Biblical Temple Scenes

Engravings depicting significant biblical moments in temples, featuring religious figures like Mary with Christ and Daniel scattering ashes. Dramatic, detailed scenes with historical contexts.

Blocklandt, Anthonie, Antwerp, Galle, Philips, Six scenes with Christ and women from the gospels, Christ heals a crippled woman, verso - stamped, Christ teaches in the synagogue. He heals a woman who has been bent over for years and can no longer stand up. Christ sits on a chair, the woman kneels before him. He holds his hands on her head., print, prints, height 210 mm, width 260 mm, South Netherlandish, 1537 - 1612-03-29, print maker, printmaker, 1577 - 1579, paper, papier, engraving, engraving (printing process), Work conception, 1532 - 1583

Presentation of Christ in the Temple (right part), Anonymous, After Paolo Veronese, in or after 1538 print In a temple, Mary kneels with the Christ child in her arms. Maria is surrounded by several figures including Joseph and the high priest Simeon. For Maria are an altar, worn by putti, and a man with a large book. Behind Maria is a woman with two pigeons. Italy paper etching presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

Daniël scatters ash on the temple floor, Philips Galle, After Maarten van Heemskerck, 1565 - 1601 print To prove that not the image of the god calls the food, but the priests, Daniël As is sprinkling on the floor of the temple. King Cyrus has the door of the temple sealed so that no one can come in unnoticed. print maker: Haarlempublisher: Antwerp paper engraving King Cyrus sets food before the image of Bel; Daniel and his servants strew ashes on the floor of the temple. the door of the temple is sealed ~ story of the image of Bel

Presentation of Christ in the Temple, Francesco Villamena, After Paolo Veronese, 1597 print Maria is kneeling with the Christ child in the arms. Next to her the high priest Simeon. On the left a woman with a cage with pigeons. Assignment and a Latin text in the end margin. paper engraving presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

King Josia is celebrating Passover; History of King Josia. King Josia is celebrating Passover according to the rules described in the Code in honor of God. Offers from his own herd are slaughtered and roasted by the priests. At the front right, Josia is at the table with a group of men.

Antwerp, Galle, Philips, Florence, Straet, Jan van der, Acta Apostolorum, Acts of the Apostles, Paul casts out the evil spirits in Ephesus, recto middle below - written, In the center the apostle Paul casts out an evil spirit from the body of a madman. Around him magicians and high priests flee who had tried the same but failed. In the background these magicians burn their books and convert to Christianity. The print has a Latin caption and is part of a 34-part series on the subject of the Acts of the Apostles., print, prints, verso bottom center - stamped, Paulus heals many sick people and casts out devils, height 200 mm, width 257 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1582 - 1582, paper, engraving, engraving (printing process), Work conception, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, publisher

Blocklandt, Anthonie, Antwerp, Galle, Philips, Six scenes with Christ and women from the gospels, Christ heals a crippled woman, verso - stamped, Christ teaches in the synagogue. He heals a woman who has been bent over for years and can no longer stand up. Christ sits on a chair, the woman kneels before him. He holds his hands on her head., print, prints, height 210 mm, width 260 mm, South Netherlandish, 1537 - 1612-03-29, print maker, printmaker, 1577 - 1579, paper, papier, engraving, engraving (printing process), Work conception, 1532 - 1583

Charity of the holy Elisabet van Hungary, Raphaël Sadeler (I), after Johann Mathias Kager, 1615 print In the foreground, St. Elisabet, Queen of Hungary, washes the feet of beggars. In the background she hand out food to the ailing people. The print has a Latin caption and is the 54th print of a 60-part series on the subject of the saints of Bavaria. München paper engraving / etching St. Elisabeth washing the feet of the poor. St. Elisabeth giving food to the sick and poor Bavaria

Petrus, Johannes and the lame beggar in the temple; History of Petrus and Johannes. Petrus and Johannes walk into the temple with the cured beggar. The believers in the temple are surprised if they in the beggar the paralyzed man who was always recognizing the door of the temple.

Priest captures the moisture of the sweating image of the H. Sebastiaan; The Sonn im Zeichen des Schützens.

Philip Galle after Jan van der Straet, Saint Paul Disputes the Sorcerer Saint Paul Disputes the Sorcerer

The Pharisees and Scribes ask for a sign of Christ; Feria IIII. Post Domin. I. QVArrages. Christ tells the Pharisees and scribes that they will not receive any other sign than that of the prophet Jona. In the background you can see how Jonah spits through the fish on the land. At different elements from the show are letters that correspond to the legend in the margin.

The interior of a temple. Central Simeon kissing the Christ child. The prophetess Hanna is seated next to him. Mary kneels before Simeon. Joseph stands beside him, holding a basket with two doves in his hands that serve as offerings (Luke 2:22-39). The print has a Latin caption. The print is part of a series on the life of Christ, Presentation in the Temple Vita, passio et Resvrrectio Iesv Christi (series title) Life, passion and resurrection of Christ (series title), print maker: Jacques de Bie, (mentioned on object), Maerten de Vos, (mentioned on object), publisher: Adriaen Collaert, (mentioned on object), Antwerp, 1598 - 1618, paper, engraving, h 179 mm × w 220 mm

The Adoration of theMagi. Engraver: Unknown After: Lucas van Leyden, Netherlandish, 1494-1533

Don Jan and Konstance in court. Andreas, his real name is Don Jan, is led before the court. In the foreground is pretioze, her real name is Konstance, with her father and mother. Print from a publication of the play The life of Konstance, which is about the noble Spanish Konstance, who was abducted as a child by Roma and grew up among the Gentiles.

The disbelief of St Thomas. / No. 34. (TA) | The Passion of Christ (IFF 201 to 236). (title of all)

Depicts mourning decoration paintings for the funeral of Grand Duke Cosimo II of Tuscany in the church SS. Giovanni e Paolo, Venice, engraved on copper in 1621, showing interior arrangements and ceremonial art.

Lazarus begges in the house of the rich man, Crispijn van de Passe (I), After Maerten de Vos, 1589 - 1611 print The rich man sits around a richly filled table with his company. Musicians play in the background. The poor Lazarus is in the foreground, with a charm in his hand. Dogs lick are wounds. A servant threatens to hit him with a stick. Print from a series of four with the parable of the rich man and the poor Lazarus. Cologne paper engraving the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31)

Petrus, John and the Lamme Begelaar in the Temple, Philips Galle, After Maarten van Heemskerck, 1558 print Peter and John walk into the temple with the healed beggar. The believers in the temple are surprised when she was always recognizing the paralyzer in the beggar who was always in front of the temple's door. print maker: Haarlempublisher: Antwerp paper engraving Peter, John and the healed man enter the temple, where Peter delivers a sermon

Last Supper; Passion of Christ. Christ sits with his disciples around a table in a large, sacral space. In the foreground two employees bring bread and wine. A man lifts a basket with bread and a woman with a boy wears jugs with wine. Print from a series of 13 prints and a title print manufactured by Z. Dolendo and J. de Gheyn II.

Painted window, found there after the conquest of Den Bosch in the church, representing bishop Gisbertus Marius between Christ and Maria, 1629, Caspar Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing church-window, e.g. rose-window. adult Christ with Mary - DD - Christ beardless (+ donor(s), supplicant(s), whether or not with patron saint(s)) the Bosch

Maria Magdalena washes the feet of Christ, Cornelis Galle (I), After Maerten de Vos, 1598 - 1618 print Maria Magdalena, a light cage, dries the feet of Christ with her hair. She will then oint the feet. Judas Iskariot protests, but Christ explains that one must forgive her (Luke 7: 36-50). The print has a Latin caption. The print is part of a series about the life of Christ. Antwerp paper engraving a woman washes Christ's feet with her tears, and wipes them with her hair

Rudolf II of Habsburg (German emperor), Sadeler, Johann (I), Vos, Maerten de, Keulen, Birth and first years of Christ, Circumcision of Christ, verso center bottom - stamped, The high priest circumcises the Christ child. Mary and Joseph look on together with others. The print has a Latin Bible quotation as a caption and is the fifth print in a twelve-part series on the birth and early years of Christ., print, prints, height 196 mm, width 143 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1581 - 1581, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher, 1552-07-18 - 1612-01-20, granter of privilege

Christ for Kajafas, Adriaen Collaert, After Maerten de Vos, 1598 - 1618 print Christ is tried by high priest Kajafas (Matthew 26: 57-68). A soldier tries to hit him because of his silence. The print has a Latin caption. The print is part of a series about the life of Christ. Antwerp paper engraving Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71)

Adoration by the Kings, Francesco Brizio (Possibly), After Ludovico Carracci, 1584 - 1623 print The three kings offer the Christ's child, seated on his mother's lap for a ruin of a temple, their gifts. Two camels in the background. Joseph is behind Maria. Italy paper etching adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Last Supper, Zacharias Dolendo, after Karel van Mander, 1596 - 1598 print Christ sits around a table in a large, sacral space with his disciples. Two employees bring bread and wine in the foreground. A man lifts a basket with bread and a woman with a boy wears jugs with wine. Print from a series of 13 prints and a title print manufactured by Z. Dolendo and J. de Gheyn II. paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Christ blesses the children brought to him by mothers. The disciples look on. Below the image the title in Latin, French and Dutch and a reference to the Bible text in Mar. 10:14., Christ blesses the children Sinite parvulos venire ad me, et ne prohibueritis eos: talium est regnum Dei Royaalbijbel (series title), print maker: anonymous, Johannes Sadeler, Joos van Winghe, Amsterdam, 1639 - 1677 and/or 1679 - 1702, paper, engraving, h 427 mm × w 524 mm

Heilige Bruno WEIGERT HET BITDOM VAN Reggio, François Chauveau, After Eustache Lesueur, 1623 - 1676 print print maker: Parisafter painting by: Parispublisher: ParisFrance paper etching / engraving / counterproof the founder of the Order of the Carthusians, Bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s). historical persons. pope Rome

Christ blesses the children, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching Christ blessing children brought by their mothers, usually with some disciples disapprovingly looking on (Matthew 19:13-15; Mark 10:13-16; Luke 18:15-17)

King Josia celebrates Pasach, Philips Galle, After Maarten van Heemskerck, c. 1569 print King Josia celebrates Passover according to the rules described in the Code in honor of God. Offers from his own herd are slaughtered and roasted by the priests. Josiah is sitting at the table with a group of men at the right. Haarlem paper engraving Josiah celebrates the Passover

Scholars in the interpretation of Paul's letter to Titus, Jacobus Baptist, after Jan Goeree, 1704 print In the foreground, two men bend over a card from Crete, in the background there are a number of men around a table with a large book. On the right a performance with Christ who blesses a man who kneels for him. Amsterdam paper etching / engraving epistle of Paul to Titus

Louis XIII (king of France), Paris, Henriet, Israel, Nancy, Callot, Jacques, Scenes from the New Testament, Christ discussing the payment of taxes with the Pharisees, verso lower left - stamped, Christ is standing on a platform with some Pharisees discussing the question of whether it is right to pay taxes to Rome. This print is part of a series of ten prints with scenes from the New Testament, to which a title print was added after Callot's death., print, prints, height 71 mm, width 86 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1635 - 1635, second quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1590 - 1661, publisher, 1601-09-27 - 1643-05-14, granter of privilege

. Christ drives away traders and money exchangers from the temple with a whip. The second print of a five-part series with scenes from the passenger story that should substantiate the message of Christ.

Christ preaches in the temple. Christ preaches in the temple of his birthplace Nazareth. He stands on an elevation and just gives a thick book with the Holy Scripture back to a temple clerk. Men and women are present in the temple. An old man leaning on a staff stands right in front of him and waits for Christ explanation. Under the show a Latin Bible verse from Luc 4.

Presentation of Christ in the temple.

Christ and the Centurion, Michel Lasne, French, ca. 1590 - 1667, Engraving on paper, France, ca. 1590-1667, Print, Print

King Herod questions Christ, but he does not answer him. At this, Herod and his soldiers mock Christ. They put on him a showy robe. Christ before Herod Life and passion of Christ Dominica Passionis Mysteria Typicis Advmbrationibvs Adamussim Effigiata , print maker: Antonie Wierix (II), Maerten de Vos, publisher: Gerard de Jode, Antwerp, 1583 - 1587, paper, engraving, h 199 mm × w 121 mm

Passion Set: Christ Crowned with Thorns, 1596-98. Zacharias Dolendo (Dutch, 1561-1604). Engraving;

Christ to the meal in the house of Simon de Fareeër.

Heilige family with Elisabet a John de doper als Kind, Aegidius Saddleer (II), After Jos Heinz Held, 1593 print The Holy Family with Elisabet and John the Baptist as a child. Two angels bring Mary and the Christ child fruit and provide them with shade. The print has a Latin caption. print maker: Italypublisher: Antwerp paper engraving Holy Family with John the Baptist, Elisabeth present (+ angel(s))

In his old age, he takes woman of alien races, which displeases God

Ester for ahasveros; History of ester; Thesaurus Sacrarum historiarum Veteris Testamenti (...). Ester kneels for King Ahasveros. The king points his scepter to her as a sign of affection. Ester calls on the king to come to the banished party together with Haman. On the right in the background the continuation of the story. The king is reading out of the chronicles of the empire in the evening. It states that Mordecai has a stop to the life of the king. The king asks Haman, who stands at the bed, how someone who has saved the king's life must be honored. In the background you can see how Mordecai is driven into the rug and on the king's horse, while Haman turns him around. Under the show a reference in Latin to the Bible text in EST. 5-6.

Genezing of two Blinden, Andreas van der Myn (possibly), after Richard van Orley (ii), after Jan van Orley, 1724 - 1777 print Christ in the middle of his students for the city gate of Jericho. On the left two blind attract the attention of Christ; One of them points on his eyes. On the right four students in conversation. print maker: Londonafter print by: Brusselsafter design by: Brussels paper etching / engraving healing of two blind men, or one (Bartimaeus), sitting near Jericho (Matthew 20:29-34; Mark 10:46-52; Luke 18:35-43)

Christ, at the age of 12, in discussion with the scribes, Cornelis Cort, After Michiel Coxie (I), in or after 1562 - Before 1601 print The 12-year-old Christ sits on a throne in a niche of the temple. Above his head a ramskop and garlands. Christ is surrounded by scribes who have thick books with him. Right Maria and Joseph. print maker: unknownpublisher: Antwerp paper engraving Christ's dispute with the doctors in the temple; he counts his arguments on his fingers

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Collaert, Hans (I), Den Grooten Figuer-Bibel, Geschiedenis van Ester, Van Ahasueros en de Coninginne Esther, Ester voor Ahasveros, bottom right - handwritten in brown ink, Ester kneels before King Ahasuerus. The king points his scepter at her as a sign of affection. Ester asks the king to come to the banquet she is providing together with Haman. On the right in the background the continuation of the story. In the evening the king has the chronicles of the kingdom read to him. It states that Mordecai has thwarted an attempt on the king's life. The king asks Haman, who is standing by the bed, how someone who has saved the king's life should be honored. In the background Mordecai can be seen being ridden around in the king's robes and on the horse, while Haman leads him around. Below the image a reference in Latin to the Bible text in Est. 5-6. This print is part of an album., print, picture, al

. Susanna is led to the place of execution by soldiers; A large crowd follows her. Daniel sees this event and protests. The print has a Latin caption and is part of a series with the story of Susanna (Daniel 13: 1-64).

Voetwassing, Jacob Matham, After Taddeo Zuccaro, 1616 print Christ washes the feet of the apostles. Haarlem paper engraving Christ washes the feet of the apostles (John 13:1-20)

The Samaritan woman standing at the well, Christ seated next to her pointing to the right, after Annibale Caracci 1610 Anonymous Copy of an etching by Brizio based on a painting by Annibale Caracci located in Milan. Verso is not visible as print is laid to another sheet of paper.. The Samaritan woman standing at the well, Christ seated next to her pointing to the right, after Annibale Caracci 668917

Aeneas offers Apollo; Coelicolum regi mactat in littany taurum; Wanderings of Aeneas; L'Enea vagante Pitture dei caracci.aeneas offers Apollo. Aeneas is kneeling for an image of the God Apollo for a temple. A crowd in a landscape and two priests behind him.

Christ voor Herod, Jerome Wierix, after Bernardino Passer, 1593 print King Herod interrogates Christ, but he does not answer him. Herod mocked and his soldiers Christ. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ before King Herod; sometimes a gorgeous robe is brought (Luke 23:8-11)

Adoration of the Magi, 1513. Lucas van Leyden (Dutch, 1494-1533). Engraving;

Christ amidst teachers; Vita, Passio et Resvrrectio IESV Christi; Life, passion and resurrection of Christ. The twelve-year-old Christ in debate with the Jewish scribes. Maria and Joseph entered the temple and go to their son (Luke 2: 41-51). The print has a Latin caption. The print is part of a series about the life of Christ.

Martyrdom of Bartolomeus; Martyrdom of Christ and the apostles; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Bartolomeüs is skinned by Indians. Left next to the scene of his torture death, he shows again, with a knife in hand. Under the show an explanatory text in Latin. This print is part of an album.

Parable of the Royal Wedding, Jan Luyken, 1712 print Amsterdam paper etching the unworthy guest is dragged out ~ parable of the royal wedding-feast

Christ and the adulterous woman, Antonie Wierix (II), After Bernardino Passeri, 1593 print In the temple of Jerusalem, the Pharisees bring a woman to Christ who is caught adultery. He has to judge her. Christ writes with his finger on the ground and says, "Whoever is without sin, throwing the first stone". Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Pharisees bring a woman accused of adultery before Christ (John 8:2-11)

Dance around an image, 1770 print A group of nymphs dances in a circle around the image of a beef on a pedestal. Left front plays a nymph on a Schalmei. paper etching ritual music and dancing ~ non-Christian religions

Philip Galle after Maerten van Heemskerck, Saint Peter Healing the Sick with His Shadow Saint Peter Healing the Sick with His Shadow

Heilige Udalricus van Augsburg Als Kind, Raphaël Saddleer (I), After Johann Mathias Cakes, 1615 print In the foreground the H. Udalricus of Augsburg as a child in his manger. Three angels crown him as a bishop. Next to him his mother and a woman who is working with a reel to wind his yarn into strands. In the background the blessing of a child by a bishop. The print has a Latin caption and is the 35th print of a 60-part series on the subject of the saints of Bavaria. paper engraving / etching male saints (with NAME) - specific aspects ~ male saint. angels crowning and/or bringing palm-branches. confirmation ~ the second of the seven sacraments. insignia of bishop, e.g. mitre, crozier. spinning (manufacture of yarn). cradle, crib Bavaria

In the temple at Jerusalem, the Pharisees bring a woman caught in adultery to Christ He is to judge her Christ writes with his finger on the ground and says, 'He who is without sin cast the first stone', Christ and the Adulteress Vade, & Iam Amplivs Noli Peccare , print maker: Hieronymus Wierix, (mentioned on object), Maerten de Vos, (mentioned on object), publisher: Sadeler, (mentioned on object), Antwerp, 1573 - 1619, paper, engraving, h 191 mm × w 149 mm

King David receives his harp, Jan Luyken, 1712 print Amsterdam paper etching David as harpist at Saul's court (1 Samuel 16:14-23)

Parable of the thankless servant, Wierix (Rejected Attribution), After Bernardino Passeri, 1593 print The thankless servant kneels for the king and begs him to give him more time to pay back his debt. The king got pity, released him and scolded him the borrowed money. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving the unmerciful servant: the king forgives him his debts ~ parable of Christ (Matthew 18:23-35)

Heilige family with Johannes de doper, Anonymous, After Johann Sadeler (I), After Bartholomeus Springs, 1581 - 1676 print The Holy Family with John the Baptist as a child. In the background three angels, one of whom plays the harp while another sings. after print by: Colognepublisher: Dutch Republicpublisher: Dutch Republic paper engraving Holy Family with John the Baptist (as child). angels singing, making music. harp

Christ between scribes in Tempel, monogrammist HFE, Amico Aspertini (Rejected Attribution), After Amico Aspertini, 1500 - 1550 print Christ in temple sitting on throne. He points to a text in a book and scribes are in conversation on either side Italy paper engraving Christ's dispute with the doctors in the temple; he counts his arguments on his fingers

Adoration of the Magi 1513 Lucas van Leyden Netherlandish. Adoration of the Magi 360209

Philip Galle after Maerten van Heemskerck, Saint Peter Speaks to the People about Christ Saint Peter Speaks to the People about Christ

Christ for Herod; Passion, death and resurrection of Christ; Passio, Mors et resurrection DN. Noostri Iesu Christ. Christ is introduced to Herod. The print has a Latin caption and is part of a series about the life of Christ.

Visitation. Maria's visit to her niece Elisabet. A large number of figures looks from the street and from the surrounding buildings. On the left a woman gives the chest to a small child. On the right a woman wears a bag on her head.

Judgment of Solomon: the gift of wisdom; Spiritvs sapientiae; Seven gifts of the Holy Spirit. The judgment of Solomon (1 Kings 3: 16-28). The print shows the passage where Solomon demonstrates its divine wisdom. Solomon is sitting on his throne and recommends one of his soldiers to chop the disputed child in two. One of the mothers (center of the print) begs to grace and proves so that she is the real mother. The other mother (right) is unmoved in addition to a death child, that it was her. The print has a Latin caption. The print is part of a series with the different gifts of the Holy Spirit.

Apostle Matthias becomes apostle by fate, Anonymous, Johann Jakob von Sandrart, 1697 print paper etching life and acts of Matthias

Miracle of the burdened and inflamed lamp; Halt that Nasen Zu. The Savensis monk Franciscus reflects the lamp that hangs in front of him from a pulpit. This lamp was miraculously extinguished and ignited again.

Antwerp, Cock, Hieronymus, Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Paulus baptizing the inhabitants of Ephesus, verso lower left - stamped, Paulus baptizing some inhabitants of Ephesus. The Holy Spirit descends upon them in the form of a dove. In the foreground the new Christians study the Holy Scripture. With a Latin caption., print, prints, height 297 mm, width 405 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1553 - 1553, paper, papier, engraving, engraving (printing process), etching, Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1518 - 1570-03-10, publisher

Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Wierix, Johannes, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Miracles of Christ, Christ heals a man with a withered hand, Christ heals at the temple on sabbath a man with a withered hand. The man stretches out his hand to Christ. The scribes look on. Two of them sit on the ground with law books in their hands. In the background in the landscape Christ heals other people. Below the image a reference in Latin to the Bible text in Luke 6:6. This print is part of an album., print, prent, albumblad, prints, prenten, height 212 mm, width 258 mm, Zuid-Nederlands, 1549 - 1618, print maker, prentmaker, 1579 - 1579, paper, papier, engraving, engraving (printing process), 1544 - 1638-10-01, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Noord-Nederlands, 1586 - 1652-06-19, publisher

. Centrally the Virgin Mary, surrounded by the students of Christ. The pigeon of the Holy Spirit appears in the midst of the group. Above the heads of the apostles and Maria burn fiery tongues. The print has a Dutch text about Pentecost.

Men thrust a crown of thorns on Christ's head. A man kneels before him and gives him a reed as a staff., Crown of Thorns The Passion (series title), Ludovicus Siceram, print maker: Lucas Vorsterman (I), (rejected attribution), Hendrick Goltzius, Antwerp, 1623, paper, engraving, h 194 mm × w 125 mm

Christ in discussion with the scribes in the temple, Isaac Duchemin (attributed to), after Adriaan de Weerdt, c. 1653 - c. 1654 print The 12-year-old Christ discusses with the scribes in the temple. Brussels paper engraving Christ's dispute with the doctors in the temple; he counts his arguments on his fingers

Flogging of the Saint Martina; The martyrdom of the Saint Martina. The sacred martina is tied to a block. She is applied by men with whips. Men, women and children watch from stairs in the background.

Blocklandt, Anthonie, Antwerp, Galle, Philips, Six scenes with Christ and women from the gospels, Christ healing a crippled woman, verso - stamped, Christ teaches in the synagogue. He heals a woman who has been bent over for years and can no longer stand up. Christ sits on a chair, the woman kneels before him. He holds his hands on her head., print, prints, height 210 mm, width 258 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1577 - 1579, paper, engraving, engraving (printing process), Work conception, 1532 - 1583

. Christ washes the feet of the apostles.

Christ for Herod, Jacques de Bie, After Maerten de Vos, 1598 - 1618 print Christ is brought for Herod. Herod lets Christ wear a beautiful white robe (Luke 23: 8-12). In the background, Christ is depicted at Pilate. The print has a Latin caption. The print is part of a series about the life of Christ. Antwerp paper engraving Christ before King Herod; sometimes a gorgeous robe is brought (Luke 23:8-11)

Christ sits on a throne and preaches to the people gathered in the temple. On the left are the women and children, on the right are the men. Christ makes a grand gesture, Christ preaches in the temple., Federico Zuccaro, (mentioned on object), print maker: anonymous, print maker: Cornelis Cort, (rejected attribution), 1550 - 1600, paper, engraving, h 255 mm × w 348 mm

Emperor Henry II The Holy on his deathbed, Raphaël Sadeler (I), after Johann Mathias Kager, 1615 print Emperor Henry II The Holy lies on his deathbed. He tells his courtings that his wife, the Holy Cunegundes of Luxembourg, is still a virgin and is not allowed to remarry after his death. The print has a Latin caption and is the 38th print of a 60-part series on the subject of the saints of Bavaria. München paper engraving / etching death, deathbed of St. Henry. deathbed. Cunegunda of Bamberg, wife of Henry II, king of Germany; possible attributes: crown, model of church, ploughshare, sceptre - non-miraculous activities and events ~ female saint Bavaria

Peter and John Gene Circuit ..

Job hears the bad news of four messengers, Harmen Jansz Muller, after Maarten van Heemskerck, 1643 - 1646 print Job hears from four messengers about the disaster that happened to him. Behind him is his wife, who holds her handkerchief in front of her face. In the landscape you can see how jobs cattle and camels are stolen, how lightning touches its shepherds and cattle and how the house in which the children of Job held a party, collapses in the storm. Print is part of a series about the eight Baves of Christ and illustrates the blessing: Blessed are the poor in Spirit. On the stairs a stone with this text from matt. 5: 3 in Latin. At the bottom of the margin a verse in Latin over the blessing. Amsterdam paper engraving messengers present themselves to Job, each reporting a new disaster. blessed are the poor in spirit

Saint James Cures a Blind Man, from "The Story of Saints James and Christopher in the Eremitani Chapel" 1776 Giovanni David Italian. Saint James Cures a Blind Man, from "The Story of Saints James and Christopher in the Eremitani Chapel" 336000

Royal Bible, Christ calls the children to himself Sinite parvulos venire ad me , Johannes Sadeler, print maker: anonymous, Joos van Winghe, Amsterdam, 1640 - 1670, paper, engraving, h 425 mm × w 515 mm

Antwerp, Galle, Philips, Haarlem, Heemskerck, Maarten van, Acta Apostolorum, Acts of the Apostles, Ascension of Christ and election of Matthias, recto center below - written, In the background the Ascension of Christ on the Mount of Olives. In the foreground the apostles return to Jerusalem. Saint Peter elects Matthias as the 12th apostle. The print has a Latin caption and is part of a 34-part series on the subject of the Acts of the Apostles., print, prints, verso bottom center - stamped, The Lord ascended to Heaven, Matthias is placed among the 12 Apostles, height 210 mm, width 273 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1575 - 1582, paper, engraving, engraving (printing process), Work conception, North Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, publisher

Joseph Revealing Himself to his Brothers. Josephs jealous brothers sold him into slavery as a young boy. Since then he had risen from the ranks, and even been appointed vizier of Egypt by Pharaoh. When his brothers travelled to Egypt to buy food, they did not recognize him. Only during a second visit did Joseph, here identifiable by his fine turban and rich clothing, become reconciled with his brothers.

Paulus preaches in Athens, Arnold van Westerhout, after Giovanni Battista Lenardi, 1680 - 1725 print Paul preaches in a temple in Athens for the Areopagus, the highest Athenian court. All kinds of people listen to him. On the left a statue of Minerva. Three angels fly in the air with the papal weapon of Clemens XI and a banderole on which: "Pavlvm prædicantem". Rome paper engraving / etching Paul in Athens: on the Areopagus he discusses with philosophers (in front of the temple of Mars). armorial bearing, heraldry. (story of) Minerva (Pallas, Athena)

New altar initiated; History of the Maccabeans; Thesaurus Sacrarum historiarum Veteris Testamenti (...). The new altar in the Temple of Jerusalem is initiated while the Israelites sing. Others bring sacrifices. There is a sacrifice on the new altar. Under the show a reference in Latin to the Bible text in 1 MAKK. 4.

. Job belongs from four messengers about the disaster that has happened to him. His wife stands behind him, who loves her handkerchief. In the landscape you can see how Jobs livestock and camels are stolen, how lightning hits his shepherds and cattle and how the house, in which the children of Job loved a party, collapsed in the storm. Print is part of a series about the eight skimmings of Christ and illustrates the salvation: Blessed are the poor of mind. On the stairs a stone with this text from mat. 5: 3 in Latin. At the bottom of the margin a verse in Latin about the salience.

Catherine receives the stigmata of Christ / Catherine redeems a possessed of her demons / Pope Gregory XI returns to Italy, Scenes from the life and wonders of Saint Catherine of Siena (series title), Vita mors gesta, et miracula quaedam selecta B. CATHERINAE SENENSIS (...) (series title), Pieter de Jode (I), Italy, 1597, paper, engraving, h 255 mm × w 290 mm

. Jona predicts the population of the city of Nineva that God will take the city in 40 days. People kneel of horror and repentance. At the bottom of the margin a reference to the Bible text and the title in Hebrew, English, German, Latin, French and Dutch.

After Sébastien Le Clerc I, Herod Sending Christ back to Pilate Herod Sending Christ back to Pilate

Christ anointed by Maria Magdalena, Anonymous, After Michel Natalis, After Peter Paul Rubens, 1652 - 1702 print Christ with his apostles at the table in the house of Simon de Phariseër, where a woman washes his feet with her tears and she dries with her hair. Next to her is a bottle of ointment oil. A number of the apostles are around the table, left rear wear employees bowls with food inside. Simon sits on the left in a chair, he is wearing the legislative tables above his forehead. Under the show the title in Latin, two four -line verses in Dutch, a four -line verse in Latin, two four -line verses in French and a reference to the Bible text in Luc. 7. Amsterdam paper engraving a woman washes Christ's feet with her tears, and wipes them with her hair

After Jacques Callot, Adoration of the Magi, etching on laid paper.

Christ teaches his students; Feria II. Post Domin. III. Qvadray. The students of Christ Redetwisten about who of them is the most important. Christ takes a child with him, and tells them: "Anyone who records this child in my name takes me; and who records me takes him up who has sent me. Because who is the smallest among all of you, who is really big. " At different elements from the show are letters that correspond to the legend in the margin.

Holy family with saints, 1563 - 1615 print On the right Mary sits on a throne with in her arms the Christ child that has an apple in her hand. Behind her is Joseph. There are two women, an angel and an old man in front of the throne. In the foreground the little John the Baptist sitting on a lamb. In the background pillars and a drapery. paper engraving Holy Family, and derived representations

Petrus and Johannes heal a paralyzed man at the Temple Gate, Jacques Callot, After Cigoli, 1608 - 1611 print Peter takes the hand of a man sitting at a gate. Johannes is next to it. Christ appears in the sky. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print). Rome paper engraving healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31). disabilities, deformations

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Wierix, Johannes, Miracles of Christ, Raising of the son of the widow of Nain, Christ raises the son of the widow of Nain to life. The boy sits down on his bier and looks at Christ. The funeral procession leaves the city gate. Below the image is a reference in Latin to the Bible text. This print is part of an album., print, album leaf, prints, height 208 mm, width 261 mm, South Netherlands, 1549 - 1618, print maker, printmaker, 1572 - 1576, paper, engraving, engraving (printing process), Work conception, 1515 - 1599, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

In front, a priest stands at an offering column in a temple. On the column, two doves are burned and smoke rises toward a statue symbolizing love. The column is decorated with two interlocked hands as symbols of union and hearts as symbols of love. Behind the column is a young couple pledging allegiance to each other. Front right, Amor with his bow chases the personification of Envy out of the temple with water. Married couple at a sacrificial column, print maker: Jan Wandelaar, (mentioned on object), Jan Wandelaar, (mentioned on object), Noord-Nederland, 1710 - 1759, paper, etching, engraving, h 90 mm × w 134 mm

Christ and the adulterous woman, Several Pharisees bring into the temple A woman caught in adultery with Christ. The Pharisees ask what Christ thinks of the law of Moses stating that such women must be stoned. Christ writes with his finger on the ground and then says that the one who is without sin should throw the first stone., Pharisees bring a woman accused or adultery before Christ (John 8: 2-11), Christ points to or writes on the ground, Dirck Volckertsz. Coornhert, Netherlands, c. 1548, paper, h 236 mm × w 190 mm

of 4