Biblical Themed Art

Powerful paintings depicting biblical narratives, conveying dramatic moments and moral lessons, rendered in varied styles from different artistic periods.

David Stops on a Hill James Tissot (1836-1902 French) Jewish Museum, New York, USA

The Judgement of Korah, Dathan and Abiram. Date/Period: Ca. 1801. Painting. Pen and ink and oil on canvas. Height: 371 mm (14.60 in); Width: 294 mm (11.57 in). Author: Maria Hadfield Cosway.

Mercury's flute puts Argus to fall asleep, Hendrick ten Oever, 1649 - 1716 drawing paper brush Mercury lulls Argus into sleep by making music. Mercury lulls Argus into sleep by making music

The Temptation of Saint Anthony. Jacob Isaacsz. van Swanenburgh (1571-1638). Oil on panel, 56.5 x 99.5cm.

David Stops on a Hill James Tissot (1836-1902 French) Jewish Museum, New York, USA

After the Storm by Reuven Rubin, oil on canvas, b. 1893

Kazimierz Stabrowski (b. 21 November 1869, d. 10 June 1929 in Garwolin), Polish painter: Fantastical composition (1924), Fantastical composition (1924), authentic, digitally restored reproduction from an early 20th century original, exact date of depiction unknown, historical, man on rock, surrounded by mystical light, numerous ghostly figures

AZAR CAUSAL: MATERIA Y VACIO - 100X70 CM -MIXTA/CARTON. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

MORENO VILLA , JOSE. PINTOR ESPAÑOL . MALAGA 1887 - 1955. " FIGURAS Y CIERVOS " , OLEO DEL AÑO 1929. MUSEO BELLAS ARTES . MALAGA. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

Le Christ sortant du tombeau. Artist: Gustave Doré (French, Strasbourg 1832-1883 Paris). Dimensions: Sheet: 20 3/16 x 34 5/16 in. (51.3 x 87.1cm). Date: 1850-83. Museum: Metropolitan Museum of Art, New York, USA.

Deux Figures. Ossip Zadkine (1890-1967). Gouache on paper, 1932. 73 x 55.2cm

The Brazen Serpent, by Robusti Jacopo known as Tintoretto, 1575, 16th Century, fresco. Italy, Veneto, Venice, Scuola Grande di San Rocco, Upper Hall. Detail. Serpent snake erected.

Enigma, by Gustave Dore, 1871, Musee D'Orsay Art Gallery, Paris, France, Europe

John Constable, 1776-1837, British, Dawn, between 1831 and 1832. Pen and brown ink and brown wash on thin, smooth, cream wove paper.

'The Murder', 1870, Oil on canvas, 65 x 80 cm. Author: PAUL CEZANNE. Location: WALTER ART GALLERY. LIVERPOOL. ENGLAND.

Théodore Géricault / 'The Page Mazeppa', c. 1922, Oil on canvas. Museum: COLECCION PRIVADA.

Little Devil's Bridge over the Russ above Altdorft, Switzerland, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1809, Etching and mezzotint, printed in brown ink Engraver's proof (b) on medium, slightly textured, cream laid paper, Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm), bridge (built work), cliff, mountain

Decamps, Alexandre-Gabriel (n.1803-03-03-D.1860-08-22), the Charnier de Saint Michel in Bordeaux (dummy title). Charcoal, white gouache enhancements on brown paper. Houses of Victor Hugo Paris - Guernsey.

Stonehenge at Daybreak, 1897. Frank Short (British, 1857-1945), after Joseph Mallord William Turner (British, 1775-1851). Mezzotint;

The Universe is Created (L'Univers est cree). Dated: c. 1894. Medium: woodcut printed in red-brown, red and black by Louis Roy. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

The Pit and the Pendulum, illustration from Poe s Tales of Mystery Imagination by Arthur Rackham The Pit and the Pendulum, illustration from Poe s Tales of Mystery Imagination by Arthur Rackham Copyright: xZoonar.com/Heinz-DieterxFalkensteinx 20636433

The fall of the angels, triptych side panel, 1913, by Gaetano Previati (1852-1920), oil on canvas, 230x135 cm.

Endless Enigma, Dalí, Salvador (1904-1989)

The Spectre and the Phantom; Le Spectre et le Fantome. Salvador Dali (1904-1989). Oil on canvas. Painted in 1934. 100 x 73cm.

Illustration to the national epic Kalevala, Kochergin, Nikolai Mikhaylovich (1897-1974)

France, Paris, Set design for act I of The Ring of the Nibelung - The Rhinegold by Richard Wagner

Heaven Opened, 1850. George Jones .

Pennsylvania Station Excavation. Date/Period: Ca. 1907-1908. Painting. Oil on canvas. Height: 79.3 cm (31.2 in); Width: 97.1 cm (38.2 in). Author: George Bellows.

PROMETEO - SIGLO XX - PINTURA MEXICANA. Author: JOSE CLEMENTE OROZCO (1883-1949). Location: PRIVATE COLLECTION. MEXICO CITY. CIUDAD DE MEXICO.

Gradiva Rediscovers the Anthropomorphic ruins (Retrospective Fantasy) by Dali, Salvador (1904-1989) / Thyssen-Bornemisza Collections / 1932 / Spain / Oil on canvas / Mythology, Allegory and Literature / 65x54 / Surrealism

God's Idea. Date: n.d. Watercolor on paperboard. Museum: Smithsonian American Art Museum.

The Pillar-Black Parade Georges-Antoine Rochegrosse (1859-1938), French painter and illustrator. The black pillar parade. Mine graphite, wash and gouache on paper. 1884. Paris, Victor Hugo House.

Martes, 13.07.1976. Museum: COLECION PARTICULAR / MADRID / ESPAÑA. Author: JOERG IMMENDORFF.

Pinturas de Xavier Nogues, despacho de la alcaldia. Ayuntamiento de Barcelona.

According to Norse mythology, the Valkyries were the daughters or attendants of Odin, the chief god. The Norse believed the Valkyries came to battlefield, chose those who would die, and carried them back to Valhalla. Their leader was Brynhild. This illustration is based on a painting by Hermann Hendrich.

Pestilent air. Gierdziejewski, Ignacy (1826-1860), painter

First Act of Tristan; Premier Act de Tristan. Salvador Dali (1904-1989). Oil on canvas. Painted in 1944. 26.5 x 48cm.

Persecution of Christians in Roman Empire by Paul Hippolyte Delaroche, oil on canvas, 1853, 1797-1856, Russia, St. Petersburg, State Hermitage, 73, 5x60

Campfire, Adirondacks. Winslow Homer; American, 1836-1910. Date: 1892. Dimensions: 384 x 545 mm. Transparent and opaque watercolor, with blotting and scraping, on thick, moderately-textured, ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Print made by William Blake, 1757-1827, British, Europe. A Prophecy, Frontispiece Proof Impression, ca. 1820. Relief etching; verso: relief etching with pen and black ink on moderately thick, slightly textured, beige wove paper.

Campfire, Adirondacks 1892 United States. In Campfire, Adirondacks, the guide Rufus Wallace is seated among the sheltering roots of a giant overturned hemlock. The treeís roots are expressive formal elements in their own right, but these ancient tentacles also seem to protect the resting man. Like many of Homerís Adirondacks watercolors, Campfire, Adirondacks was conceived on the spot, with washes laid in to suggest areas of light and shadow, but the artist probably finished the work back in his studio in Maine or at the North Woods Club. Conveying a convincing sense of immediacy and spontaneity, Homerís watercolors were often the result of deliberate planning and several campaigns of painting. Sometimes ephemeral effects were difficult to recapture in the studio, as in the smoke of the campfire where color was applied and blotted repeatedly.Visual evidence indicates that Homer used resist to define the crooked tree trunks on the lefthand side of the composition. Without this tool, it

Lazio Roma Rome S. Bartolomeo de Insula9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments. Post-medieval: Painting, stucco, architectural sculpture, architecture, fresco painting, sculpture General Notes: Originally built in the 10th century by German Kaiser Ottone II, on the island of the Tiber River, over the ruins of the Roman temple Esculapio. Enlarged in the 12th century, this renovation was destroyed in a flood in the mid 16th century. Current facade dates from 1624 by Torriani. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geog

Taddeo Drawing by Moonlight in Calabrese's House. Federico Zuccaro (Italian, about 1541 - 1609)

Rosenmüllerhöhle, auch Rosenmüllershöhle, natürliche Karsthöhle bei Muggendorf, Fränkische Schweiz, Landkreis Forchheim, Oberfranken, Bayern, Deutschland, digital verbesserte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, coloriert, historisch, genaues Datum unbekannt

As you like it. Act IV. Scene III, The Forest. The rescue of Oliver, told by Oliver to Rosalind and Celia. From the Boydell Shakespeare Gallery, published at the end of the 19th century, Historic, digitally restored reproduction from a 19th century original, Record date not stated

Nimrod James Tissot (1836-1902 French) Jewish Museum, New York City

Pastel, watercolor, and gouache/tempera illustration by Franz von Bayros depicting Virgil leading Dante into the underworld, created around 1920.

MORENO VILLA , JOSE. PINTOR ESPAÑOL. MALAGA 1887 - 1955. " FIGURAS Y CIERVOS " , OLEO DEL AÑO 1929. MUSEO BELLAS ARTES. MALAGA.

Saturn Devouring one of his Children', 1821-1823 Artist: Francisco Goya. Found in the collection of the Prado, Madrid, Spain. A Greco-Roman mythological scene of the god Saturn consuming a child in reference to Spain's ongoing civil conflicts. This painting is one of 14 in a series called the Black Paintings.

Image of the fireworks in the Nieuwe Baan in Utrecht on the occasion of the 220th anniversary of the Hogeschool.

Four Dancers OIL ON CANVAS Degas, Edgar 1834 d1917 French National Gallery of Art, Washington, D.C.

Still life with rabbit, 2021, v, Exhibition Miquel Barcelo, Vida y Muerte, Museum Kueppersmuehle, Duisburg, Germany- Editorial use only permitted

Apotheosis of Saint Stanislaus. Date/Period: Between 1750 and 1759. Drawing. Pen, brown ink, grey and brown wash on paper. Height: 398 mm (15.66 in); Width: 239 mm (9.40 in). Author: Franz Anton Maulbertsch.

Painting titled 'Shadow of the Teacher' by Nicholas Roerich. Nikolai Konstantinovich Rerikh (1874-1947) a Russian painter, writer, archaeologist, theologist, philosopher, and public figure.

Rihards Zarins (1869-1939). Latvian artist. Sadko, ca. 1912. Coloured etching on paper, 79,7 x 60 cm. Latvian National Museum of Art. Riga. Latvia.

Woman with aulos / Louis Lafitte

War, Marc Chagall, 1964-1966,

BODEGON DE LA COSTA - SIGLO XX. Author: JOSE GUTIERREZ SOLANA (1886/1945). Location: PRIVATE COLLECTION. Santander. Cantabria. SPAIN.

Noce de Village (Village Wedding). Dated: 1785. Dimensions: overall (outer framing line): 31.1 x 23.4 cm (12 1/4 x 9 3/16 in.). Medium: wash manner, printed in ochre and red-pink inks. Museum: National Gallery of Art, Washington DC. Author: Charles-Melchior Descourtis after Nicolas Antoine Taunay.

Stage design for the play "Rupture Grass" by E. Goslavsky, Valz, Karl Fyodorovich (1846-1929)

The Brazen Serpent, by Robusti Jacopo known as Tintoretto, 1575, 16th Century, fresco. Italy, Veneto, Venice, Scuola Grande di San Rocco, Upper Hall. Detail. Sky man with beard near angel.

The Fisherman and The Genie: from the ArabianNights. Artist: Maxfield Parrish, American, 1870-1966

Egypt, Howard Carter enters burial chamber at Tutankhamens tomb, illustration

PREHISTORIA. PALEOLITICO SUPERIOR. HOMO SAPIENS. Individuos protegiéndose del frío dentro de una gruta.

Indians inside the lodge of a Mandan Chief, 1833-34. The Mandan established permanent villages with large, round, earth lodges, some 40 feet (12 m) in diameter, surrounding a central plaza. They practiced agriculture, producing surplus corn which they traded with other Indians for buffalo meat and other items. Note the horses on left. Hand-colored aquatint etching of 1840 by Swiss-French artist Karl Bodmer, who accompanied German explorer Prince Maximilian zu Wied-Neuwied on his Missouri River expedition, 1833-1834 (BSLOC_2019_9_9)

Brumidi's painting 'Marine'. Washington City and vicinity. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

Stage design for the opera Sadko by N. Rimsky-Korsakov by Vasnetsov, Viktor Mikhaylovich (1848-1926) State Central A. Bakhrushin Theatre Museum, Moscow 1897 Pencil, watercolour on paper 15,6x24,8 Russia Theatrical scenic painting Opera, Ballet, Th

Staircase, detail of stucco marble on the inverted landing

The Sirens C.1875 Edward Burne-Jones (1833-1898 British) National Gallery Capetown, South Africa

Episode from the Iliad by Homer: Priam King of Troy seeks revenge

Parolles: Oh! ransom, ransome! Do not hide mine eyes,” from Act IV, Scene i, All’s Well That Ends Well. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Man and Woman Contemplating the Moon, Caspar David Friedrich, circa 1818-1825, Alte Nationalgalerie, Berlin, Germany, Europe

Right and Left by Winslow Homer, 1909

Night on the Eve of Ivan Kupala by Sudeykin, Sergei Yurievich (1882-1946) State Art Museum of the Chuvash Republic, Tcheboksary Tempera on playwood 74x59 Russia Russian Painting, End of 19th - Early 20th cen. Mythology, Allegory and Literature Pai

The Procession of Judas (Le cortège de Judas) James Tissot (French, 1836-1902). The Procession of Judas (Le cortège de Judas), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 10 13/16 x 8 11/16 in. (27.5 x 22.1 cm). European Art 1886-1894

Acrobats pastel drawing

Macbeth and the Witches' by Henry Daniel Chadwick (active mid-19th century), English painter. Macbeth meeting the old hags as they cast a spell over their boiling cauldron saying 'Bubble, bubble toil and trouble'. Scene in Shakespeare's play first performed in c1606. Oil on canvas. Private collection.

Charles Melchior Descourtis after Nicolas Antoine Taunay, Noce de Village (Village Wedding), 1785 Noce de Village (Village Wedding)

Jester and Ice Skaters. Kevin Sinnott (b.1947). Oil on canvas. 175 x 234cm

Nebelhöhle, a stalactite cave in the Swabian Jura in Baden-Württemberg, with spring festival, Swabia, Germany, interior view of a cave with stalactites and people exploring them, authentic reproduction of a school mural, historic, around 1900

French 18th Century, The Veil of Cupids, 18th century The Veil of Cupids

The judgment of Paris, Menard, Emile Renard, 1862-1930, Paris (Greek mythology), Nudes, Myths, 1909

'The Burial of Count Orgaz' (detail), 1586-1588. Artist: El Greco

Cadmus Sowing the Dragon's Teeth, Maxfield Parrish

Angels of Sodom', c1846-1898. Artist: Gustave Moreau. Gustave Moreau (1826-1898) was a major figure in the French Symbolist movement, whose main emphasis was the illustration of biblical and mythological figures.

Ecstasy, Maxfield Parrish

CABEZA DE TORO MUERTO - 1939 - OLEO SOBRE PAPEL ADHERIDO A TABLEX - 76 x 107 cm - EXPRESIONISMO FIGURATIVO. Author: LUIS FERNANDEZ (1900-1973). Location: MUSEUM OF FINE ARTS. Bilbao. Biscay. SPAIN.

Lucas Cranach the Elder, The Crucifixion with the Converted Centurion, 1536 The Crucifixion with the Converted Centurion

On the night Pruszkowski, Witold (1846-1896); 1875 (1875-00-00-1875-00-00);Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Russian Ballerina', 1880. Artist: Edgar Degas. Edgar Degas (1834-1917) was a French artist known for his pastel drawings and oil paintings of ballerinas. Degas also produced bronze sculptures, prints, and drawings.

People gathered around a candle-lit table; one man, held by another appears terrified, one person holds a glass, and a large figure looms in the background. Aquatint. by K. Hofer, 1899.

LLEGAREMOS MAS TARDE HACIA LAS CINCO O EL CAMION DE LA MUDANZA - 1983. Author: SALVADOR DALI.

The Harvest of Buckwheat Made 1899 . Oil on canvas . Paul Sérusier

Les Raboteurs de parquet / The Floor Scrapers. Date/Period: 1875. Painting. Oil on canvas. Height: 1,020 mm (40.15 in); Width: 1,470 mm (57.87 in). Author: Gustave Caillebotte.

Salvador Dalí, 'Invisible Afghan with the Apparition on the Beach of the Face of Garcia Lorca in the Form of a Fruit Dish with Three Figs', 1938, Oil on canvas, 19,2 x 24,1 cm. Museum: PRIVATE COLLECTION.

ARTE S. XX. ESPAÑA. SERT, José María (Barcelona,1876-Barcelona,1945). Pintor muralista español, establecido en París (1899) donde triunfó como pintor-decorador. "EL OTOÑO O EUROPA". (Detalle de mujeres cogiendo frutos de un árbol). Oleo sobre madera. Tamaño: 3,63 x 5,61 metros. Museo de Arte Contemporáneo de Madrid.

Forty-two Kids. Dated: 1907. Dimensions: overall: 106.7 × 153 cm (42 × 60 1/4 in.) framed: 124.1 × 170 × 7.3 cm (48 7/8 × 66 15/16 × 2 7/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GEORGE WESLEY BELLOWS.

Shattered Tree, Otto Dix, 1941,Art Institute of Chicago, Chicago, Illinois, USA, North America

The Dance 1957 Salvador Dali (1904-1989/Spanish)

Prometheus was punished by Zeus (Jupiter) because he stole fire to give back to mankind. He was chained to a rock in the Caucasus Mountains, and every day an eagle came and ate part of his liver. Each night, his liver would regrow, which meant he had to endure his punishment for eternity. The Greek hero Heracles (Hercules) , with Zeus' permission, later killed the eagle and freed Prometheus from this torment.

'A World', 1929, Oil on canvas, 290 x 310 cm. Author: ANGELES SANTOS TORROELLA (1912-2013). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

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