Biblical Scenes in Engravings

Engraved illustrations depicting pivotal biblical moments, showcasing elements like the Circumcision of Christ and Joseph's encounter with Potiphar’s wife in detailed artistry.

Jacques Callot (1592-1635). "Judith" (Lieure 674, Meaume 91). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99591-24 Etching, engraving

Antwerp, Woons, Cornelis, Sallaert, Antoine, Jegher, Jan Christoffel, Circumcision of Christ in the Temple, verso lower left - stamped, The priest performs the procedure on Christ while Joseph and Mary hold the child., print, engraving, book illustration, prints, engravings, height 88 mm, width 63 mm, 1618-11-03 - 1667-09-18, print maker, printmaker, 1649 - 1649, paper, papier, houtcut, letterpress printing, boekdruk, Work conception, Zuid-Nederlands, 1585 - 1650, after a design by, Publication (Event), Publicatie, publisher

Martin Schongauer, Christ before Annas, c 1480 Christ before Annas

Joseph and Potiphar's Wife. 1500 - 1550. Pencz, Georg, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Joseph and Potiphar's Wife, from The Story of Joseph. Artist: Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Dimensions: Sheet: 4 5/8 × 3 1/8 in. (11.7 × 8 cm). Series/Portfolio: The Story of Joseph. Date: 1546. Museum: Metropolitan Museum of Art, New York, USA.

The Passion: The Crowning with Thorns, 1597. Hendrick Goltzius (Dutch, 1558-1617). Engraving;

Bening of a prince, Anonymous, Hans Schäufelein, 1511 print paper vassal

Entombment, 1512, Albrecht Dürer, German, 1471-1528, 4 1/2 x 2 7/8 in. (11.43 x 7.3 cm) (image), Engraving, Germany, 16th century

The Visitation, from The Life of the Virgin Made 1504 Germany. Woodcut in black on ivory laid paper . Albrecht Dürer

Christ Crowned with Thorns, from The Engraved Passion Made 1512 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

Jacques Callot (1592-1635). "Judith" (Lieure 674, Meaume 91). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99591-24 Etching, engraving

Amsterdam, Wetstein, Henricus, Schoonebeek, Adriaen, Title page for Brunner, JC Experimenta nova circa pancreas, 1683, Dogs on the operating table, verso lower right - stamped, On two tables, tied dogs are being sewn up after an operation. The operation is performed by allegorical female figures. Hercules and Diana of Ephesus look on. In the background, a monument with statues of Apollo and Aesculapius., print, engraving, title page, prints, engravings, height 128 mm, width 82 mm, Noord-Nederlands, 1661 - 1705, print maker, printmaker, 1683 - 1683, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Title page for "Le Feint Alcibiade", in: P. Quinault, Le Theater, Part I, 1697, Caspar Luyken, 1697 print Amsterdam paper etching (story of) Alcibiades

Joseph in Prison (copy) 17th century Clement de Jonghe Dutch. Joseph in Prison (copy) 364810

In a colonnade, Hippocrates stands at right, writing on a scroll, which he holds in his left hand., Hippocrates writes his Aphorisms Title page for Hippocrates, Aphorismi, Leiden, 1666, print maker: Hendrik Bary, (possibly), publisher: Daniel van Gaasbeeck, (mentioned on object), Leiden, c. 1666, paper, engraving, h 85 mm × w 45 mm

Nun. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

Léonard Gaultier, The Temptation of Christ, probably c 1576 1580 The Temptation of Christ

Wittenberg, Cranach, Lucas (I), Emperor kisses the feet of the pope, The emperor kneels before the enthroned pope and kisses his feet. The pope makes a gesture of blessing. Next to him stand other clergymen and before him kneel even more men of royal descent. Book illustration in a rectangular frame with fine ornaments. This print is printed with multiple woodblocks. At the top of the page is the half title of the publication: und Antichristi, at the bottom is the word Antichristus., print, book illustration, prints, height 119 mm, width 94 mm, height 161 mm, width 185 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1521 - 1522, first quarter 16th century, paper, woodcut

Marcantonio Raimondi, The Glorification of the Virgin, 1514, engraving on paper.

Young Woman in Antique Dress. Artist: After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore); Léon Davent (French, active 1540-56). Dimensions: Sheet (trimmed): 6 5/8 × 4 5/8 in. (16.8 × 11.8 cm). Date: 1540. Museum: Metropolitan Museum of Art, New York, USA.

Elias depicted at the deathbed of King Ahasja, drawn by Abraham van Diepenbeeck using graphite pencil, brown and gray washes, and white highlights, with some wear at the lower right.

The Holy Family with Five Angels. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 8 9/16 x 5 7/8 in. (21.7 x 14.9 cm). Date: ca. 1503. Museum: Metropolitan Museum of Art, New York, USA.

Virgilius in De Mand, Hendrick Goudt, After Lucas van Leyden, 1596 - 1598 drawing parchment (animal material). ink pen Virgil in the basket

Solomon's Idolatry I Kings, 11:1-8. Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: sheet: 13 15/16 x 8 7/8 in. (35.4 x 22.6 cm). Date: ca. 1517. Museum: Metropolitan Museum of Art, New York, USA.

James Thrown the lesser of balcony, Lucas Cranach (I), 1510 - 1514 print James the lesser (Jacobus Minor) is thrown down from a balcony where a man is already ready to hit him with a bat. Several men watch the sanctuary dying the torture. In the middle of the top are two shields with the Electoral and Ducal Weapon of Saxony. Germany paper James thrown from the roof of a temple in Jerusalem

The Three Marys with their Children. Hans Collaert (Flanders, Antwerp, 1566-1628). Flanders, 1590. Prints; engravings. Engraving

Lucretia's death. In the presence of a number of soldiers and women, Lucretia continues with a sword. In a side room is shown how she was raped by the son of Tarquinius Superbus. Under the show a line Latin text in Gothic script.

Large Family, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing family life at home

Lucia raises her eyes, Zacharias Dolendo, Jacob de Gheyn (II), Claes Jansz. Visscher (II), after 1615 - before c. 1652

To Nurse the Sick. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Georg Pencz.

. Camilla, the sister of Pope Sixtus V, kissed his foot. Attendantly watch figures. Above and among these central images Four scenes from Pope Sixtus V.

Engraved copies of The Little Passion n.d. After Albrecht Dürer German. Engraved copies of The Little Passion 400700

Bliżej Kultury unknown

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Jacob and Esau, Isaac Blesses Jacob, The old and blind Isaac blesses Jacob, who is kneeling by the bed. With the help of his mother Rebekah, who is sitting on the edge of the bed, he has disguised himself as his brother Esau in order to receive the blessing. Jacob wears the skin of a kid on his neck and over his hands to resemble his hairy brother. In the background, Esau is returning from the hunt. Below the scene is a reference in Latin to the Bible text in Gen. 27. This print is part of an album., print, album sheet, prints, height 218 mm, width 269 mm, Southern Netherlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, 1579 - 1579, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Joseph Interpreting Pharoah's Dreams. Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: sheet: 4 15/16 x 6 1/2 in. (12.5 x 16.5 cm). Date: 1512. Museum: Metropolitan Museum of Art, New York, USA.

Attributed to Hieronymus Wierix after Lucas van Leyden, The Two Couples in the Forest The Two Couples in the Forest

Title page for the leaflet: Andromache opera in Milanen, 1702; Andromache opera in Milanen, 1702; Esopus in Europe. A woman standing for two men, the left is the pretendent. On the right a dancing jester with a show of the solar car falling out of the sky. From the solar car fall Louis XIV, Philip V, Jacobus Frans Eduard, Prince of Wales. Title is on separate text sheet.

Armed men kidnap a Roman bride, Jan Luyken, 1681 print A Roman bride is robbed in a temple of her mother's lap by armed men. Print at the top right numbered: 125. Amsterdam paper etching wife-capture

Joseph Telling His Dream to Jacob 1512 Lucas van Leyden Netherlandish. Joseph Telling His Dream to Jacob 364793

Gelijkenis van de arbeiders in de wijngaard.After their work in the vineyard, the workers receive the wages of one denarie of the steward of the landlord. At the top of the façade medallions showing how the landlord hires both in the morning and at three o'clock, six hours and nine workers. The times can be read at the position of the sun on the horizon. The steward gives every worker just a lot of money. With various elements from the show are letters. The print is part of an album.

Antwerp, Woons, Cornelis, Sallaert, Antoine, Jegher, Jan Christoffel, Presentation of Christ in the Temple, verso - stamped, The high priest Simeon holds the Christ child in his arms., print, book illustration, prints, height 87 mm, width 64 mm, 1618-11-03 - 1667-09-18, print maker, printmaker, 1649 - 1649, paper, woodcut, letterpress printing, Work conception, Southern Netherlands, 1585 - 1650, after a design by, Publication (Event), Publication, publisher

Straet, Jan van der, Furnius, Pieter Jalhea, Scenes from Roman history, Cornelia and Gracchus indoors, verso - stamped, Cornelia and her husband Tiberius Sempronius Gracchus are depicted indoors. Gracchus kills two snakes on the left, Cornelia sits on the right among three women doing needlework. In the margin below the scene is a text in Latin, numbered 6 in reverse at the bottom right. The print is part of a series of prints depicting events from Roman history., print, prints, height 223 mm, width 296 mm, 1540 - 1626, print maker, printmaker, 1573 - 1573, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1523 - 1605-11-02

Amsterdam, Pietersz., Doen, Cornelisz. van Oostsanen, Jacob, The little Passion, Ascension, Cornelisz van Oostsanen, Ascension of Christ. The apostles (Peter seen from the back) and Mary remain on the mountain and see Christ ascend to heaven. The print is part of a book., print, book illustration, prints, height 113 mm, width 78 mm, height 141 mm, width 101 mm, Northern Netherlands, 1475 - 1533, print maker, printmaker, 1523 - 1523, paper, woodcut, Publication (Event), Publication, publisher

Wood engraving, England, by Thomas Bewick.

The Fine Arts. The idealized academy: the anatomy is being studied, right signs a young man to sculpture. The three officially recognized visual arts, painting, sculpture and architecture, are represented in the activities of the various artists. Striking enough is added to this, as fourth art, the graph (engraver right before).

Alcmene Baart Hercules; Metamorphoses from Ovid. Alcmene Baart Hercules and his twin brother iPhicles. Theban women speak in her courage. Juno delays birth through the guinea pig paddess to buy. The Galanthis maid stops the goddess who is before the departure and thus saves Alcmene. In the margin a four-line caption, in two columns, in Latin.

Relief with the verdict of Solomon in the Vierschaar of the City Hall on Dam Square in Amsterdam. King Solomon, from his throne, points with his staff at a kneeling woman with a baby, while an executioner is about to divide the child in two. Solomon had given this order to the executioner after two women came to him who both claimed the motherhood of a child. When the executioner raised his sword, the real mother wanted to give up the child, so Solomon knew who the real mother was. The Vierschaar was a public court that was only used by sheriff and aldermen to pronounce death sentences. Below the scene two columns with three lines of Latin text each. Marked at the bottom in the middle: A., Relief with the judgment of Solomon in the Square of the Town Hall on Dam Square., print maker: Hubert Quellinus, (mentioned on object), Hubert Quellinus, Artus Quellinus (I), (mentioned on object), Amsterdam, 1655 - 1665, paper, etching, engraving, h 344 mm × w 461 mm

Amsterdam, Picart, Bernard, Dubourg, Louis Fabritius, Apollo and the Muses, verso - stamped, Apollo in a glow of sunbeams with the Muses in the foreground. Left in the background Mercury on a cloud., print, title page, prints, height 163 mm, width 98 mm, print maker, printmaker, 1703 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), 1693 - 1775-09-16, Northern Netherlands, 1673-06-11 - 1733-05-08

Old Age and Death, from "The Course of Human Life" 1570 Pieter Jalhea Furnius Flemish. Old Age and Death, from "The Course of Human Life". The Course of Human Life. Pieter Jalhea Furnius (Flemish, 1545-1610). 1570. Engraving. Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Prints

Antwerp, Galle, Philips, Florence, Straet, Jan van der, Acta Apostolorum, Acts of the Apostles, Vision of Cornelius, recto middle below - written, An angel appears to Cornelius in a vision. He orders him to seek out the apostle Peter. Two soldiers are sent out to fetch Peter. The print has a Latin caption and is part of a 34-part series on the subject of the Acts of the Apostles., print, prints, verso bottom center - stamped, The Angel orders Peter to go to Cornelius the Captain, height 200 mm, width 264 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1582 - 1582, paper, engraving, engraving (printing process), Work conception, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, publisher

Constantijn appoints new knights, Antonio Tempesta, 1565 - 1630 print Constantine sits on a throne and appoints new knights. A dog runs in the foreground. paper etching emperor. becoming a knight, knighting. dog

Martin Schongauer, The Adoration of the Magi, c 1470 1475 The Adoration of the Magi

Christ in Limbo, from Speculum passionis domini nostri Ihesu Christi. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Ulrich Pinder (German, active 1493-before 1519). Dimensions: Sheet: 9 1/4 × 6 1/4 in. (23.5 × 15.9 cm). Publisher: Published for Ulrich Pinder, by Friedrich Peypus (Geman). Date: 1507. Museum: Metropolitan Museum of Art, New York, USA.

Virgilius, Cicero and Seneca in Grammar with students, Jacobus Harrewijn, 1694 print The personification of grammar is on a stage, with young students at his feet. In the background the writers Virgilius, Cicero and Seneca, talk to each other. Behind them the title. print maker: Low Countriespublisher: Antwerp paper engraving 'Grammatica' (~ trivium); 'Grammatica' (Ripa). learned society, academy of sciences

The Virgin Mary Taking Leave of Christ. Dated: c. 1520. Dimensions: sheet (trimmed to plate mark): 29.2 x 22 cm (11 1/2 x 8 11/16 in.). Medium: etching (iron), plate bitten twice, on laid paper. Museum: National Gallery of Art, Washington DC. Author: DANIEL HOPFER.

Dice game, Monogram Fissy PVL (16th century), 1520 - 1530 print Circular performance with people around the table with two dice. Leiden (possibly) paper engraving dice-games

Mucius Scaevola Holding His Hand in the Fire, c. 1520. Hans Sebald Beham (German, 1500-1550). Etching; sheet: 6.7 x 5.2 cm (2 5/8 x 2 1/16 in.); platemark: 6.7 x 5.2 cm (2 5/8 x 2 1/16 in.).

This late 15th-century copper engraving by Monogrammist IC depicts the crowning thread, emphasizing figure arrangement, gestures, and ceremonial symbolism.

After: Hendrick Goltzius, Dutch, 1558-1617, After: Lucas van Leyden, Netherlandish, 1494-1533, Ecce Homo, #8 out of 12 in the series The Passion ofChrist, Engraving, image: 19.7 × 12.8 cm (7 3/4 × 5 1/16in.), Made in The Netherlands, Netherlandish, 16thcentury, Works on Paper -Prints

Bridal Pair. Dated: 1651. Medium: etching with border "Time and Eternity" (Pennington 233C). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

Sibille, Bartolommeo Coriolano, After Guido Reni, c. 1609 - 1676 print A sibille sitting with a writing tablet in hand. On the right book a stack, an ink jar and an angel. Italy paper head held in the hand(s), with elbows leaning on an elevation or on the knees. sibyls (+ angel(s))

Pieter Claesz. Soutman, Saint Lawrence, engraving.

Eliezer promises that he will find a woman for Isaac; Isaak's search for a woman. Eliezer, the servant of Abraham, kneels for his master and promises him that he will find a woman for Isaac. Elieskin leaves in the background to Mesopotamia. The print is part of a series about Isaak's search for a woman.

King of India; Coninck of if. .

Birth of the Virgin, Cornelis Cort, after Taddeo Zucchero, 1568 print Anna is in a four -poster bed and looks at the women who do her child in the foreground. On the left a woman who warms a canvas for the fire; front right three angels with towels. Rome paper engraving birth of Mary. bed with tester. bathing baby

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history X. Man, physician from Bologna, greets a company of dining ladies., print, engraving, book illustration, prints, engravings, height 75 mm, width 78 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by

The rich man on his deathbed; Parable from Lazarus and the rich man. The rich man is in his bed to die, a number of people. At the feet end the devil holding its earthly resources. Under the show the text: Dives Epulo Extremum HIC Obit Diem Luce 16. Third print from a series of five copies.

Amadeus Berutti with Austerity (Austeritas) and Friendship (Amicitia) and Love (Amor), Cornelis Bos, Marcantonio Raimondi, c. 1537 - c. 1555

Old men unites around a throne with ancestor. Imagination of a sex register. The print is part of an album.

Italy, Boldrini, Nicolò, Venice, Titian, Six standing saints, verso - stamped, Six saints, standing side by side: Sebastian with arrow in his chest, Francis with cross, Anthony with lily, Peter with key, Nicholas of Myra with book and crosier and Catherine with palm branch of martyrdom., print, prent, prints, height 383 mm, width 537 mm, Italian, 1488 - 1576-08-27, print maker, printmaker, 1535 - 1535, second quarter 16th century, paper, papier, houtsnede, 1500, block cutter

Beheading of John the Baptist; Life of John the Baptist; Vita b. Ioannis Baptistae Graphicè Descript (...). The behavior, bleeding body of John the Baptist is on the floor of his cell. The executioner puts his head on a scale that is held by Salome. Behind her is a woman. Due to the opened door, some buildings can be seen and left two figures through the bars. She under the show is a two-time, Latin text with the description of the scene from Mar. 6.

Lower part of a retable with the worship of the three kings, Wendel Dietterlin (I), 1560 - 1598 print One of 20 magazines from a series (Architectura. Von Ausztheilung, Symmetria und Proportion der Fünff Seulen ...) consisting of 193 magazines and 5 title magazines, divided into five books. This is a second, extensive edition of the series described under Orn Cat I-319. Germany (possibly) paper etching

Lucas Cranach the Elder (German, 1472 - 1553), Saint Thomas, woodcut

Scholars in a library Title page for: J. Gaveren, The bookroom of the scholarly world, 1705, Scholars writing at a table in a library. On the left Minerva is watching, in the foreground putti plates and books are studying, study, 'studiolo', library, group of scholars or philosophers, (story of) Minerva (Pallas, Athena), cupids: 'amores', 'amoretti', 'putti', Adolf van der Laan (mentioned on object), Amsterdam, paper, etching, h 149 mm × w 89 mm

The Wedding at Cana, from The Life of Christ. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Dimensions: Sheet: 9 1/8 × 6 1/2 in. (23.2 × 16.5 cm). Date: ca. 1511-12. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Schäufelein.

Print, The Adoration of the Magi; Print Maker: Martin Schongauer (German, 1450-91); Germany; engraving on laid paper; 25.4 x 16.7 cm (10 x 6 9/16 in.); Bequest of George Campbell Cooper; 1896-3-5

Christ Taken Captive. Master I.A.M. of Zwolle; Netherlandish, active c. 1470-95. Date: 1475-1486. Dimensions: 236 x 267 mm. Engraving on buff laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Master I. A. M. of Zwolle.

Absalom Troost Tamar, Heinrich Aldegrever, 1540 print Tamar, standing next to her brother Absalom who tells her to forget everything that happened. At the top right a cartouche with text in Latin. Fourth print from a series of seven with the story of Amnon and Tamar. Germany paper engraving Absalom consoles Tamar

Rich man with two whores, Gillis van Breen (attributed to), after Karel van Mander (I), 1597 print A rich man is sitting in a pub with two separate girls next to him. Two dogs jump up on his leg. A servant gives wine and another brings food. As the verse explains in the lower margin, you only keep dogs, whores and pub bosses too friend with money. Haarlem paper engraving brothel. inn, coffee-house, public house, etc.. dog

Constantijn appoints new knights; Constantinus Max: Imperator Equities Cruce Signatos Creat; Isagogia Historia De Constantino Max: Imperatore Instatuta Militie Angelicae Aureatae Constantinianae Sub Titulo Magni Martyris S Georgii; History of the Order of the Holy Joris. Constantijn sits on a throne and names new knights. A dog runs in the foreground.

Swanenburg, Willem Isaacsz. van, Heemskerck, Maarten van, Leiden, Allegories on the abuse of earthly possessions, Man is taken through death, verso lower right - stamped, Death enters the room with an arrow in his hand and a quiver on his back. On the left stands a man trying to prevent a statue with an anchor as a symbol of hope from falling from the money bag. There are some more valuables near the bag. Below the image is a two-line Latin text and a two-line Dutch poem explaining the image and its meaning., print, prints, height 219 mm, width 158 mm, Noord-Nederlands, 1580-01-29 - 1612-05-31, print maker, printmaker, 1609 - 1609, paper, papier, engraving, engraving (printing process), Work conception, 1498 - 1574, after print by, Publication (Event), Publication, publisher

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history LXXI. The wife of Gasparino and her lover Gulsar stand by the bed. On the table lie the coins that Gulsar paid for., print, engraving, book illustration, prints, engravings, height 72 mm, width 80 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, after own design by

A daughter sucks her mother in prison, Zacharias Dolendo, after Jacques de Gheyn (II), 1606 print A daughter keeps her mother alive by looking for her in prison and giving her a breast. The mother sits on the floor, the daughter stands for bent and gives her the breast. A guard looks at the mother and daughter from behind a column. Page from a book with text on the verso. paper engraving / letterpress printing prison, jail. daughter suckling old mother (variation of 'Caritas romana')

Visscher, Claes Jansz. (II), Seated elegant couple, verso - stamped, An elegantly dressed couple in conversation before a wall covered with plants., print, book illustration, prints, height 96 mm, width 137 mm, print maker, printmaker, 1607 - 1607, paper, etching, etchings, engraving, engraving (printing process), Northern Netherlands, 1586 - 1652-06-19

Antwerp, Galle, Theodoor, Sterre, Johannes Chrysostomos van der, Cornelis (I), Pope Calixtus II gives permission to Saint Norbert, Pope Calixtus II gives permission to Saint Norbert to settle in Prémontré and to found an abbey there. The print has two Latin inscriptions: one above and one below the image., print, book illustration, prints, height 152 mm, width 93 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1622 - 1622, paper, engraving, engraving (printing process), 1591 - 1652, writer, Publication (Event), Publication, 1571 - 1633, publisher

Etching by Hubertus Quellinus from 1665 illustrating the biblical story of Solomon's judgment, depicting figures, a throne, and courtroom setting.

Lucas van Leyden, Potiphar's Wife Accusing Joseph, 1512 Potiphar's Wife Accusing Joseph

A late 15th-century copper engraving by Israhel van Meckenem showing the pain man accompanied by two angels, depicting figures, gestures, and drapery.

In the foreground pigeons are being sold. In the background, pigeons are caught with nets and beaten to death. The print has a Latin caption and is part of a 43-part series on hunting, Hunting Pigeons Hunting Scenes (series title) In quibus omne genus venationis, aucupij, piscatusque (series title), print maker: Philips Galle, Jan van der Straet, (mentioned on object), publisher: Philips Galle, print maker: Antwerp, Florence, publisher: Antwerp, 1578, paper, engraving, h 214 mm × w 295 mm

The Small Passion: The Last Supper. Albrecht Dürer (German, 1471-1528). Woodcut;

Aldegrever, Heinrich, Sophonisbe, 1553, copper engraving, graphics, leaf width 7.4 cm, leaf height 11.6 cm, image width 7.3 cm, image height 11.5 cm

Sapphira Punished by Death, from Les Tableaux de Rome, Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee), plate 5 1607-11 Jacques Callot French. Sapphira Punished by Death, from Les Tableaux de Rome, Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee), plate 5. Les Tableaux de Rome, Les Eglises Jubilaires. Jacques Callot (French, Nancy 1592-1635 Nancy). 1607-11. Engraving; second state of three (Lieure). Prints

Margherita. Dated: 1619. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques Callot after Matteo Rosselli.

Presentation in theTemple. Woodcutter: Giuseppe Niccolò Vicentino, Italian, active 1540-50 After: Francesco Rossi, called Salviati, Italian, 1510-1563 After: Parmigianino, Italian, 1503-1540 Publisher: Andrea Andreani, Italian, 1558/59-1629

Holy Family with Saint Elizabeth and the Infant Saint John the Baptist. Dated: c. 1513. Dimensions: sheet (trimmed to plate mark): 22.6 x 25.3 cm (8 7/8 x 9 15/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacopo Francia.

Dice game. Circular representation with people around the table with two dice.

The Raising of Lazarus 1502-1512 Netherlands. Engraving in black on cream laid paper . Lucas van Leyden

Venice, Rasciotti, Donato, Italy, Correggio, Cort, Cornelis, Carracci, Agostino, Virgin and Child with Saint Jerome and Mary Magdalene, verso - stamped, The Christ Child sits on Mary's lap. An angel shows him a book. In the foreground on the left is Saint Jerome with a lion. On the right, Saint Mary Magdalene kneels and strokes Christ's leg with her cheek. On the right a small boy with an ointment jar., print, prints, height 480 mm, width 331 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1586 - 1586, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1533 - 1578, after print by, 1489 - 1534-03-05, after, after painting by, Publication (Event), Publication, publisher

Samson and Delilah, 1545. Hans Brosamer (German, c. 1500-1554). Engraving;

Tobias and the Archangel Raphael, from The Story of Tobias. Artist: Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Dimensions: Sheet (trimmed): 2 5/8 × 4 3/16 in. (6.7 × 10.6 cm). Series/Portfolio: The Story of Tobias. Date: 1543. Museum: Metropolitan Museum of Art, New York, USA.

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