Biblical Stories in Art

Engravings portraying scenes from the Bible with rich narratives, focusing on pivotal moments and characters brought to life through artistic techniques.

Groom bath, draughtsman: François Verdier, (possibly), intermediary draughtsman: anonymous, (possibly), 1661 - 1730, paper, pen, brush, h 314 mm × w 238 mm

Suzanna and the elders. .

Wassenaar, Nicolaas Jansz. van, Rubens, Peter Paul, Leiden, Swanenburg, Willem Isaacsz. van, Lot made drunk by his daughters, verso lower left - stamped, Lot sits between his two daughters in front of a cave. The daughter on the left is embraced by him. She holds a drinking bowl, which is filled with wine by the other daughter. On the right in the distance Sodom is burning. Below the depiction is a four-line Latin text in which the depicted event is disapprovingly discussed., print, prints, height 315 mm, width 378 mm, Northern Netherlands, 1580-01-29 - 1612-05-31, print maker, printmaker, 1612 - 1612, paper, engraving, engraving (printing process), Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, writer

Twee Sobyllen en engel en putto, Giovanni Antonio da Brescia (ACTRUTED TO), After Rafaël, 1511 - 1520 print Italy paper engraving SIBYLS. Angle. Cupids: 'Amores', 'Amoretti', 'Putti'

Simson's wife begs him to reveal the solution of the mystery, Cornelis Massijs, 1549 print The Philistine woman is kneeling next to a bed and begs Simson to reveal her the solution of his mystery. Tired of her howling, Simson tells her the solution, after which she will tell the wedding guests. Rear right, the guests consult each other what the solution of the riddle could be. Antwerp paper engraving Samson, tired of her weeping, tells his wife the solution of the riddle

Frontispiece for Opere de Galileo Galilei. Date/Period: 1656. Etching. Width: 17.8 cm. Height: 24.9 cm (sheet). Author: STEFANO DELLA BELLA.

Niobe with one of her seven sons about to be killed by Apollo. Copperplate engraving by G. Petrini after an illustration by A. Tofanelli from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

Groom bath, draughtsman: François Verdier, (possibly), intermediary draughtsman: anonymous, (possibly), 1661 - 1730, paper, pen, brush, h 314 mm × w 238 mm

Susanna and the Elders Georg Pencz German. Susanna and the Elders 432102

Parmigianino, The Adoration of the Shepherds, c 1527 The Adoration of the Shepherds

Simson a Delila, Jacob Matham, After Peter Paul Rubens, 1611 print The hairs of Simson are cut by a Philistine while he is sleeping in Delila's shot. An old woman shines with a candle. Soldiers are ready in the doorway to capture Simson, after his hair will have disappeared with his hair. paper engraving story of Samson and Delilah (Judges 16:4-21). Samson's hairlocks are shaved, or cut off (usually with scissors) by a Philistine

Christ and angel with wine celk; Lunetten with paintings by Carlo Maratti. Christ in conversation with an angel with a wine chic.

Copper engraving by Albrecht Altdorfer, circa 1525-1530, depicting a crouching Venus, showing human figure, posture, and mythological context.

Isaac and Rebekah in Gerar; Isaac and Rebecca in Gerar by Abimelech. Abimelech, king of the Philistines, looks out of his window and sees how Isaak Rebekah is caruing.

Dyck, Anthony van, Antwerp, Steen, Franciscus van der, Drunken Silenus supported by bacchantes, verso - stamped, The drunken Silenus is supported by bacchantes. Silenus has a wreath of vine leaves on his head., print, prints, height 323 mm, width 239 mm, South Netherlands, 1625 - 1672-01-20, print maker, printmaker, 1643 - 1672, paper, papier, engraving, engraving (printing process), Flemish, Netherlands, 1599-03-22 - 1641-12-09

Susanna and the elders, Philippe Lambert Joseph Spruyt, after Peter Paul Rubens, 1747 - 1801 print Susanna washes at a fountain. The two elders spied on the left. In the foreground a dog. Ghent paper etching Susanna bathing, usually in or near a fountain and sometimes accompanied by two female servants. the elders spying upon Susanna

Venus coming out of his care; Altdorfer, Albrecht (CA 1480-1538); around 1520-1526 (1st edition) (1520-00-00-1538-00-00);

Portrait of Pierre Vincent Bertin. Two women as painting personifications and sculpture roll along with two putti a portrait of Pierre Vincent Bertin (1653-1711). In the margin three rules in Latin, between which a weapon with two lions.

Man speaks to Christ, Anonymous, After Carlo Maratta, 1635 - 1713 print A kneeling man speaks against the sitting Christ with staff, mantle and thorn crown (Christ as a man of sorrows). print maker: Italyafter painting by: Rome paper etching Man of Sorrows together with others

Dienste Maatsje Persne A Table, Marten Corver, 1751 print A maid accidentally pushes the breakfast table. The woman of the house, dressed in a dressing gown, jumps out of her chair and tries to hold the table. Amsterdam paper etching little household accidents. maid ~ house personnel. bath-robe, dressing-gown

A daughter sucks her mother in prison. A daughter keeps her mother alive by looking up and breasting her in prison. The mother sits on the floor, the daughter stands for over bent and gives her breast. A guard looks from behind a column to the mother and daughter. Page from a book with text on the verso.

Charity, Raphaël Sadeler (I), After Maerten de Vos, 1589 print The female personification of charity (Elemosina). She stands in front of a doorway and gives two loaves to a child and a crippled man. The fourth print from a series with six Christian virtues as the subject. Frankfurt paper engraving Generosity, Liberality; 'Generosití', 'Liberalití' (Ripa). giving alms or other charity, e.g.: handing out food. beggar. 'Elemosina' (Ripa)

Groom bath. .

Umbria Perugia Bettona Palazzo Podesta9. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescos, decorative arts Owner: Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Maria with child and an angel, Pierre Daret, After Simon Vouet, 1642 print print maker: Parisafter painting by: FranceFrance paper etching / engraving Madonna (i.e. Mary with the Christ-child) accompanied or surrounded by others

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history XXXVII. Silvestra and her husband discover the dead Jeronimus in their bed., print, book illustration, prints, height 73 mm, width 82 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by

Laziness; Acedia; Inventions. Personification of laziness in the form of a young woman dressed in antique robe. She is leaning back against a balustrade with a column. Her head is on a pillow. In addition to her the snail as her attribute. In the margin a single-line caption in Latin.

Venus and Mars Embracing with Vulcan at his Forge. Dated: 1543. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Enea Vico after Parmigianino.

Jacob Matham (1571-1631); Abraham Bloemaert (1566-1651), Amor and Psyche, 1607

Samson and Delilah. Jacob Matham (Dutch, 1571-1631); after Peter Paul Rubens (Flemish, 1577-1640). Date: 1607-1617. Dimensions: 362 x 434 mm (image); 377 x 440 mm (plate); 380 x 444 mm (sheet). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

Rudolf II of Habsburg (German Emperor), Matham, Jacob, Rubens, Peter Paul, Haarlem, Samson and Delilah, verso lower left - stamped, Samson's hair is cut by a Philistine, while he lies asleep in Delilah's lap. An old woman shines with a candle. Soldiers stand ready in the doorway to capture Samson, after his hair will have taken away his strength., print, prints, height 377 mm, width 441 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher, 1552-07-18 - 1612-01-20, granter of privilege

Maria with child, Johannes the Baptist and other saints, Léon Davent, After Parmigianino, 1540 - 1556 print paper etching Mary and the Christ-child with John the Baptist (as child). 'Sacra Conversazione'

Table of Museum Temple: Penelope (Dutuit 36, White 138) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Temple of Muses: Penelope (Dutuit 36, White 138). Burin, 1655. Museum of Fine Arts in the city of Paris, small palace.

Book 4, Fable 3: the opinion (L'Opinion) 1719 Nicolas Henry Tardieu. Book 4, Fable 3: the opinion (L'Opinion). Fables Nouvelles. Nicolas Henry Tardieu (French, Paris 1674-1749 Paris). 1719. Etching and engraving. Prints

Drawing by Abraham van Diepenbeeck depicting the death of Meleager, created in black chalk with gray washes on paper showing vertical edge lines.

Etching and copper engraving by Jacques Bellange from the first quarter of the 17th century depicting a storage or warehouse scene.

Sketch of a baiting Magdalena ().

Man and woman with two children; Paintings in the Sixtin Chapel. Figures from Michelangelo's ceiling painting. Numbered at the bottom right: 70.

Print made by William Faithorne, (), 1656-ca. 1701, British, Lucretia Romana, between 1678 and 1717. Mezzotint on moderately thick, slightly textured, beige laid paper.

Allegories Op de Geboorte, Giorgio Ghisi, After Girolamo da Pontremoli, After Giulio Romano, 1608 - 1666 print A woman gives a newborn baby to two putti. On the left is a woman with a burning torch. On the right is a woman who just gave birth. There are two women next to the bed. In the background Apollo on his solar wagon. print maker: Italyafter painting by: Mantuaafter design by: Mantuapublisher: ParisItaly paper engraving woman giving birth (lying-in). cupids: 'amores', 'amoretti', 'putti'. Apollo as sun-god, i.e. Sol (Helius), Titan

Retorica, Georg Pencz, 1539 - 1541 print Sitting woman as a personification of rhetoric, she makes a gesture with her hands. A putto can be read next to her in a book. paper engraving Rhetoric ',' eloquence '(~ trivium); "Rettorica '(Ripa)

Interrogation and torture of Cornelis de Witt, 1672, 1787 - 1788 print Interrogation and torture of Cornelis de Witt, August 19, 1672. Northern Netherlands paper etching torture The Hague

Figuren Rondom Een Altar, Giovanni Francesco Venturini, After Giovanni Battista Galestruzzi, After Polidoro da Caravaggio, c. 1660 - 1710 print A group of figures is around an altar. On the right a man with a child in his arms. A building in the background. Italy paper engraving altar ~ non-Christian religions

Joseph and the wife of Potifar, Cornelis Cort, After Titian, after 1560 - c. 1565 print Potifar's wife is naked in a four -poster bed. Joseph flees her way (to the right) and is held by her on his cloak. Venice paper engraving Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib). bed with tester. slippers. cape (+ men's clothes)

Joseph flees the wife of Potifar, Jan Harmensz. Muller (Possibly), After Lucas van Leyden, 1550 - 1617 print Copy in mirror image. Bedroom with Potifar wife who grasps the cloak of the fleeing Joseph. paper engraving Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

Anonymous / 'Allegory of Venice'. Late XVI century. Wash, Pencil, Pencil ground, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.

Joseph and the woman of Potifar. Potifar's wife lies naked on a four-poster bed. Jozef flight from her way (to the right) and is held by her to his cloak.

Doy van Franciscus and van Assisi, Book audruud, after yearsribal Carracci, 1650 - 1703 print print maker: Francepublisher: Paris (possibly) paper engraving / etching an angel playing the violin appears to St. Francis of Assisi; Francis perhaps on his sickbed, deathbed, or meditating in the open air

The Mystic Marriage of St. Catherine 16th century After Marco Angolo del Moro Italian Reverse copy of a print by Marco Angolo del Moro after Schiavone. Schiavone based his print on a design by Parmigianino.. The Mystic Marriage of St. Catherine 625557

Silence and speech, Gerard de Lairesse, 1670 print The personification of silence is in addition to a smoking oil lamp. The two figures on the left personify speech. The sitting figure of this pair points to the thoughtful silence and seems to talk about her. paper etching Taciturnity; 'Secretezza', 'Secretezza overo Taciturnití' (Ripa) (+ personification). being silent. Prolixity, Verbosity, Loquacity; 'Loquacití' (Ripa) (+ personification)

Ferdinand IV., King of Castile and León.

. Cleopatra, sitting on her bed, commits suicide by letting himself bite by a cobra that she has taken from the basket with figs. At the bottom of the margin two verses in Latin.

François Verdiers altar leaf drawing from 1690-1700 depicts the dream of Saint Joseph, made with black chalk, gray wash, and white chalk.

Bordering scene in which the man is robbed. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 384 mm × w 334 mm. Museum: Rijksmuseum, Amsterdam.

October, Bacchus who drinks wine, Anonymous, Reinier van Persijn, Joachim von Sandrart, 1670-1726

Rhetorica, from "The Liberal Arts" Georg Pencz German. Rhetorica, from "The Liberal Arts". The Liberal Arts. Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Engraving. Prints

Allegory of painting, Daniël Herreyns (I), 1600 - 1649 print Sitting female figure in classic robe and with laurel wreath on the head points to a man's portrait that she has on her lap and that is supported by a putto. On the right a putto with painting attributes. Antwerp paper etching 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa)

Allegory of learning, Guido Reni, 1585 - 1642 print View in a room with a woman with a passer and book. On the right a putto. Italy paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. education, science and learning. Symbolic Representations, Allegories and Emblems ~ Education; 'Teaching', doctrine ',' education ',' Establishment '(Ripa)

Three putti put a dog a collar, Louis Ferdinand I elle, after Gerard van Opstal, After Tetelin, 1654 print print maker: Francepublisher: Paris paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. Fidelity; 'Faithful (Ripa). Collar (of a dog)

Rome, Mascardi, Vitale, Italy, Massimo, Camillo, Greuter, Johann Friedrich, Woman embroidering, Industria, verso - stamped, Woman, seated at a column, engaged in a needlework., print, picture, book illustration, prints, height 201 mm, width 140 mm, Italian, 1610 - 1662-03-10, print maker, printmaker, 1640 - 1640, paper, engraving, engraving (printing process), Work conception, 1620-07-20 - 1677-09-12, after a design by, Publication (Event), Publication, publisher, uitgever

Papirius, from Sculpturae VeterisAdmirata. Artist: Joachim von Sandrart, German, 1606-1688

Venus and Cupid, two other goddesses and a putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau. Artist: After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: sheet: 7 1/4 x 9 5/16 in. (18.4 x 23.6 cm) trimmed to oval and laid down. Date: 1560s. Museum: Metropolitan Museum of Art, New York, USA.

Jozef and the wife of Potifar, Anonymous, After Hans Sebald Beham, 1526 - 1599 print Copy in mirror image to a print by Hans Sebald Beham on which the inscription of the original print Ierseph is missing. paper engraving Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history XII. Woman spies on man (Renard d'Ast) and woman in intimate embrace., print, engraving, book illustration, prints, engravings, height 73 mm, width 79 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by

Amsterdam, Muller, Harmen Jansz, Spranger, Bartholomeus, Jan Harmensz., Venus Honored by Nymphs, Venus Honored by Nymphs and a Faun, verso - stamped, Venus, with Amor at her side, receives baskets of flowers and fruits from the nymphs. A satyr brings a basket of birds. At the bottom in the margin two two-line verses in Latin., print, prent, prints, prenten, height 285 mm, width 203 mm, Noord-Nederlands, 1571 - 1628, print maker, printmaker, 1589 - 1593, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1546-03-21 - 1611-08, after a design by, Publication (Event), Publication, Nederlands, 1540 - 1617-10-07, publisher

. The half-naked Susanna is on the edge of the bath at a fountain. Two elders peer her during bathing and talking about her. The print has a Latin caption.

Seated Allegorical Female Figure 1573-1626 Morazzone (Pier Francesco Mazzucchelli) Italian. Seated Allegorical Female Figure 340813

Ongelijke liefde.An old man approaches a young woman, holding her hand on a jug. She is wearing a veil in her hair. On the stone column the coat of arms of the Goltzius family. Under the show a four-line text in Latin.

. Lucretia commits suicide by squeezing a dagger. She is naked on her bed. At the bottom of the margin a text line in Latin.

Maria with Kind and Elisabeth with the Little Johannes, Jacob Matham, after Ambroise Dubois, 1609 print Maria with child sitting on a chair, with for her Elisabet with the child John that the Christ child offers a bird. Haarlem paper engraving Mary, the Christ-child and John the Baptist, Elisabeth present

The mystic marriage of Saint Catherine ca. 1560-1600 Anonymous, Italian, 16th century Italian. The mystic marriage of Saint Catherine 389802

Georg Pencz, Rhetoric Rhetoric

Bertin, Pierre-Vincent.

Moreelse, Paulus, Netherlands, Monogrammist H (engraver), Death of Lucretia, verso lower left - stamped, Lucretia commits suicide by stabbing herself with a dagger, because she can no longer bear the shame after being raped by Sextus. Her naked body lies on the floor next to her bed. Her husband Collatinus runs towards her. In the lower margin are two columns, each with two lines of Latin text., print, prints, height 293 mm, width 356 mm, print maker, printmaker, 1612 - 1612, paper, papier, chiaroscuro-houtnijd, Work conception, Noord-Nederlands, 1571 - 1638-03-19

Anonymous / 'The Adoration of the Magi'. 1600 - 1625. Grey-brown wash, Black chalk, Pencil on white paper. Museum: Museo del Prado, Madrid, España.

Heilige family with John De Doper an Elisabet, Hans Witdoeck, After Peter Paul Rubens, 1625 - 1653 print Antwerp paper engraving Holy Family with John the Baptist, Elisabeth present

The virtues after Raphael, charity. First issue of a sequence of 7 rooms (Bartsch 386) Marc Antoine Raimondi (1480-vers1534). The virtues after Raphael, charity. First issue of a sequence of 7 pieces (Bartsch 386). Fight, chisel. 16th century.

Plas, Pieter van der (II), Northern Netherlands, Landscape with Bacchantes and Putti, A Bacchante sits on a stone bench. She holds a child in her arms and looks at two dancing children., print, prints, height 191 mm, width 261 mm, 1647 - 1708-01-26, print maker, printmaker, 1687 - 1708, paper, papier, engraving, engraving (printing process), etching, Work conception, after own design by

Joseph, Ancestor of Christ, Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, after Michelangelo, 1474/1475-1564, Italian, 1550 to 1585, Engraving on medium, slightly textured, cream laid paper

Part of promotional print of Antoine Talon.

Jozef and the wife of Potifar, Marcantonio Raimondi, After Rafaël, 1515 - 1525 print paper engraving Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

The Holy Family Artist's working dates 1632-1648 Italy. Cantarini was influenced by the works of Federico Barocci and the Carracci, and he worked for a short period with Guido Reni in Bologna. He traveled extensively and etched about thirty-five prints during his short lifetime.. Etching on paper . Simone Cantarini

Armida and the sleeping Rinaldo. Rinaldo is sleeping on the shore of the Orontes river. Armida knelt in love with him. A number of putti decorates the place with flower drinks and mane to silence so that Rinaldo does not wake up.

Lot and his daughters, Gerard ter Borch (I), in or after c. 1620 - 1630, draughtsman: Gerard ter Borch (I), Zwolle, in or after c. 1620 - 1630, paper, brush, h 170 mm × w 212 mm

Astrology 17th century Anonymous, Italian, 17th century Italian. Astrology 391569

The Mystic Marriage of St. Catherine. Artist: After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: sheet: 12 11/16 x 9 13/16 in. (32.2 x 25 cm) trimmed to platemark. Date: ca. 1555-56. Museum: Metropolitan Museum of Art, New York, USA.

Attributed to Veronese, Apollo and Marsyas Apollo and Marsyas

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Lot drunk led by his daughters, Willem Isaacsz. van Swanenburg, after Peter Paul Rubens, 1612 print Lot sits between his two daughters in front of a cave. The left daughter is embraced by him. She holds a drinking bowl that is filled with wine by the other daughter. On the right in the distance Sodom is burning. Under the performance is a four -line, Latin text in which the event shown is discussed disapprovingly. Leiden paper engraving Lot's daughters make their father drunk

TheAnnunciation. Artist: Federico Barocci, Italian, 1528-1612

The Hague, Wtenbrouck, Moyses van, Nude woman and child with an old man, verso lower left - stamped, A kneeling, naked woman with a child points to an old man with a long beard. He is sitting on a stoop in front of a house., print, prints, height 202 mm, width 152 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, paper, etching, engraving, engraving (printing process)

Holy family with St.John. Etcher: Pierre Brebiette, French, 1598-1650 After: Andrea del Sarto, Italian, 1486-1530

Interior showing a woman seated by a fireplace. With her right arm she leans on a table, her left leg rests on a fireplace pole. With her left hand, she holds a net between her legs. Behind her is a man with amorous intentions. However, she rejects them because she still needs to recover from the night. Under the table a cat with a fish in its mouth. In the sixteenth and seventeenth centuries, one of the meanings of 'fishing' is lovemaking. The net is a symbol for the vagina. In the edge inscription an ambiguous text in Dutch and French: Lief wat maeckt ghy met ou bruyn oogen, Wrint ick heb al den nacht gevisscht, ick moet mijnn netken droogen, Vrouw die haar nets droogt Medallions with ambiguous edge inscriptions (series title), print maker: anonymous, Southern Netherlands, 1550 - 1610, paper, engraving, d 158 mm

Allegory on the Faculties of the Soul. Claude Mellan (France, Abbeville, 1598-1688)Simon Vouet (France, Paris, 1590-1649). France, 1625. Prints; engravings. Engraving

Pharaoh van Egypt hit by a pest, Jan Punt, 1743 print The Pharaoh and his court are hit by heavy plagues because of the abduction of Sara. The Pharaoh is in bed in his palace. Sara is sitting next to his bed. Amsterdam paper etching / engraving God sends plagues upon Pharaoh ~ story of Abraham

Phyllis and Aristotle.

France, Lepautre, Jean, Caryatids, spandrel decorations and allegories, Three groups of caryatids, On the left is a woman, to the right of her two women and an older man. Fifth sheet from a series of 5, unnumbered, second edition., print, ornament print, prints, ornament prints, height 142 mm, width 215 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1666 - 1693, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings

Turkish dance. Szumacher, I. (Petersburg ; zakład graficzny ; ca 1860-1870), printing house, Pokorny, Józef (fl. 1865-1872), graphic artist, Brosz, K. (Petersburg ; fl. ca 1860-1870), draughtsman, cartoonist

Albrecht Altdorfer, Venus after the Bath, c 1525 1530 Venus after the Bath

Fontainebleau, Primaticcio, Francesco, Italy, Ghisi, Giorgio, Oval ceiling paintings in the Galerie d'Ulysse at Fontainebleau, Juno and other goddesses, verso - stamped, The goddess Juno, two other goddesses and a putto on clouds., print, prints, height 187 mm, width 243 mm, Italian, 1520 - 1582-12-15, print maker, printmaker, 1541 - 1582, paper, papier, engraving, engraving (printing process), 1504-04-30 - 1570-09-14, after a painting by

Print made by unknown artist, seventeenth century, Veni Inebriemus Eum Vino Dormiamusque Cum Eo, between 1681 and 1688. Mezzotint on moderately thick, moderately textured, cream, laid paper.

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