Biblical Tapestries and Art

Tapestries illustrating biblical narratives with luxuriously woven details and colorful scenes depicting significant historical figures and events.

A Brussels Biblical tapestry fragment, woven in wools, silks and metal thread, depicting Moses and Aaron. Heinrich Reydams I (1629-1669), mid 16th century, 227.5 x 88cm.

A Brussels Biblical tapestry fragment, woven in wools, silks and metal thread, depicting Moses and Aaron. Heinrich Reydams I (1629-1669), mid 16th century, 227.5 x 88cm.

Alexander and Jaddua, Karel van Mander (II), 1619 Wall carpet with Alexander the Great Kneelend for Jaddua, high priest of Jerusalem, presentation derived from the Jewish history, XI of Flavius Josephus. From a series of nine tapestries with performances by Alexander the Great. Marked H D (Holland, Delft) and the Wapen van Delft and signed 'i.kmander Fecit'. Delft Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with Alexander the Great Kneelend for Jaddua, high priest of Jerusalem, presentation derived from the Jewish history, XI of Flavius Josephus. From a series of nine tapestries with performances by Alexander the Great. Marked H D (Holland, Delft) and the Wapen van Delft and signed 'i.kmander Fecit'. Delft Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Queen Elizabeth I of England and the Three-Goddesses, by Isaac Oliver 1590

The triumph of Julius Caesar, Andrea Andreani (1540-1623) Italian wood engraver. Plate 5 from his Triumphus Caesari c1598, after Andrea Mantegna (1431-1506) Italian artist. Elephants in triumphal procession.

Scenes from the Life of King Nebuchadnezzar Nicola di Maestro Antonio d'Ancona Italian This front of a chest (cassone) treats three episodes from the Bible relating to the Babylonian king Nebuchadnezzar (ca. 605-562 BC). In one, the king has summoned wise men to interpret his dreams, which foretell his fall. In the second, he is driven from Babylon, and in the third he is shown, insane, eating grass "like oxen," as one of his dreams had foretold. Especially beautiful is the gilded oak leaf decoration. Nicola di Maestro Antonio was one of the most eccentric painters of the Renaissance. This work dates about 1490.. Scenes from the Life of King Nebuchadnezzar 436727

Christ and the adulterous woman, in a cartouche and a groteskendecor, François Spiering (Possible), c. 1610 - c. 1625 Groteskentispijp with the adulterous woman (John 8: 2-7). Upper half of midfield is decorated with grotesken, the biblical scene on the bottom half. Delft Ketting: Wool. Entry: Wool. Entry: Silk tapestry Groteskentispijp with the adulterous woman (John 8: 2-7). Upper half of midfield is decorated with grotesken, the biblical scene on the bottom half. Delft Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Christ Carrying the Cross 1420-1425 Germany. Oil on panel . Master of the Worcester Panel

Month of September, 1525-1528, Circle of Bernard van Orley; Designer: Circle of Bernard van Orley, Flemish, active 16th century, H.177-3/4 x W.166-3/4 in. (irregular), Silk, wool; tapestry weave, Belgium, 16th century, September is represented here by a grape harvest and wine making. Bacchus, the Roman god of wine, red-nosed from drinking, oversees the crushing of grapes. His mother, Semele (labeled semela), and father, Jupiter (iupiter), appear in the upper corners. In the oval band framing the main scene, the twelve signs of the zodiac alternate with twelve pairs of women holding hourglasses, who represent the twenty-four hours of the day.

Edad Media. Cortejo saliendo de paseo. Miniatura del breviario del Cardenal Grimani. Siglo XVII. Biblioteca San Marcos, Venecia. Facsímil de 1877.

March and April, Everaert Leyniers, c. 1650 - c. 1680 Wall carpet with an allegorical performance of the month of March and the month of April, from a series of ten representing the months of seasons and elements, within an architectural accompaniment. maker: Brusselsdesigner: Antwerp Ketting: Wool. Entry: Wool. Entry: Silk. Elements: Metal Thread tapestry Wall carpet with an allegorical performance of the month of March and the month of April, from a series of ten representing the months of seasons and elements, within an architectural accompaniment. maker: Brusselsdesigner: Antwerp Ketting: Wool. Entry: Wool. Entry: Silk. Elements: Metal Thread tapestry

The Diversion of the Euphrates, from The Story of Cyrus. Adapted from designs by Michiel Coxie (1499-1592); Woven at the workshop of Gillis Ydens; Flanders, Brussels. Date: 1660-1680. Dimensions: 325.4 × 404.8 cm (128 1/8 × 159 3/8 in.). Wool and silk, slit and single interlocking tapestry weave. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA. Author: Michiel Coxcie, I.

Design for a Stained Glass Window Rodolphe Bresdin French. Design for a Stained Glass Window 343472

Saint George with scenes from his life, Iereas, Andreas (active ca 1800)

The Seven Liberal Arts, with Ptolemy, Cicero, Aristotle, Euclid, Pythagoras and Tubalcain, c. 1435

San Bernardino exorcises a possessed woman, by Neroccio di Bartolomeo (1447-1500), painting, Palazzo Pubblico (Public Palace), Siena, Italy.

Anonymous drawing depicting a victim scene in front of the golden calf, executed with reddish and black chalk and watercolor on gray-brown paper, showing traces of horizontal folding.

The magnanimity of Scipio Africanus, by Bernardino Fungai (1460-1516), tempera on wood, 62x166 cm.

Illustration with queen Jadwiga and king Vladislav II Jagiello by Anonymous artist, Oil on wood, Poland, Krakow, Jagiellonian University Museum

A drawing by Joris Hoefnagel depicting grotesque figures with trophies and seated putti, in brown pen, watercolor, gold accents on brownish paper with black-brown framing lines, 1594/95.

CALENDARIO - SIGLO XVI - SEPTIEMBRE - VENDIMIA -GRABADO RENACENTISTA. Author: Gerard de Jode (1509-1591). Location: MONASTERIO-BIBLIOTECA-COLECCION, SAN LORENZO DEL ESCORIAL, MADRID, SPAIN.

Spanish school. New Spain castes. Casta de nueva españa. 1777. Oil on canvas 77x49. Madrid, Academy of language. Author: IGNACIO MARIA BARREDA (1750-1800). Location: ACADEMIA DE LA LENGUA-COLECCION. MADRID. SPAIN.

Tapestry with the scene of the commanders death. Geubels, Franz (1535-1590), workshop

Piobbico (Italia, Marche - provincia di Pesaro-Urbino), Castello Brancaleoni, appartamento nobile, Camera Greca, la camera del conte Antonio II, ciclo di affreschi con episodi della mitologia greca e decorazioni a stucco della bottega di Federico Brandani. Achille contro Ettore

Seasons and Elements (Fire) (set of four) Possibly after a design by Charles Le Brun French Border probably designed by Jean Lemoyen le Lorrain Commissioned for Marquise de Montespan ca. 1683 Representing spring and summer, fire and air, these hangings (MMA 46.43.1-.4) were part of a larger set that must also have included the two missing seasons and elements. This series included portraits of Louis XIV, his mistress Françoise-Athénaïs de Rochechouart, marquise de Montespan (1641 - 1707 ), and six of their children, all shown as deities. The hangings were probably worked at the convent of the Filles de Saint-Joseph in Paris, which was under the patronage of Madame de Montespan, and where she retired in 1691. At this religious community, orphan girls were educated in the art of needlepoint, and a number of royal embroidery projects for use at Versailles were executed there, with the additional assistance of professional embroiderers. The Museums four panels are believed to have been com

Life of Abraham third quarter 17th century After a design by Gerard de Jode Netherlandish. Life of Abraham 229002

SPAIN. Logrono. Cathedral of Santa Mara la Redonda. The rape of the Sabine Women (17th c.), carpet by Daniel Eggermans. Flemish art. Tapestry.

Panel with the Adoration of the Magi. Dated: c. 1525. Dimensions: overall: 22.2 x 16.8 cm (8 3/4 x 6 5/8 in.) overall (thickness): 1.5 cm (9/16 in.). Medium: tin-glazed earthenware (maiolica). Museum: National Gallery of Art, Washington DC. Author: Painted by Nicola da Urbino.

Saint Michel terrassant the dragon Anonymous, formerly attributed to the Spanish School. Saint Michael terrassant the dragon. It would be the work of a countermaker, who would also have painted the San Sebastien, both preserved by the museum. Late nineteenth century. Oil on wood.

Hunting scene, ca 1548, by Marcello Fogolino (born between 1483-1488, died 1548), fresco, Palazzo Lantieri, Gorizia, Friuli-Venezia Giulia. Italy, 16th century.

The Feast central part, from The Story of Artemisia Made 1607-1630 France. Wool and silk, slit and double interlocking tapestry weave . Antoine Caron (Designer)

. Tapestry with duck hunting. A kneeled hunter, dressed in red, fires with a musket on a left off a swamp with lisdodden flying duck. On the right on a buffering fungus is a hunter with beard. He is dressed in blue. Behind him standing two men with duck in the hand. On the right an Amazon on horseback with falcon. A lying dog monitors a shot duck. The scene has been seen in a forest landscape with a view in the middle and with high trees on the sides, while the foreground is filled with large-breeding flowering plants, O.A. Roos, blackberry, chamomile, iris, some of which repeat. The tapestry is part of the "English yachts" series.

Stories of St Mary Magdalene, by Unknown artist, 14th Century, detached fresco. Italy: Lombardy: Bergamo: Palazzo della Ragione: gia in Santa Maria Maddalena. Stories of St Mary Magdalene blue red yellow

Abigail and David third quarter 17th century British. Abigail and David 229011

. Tapestry with the Darius family for Alexander, from a series with the history of Alexander the Great.

Plaquette from Koper with Émail with presentation of the Annunciation, Jean-Baptiste Nouailher (i), c. 1725 - c. 1775 Plaquette of copper, decorated with email. In the oval center, the annunciation is shown with Maria on the left for a book. She turns backwards, where the angel arrives on a cloud on the right with a lily in his right hand. At the top, the Father appears from the clouds with the pigeon under him. The black edge is decorated with white leaf vines. Limoges copper (metal). Plaquette of copper, decorated with email. In the oval center, the annunciation is shown with Maria on the left for a book. She turns backwards, where the angel arrives on a cloud on the right with a lily in his right hand. At the top, the Father appears from the clouds with the pigeon under him. The black edge is decorated with white leaf vines. Limoges copper (metal).

Jean I Penicaud (1480-after 1541). French painter. Plate with scene depicting The Adoration of the Magi, first third of 16th century. Limoges. Copper and enamel. The State Hermitage Museum. Saint Petersburg. Russia.

Stories of Pius II: Pius II arrives in Ancona to hasten the Crusade, 1503-1508, by Bernardino Pinturicchio (ca 1452-1513), fresco. Piccolomini Library, Siena Cathedral.

Panel with mosaic depicting the Crossing of the Red Sea, central nave, Basilica of Santa Maria Maggiore, Rome. Italy, 5th century.

Marriage of Cupid and Psyche. unknown c. 1600-1650 Tapestry Dimensions: H 10'9" x W 16'10" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: United States, New York, Poughkeepsie, Vassar College. Related Works: Panels in set: GCPA 0238722-0238728

Hercules killing the Lernaean Hydra

The abdication, detail from the Stories of St Ursula, by Tommaso da Modena (1326-1379), fresco.

ARTE S. XVIII. ESPAÑA. Detalle de un TAPIZ CON LA REPRESENTACION DE DOS MUSICOS, tejido en el siglo XVIII en la Real Fábrica de Santa Bárbara, que decora la SUITE PRINCIPAL de la RESIDENCIA DE INVITADOS DEL PALACIO REAL DE EL PARDO. PATRIMONIO NACIONAL. EL PARDO. Comunidad de Madrid.

Caesar Sends a Messenger to Cleopatra from The Story of Caesar and Cleopatra Made 1675-1685 Flanders. This tapestry is from the Art Instituteís suite of 14 hangings depicting events from the lives of Julius Caesar, Mark Antony, and Cleopatra, whose intertwined love affairs and conflicts have provided material for storytellers from Roman times to the present day. After Caesar defeated Pompey, his rival for control of the Roman Republic, Pompey fled to Egypt, pursued by Caesar. In Egypt Pharaoh Ptolemy XIII was fighting a civil wat against his sister, wife, and co-regent, Cleopatra VII. Ptolemy had Pompey murdered, offending Caesar, who then involved himself in the Egyptian civil war. Caesar deposed Ptolemy and sought an alliance with Cleopatra. Depicted here is Cleopatra receiving Caesarís messenger, the beginning of their alliance and love affair.. Wool and silk, slit and double interlocking tapestry weave . Guilliam van Leefdael (Manufacturer)

Laugée, Désiré François (n.1823-01-25-D.1896-01-24), Sainte Clotilde rescuing the poor (main title), 1870. Watercolor on pen, gold and black ink on white paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Portable Triptych Icon, 1600s. Byzantium, Russia, Moscow, Byzantine period, 17th century. Painted wood panel within enameled brass frame; unframed: 6.5 x 6 x 0.2 cm (2 9/16 x 2 3/8 x 1/16 in.); closed: 7.3 x 6.9 x 3.4 cm (2 7/8 x 2 11/16 x 1 5/16 in.); open and extended: 7 x 19.1 cm (2 3/4 x 7 1/2 in.).

San Jorge y el dragon. (1468-1470) Pere Niçard. Óleo y temple sobre tabla. Museo diocesano (Museu diocesà). Centro historico. Palma. Mallorca. Baleare...

The Triumph of HENRY IV, 1553-1610 King of France

18th Century decorative tapestry of Beauvais

A Triumphal Procession. Attributed to the Master of Stratonice, (1463-1500). A Cassone panel. 36.2 x 110cm.

tapiz barroco flamenco, siglo XVII, taller Bruselas-Brabante, sala rectoral, Real Colegio de Doncellas Nobles, Toledo, Castilla-La Mancha, Spain.

Landscape with two shepherds by Pirro Ligorio, pen, brush, watercolor, Indian ink on paper, circa 1550, 1510-1583, Roman School, Russia, Moscow, State Pushkin Museum of Fine Arts, 23, 5x25, 8

The History of Hannibal: The crossing of the Alps. ca. 1570. Second cloth preserved in the series. Brussels manufacture. Wool and silk. 6.5 / 7 threads per cm. 354 x 479 cm. Flemish art. Tapestry. SPAIN. CASTILE AND LEON. Zamora. Cathedral Museum.

Effects of Good Government in the city. Date/Period: 1338 - 1339. Painting. Fresco. Author: Ambrogio Lorenzetti.

Tristan and Iseult by Master Hesse, Watercolor on parchment, circa 1240, active circa 1230-1250, Germany, Munich, Bayerische Staatsbibliothek, 23, 5x16

The Resurrection from The Allegory of the Redemption of Man Made 1490-1520 Flanders. Wool and silk, slit, dovetailed, and double interlocking tapestry weave .

PARTIENDO Y GUARDANDO LEÑA - GRABADO CORRESPONDIENTE AL MES DE FEBRERO DE UN CALENDARIO DEL SIGLO XVI - GRABADO RENACENTISTA. Author: GERARD DE JODE (1509-1591). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

France: Falconry at the Chateau d'Etampes, August in the calendar section of the Tres Riches Heures du Duc de Berry, tempera on vellum, Limbourg Brothers, c. 1415 CE

Garden of love and part of Hell, 1400, detail from the Universal Judgment by Lanfranco and Filippo de Veris, exteror of the Church of Santa Maria dei Ghirli, Campione d'Italia, Lombardy. Italy, 15th century.

Saint Martin and Saint Hilary. Culture: Flemish. Dimensions: Diameter (above measurement of mount opening): 6 1/2 in. (16.5cm). Date: 1430-35.This roundel, together with three others in the Lehman Collection (1975.1.1906, 1975.1.1907, and 1975.1.1909), and two in The Cloisters Collection (47.101.63 and 47.101.64), form part of the same series of early fifteenth-century Franco-Flemish embroideries depicting scenes from the life of Saint Martin. Originally part of a much larger ensemble (thirty-six roundels and panels are now dispersed among public and private collections), the embroideries may have decorated a liturgical vestment, an altar frontal, or possibly a combination thereof, constituting a set of vestments. Having left the Roman army, Martin devoted himself to religious life and became a disciple of Saint Hilary, Bishop of Poitiers in France. Saint Martin is portrayed kneeling before the Bishop, who is ordaining him as acolyte. This series of embroideries, if not originally in

A Tournai Falconry Tapestry, depicting a Seated Noblewoman being Presented with a Dove by a Page, with her, a Falconer with a Hawk on a Glove. Circa 1490, woven in silks and wools, 204 x 252cm.

Cock-fight between the personifications of victory and defeat. Mosaic from Pompeii (House of the Labyrinth, VI 11, 10, cubiculum). National Archaeological Museum, Naples. Italy.

18th century Beauvais tapestry based on design by Francois Boucher depicting the Bacchantes, from the series The Love of the Gods, 1749.

The childhood of Sainte Genevi�ve Pierre Puis de Chavannes (1824-1898). The childhood of Sainte Genevi�ve. Graphite pencil and oil on paper glued on canvas on chassis.

Tapestry: Psyche at the Basketmakers.

Embroidered Picture; silk, wool, linen

The fortune teller, Urbanus Leyniers, 1729 Wall carpet with a resting Roma family in a rocky landscape. A farmer lets his hand read by a fortune teller. The carpet has a narrow edge with a rod curled acanthus drinks. Brussels Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with a resting Roma family in a rocky landscape. A farmer lets his hand read by a fortune teller. The carpet has a narrow edge with a rod curled acanthus drinks. Brussels Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Armorial Tapestry. France or Flanders, 1480-1520. Textiles; tapestries. Wool; tapestry weave

The Story of Troy. Cassandra intercedes before Priam to obtain a Pardon for Paris. Date/Period: 1515 - 1525. Tapestry. Wool and silk. Height: 3,200 mm (10.49 ft); Width: 2,470 mm (97.24 in). Author: Brussels Manufactory.

Joseph Being Stripped of His Cloak. Culture: Flemish or Lower Rhineland. Dimensions: Overall: 27 1/4 × 18 1/2 in. (69.2 × 47 cm). Maker: Jan Rombouts (Flemish, ca. 1475-1535). Date: ca. 1520-25. Museum: Metropolitan Museum of Art, New York, USA.

Fresco, Basilica di Sant' Anastasia, ca. 1290, Italian Gothic, Verona with medieval old town, Italian Gothic, ca. 1290, Veneto, Italy, Verona, Veneto, Italy, Europe

Tapestry: Les Astronomes, from L'Histoire de l'empereur de la Chine Series.

GSELL-Laurent workshop. Album n ° 3; stained glass project for the Saint-Martin church in Isle-Adam; 2 spans window; 4 subjects: scenes from the life of Christ, donor with his holy patroness. Pencil, watercolor, gouache. Paris, Carnavalet museum. Album n ° 3, Catholic, Christian, Pencil, two, Donator, Church Saint-Martin, son God, Fenetre, Gouache, Project, Quatre, Saint Patronne, subject, Travee, Vie Christ, Vitrail, Aquarelle

The taking of Milano. Date/Period: 1555 - 1562. Oil painting on wood. Height: 450 mm (17.71 in); Width: 400 mm (15.74 in). Author: Giorgio Vasari.

German 15th Century, Madonna in a Wreath of Roses, 1490-1500, woodcut, hand-colored in red lake, green, and gray-yellow

Roundel with Lazarus at the House of Dives. Culture: South Netherlandish. Dimensions: Overall Diam.: 8 11/16 in. (22.1 cm). Date: ca. 1520. Museum: Metropolitan Museum of Art, New York, USA.

Madonna of the Magnificat, by Sandro Botticelli, circa 1483, Uffizi Gallery, Florence, Tuscany, Italy, Europe

After Bernard van Orley, The Deposition, c 1520 after Bernard van Orley, The Deposition, , c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, Widener Collection

"The Holy Kinship c. 1500-1510 Oil on panel Attributed to Matthäus Gutrecht the Younger, German"

Christ on the Mount of Olives, 1508 and 1580s, The Engraved Passion, engraving hand-colored with watercolor and gouache, heightened with gold and silver, on laid paper mounted to a piece of parchment decorated with floral borders, sheet: 17.5 × 12.8 cm (6 7/8 × 5 1/16 in.), sheet: 25 × 22.5 cm (9 13/16 × 8 7/8 in.), Meder 1932, no. 4, Albrecht Dürer (artist) German, 1471 - 1528, Georg Mack the Elder (artist) German, 1556 - 1601

A Gobelins tapestry, woven in wools and silks, depicting Des Enfants Jardiniere frolicking with a Goat and Flowers. Early 18th century, 333 x 452cm.

Tapiz procedente de la Seu Vella, la antigua catedral de Lleida. Tejido en Bruselas hacia 1500-1510. Museu de Lleida.

PORCELANAS DEL BUEN RETIRO-ESTILO ROCOCO. Author: GIUSEPPE GRICCI (1700-1770). Location: PALACIO REAL-INTERIOR. Aranjuez. MADRID. SPAIN.

The Emperor Sailing, from The Story of the Emperor of China Made 1716-1722 Beauvais. This tapestry is part of a suite that portrays scenes from the lives of the Chinese emperor Shunzhi (r. 1644ñ61) and his son, the emperor Kangxi (r. 1661ñ1722). The Emperor Sailing shows the elder emperor seated in a ceremonial dragon boat as it pulls away from a quay. Members of the imperial family and their attendants watch the launch from underneath an arcade, in close proximity to a crane and a tortoise that together symbolize their well-wishes for the monarch. Philippe Behagle, then director of the Beauvais tapestry workshop, commissioned the design of this tapestry suite in the mid-1680s to cater to the French courtís increasing fascinating with China. As an allegory of good governance, the series makes manifest the parallels, first propounded by French Jesuit missionaries in China, between Louis XIV and Kangxi.. Wool, silk, and silvered- and-gilt-metal-strip-wrapped silk, slit and double interlo

Ceiling painting in the Uffizi Gallery, Florence, 16th century. Uffizien Deckenmalerei (XVI Jahrh), Florenz. Chromolithograph after an illustration by Adolf Rettelbusch from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Effects of good government in the country, detail from the Allegory and effects of good and bad government in town and country, 1337-1343, by Ambrogio Lorenzetti (active 1285-1348), fresco. Hall of Peace, Palazzo Publico, Siena.

December from a set of The Months of Lucas. Culture: French, Paris. Designer: Master of the Months of Lucas (Netherlandish, active about 1535); Additions and alterations probably by Joseph Yvart (1649-1728); and Charles Chastelain (1672-1755); and perhaps by Louis de Boulogne the Younger (1654-1733); Borders by Pierre Josse Perrot (active 1724-35). Dimensions: H. 142 x W. 189 inches (360.7 x 480.1 cm). Maker: Woven under the direction of Michel Audran (French, 1701-1771 Paris). Manufactory: Manufacture Nationale des Gobelins (French, established 1662). Patron: Commissioned for Comte de Toulouse (1678-1737). Date: designed ca. 1535, woven 1732-37. Museum: Metropolitan Museum of Art, New York, USA.

The Adoration of the Kings. 1548/50. (Prospero Fontana; 1512 Bologna Bologna 1597)

Apocalypse medieval tapestry, Angers castle, france ANGERS, FRANCE, MARCH 23, 2024 : Apocalypse medieval tapestry, by Jean Bandol and Nicholas Bataille, 14 th century, Angers castle, france Copyright: xZoonar.com/patrickxmichelettix 22206231

Hesperthusa, Nürnbergische Hesperides, Nürnberger Hesperiden, Hesperidengärten, Nürnberg, Bayern, Deutschland, digital restaurierte Reproduktion einer...

Scenes of life in medieval times: Sheep farming and shearing, miniature from The Cantigas de Santa Maria Alfonso X the Wise, manuscript, Spain 13th Century.

The Legend of Theodelinda, by Zavattari (brothers), 1430 - 1448, 15th Century, fresco. Italy. Lombardy. Monza Brianza. Monza. Cathedral. The Legend of Theodelinda of Autari Conquers Reggio Calabria. Scene 22. Gold horse crown

Psyche Contemplating Cupid. Michel-Henri Cozette (France, 1754-1822)Clément Belle (France, Paris, 1722 - 1806)Gobelins Manufactory (France, active from 1662). France, Paris, 1792. Textiles; tapestries. Wool and silk tapestry weave

altarpiece of San Miguel de Labraza, anonymous, 16th century, oil on panel, Vitoria, María Inmaculada Cathedral, Álava, Spain

Herculaneum fresco depicting a cereomny in the sanctuary of Isis. Dated 2nd Century B.C.

Tapestry: La Collation, from L'Histoire de l'empereur de la Chine Series.

Kilhwych, The King's Son. Date/Period: 1901. Painting. Tempera on panel. Author: Arthur Joseph Gaskin.

St Paul caught up into heaven, a dismembered polyptych panel with Stories of the lives of Sts. Peter and Paul, 1514-1516, by Hans von Kulmbach (ca 1485-1522), oil on canvas, 128.5 x95.5 cm.

of 2