Biblical Scenes in Classical Art

Dramatic illustrations of biblical narratives, capturing pivotal moments with expressive figures and engaging storytelling elements.

The Queen of Sheba Bringing Gifts to King Solomon by Rosa (Badalocchio), Sisto (1585-c. 1647)/ Private Collection/ Italy, Bolognese School/ Etching/ Baroque/ 13,4x18/ Bible

Historic print, copper engraving, 1689, Die Asiatische Banise or Blutiges doch mutiges Pegu by Heinrich Anselm von Ziegler and Kliphausen, also known as Heinrich Anshelm von Zigler and Klipphausen, 1663 - 1696, a German novelist of the Baroque, from Bildatlas zur Geschichte der Deutschen Nationalliteratur, an illustrated atlas by Gustav Koennecke, 1887

Cock, Hieronymus, Lombard, Lambert, Italy, Ghisi, Giorgio, The Last Supper, Christ sits with his disciples around a table at the Last Supper., print, prints, height 350 mm, width 548 mm, Italian, 1520 - 1582-12-15, print maker, printmaker, 1551 - 1551, paper, papier, engraving, engraving (printing process), Southern Netherlands, 1506 - 1566, after, after painting by, Publication (Event), Publication, 1518 - 1570-03-10, publisher, granter of privilege

Picart, Bernard, Amsterdam, Allegory of sciences, verso lower right - stamped, Minerva, goddess of wisdom, with the French coat of arms and a laurel wreath in her hands. On the left in the background a lecture hall of the Academy of Sciences where a lecture is being held., print, prent, prints, engravings, height 65 mm, width 113 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1709 - 1709, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman

Antwerp, Jode, Gerard de, Vos, Maerten de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Hezekiah and Sennacherib, Death of Sennacherib, recto lower right - handwritten in brown ink, While King Sennacherib of Assyria kneels in the temple of his god Nisroch, he is murdered by two of his sons. Below the image a reference in Latin to the Bible text in 2 Kings. 19. This print is part of an album., print, album page, prints, V. 4., height 201 mm, width 291 mm, South Netherlands, 1532 - 1603-12-04, intermediary draftsman, after a drawing by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Peace negotiations between Claudius Civilis and Petilius Cerealis on a broken bridge, 69-70. Draughtsman: Reinier Vinkeles (I). Dating: 1802 - 1804. Measurements: h 135 mm × w 85 mm. Museum: Rijksmuseum, Amsterdam.

Putti in a boxing trolley; Playing putti. A large group of putti watches how a putto drives past in a wagon stretched with two bucks. A slow spring on the floor putto tries to escape the upcoming car on time. One of the putti keeps the putto in the car a laurel wreath above the head. In the foreground a putto walks with a drum.

Athelstane's Escape from the Dungeon, Print made by George Cruikshank, 1792-1878, British, 1837, Etching on medium, slightly textured, cream wove paper

The funeral rites of Patroclus.

Anaxarete sees the dead iPhis, Antonio Tempesta, 1606 - 1638 print Anaxarete discovers the dead body of iPhis, which hung itself in front of her door. Title in Latin in STUDMARGE. paper etching death of Iphis, a youth of Salamis: desperate for the love of Anaxarete he hangs himself at her door

Kindermoord Te Betlehem, Marco Dente, After Baccio Bandinelli, 1513 - 1577 print View of a palace of a palace where desperate mothers try to protect their children against the soldiers of Herod. In the foreground three women mourning the dead bodies of their children. print maker: Italyafter design by: Italypublisher: Rome paper engraving the massacre ot the innocents; sometimes Herod looking on

Engraving depicting Louis XV of France (1710-1774) known as Louis the Beloved, a monarch of the House of Bourbon. Dated 18th century

Title page of a series of twelve representations of the ruins of Brussels after the bombardment by the French Marshal de Villeroy between 13-15 August 1695. In the depiction, Mercury attempts to console the city maid of Brussels with news of the capture of Namur. In the background, the burning city, Mercury comforts the Brussels city virgin Perspectives on the ruins of the city of Brussels (series title)., print maker: Augustin Coppens, intermediary draughtsman: Augustin Coppens, (mentioned on object), Brussels, 1695, paper, etching, h 193 mm × w 263 mm

Amsterdam, Ratelband, erven J., Title page for: Sn, Wegwyzer of korteomschrijvinge van Amsterdam, 1737, Allegory of Amsterdam, verso - stamped, The crowned city maiden of Amsterdam with a map of the city, Mercury points with a caduceus to the city in the background. In the foreground sit river gods as personifications of the Amstel and the IJ., print, engraving, title page, prints, engravings, height 143 mm, width 87 mm, print maker, engraving maker, 1737 - 1737, paper, etching, etchings, engraving (printing process), Publication (Event), Publication, publisher

Galle, Philips, Vos, Maerten de, Antwerp, Passe, Crispijn van de (I), History of Noah, Noah goes with his family and the animals on board the ark, recto lower right - handwritten in brown ink, A procession of animals enters the ark, a pair of each kind. Above the ark a flock of birds. Front left Noah and his family. The image is set in a circular frame with a marginal inscription in Latin., print, prints, verso - stamped, i., height 103 mm, width 90 mm, 1564 - 1637, print maker, printmaker, 1580 - 1588, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

A White Bird Telling Venus of Cupid's Illness. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 mm (plate); 270 x 370 mm (sheet). Engraving in warm brown ink on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: Master of the Die.

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Furnius, Pieter Jalhea, Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi, Parable of the sower, The landowner inspects the fields, The servants, both with a halberd in hand, asking the landlord whether they should weed the weeds between the grain. The landlord replies that the grain and the weeds should continue to grow until the harvest. A boy holds the landlord's robe. Below the image is a reference in Latin to the Bible text in Mat. 13. This print is part of an album., print, prent, albumblad, prints, prenten, height 201 mm, width 246 mm, 1540 - 1626, print maker, prentmaker, 1568 - 1568, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Civilis and Cerialis negotiate and make peace on the broken bridge, Civilis and Cerialis negotiate on the broken bridge, 69-70, print maker: Ludwig Gottlieb Portman, intermediary draughtsman: Reinier Vinkeles (I), Netherlands, 1791 - 1810, paper, etching, h 204 mm × w 130 mm

Spanish Crown, unknown, Vorsterman, Lucas (I), Rubens, Peter Paul, Antwerp, Peter finds a coin in a fish, verso lower left - stamped, print, prints, height 289 mm, width 364 mm, South Netherlandish, 1595 - 1675, print maker, printmaker, 1619 - 1675, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher, uitgever van privilege

Il Bruttobuono (The StreetFight). Artist: Francesco Villamena, Italian, ca. 1565/66-1624

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Collaert, Hans (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Turris Babijlonicae, History of the Tower of Babel, Babylonian Confusion of Languages, God the Father appears in the sky, surrounded by cherubim, at the Tower of Babel. He causes a confusion of languages, as a result of which the people can no longer understand each other. The people around the tower flee in all directions. A number of them flee on an elephant and on camels. In the foreground, Nimrod and other men look on in fright. Below the image is a text in Latin. The print is part of an album., print, album leaf, prints, height 230 mm, width 310 mm, South Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1579 - 1579, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, South Dutch, 1544 - 1638

. LODEWIJK XIV, with command stove in hand, flanked by Louis IX the saint, in hand a hand of justice. Two putti put a helmet decorated with a laurel wreath on his head. Other putti bring him a sword, an olive branch and a shield on which Hercules beats the Hydra of Lerna.

Roman soldiers discover Cleopatra lying dead on her bed with a snake in her left hand, Historical, digitally enhanced reproduction of an original from the period, The Suicide of Cleopatra

Amsterdam, Visscher, Claes Jansz. (II), Francken, Ambrosius (I), Collaert, Hans (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Parables from the New Testament, Parable of the Mote and the Beam, A man with a beam in his eye accuses another man of having a splinter in his eye. On the right in the background a herd of pigs. Below the image a reference in Latin to the Bible text in Luke 6:41. This print is part of an album., print, prent, albumblad, prints, prenten, height 221 mm, width 281 mm, Zuid-Nederlands (before 1775), 1540 - 1581, print maker, prentmaker, 1585 - 1585, paper, papier, engraving, graveren (drukprocedé), Work conception, 1544 - 1618-10-16, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Antwerp, Jode, Pieter de (I), Italy, Tempesta, Antonio, Metamorphoses of Ovid, Metamorphoseon sive transformationum, Ulyssis socij a Circe in porcos, Circe changes the men of Odysseus into pigs, verso - stamped, Circe changes the men of Odysseus into pigs. Title in Latin in the bottom margin., print, prints, height 104 mm, width 117 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1606 - 1606, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1570 - 1634-08-09, publisher

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Jode, Pieter de (I), Den Grooten Figuer-Bibel, Perzische koningen, Van de Kingen van Persen, Koning Artaxerxes II en koning Artaxerxes III, lower right - handwritten in brown ink, On the left king Artaxerxes II of Persia standing with an arrow in his hand. In the background Artaxerxes can be seen defeating his younger brother Cyrus, who had rebelled against him. On the right king Artaxerxes III of Persia standing with a sword in his hand. In the background his older brother is probably being executed. Explanatory texts in Latin below the presentation. This print is part of an album., print, album sheet, prints, 274, height 215 mm, width 269 mm, print maker, printmaker, 1643 - 1646, paper, engraving, engraving (printing process), Work conception, after print by, South Netherlands, 1570 - 1634-08-09, after design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Donation of Constantine. Giulio Pippi, called Giulio Romano, after; Italian, c. 1499-1546. Date: 1519-1546. Dimensions: 409 x 556 mm. Pen and brown ink with brush and brown wash, heightened with white gouache, on laid paper, laid down on cream laid card. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Jason steals Het Gulden Vlies, Cornelis Bloemaert (II), After Giovanni Francesco Romanelli, 1633 - 1692 print Jason, dressed in armor, has won the Golden Fleece, Medea walks behind him. The dead dragon is still winding. Three putti hold a portrait of Pope Alexander VII. Right in front of his papal weapon. paper engraving the Golden Fleece, hanging on an oak-tree, is seized by Jason. Medea

Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Theatrum biblicum, Kings of Judah, Joash, Amaziah and Azariah, verso - stamped, The kings Joash, Amaziah and Azariah. In the background some important events from their lives. On the left in the background Joash' predecessor queen Athaliah is put to death. In the middle background the murdered king Amaziah is brought to Jerusalem on horseback. On the right in the background king Azariah sits covered at a gate. He lived in seclusion because he suffered from skin leprosy. Below the representation references to the Bible texts in Latin., print, prints, height 223 mm, width 287 mm, Work conception, South Netherlands, 1544 - 1638-10-01, after a design by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher

De geboorte van Pallas.Minerva is born from Jupiter's head. He is helped by the Kreupele Vulcanus ax and is held by Apollo.

Copperplate Printed Textile Fragment, 18th century. Spain, 18th century. Copperplate printed cotton; average: 29.2 x 87.7 cm (11 1/2 x 34 1/2 in.).

Joseph is sold by his brothers out of envy, historic steel engraving from 1860

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Den Grooten Figuer-Bibel, Twaalf propheten, Van de Propheten, David, Daniël en Elia, bottom right - handwritten in brown ink, The prophets David, Daniël and Elijah stand next to each other in a landscape. King David with crown and harp, Daniel with staff and next to him a goat, Elijah with sword and a kneeling child beside him. Below the representation explanations in Latin. This print is part of an album., print, picture, album sheet, prints, 234, height 220 mm, width 280 mm, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Venus Blindfolds Amor and two nymphs wear arrows and bow, allegory on the love that overcomes everything, Hendrick Danckerts, After Titian, 1635 - 1679 print Allegory of love that overcomes everything: Venus blindfolds amor and two nymphs wear arrows and bow. Amsterdam paper engraving 'Omnia vincit Amor', Love the conqueror, Love triumphant. (story of) Cupid, Amor (Eros). attributes of Cupid: blindfold. attributes of Cupid: arrow(s). attributes of Cupid: bow

The judgment of Paris. Draughtsman: Gerard ter Borch (I) (signed by artist). Dating: 1626. Place: Zwolle. Measurements: h 192 mm × w 250 mm. Museum: Rijksmuseum, Amsterdam.

History by Polybius. Volume II. French edition translated from Greek by Dom Vincent Thuillier. Comments of Military Science enriched with critical and historical notes by M. De Folard. Paris, chez Pierre Gandouin, Julien-Michel Gandouin, Pierre-Francois Giffart and Nicolas-Pierre Armand, 1727. Printing by Jean-Baptiste Lamesle. Trajan's Dacian Wars. 2nd century AD. Engraving depicting reliefs of the Trajan Column. Siege scene. Dacians attacking the Roman trenches.

London, Starkey, John, Hills, Henry, England, Cartoon of the English, 1673, Illustration marked 'B', from W. Stubbe, 'A Further Justification of the Present War against the United Netherlands', London 1673. The print is a copy of a Dutch cartoon published in 1668 (FMH 2303). The scene shows the Dutch Maiden triumphing over the personification of England. On the left, a Dutchman chops off the tails of the English dogs. The prints were used by the English as propaganda to justify the war against the United Provinces., print, prent, propaganda print, prints, Frederik Muller Historieplaten, height 178 mm, width 255 mm, print maker, printmaker, 1673 - 1673, third quarter 17th century, derde kwart 17e eeuw, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, English, publisher

'The Half of the Globe and Greek Gods around it'. Drawing for the decoration of Amsterdam in 1638 during the visit of Marie de' Medici. Holland, 1638. Dimensions: 29,5x38 cm. Museum: State Hermitage, St. Petersburg. Author: Moeyaert (Moyaert), Nicolaes (Claes) Cornelisz.

Groningen, Bos, Cornelis, Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Lof op de Deugdzame Huisvrouw, The virtuous woman serves her family, verso bottom center - stamped, The virtuous housewife serves food for her family. In the background a winter scene with skaters on a river. The print is based on Proverbs 31:15: 'She rises while it is still dark, arranges the work of the house, gives tasks to her maids' and Proverbs 31:21: 'No one in her house need fear the snow, for she has warmly clothed them all'. The image has a German caption and is part of a six-part print series praising the activities of the virtuous housewife., print, prints, width 248 mm, height, 205 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1555 - 1555, paper, etching, engraving, engraving (printing process), Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Netherlands, 1510 - 1566, publisher

The Expulsion. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 16th century. Prints; etchings. Etching

Joseph's silver cup is found in Benjamin's sack, Jan Luyken, Pieter Mortier, 1703 - 1762

Esther before Ahasuerus by Ricci, Sebastiano (1659-1734)/ National Gallery, London/ ca 1730/ Italy, Venetian School/ Oil on canvas/ Rococo/ 47x33/ Bible

Five senses. Man entertained by the Five Senses. Sight holding mirror, accompanied by eagle (eagle-eyed): Taste with basket of fruit: Smell offering scented flowers and accompanied by a bloodhound: Tpuch touching him as he touches dish: Hearing, playing a lute. Copperplate engraving by Adrian Collaert (1520-1570) after Adam van Oert.

Susanna molested by the elders. Engraving after P. Caliari, il Veronese.

Relief with man in car drawn by horses; ICONISMVS CIRCENSIVM ET MISSIONIS MAPPAE. Relief with the start of a horse trolley competition. On the left is the supervisor with a cloth in his hand, which gives the starting signal. The driver of the car bears a helmet and holds the reins. On the right the legs of a man who has fallen. Illustration for a book about Roman culture and customs.

PENELOPE ESPOSA DE ULISES TEJIENDO - MITOLOGIA GRIEGA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Paul is bitten by a viper in Malta, Jan Luyken, Pieter Mortier, 1703 - 1762.

Marriage of Cupid and Psyche. unknown c. 1600-1650 Tapestry Dimensions: H 10'9" x W 16'10" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: United States, New York, Poughkeepsie, Vassar College. Related Works: Panels in set: GCPA 0238722-0238728

Etching by Pietro Santo Bartoli from 1650-1677 depicting the Sacrifice of Abraham, showing figures, altar, and composition.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Den Grooten Figuer-Bibel, Kings of Judah, Of the Kings Iuda, Rehoboam, Abijam and Asa, bottom right - handwritten in brown ink, The kings Rehoboam, with shield and scepter, Abijam, with scepter in his hand, and Asa, also with scepter. In the background important events from their lives. On the left in the background Rehoboam consults the young men. In the middle of the background Abijam with his army. On the right in the background an idol is being cut down on the orders of Asa. Below the image references to the Bible texts in 1 Kings 12-15 in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, 225, height 222 mm, width 289 mm, print maker, prentmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19,

Painting depicting Tiberius (42-37 BC) a Roman Emperor.

Christ and His Disciples. Andrea Schiavone (Italy, circa 1510-1563)Girolamo Francesco Maria Mazzola (after) (called Parmigianino) (Italy, Parma, 1503-1540). Italy, 1540-1563. Prints; etchings. Drypoint

The bowed woman cured by Christ. Engraving by J.P. Saenredam after H. Goltzius, 159- ().

Hesperides Nymphs in Combat, Nuremberg Hesperides, Nuremberg Hesperides Gardens by Johann Christoph Volkamer, Nuremberg, Bavaria, Germany, 1710, digitally restored reproduction of an 18th century original, exact original date unknown., Europe

Engraving after the painting titled 'The Death of Socrates' by Jacques-Louis David (1748-1825) a French painter in the Neoclassical style. Dated 18th century

A drawing by Joseph Celony the Younger depicting the biblical death of Sapphira, executed in pen, bister wash, and white heightening.

The Battle of Cascina, an engagement between Pisan and Florentine troops on 28 July 1364 near Cascina, present-day Italy, by Michelangelo Buonarroti, Historical, digitally restored reproduction from a 19th century original

Procession of Princes, detail, musician on horseback from the retinue of Conrad the Great, mural on tiles of the Meissen Porcelain Manufactory, Dresden Residence Palace, Dresden, Saxony, Germany, Europe

Papal court, Rome, Rossi, Giovanni Giacomo de', Vatican City, Raphael, Italy, Bartoli, Pietro Sante, Representations by Raphael in the Vatican, Simon magicis artibus ad coelum elatus specante Nerone D Petri precibus decidit, Simon the magician, verso - stamped, Peter and Paul stand before Emperor Nero. Simon the magician floats on a cloud at left. Soldiers look on. Title and Bible text in bottom margin., print, prints, height 114 mm, width 286 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, 1483-04-07 - 1520-04-07, Publication (Event), Publication, 1627 - 1691, publisher, uitgever van privilege

Placate book / 's Lands / Van / Utrecht.

The Last Great Deed Julius Schnorr von Carolsfeld (1794-1872 German)

festivities orgies binges and harem feasts drunkenness and wantonness copper engraving by Martin de Vos (circa 1531 - 1603) detail 16th century,

The Life of Thomas Becket, (1801).Artist: Joseph Strutt

Incident in William Shakespeare´s play Julius Caesar. Caesar refuses the crown offered to him by Mark Antony. After a 19th century work by English artist Edward Brewtnall.

Print made by Bernard Lens, 1659-1725, British, Pygmalion, undated. Mezzotint on moderately thick, moderately textured, cream laid paper.

Paris, Bonnet, Louis Marin, Dyck, Anthony van, Eisen, Charles Joseph Dominique, France, Samson. pris pas les Philistins, chez Dalila, Samson and Delilah, Samson is captured by a group of Philistines. Delilah, bare-chested, sitting on her bed, with the scissors and a lock of hair in her right hand., print, prints, height 357 mm, width 398 mm, 1736 - 1793-10-12, print maker, printmaker, 1767 - 1768, third quarter 18th century, paper, papier, crayonmanier, kleurdruk, French, 1720-08-17 - 1778-01-04, intermediary draughtsman, after a drawing by, Flemish, Dutch, 1599-03-22 - 1641-12-09, after, after a painting by, Publication (Event), Publication, publisher

Noah drunken with sons, Ham cursed by father, engraving by Schnorr von Carolsfeld, Germany

The Palladium, 1655. Artist: Michel de Marolles

unknown, Amsterdam, Covens & Mortier, Scherm, Laurens, Main cities in the Republic of the Seven United Netherlands, Image of the main cities of the Netherlands, Les principales villes des Pais-Bas, Allegory of the Republic of the Seven United Netherlands, verso center bottom - stamped, In the center sits the personification of the Republic of the Seven United Netherlands with a bundle of arrows in her hand. Two putti are laying valuables on her lap and on the other side lies a lion. Above her are two putti with a palm branch as a symbol of victory and a trumpet. On the left is Mercury and on the right is Hercules handing oak leaves as a symbol of strength to the Netherlands. Center below the title of the series., print, title print, prints, height 229 mm, width 282 mm, Northern Netherlands, 1671 - 1702-11-13, print maker, printmaker, 1720 - 1772, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publica

Facsimile of a Lucas van Leyden belonging to Mr. Gatteaux, vintage engraving. Facsimile of a Lucas van Leyden belonging to Mr. Gatteaux, vintage engraved illustration. Magasin Pittoresque 1870. Copyright: xZoonar.com/PatrickxGuenettex 10679164

The Tribute Money, historic steel engraving from 1860

Viviano Codazzi; Domenico Gargiulo / 'Entrada triunfal de Constantino en Roma', ca. 1637, Italian School, Oil on canvas, 155 cm x 355 cm, P00238. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Districts of Siena: allegorical floats,

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