers watch. An angel is sitting on the grave cover pushed away. This print is part of a series of twelve passion performances. paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Kneeling on either side of a manger are Mary's parents, Joachim and Anna. Together they hold the infant Mary in the air to dedicate her to the temple and fill her with the Holy Spirit who flies above her in the form of a dove. Filled with the Holy Spirit, Mary, from her Immaculate Conception, would be completely devoted to the Lord. The dove is flanked on the left and right by God the Father who makes a blessing gesture. Above Joachim and Anna, angels fly holding a banderole in front of a globe with the text: Nativitas Tua Virgo MAR Gaudium Universo Mundo. In the margin a four-line text in Latin, Mission of the Blessed Virgin Mary., print maker: Philip Fruytiers, (mentioned on object), Philip Fruytiers, (mentioned on object), Antwerp, 1620 - 1666, paper, etching, h 334 mm × w 208 mm

The birth of Jesus Christ, the Virgin Mary presents him to God and the angels. Engraving.

Christ on the cross with Mary Magdalena and a bishop, Giuseppe Baroni, After Angelus Tervisianus, After Pietro Liberi, 1704 print Christ on the cross, surrounded by angels. Maria Magdalena is sitting at the foot of the cross. Next to the cross is a bishop with a putto behind it that carries his miter and bishops staff. print maker: Veniceafter drawing by: Italyafter painting by: VeniceVeniceItaly paper engraving specific types of crucified Christ (in non-narrative context). the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge. angels. archbishop, bishop, etc. (Roman Catholic)

Allegorical representation with Christ, Moses and Kneeldgige, Anonymous, After Jan Goeree, 1697 print Christ stands on a stone with the book title. In front of him, Moses with the stone dining, his right hand is raised in the air. On the left presents a kneeling man, possibly the writer, an open book to Christ. A group of men is watching around. paper engraving Christ. Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. kneeling figure

Death of Mary Magdalene in arms of two angels; GloriOSVs Obitvs Beatae Mariae Magdalenae.

Birth of Christ. The Christ child is in the straw for a stable. All around Maria, Joseph, angels and shepherds. Upstairs floating putti between the clouds. In the background a wide landscape.

Ferdinand receives the sword to combat the Staatsen at Kallo, 1638, 1638 print Ferdinand receives the sword to combat the Staatsen at Kallo, 1638. The Cardinal Infant receives the sword from the hands of Paulus. In heaven Mary with child, Peter and Engelen. In the background, fleeing soldiers of the State Army under Count Willem van Nassau-Siegen after the failed attack on the Schans at Kallo, June 21, 1638. To the altarpiece in the church in Kallo. Antwerp paper engraving the apostle Paul of Tarsus; possible attributes: book, scroll, sword Fort Kallo. Antwerp

Stigmatization of H. Franciscus. .

Annunciatie, anonymous, 1650 - 1800 print The announcement of the birth of Christ to Mary: The Angel Gabriël appears to Mary and gives her a lily. paper the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

The Disciples of Christ Carrying His Body to the Tomb, 1594. Jacob Matham (Dutch, 1571-1631). Engraving;

Antonio Balestra, The Madonna and Child in Glory with Saints Gregory the Great and Andrew, 1734 1735 The Madonna and Child in Glory with Saints Gregory the Great and Andrew

Matthäus Zehenter depicted the farewell of apostles Peter and Paul in front of the martyrdom using dark gray ink, brown lavings, and white highlights on yellow primed paper in 1671.

Ascension of Christ Scenes from the Old and New Testament (series title) Breviary romanum (series title), Christ is taken to heaven. Around him are students and Maria. The print is part of a series with scenes from the Old and New Testament., The Ascension (Christ surrounded by radiant light or in a mandorla), Theodoor Galle (possibly), Antwerp, c. 1612 - c. 1616, paper, engraving, h 299 mm × w 193 mm

Ascension of Maria, Antoine Masson, after Peter Paul Rubens, 1646 - 1700 print paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Saint Theresa praying alongside Christ, who points upwards to God the Father and the Holy Spirit 1635-1700 Gilles Rousselet. Saint Theresa praying alongside Christ, who points upwards to God the Father and the Holy Spirit. Gilles Rousselet (French, Paris 1614-1686 Paris) . 1635-1700. Engraving. Prints

Santa Conversatione with Saint. Jan Baptist and St. Stanisław, a picture according to Jakub Palma in the church of St. John in Warsaw Palma, Jakub (young), humble, Józef (Fl. 1865 1870), Tegazzo, Franciszek (1829 1879)

Joseph's death bed. Jozef is on his deathbed. Next to him are Christ and Maria. Angel behind Jozef. Text in Latin and coat of arms under show.

Martyrdom of Saint Blasius.The Holy Blasius is tortured. It depends on a gallows while a man with an iron comb caught on him. His bishop's staff, miter and cloak are on the ground. Women and children look at what happened. The angel who float around the gallows already bear the characteristic of the martyr, a palm branch, with him.

Feather drawing by Hans Rottenhammer from 1620 or 1623 depicting Maria appearing to St. Augustine and other Augustinian saints, using brown, gray, and black with gray wash, showing figure arrangement and gesture.

H. Rochus is appointed by Christ to pattern of the bullyers; Sancte Roche Ora Pro Nobis. Saint Rochus kneels on a stone staircase before Christ. The risen Christ points to an angel who wears a tablet in the hands that states that the Rochus pattern will be from the bully. Rochus holds his pilgrim hat and staff in hand and next to him is his dog. Down questions seven people who suffer from the plague to help.

A brown pen drawing by Franz Karl Palko depicting Holy Magdalena in a pose of devotion, with graulaving emphasizing form and expression.

A brown pen drawing by Martin Johann Schmidt from 1798 depicting the Sermon of St. Jacobus, with white highlights on blue paper.

Antonius van Padua kisses the feet of the Christ child, Robert van Audenaerd, after Carlo Maratta, 1685 - 1723 print Antonius van Padua kneels down and kisses the feet of the Christ child. In the lower margin, a Bible from Matheus 5, 8 and a verse in the Latin of two lines by Luke Wadding. paper engraving / etching the Franciscan monk Antony of Padua; possible attributes: ass, book, crucifix, flowered cross, flaming heart, infant Christ (on book), lily

The Ascension of Maria, Martin Johann Schmidt, 1775 print paper etching the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Nicodemus holding the crown of thorns from Jesus Christ's head Nicodemus Bryns the Thorns Crown to the Meeting of the Youngergen, from the album Plates The Dutch Translation of Klopstock's Messiah: Signed by Manhan Johan, Lord and and Gared by John

Martyrdom of Saint Sebastiaan. The H. Sebastiaan, tied to a tree. He has an arrow in his side. Another arrow is pulled out by an angel from his leg. Putti makes the ropes to loose his legs.

Petrus receives the keys, Giovanni Battista Pasqualini, After Guercino, 1601 - c. 1634 print Peter receives the keys to the Kingdom of Heaven of Christ and is shown on his throne. There are two figures on the right, possibly other disciples. There are two angels on the throne, one with the papal tiara (Triregno). Two other angels keep a cloth up as a canopy. Bottom left an assignment in two lines. At the bottom right a coat of arms with crown. paper engraving Christ gives the keys of heaven to Peter. throne of St. Peter. canopy, baldachin. insignia of the pope, e.g. tiara

Marriage of Maria and Jozef, Anonymous, After Peter Paul Rubens, 1727 - 1755 print print maker: Francepublisher: Paris paper engraving / etching marriage of Mary and Joseph, 'Sposalizio': they are married by the high priest

Rome, Papal Court, Italy, Maratti, Carlo, Life of Saint Turibius de Mogrovejo, Turibius de Mogrovejo striking water from a rock, Saint Turibius de Mogrovejo, Archbishop of Lima, kneeling amidst a group of men and women. On the left a man with a wooden cross by a rock from which water flows. Cartouche with dedication in the lower margin., print, prints, height 325 mm, width 236 mm, print maker, printmaker, 1625 - 1625, paper, papier, etching, etchings, Work conception, Italian, 1625-05-15 - 1713-12-15, after a design by, granter of privilege

Three Maria's at the grave, Egbert van Panderen, after Hans von Aachen, c. 1590 - 1637 print At the grave of Christ, an angel appears to the three holy women who come to anoint Christ. One of them has the ointment pot in her hands. In the background the three crosses. In the margin a two -way caption in Latin. North Netherlands paper engraving the holy women (the three Maries) on their way to or at the tomb, to anoint Christ's body

Pentecost, Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and / or representatives of the nations present (Acts 2: 1-4), Paulus Pontius, 1613 - 1658, paper, engraving

of 4