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Biblical Scenes of Healing and Prayer

This collection features historical prints depicting pivotal biblical moments, including healing, blessing, and divine intervention, showcasing intricate details and emotional expressions.

Albrecht Dürer (German, 1471-1528), Christ on the Mount of Olives, probably c. 1509-1510, woodcut

Copper engraving 'The Stigmatization of St. Francis' by Israhel van Meckenem, late 15th century, depicting Saint Francis receiving stigmata with compositional and symbolic elements.

De Kleine Crisification, Albrecht Dürer, 1517 - 1521 print Round show of Christ on the cross. On his right side is John the Evangelist, on his left his mother Maria with two more women. Maria Magdalena is sitting at the foot of the cross. Nuremberg paper engraving crucified Christ with Mary, John, and Mary Magdalene

Leonhard Beck, Saint Bilhelmus, 1516 1518 Saint Bilhelmus

Albrecht Dürer, The Holy Family with Joachim and Anne under a Tree, 1511 The Holy Family with Joachim and Anne under a Tree

Christ celebrating the last supper with his disciples. He gives one of them bread., Last Supper Passion of Christ (series title), print maker: Jan Harmensz. Muller, Lucas van Leyden, (mentioned on object), Amsterdam, 1613 - 1622, paper, engraving, h 115 mm × w 77 mm

Woodcut: St. Antony abbot with cripple using crutches.

Maximilian Presented by his Patron Saints to the Almighty, 1519, Hans Springinklee, German, about 1495-after 1522, 14 1/16 x 14 3/4 in. (35.72 x 37.47 cm) (image), Woodcut, Germany, 16th century

Paid of Christ; Maria's life. Fragment of a print with four performances, from a series of seven. Dead Christ watched by Maria, John and the three Maria's.

Matthew the evangelist; The four evangelists. Matthew The Evangelist is writing his gospel. The angel assists him by keeping the book up to him.

Cross and pilatus washes his hands in innocence; Fert Sententiam Pilatvs Contra IESVM. Christ is sentenced and removed to death. He carries the cross. In the background you can see how Pilatus washes his hands in innocence. At different elements from the show are letters that correspond to the legend in the margin.

The Bearing of the Cross, from the Small Woodcut Passion 1509-1510 Albrecht Dürer German. The Bearing of the Cross, from the Small Woodcut Passion 361941

The Baptism of Christ in the River Jordan ca. 1510 Lucas van Leyden Netherlandish. The Baptism of Christ in the River Jordan 364798

Christ child sleeps in the cradle; De Kindsheyd Onses Heeren Jesu Christi; Youth of Christ. Landscape with the Christ child to sleep in his crib. Two angels watch over him. Maria is next to the cradle and embroidered. Numbered under the performance 2. Four lines of text. The print is part of an album.

Copper engraving 'Mary's Death' by Israhel van Meckenem from the late 15th century, depicting the Virgin Mary and surrounding religious figures with detailed composition.

Christ warns against false prophets and the parable of the unjust steward, Virgilius Solis, 1524 - 1562 print Two performances one above the other. The print is numbered in the middle of the top: 5. The performances are numbered separately: 8 and 9. Nuremberg paper engraving / etching the steward who is to be dismissed, has the debtors of his lord change their debts (Luke 16:1-8)

Christ and his students at the well in Sichar, Antonie Wierix (II), After Bernardino Passeri, 1593 print When the students of Christ arrive at the well, they cannot believe that he is talking to a Samaritan woman. In the background it can be seen that after she returned to the city, people on their way to Christ. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ's disciples returning from Sychar

Christ uses meal with disciples in Emmaüs, Marcantonio Raimondi, After Albrecht Dürer, 1510 - 1515 print paper engraving the supper at Emmaus: Christ is recognized while blessing or breaking the bread

Allegory on the redemption of humanity, Hieronymus Wierix, after Chrispijn van den Broeck, 1563 - Before 1586 print Left Moses with the Tables of the Law. On the right Christ at the cross. At his feet an open Bible, surrounded by the symbols of the four evangelists. Above the Bible the pigeon of the Holy Spirit. Behind Moses is the death that stings with his lance in the lifeless body of a moon. The same man has risen on the right and prays for the Bible. In the background the preaching of John the Baptist. Antwerp paper engraving Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. appearances of Christ after the Resurrection. Holy Ghost represented as a dove (in flames). the four symbols of the evangelists, 'the apocalyptic beasts'. Death as skeleton. Human Being, Man in General (+ variant). John the Baptist preaching (perhaps Christ among the bystanders)

Our Father in Heaven, let your name be sanctified, Albert Flamen, 1648 print A crowd of kneeling men and women prays to heaven, where the name of Christ appears. The French caption is the first part of prayer the Lord's Prayer. print maker: ParisFrance paper etching 'hallowed be thy name' ~ the Lord's prayer

Israel Van Meckenem (v.1445-1503). The port of cross (Bartsch 17, Hollstein 149). Chisel, 15th century. Museum of Fine Arts of the City of Paris, Petit Palais. Froz, Chemin de Croix, crown spine, crown spines, crowd, painful mystery, new will, passion, carrying of the cross, carry cross, biblical scene, 15th xve xv 15th 15th 15th century

Crucifixion of Christ, Hieronymus Wierix, 1563 - Before 1619 print Christ hangs on the cross. At the foot of the Kruis Maria and John. In the margin a caption in Latin. Antwerp paper engraving crucified Christ, with particular persons under the cross

Christ appears to Mary Magdalene. Christ, a staff with a trail in hand, stands in and fenced garden next to Mary Magdalene, who kneels at his feet.

Virtue of the humble; HVMILIS; Examples of virtue; Typvs Castitatis. The annunciation. Mary is kneeling behind her desk. She is visited by the angel Gabriel. He tells her that she will bare a son who will be called Christ. The pigeon of the Holy Spirit drops down on Mary. In the margin a three-legged bible quote from Luc. 1 in Latin.

Nativity of Christ, Christmas Eve, Crimbo, Xmas, Holy Family. The shepherds worship the newborn messiah. Luke book, New Testament

Reconciliation from Jakob and Esau; Stories from the Bible book Genesis.The Brothers Jakob and Esau Embrace Each Other. A Landscape in The Background. In The Upper Left Corner a Reference to Gen. 33 in Mirror Image.

Apostles are not moved by the words of the high priest, Anonymous, after Johann Jakob von Sandrart, 1697 print paper etching the high priest and Sadducees have Peter and the apostles put in prison (Acts 5:17-42)

Emmausgoers, Christoffel van Sichem (II), 1581 - 1658 print Christ sits at the table with the Emmausgoers and breaks the bread. Amsterdam paper letterpress printing the supper at Emmaus: Christ is recognized while blessing or breaking the bread

The Annunciation. Dated: 1553. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Heinrich Aldegrever.

Paid of Christ; Life of the Virgin Mary. The body of Christ is laid down on his tomb. Maria, Maria Magdalena and two angels are grieved with his body. In the margin a six-line caption, in two columns, in Latin.

Scenes from the life of Saint Thomas van Villanueva, Jan Baptiste Collaert (attributed to), after Jan Baptiste Collaert, 1601 - 1627 print Central the Sacred Thomas of Villanueva who spreads money to the poor. At the top of the clouds, God blesses him. Around the figure twelve scenes from the life of the Holy Thomas of Villanueva. At the top in the middle the coat of arms of Isabella of Austria. The print has various Latin captions. paper engraving the Augustinian friar Thomas of Villanueva, archbishop of Valencia; possible attributes: beggars, cripples, purse (+ God the Father in the form of light). non-miraculous activities and events ~ St. Thomas of Villanueva. the Augustinian friar Thomas of Villanueva, archbishop of Valencia; possible attributes: beggars, cripples, purse - miraculous activities and events ~ male saint. the Augustinian friar Thomas of Villanueva, archbishop of Valencia; possible attributes: beggars, cripples, purse - posthumous deeds, appearances of male saints

Christ speaks to his disciples and Ascension, Virgilius Solis, 1524 - 1562 print Two performances one above the other. The print is numbered in the middle of the top: 26. The performances are numbered separately: 50 and 51. Nuremberg paper engraving / etching Christ almost vanished: only feet visible ~ Ascension. Christ addressing his disciples after the Last Supper (John 14-16)

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Francken, Ambrosius (I), Collaert, Hans (I), The Great Figurine Bible, Conversions of Sinners, The Last Works of Jesus in His Journey, Zacchaeus in the Fig Tree, bottom right - handwritten in brown ink, The tax collector Zacchaeus has climbed a fig tree to see Christ, who is passing through the city of Jericho. Christ sees Zacchaeus, speaks to him and says that he wants to stay with him in his house today. His disciples and bystanders are standing around Christ. Below the image is a reference in Latin to the Bible text in Luke 19:2. This print is part of an album., print, image, album leaf, prints, images, 102, 4, height 201 mm, width 275 mm, South Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), hand colouring, Work conception, 1544 - 1618-10-16, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-

Peter Andreas, Israhel van Meckenem, 1455 - 1503 print Peter with keys and Andreas with tilted cross, next to each other in a niche. On Banderolles at the bottom of the show the first two lines of the credo. This print is part of a series of six prints of the apostles, depicted two by two. Bocholt (Germany) paper engraving the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. the apostle Andrew; possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll

Christ as a Gardener Appearing to St. Mary Magdalen, 1519. Lucas van Leyden (Dutch, 1494-1533). Engraving;

Albrecht Dürer (1471-1528). "Saint Francis receiving the stigmata. Barsch B110". Wood engraving, around 1503-1504. Museum of Fine Arts of the City of Paris, Petit Palais. Wing, Catholic, Christian, Christ, wood engraving, wound, Seraphin, six wings, stigma, saint

Circumcision of Christ; Scenes from the life of Christ and the Virgin Mary. A priest holds the Christ child, a second priest is kneeling for him and has a knife in his hand. Some figures watch all around. The print is part of a twelve-part series of prints with scenes from the life of Christ and the Virgin Mary.

Moses the people reprimanding, Anonymous, Hans Holbein (II), 1552 print paper Moses teaching (in general)

Petrus and Andreas; The twelve apostles in pairs. Petrus with keys and Andreas with tilted cross, side by side in a niche. On Banderolles the first two rules of the credo at the bottom. This print is part of a series of six prints of the apostles, two to two depicted.

Lucas van Leyden, The Annunciation, c 1516 The Annunciation

Holy Veronica with sweat cloth standing between saints Peter and Paulus, Anonymous, After Albrecht Dürer, 1481 - 1578 print Veronica, flanked by Peter and Paul, holds the sweat cloth with the print of the face of Christ (Sudarium). paper engraving 'Vera Icon', held up by Veronica. Veronica; possible attributes: 'Sudarium' (veil with the image of Christ). the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. the apostle Paul of Tarsus; possible attributes: book, scroll, sword

Christ appears to Maria Magdalena, monogramemist S (16th century) (school of), 1510 - 1560 print Christ with hat appears to Maria Magdalena in garden. paper engraving Mary Magdalene kneeling before Christ, who is usually represented as a gardener with a hoe and/or a spade; 'Noli me tangere'

Albrecht Dürer, The Passion: Christ before Caiaphas, 1512, engraving on paper.

Unidentified religious scene by Noël Cochin the Younger, drawn with gray-brown pen and ruling traces on prepared paper with black borders.

In a room, the Christ child is blowing soap bubbles along with two angels. His parents and grandparents look on. Mary is measuring a piece of cloth. In the margin a six-line caption, in two columns, in Latin, Christ child blows soap bubbles Youth of Christ (series title) Iesv Christi dei Domini, salvatoris nri infantia (series title), print maker: Hieronymus Wierix, (mentioned on object), Hieronymus Wierix, publisher: Hieronymus Wierix, (mentioned on object), Antwerp, 1563 - before 1619, paper, engraving, h 100 mm × w 66 mm

Copper engraving by Antonio Lafreri depicting Christ and the Samaritan, created between 1535 and 1565, illustrating the biblical encounter.

Copper engraving by Dirk Jakobsz. Vellert from 1523 depicting Christ interacting with a Samaritan. The artwork shows detailed figures and clothing in a religious scene.

Copper engraving by Wenzel von Olmütz depicting a suffering man between Mary and John, late 15th century, showing expressions of grief and compassion.

The Annunciation 1515 Lucas van Leyden Netherlandish. The Annunciation 364735

Sallaert, Antoine, Antwerp, Galle, Cornelis (II), Allegorical title page with two Dominican martyrs, Two Dominican martyrs are being laurelled. One has a sabre on his head, the other a sword in his chest. On a throne in the middle sits the personification of the papacy, with tiara and keys. Two angels present the martyrs with a laurel wreath and a palm branch. In the background a large crowd., print, engraving, title page, prints, engravings, height 165 mm, width 100 mm, South Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1638 - 1650, paper, engraving (printing process), Work conception, 1585 - 1650

Kriemhild, in Mourning over Siegfried, Handing Out Treasures from the Nibelungen Hoard 1854 Eduard Julius Friedrich Bendemann German. Kriemhild, in Mourning over Siegfried, Handing Out Treasures from the Nibelungen Hoard 370851

Presentation of Christ in the Temple and Christ among the scribes in the Temple, Virgilius Solis, 1524 - 1562 print Two performances one above the other. The print is numbered in the middle of the top: 17. The performances are numbered separately: 32 and 33. Nuremberg paper engraving / etching presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39). Christ's dispute with the doctors in the temple; he counts his arguments on his fingers

Rome, Panzera, Battista, Italy, Tempesta, Antonio, S. Hieronymus, H. Hieronymus in the wilderness contemplating the Last Judgement, verso - stamped, H. Hieronymus with book and quill in the wilderness contemplating the Last Judgement. On the right a Last Judgement scene with Christ, Mary and saints on clouds and the damned being dragged into hell by demons. Above Hieronymus floats an angel blowing a trumpet. On the right the lion. Title and caption in Latin in bottom margin., print, prints, height 475 mm, width 368 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1592 - 1592, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever

Depicts the Virgin and Child enthroned between Saint Katharina von Siena and Saint Margarete in a fine Florentine copper engraving from 1460-1480.

This woodcut by Jacob Cornelisz van Oostsanen, created between 1518 and 1523, depicts Saint John, showing the saint in a religious scene with symbolic Christian attributes.

Copper engraving by an anonymous artist from the second half of the 15th century showing the Adoration of the Magi, emphasizing human figures and composition.

Presentation of Christ in the temple; Scenes from the life of Christ and the Virgin Mary. In the temple State Simeon with the Christ child in his hands. Mary, Joseph and Anna watch. The print is part of a twelve-part series of prints with scenes from the life of Christ and the Virgin Mary.

The small crucifixion; The crucifixion. Round representation of Christ on the cross. On his right side, Johannes is the Evangelist, his left Mary with two more women. Mary Magdalene is at the foot of the Cross.

The holy family with the holy Anna and three angels. The holy family with the holy Anna and three cherub in a cloud. Numbered at the bottom right: XXIIII.

Measurament of the Temple Artist's working dates 1505-1561 France. In this vision from Revelation 11 1ñ13, a vibrant and industrious Saint John appears in small scale at the upper left. He holds a reed in his hand in order to measure the Temple of Jerusalem. The two larger figures recurring throughout the composition represent witnesses to events in the temple they receive divine power issued by mouth from the figure of God the Father above the altar, they perish at the mercy of a beast from the abyss (at lower right), and are eventually resurrected (not pictured here).. Engraving in black on ivory laid paper . Jean Duvet

Saint Martha and Saint Mary before Christ (Saintes Marthe et Marie devant Jésus Christ). Dimensions: 41.0 cm x 58.1 cm, 40.0 cm x 47.3 cm. Museum: Van Gogh Museum, Amsterdam. Author: EMILE BERNARD.

De Wyze and De Zzaze Maegden, 1828 - 1913 print Leaf with a large representation of the parable of the wise and the foolish virgins. A caption in two columns in the lower margin. Numbered at the top right: n. 161. Amsterdampublisher: Turnhout paper letterpress printing the wise and the foolish virgins ~ parable of Christ (Matthew 25:1-13)

A woodcut by Albrecht Dürer, circa 1508-1509, depicting the farewell of Christ from his mother in the Little Passion series, showing figures, gestures, and composition.

Christ Appearing to the Magdalen, 1480-90. Martin Schongauer (German, c.1450-1491). Engraving;

Antwerp, Collaert, Adriaen, B. IOANNES REATINVS, Scenes from the life of Blessed John of Rieti, verso middle - stamped, Central in an oval frame the Blessed John of Rieti. He stands in the garden of his monastery and explains to a fellow brother that he is sad that nature obeys God but man himself always sins. In each corner of the print a medallion with a scene from the life of John of Rieti. The print has several Latin captions., print, prints, height 230 mm, width 171 mm, South Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1570 - 1618, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Israhel van Meckenem, Saints Peter and Andrew, c 1480 1485 Saints Peter and Andrew

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Sadeler, Johann (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Canticum Canticorum, Song of Solomon, Christ and his bride under an apple tree, The bride of Christ (the church) sits under an apple tree in a flower garden and receives flowers from Christ who is standing next to her. On the left and right people from the Old Testament. Below the image a reference in Latin to the Bible text in Song of Solomon 2:1. This print is part of an album., print, album page, prints, height 212 mm, width 260 mm, Work conception, South Netherlands, 1550 - 1600-08, after print from, 1643 - 1643, paper, engraving, engraving (printing process), print maker, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Mary with child standing between two holy bishops, Anonymous, Anonymous, 1497 print paper Mary standing (or half-length), the Christ-child sitting on her arm (Christ-child to Mary's left). theologian

Paid of Christ; Passion of Christ. Maria, Maria Magdalena and Johannes de Evangelist, and others, grieving with the body of Christ. Christ is on a shroud at the foot of the cross. In the margin a two-legged Bible quote from Zach. 12 in Latin.

Six standing apostles (); Paradigmata Graphics variorum artificum. Six saints, maybe six apostles. All hold a book, the sacred upper left leans on a bat.

Christ Appearing to Mary Magdalene, 1480 - 1490, Engravings, 6 1/4 x 6 3/16 in. (15.9 x 15.7 cm), Paper / Sheet 6 7/16 x 6 5/16 in. (16.3 x 16 cm), Stamped in purple ink, verso PG Peter Gellatly (Lugt 1185), Cream laid

Christ preaches from a boat. Christ in boat at sea preach against crowd on the shore. Simon (Petrus), Andreas and a third man in fishing boat with just.

Maria voedt het Christuskind; Virgo Mater S. Maria.Maria nourishes the Christ child. The angel standing next to her throne holds a plate, while Maria stops a spoon in the mouth of Christ. Other angels bring fruits. In the margin a three-legged bible quote from Jes. 7 in Latin.

Anxious bride is led to the wedding bed. A crying bride is led by her mother and her husband to the wedding bed, while a farmer plays on the bagpipe. In the background a woman makes the bed. Under the show a four-line verse.

The Four Evangelists

Simon, Filippus en Judas Taddeüs; Christus, Maria, Johannes de Doper en de apostelen.Leaf with three representations of the apostles Simon with a staff, Philip with book and cross staff and Judas Taddeus with a saw.

Madonna and Child with Saints Christopher and Erasmus. Dated: c. 1480. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Netherlandish 15th Century.

Moses learns from God how the Israelites should sacrifice, Hans Holbein (II), 1538 print Moses kneels on Mount Sinai for God and learns from him how the Israelites should sacrifice. On the right in front of the tent camp at the foot of the mountain, the Israelites made a sacrificial altar. In the margin above the image is the text Levitici I. paper the book Leviticus. Moses communicating with God on Mount Sinai (the mountain may be covered by a thick cloud)

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Thesaurus sacrarum historiarum veteris testamenti, Twelve prophets, Elisha, Jonah and Obadiah, verso - stamped, The prophets Elisha, Jonah and Obadiah stand next to each other in a landscape. Elisha has a two-headed bird on the shoulder and stands next to Naaman, who, on Elisha's advice, is bathing in the Jordan. Jonah stands next to the fish, Obadiah has three loaves of bread and a jar in his hands. Below the representation are explanations in Latin., print, prints, height 212 mm, width 278 mm, Work conception, South Netherlands, 1544 - 1638-10-01, after a design by, 1579 - 1579, fourth quarter 16th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Netherlands, Leyden, Lucas van, Annunciation, verso lower left - stamped, Mary and the Archangel Gabriel., print, prints, height 299 mm, width 261 mm, Northern Netherlands, 1494-06 - 1533-08, print maker, printmaker, 1513 - 1517, first quarter 16th century, paper, woodcut, retouching

Netherlandish 15th Century, Madonna and Child with Saints Christopher and Erasmus, c 1480 Madonna and Child with Saints Christopher and Erasmus

Saint John, Saint Charles Borromeo, and Saint Francis beneath the Dove of the HolySpirit. Artist: Unknown Artist, formerly attributed to: Federico Zuccaro, Italian, ca. 1541-1609

. Aaron and Mirjam stand for Moses and his Nubian woman and disputed his authority to raise consideration about his marriage with her. To the right speak Moses, Aaron and Mirjam with God, which appears in the doorway of the covenant in the form of the tetragram. In the landscape, Aaron begs on his knees Moses not to charge his sin. Mirjam is hit by skin stage in the desert. On the mountain Moses pray for healing for her. Print is part of a series about the eight skimmings of Christ and illustrates the salvation: Blessed are the meek. On the stairs a stone with this text from mat. 5: 5 in Latin. At the bottom of the margin a verse in Latin about the willow discussion and the show.

A circa 1500 copper engraving on reddish paper depicting Christ appearing to Maria Magdalena, showing Gothic figures, detailed line work, and Christian iconography.

. H. Hyacinthus of Poland runs over the Dnepr River. In the background three kneeled monks. The print is part of an eight-member series that forms a framework around an image of the H. Hyacinthus of Poland.

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