Biblical Themes in Art

Prints depicting biblical narratives such as the entry into Jerusalem, featuring ornate details and expressive figures. The style is elaborate and historical, rich in religious symbolism.

Worship of the Lamb on Mount Sion and three proclaiming angels, 1585 print The lamb on the mountain Sion surrounded by people. God the Father on His throne, surrounded by the four beings and the elders. In the middle three angels: the first holds the eternal gospel and announces the day of judgment, the second the fall of Babylon. The third angel warns against the worship of the beast and the image, for as a punishment one will have to drink the wine of God's anger. In the margin a four -line caption in Latin. Sixteenth print from a series of twenty -four with the revelation of Johannes on Patmos. paper engraving adoration of the Lamb on Mount Sion by the 144-thousand ~ Apocalypse (+ angel(s) floating in the air). the three angels proclaiming the day of judgement

Entry into Jerusalem, 1740 print Christ drives on a donkey towards the city gate of Jerusalem. People spread their coats on the road and wave twigs of the palm trees. There are letters with different elements from the performance. A title above the show. Below six verse lines and a reference to Matthew 20: 30-34. The print is part of an album. paper letterpress printing entry into Jerusalem: people spreading their clothes before Christ on the ass, and waving palm branches (Matthew 21:1-11, 21:14-16; Mark 11:1-11; Luke 19:28-40; John 12:12-19)

Love of the Himlischer Groom and his spiritual bride of the Christian churches .... Copper Title

Reporters of aliens; Hospitio Peregrinos Excipere; Septem Opera Misericordiae Corporalia. The accommodation of aliens as one of the seven works of mercy. In the middle a man receiving pilgrims. In the background Zacheus that Christ invites in his house and Christ at Marta and Maria. Around representations of Bible stories that have to do with hostains of aliens. Abraham and the three angels, at the top left of Tobit and Tobias receive the angel, at the bottom right of Rachab who helps the spies escape and at the bottom left of the woman from Sunem that receives Elisa. On the left the prophet Isaiah and on the right Paul. In the show various bible texts in Latin. Under the show a four-line verse in Latin. This print is part of an album.

Moses and Aaron with the tables of the law (leaf at the bottom right). The fifth to the tenth commandment of the tables of the law. At the bottom right a cartouche with the representation of Moses and the copper hose. Above two putti sitting on a decorative element with a Christian text on top.

Four angels keep the four winds in control; Van den Apocalipsis of Openbaeringh Iohannis; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Den Grooten Figuer Bibel (...). Four angels keep the four winds in hand with their sword. In the middle an angel brings the seal of God on the forehead of a member of a tribe of Israel. At the top of the clouds an angel with a cross. Under the show a reference in Latin to the Bible text. 7. This print is part of an album.

Jacob blessing Ephraim and Manasse, 1740 print Just before his death, Jakob blesses the sons of his son Josef, Ephraim and Manasse. He does this with crossed hands and predicts a great future for Ephraim, the youngest son of Joseph. A title above the show. Below six verses and a reference to Genesis 48. The print is part of an album. paper letterpress printing Jacob blesses Manasseh and Ephraim with arms crossed; Joseph may be shown trying to uncross them or expressing (with Asenath) his disapproval

Sixth Engel blows on Bazuin, Adriaen Collaert (attributed to), after Jan Snellinck (i), 1646 print The sixth angel blows on the Bazuin. Next to the angel, God the Father sits on His throne and is the golden altar with the four horns where a voice comes out that the four angels who are trapped must be liberated. The angels and the riders on horses with lion heads row out a third of humanity. Under the show a reference in Latin to the Bible text in op. 9:15. This print is part of an album. paper engraving the sixth of the seven angels sounds the trumpet: the four angels of destruction are released

Similarity of Christ as the Good Shepherd, 1600 - 1699 print Christ stands in the door to the sheepstone. Through the side walls and the roof try to penetrate thieves and steal sheep from the stable. And a shepherd with his sheep who listen to his voice and follow him. Netherlands paper letterpress printing the good shepherd (Christ) defending his sheep against wolves; 'I am the good shepherd' (John 10:1-16). the sheep follow the good shepherd ~ parable of the good shepherd. 'thieves and robbers' climb on the roof of the sheepfold ~ parable of the good shepherd. 'I am the door of the sheep' ~ parable of the good shepherd

Worship of the Lamb on Mount Sion and three proclaiming angels, 1585 print The lamb on the mountain Sion surrounded by people. God the Father on His throne, surrounded by the four beings and the elders. In the middle three angels: the first holds the eternal gospel and announces the day of judgment, the second the fall of Babylon. The third angel warns against the worship of the beast and the image, for as a punishment one will have to drink the wine of God's anger. In the margin a four -line caption in Latin. Sixteenth print from a series of twenty -four with the revelation of Johannes on Patmos. paper engraving adoration of the Lamb on Mount Sion by the 144-thousand ~ Apocalypse (+ angel(s) floating in the air). the three angels proclaiming the day of judgement

Moses and Aaron with the tables of the law (leaf at the bottom left). The first four commandments of the tables of the law. Bottom left a cartouche with the presentation of the praying Moses for receiving the dining of law. Above two putti sitting on a decorative element with a Christian text on top.

Saint Joris and De Dragon, Anonymous, 1506 print Leaf printed from multiple blocks. Within a ornamental edge the Holy Joris who kills the dragon, two angels with the weapon of England, a crowned rose containing the initials of Christ and a seven -line text in Latin. A calendar on Verso. France paper St. George and the dragon: dressed in armour and mounted on a (white) horse he brandishes his sword (his lance lies already broken on the ground); the princess nearby may be shown praying or fleeing. IHS ('Iesus Hominum Salvator') ~ symbol of Christ

Maria Magdalena Oints the feet of Christ, 1740 print Christ is a guest at Simon de Pharisee and is sitting at the table. Maria Magdalena is kneeling next to Christ. She washes his feet with her tears, dries off with her hair and she oints. In the circle the portrayal of the parable of the two debtors. There are letters with different elements from the performance. A title above the show. Below six verses and a reference to Luke 7: 37. The print is part of an album. paper letterpress printing Christ's feet are anointed by Mary (Magdalene)

Last judgment and symbols for the seven works of mercy, 1577 print Title print for a series about the seven works of mercy. The Archangel Michael separates the good ones from the bad people who all stand up from the dead. Christ travels on the clouds, flanked by Mary and John. The dead are led to heaven by angels (left) or to hell (right). Left and right of the central performance ornamental trophies with objects that belong to the seven works of mercy. Under each trophy a reference to a Bible text in Latin. Under the show a four -line verse in Latin. This print is part of an album. paper engraving the (seven) Acts of Mercy. representation of Last Judgement, with the archangel Michael weighing the souls (or dividing the blessed and the damned). trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament

Christ predicts the coming of the Holy Spirit, 1740 print Christ stands between his disciples and tells them about the arrival of the Holy Spirit, the worship of the cross, his Ascension and the expulsion of the devil. Used here as an image of Christ appearance to the apostles, after his resurrection. There are letters with different elements from the performance. A title above the show. Below six verses and a reference to Johannes 20: 19-21. The print is part of an album. paper letterpress printing 'When the Spirit of truth comes ..'. Christ appears to the apostles (gathered behind locked doors)

The tree of religion, ca. 1570; Arbor Religionis. Allegory on changes in the Christian religion by time. The tree of religion is pruned by time. Personifications of the worldly and the spiritual power see without intervening. At the same time they trample violence and discord. Links points to Christ on the idolatry that is still in the tree. Sineprent on reform, approx. 1570. In the performance inscriptions and bible texts in Latin. With a caption of 3 columns with 8 lines each in Dutch, German and French.

Cartouche surrounded by putti and scenes from the life of Mary; Gloriosisimae virginis dei parae elogium. Oval cartouche with Latin title, Why six putti, five medallions with scenes from the life of Mary and a coat of arms. The narrative scenes relate from the top right to the bottom right (counterclockwise): Birth of Maria, birth of Christ, Crucifixion, Christ appears after his death to Mary, Ascension and Korona of Maria.

Rhodope and Cnemon. In a king room, Rhodope gives the poet CNemon a rosary as a thank you for its beautiful poems. Page from a book with text on recto and verso.

Calling Zacheüs, Anonymous, After Pieter van der Borcht (I), c. 1570 - c. 1610 print Calling of Zacheus. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving calling of Zacchaeus, who is sitting in a fig-tree (Christ passing through Jericho)

Flight to Egypt; Joseph and Maria Vlugten with the childwork after egiphs. Maria rides with the Christ child in the arms on the donkey. Joseph leads the animal to the reins. They are accompanied by two angels that carry the luggage. In the air originally a pigeon as a symbol of the Holy Spirit, surrounded by cherubs. Above the show a title. There are six fresh rules and a reference to Matthew 2: 14-15. The print is part of an album.

Petrus heals the sick with his shadow; The apostles do drawing and miracles. Central to the foreground the apostle Peter with his sick and possesses around him. They hope that Peter will fall on them and heal them. The other apostles also cure sick and drift spirits. Above the show a title. There are six fresh rules and a reference to Acts 5: 12. The print is part of an album.

Consoling hurstills; Consolai Moestos; Septem Opera Misericordiae Spiritalia. Comforting the mourning people as one of the seven spiritual works of mercy. In the middle Christ those ale people who are tired and in charge of calling to him. In the background Newertamentic representations about comforting grieving. Among other things, the women at the grave comforted by an angel, Christ's appearance as a gardener to Mary Magdalena, Christ who died Marta Troost as her brother Lazarus, Christ assisted by an angel in Getsemane. With regard to performances from Bible stories that have to do with comforting grievances. Top left job and his friends, at the top right a show at one of the spells, the bottom right of Tobit and Anna and the bottom left of assisting people with sadness. Left and right Paul and an Old Testament Prophet. In the show various bible texts in Latin. Under the show a four-line verse in Latin. This print is part of an album.

Doornenkroning, HSD monogrammist, after Pieter van der Borcht (i), c. 1570 - c. 1610 print Thorns. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Duns Scotus (1266-1308). Philosopher-theologians of the High Middle Ages. Scholasticism school. "Scriptum Joannis Duns Scoti docto. subtilis: ordinis minor super quarto sententiarum". Edition: J. Crespin, 1530. Library of Catalonia. Barcelona. Spain. Engraving of Duns Scotus as medieval copyist.

Mozes and Aaron with the Tables of the Law (leaf bottom left), Simon Frisius, 1670 - 1726 print The first four commandments of the Tables of the Law. Bottom left a cartouche with the presentation of the praying Moses for receiving the Tables of the Law. Above it two putti sitting on a decorative element with a Christian text on it. print maker: Northern Netherlandspublisher: Amsterdam paper engraving the ten commandments represented together on stone tablets.

Christ heals a leper, 1740 print A leper that suffers from skin freezer kneels for Christ. Christ stretches his hand to clean the man. There are letters with different elements from the performance. A title above the show. Below six verses and a reference to Matthew 8: 2-4. The print is part of an album. paper letterpress printing healing of one leper, who kneels before Christ (Matthew 8:1-4; Mark 1:40-45; Luke 5:12-16). Christ's sermon on the mount (Matthew 5-7)

Temptation in the desert, 1740 print The devil brings Christ to the temple in Jerusalem and orders him to ignore to see if the angels would save him. Then he takes him to the highest point of the mountain and promises him the entire Kingdom. There are letters with different elements from the performance. A title above the show. Below six verses and a reference to Matthew 4: 5-7. The print is part of an album. paper letterpress printing 'throw yourself down' (from the temple) ~ temptation of Christ in the wilderness. 'all these will I give you' (= the glory of the world) ~ temptation of Christ in the wilderness

Woodcut and type print by Lucas Cranach the Elder depicting the Pope performing a crowning ceremony, with detailed figures and ceremonial elements.

Pope pronounces banning over emperor, monogram miss GK (print maker, 17th century), after Lucas Cranach (i), c. 1661 print Pope expresses ban curse about Emperor. Contrary to taxes. Mirror-image copy to the print of Lucas Cranach in the pamphlet 'Passional Christi und Antichristi' by Martin Luther from 1521, page 603 from a 17th-century edition. The series of thirteen pairs of woodcuts reflects the contradictions between the humility and selflessness of Christ on the one hand, and the pride and greed of the Pope on the other. paper letterpress printing the richness of the Church opposed to Christ's humility

Visioen of the Seven Golden Lamp Standards, Adriaen Collaert (Attributed to), After Jan Snellinck (I), 1585 print Christ, in the clouds between seven candlesticks, appears to Johannes. A sword comes from the mouth of Christ. John is, with a book next to him, on the ground. In the margin a four -line caption in Latin. Second print from a series of twenty -four with the revelation of John on Patmos. Antwerp paper engraving Christ between seven golden candlesticks appears to John, who falls to the ground; a sword comes out of Christ's mouth and he holds seven stars in his hands

Belief in the Christian church community, 1740 print The ninth article article: the faith in the Christian church community. The apostles heal the sick and do with charity. They receive gifts and distribute them as needed over the believers. There are letters with different elements from the performance. A title above the show. Below six verses and a reference to Acts 2: 44-47. The print is part of an album. paper letterpress printing 'sanctam ecclesiam catholicam, sanctuorum communionem' ~ articles of faith. disciples healing the sick (in general). disciples receiving gifts. distribution of gifts by Christ's disciples to every man according to his needs

German 15th Century, Christ as Salvator Mundi, c 1475 Christ as Salvator Mundi

Christ washes the feet of the disciples, 1600 - 1699 print Christ washes Peter's feet. Around the other disciples wait to have their feet washed by Christ. Netherlands paper letterpress printing Christ washes the feet of the apostles (John 13:1-20)

Wedding in Kana, Anonymous, After Pieter van der Borcht (I), After Georg Pencz, c. 1570 - c. 1610 print Wedding in Kana. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving Christ orders (six) jars to be filled with water ~ marriage-feast at Cana

Pope is worn in a sedan chair, Lucas Cranach (I), 1521 - 1522 print The pope is in a sedan chair that is worn by his servants. Book illustration in rectangular frame with fine ornaments. This print is printed with multiple logs. At the top of the magazine is half the title of the edition: und Antichristi, at the bottom is the word antichrist. Wittenberg paper pope. (carrying a person in a) sedan-chair

S. Rochvs. A kneeling angel graduates the bully in the leg of the Saint Rochus, in the background episodes from the life of H. Rochus.

An etching and copper engraving on paper by D.G. Salsman from 1627 depicting the crowning of Ferdinand II as King of Bohemia on June 29, 1617 in Prague, illustrating early 17th-century European ceremonial events with sub-scenes.

Christ teaches his disciples, 1600 - 1699 print Netherlands paper letterpress printing Christ explaining his doctrine to the apostles and disciples

Christ heals the possessed man who could not speak, 1600 - 1699 print Christ heals with a blessing gesture a possessed man who could not speak. The possessed man is held by two men. The devil flies out of his mouth. The performance is based on Matthew 9: 32-34 and Lucas 11: 14-16. In the States translation it is described as follows: If they now went out, they brought him to him a human being who was stupid and of the devil. And if the devil was ejected, the stupid spoke. " The new Bible translation 21 says: As they left the house again, someone brought him to him who was possessed and could not speak. After the demon was pushed out, the stupid began to speak. Netherlands paper letterpress printing healing of a possessed man who could not speak (Matthew 9:32-34; Luke 11:14-16)

Moses standing by a tree with singing and dancing women, Anonymous, After Hans Sebald Beham, 1530 - 1533 print paper letterpress printing Miriam's song of praise ~ Exodus

Christ child wipes the floor; De Kindsheyd Onses Heeren Jesu Christi; Youth of Christ. The Christ child wipes the floor in the house. Jozef hits a pole in the floor. Two angels help and wear wood. Mary is cooking. Numbered below the performance 4. Four lines of text. The print is part of an album.

Moses with the legal statements and three ways of penalties; ACCIPE TRES lectector Triplici Sub Imagine Formas Iustitiae Iuncti Qvas Monstrant Ordine Fasces. Leaf with a broom at the top. Below three images that are represented how the different parts of the broom; Branches, stick and rope can be used in punishments. Down Moses with the tables of the law. The texts are in Latin, French and Dutch.

Christ flees the Jews who want to crown him, Lucas Cranach (I), 1521 - 1522 print Christ flees the Jews who want to crown him. Book illustration with rectangular frame with fine ornaments. The print is printed with multiple logs. paper

Moses and Aaron for Pharaoh, 1740 print Moses and Aaron ask the Pharaoh to release the Israelites. On the left in the background, Israelites are hard at work and are treated as slavish ones. A title above the show. Below six verses and a reference to Exodus 5: 1-2. The print is part of an album. paper letterpress printing Moses and Aaron confront Pharaoh (Exodus 5-7:13)

Passions, Raphaël Sadeler (I), 1617 print Devotion print with the different pasie tools. München paper engraving single instruments of the Passion. devotion ~ Christ

Allegory on the battle between France and the Pope, 1624; Ceramen Inter Caponem et Gallum / Conbat Entre Le Chapon et Le Coq / De Capoen and Haenen fight; The wonderlijck kapoen and Hane-grew. Allegory on the battle between France and the Pope, 1624. Human fight between two roosters adorned with the papal crown and the French king wreath, in the background royal spectators. Right a cook grinds (Spain) At the kitchen his knife. Outside, discord lights up a globe, with the angel castle in the background. Different texts in Dutch and French are printed on the blade under the plate.

Man at an altar in a landscape Title page for: JE Blum, Tugend-schule der Natur, 1666, Between two hermans with wings a look at a man at an altar in a landscape, his arm raised to some birds. Above the title on a canvas, held by two birds with the tetragram above it. At the bottom the portrait of Johannes Erasmus Blum held in an oval by two kneeling putti. Below two lines in German, birds, pedestal or a piece of sculpture (perhaps in the form of a herm), angels, Johannes Erasmus Blum, Christiaan Hagen (mentioned on object), Amsterdam, paper, engraving, h 128 mm × w 70 mm

Ascension of Christ, 1600 - 1699 print The disciples kneeling around a rock on which the footprints of Christ can be seen. All look up at the sky where in the clouds the feet and the bottom of the robe of Christ are still visible. Netherlands paper letterpress printing Christ almost vanished: only feet visible ~ Ascension

Last Judgment, HSD monogrammist, after Pieter van der Borcht (I), c. 1570 - c. 1610 print Last judgement. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving comprehensive representation of Last Judgement: Christ (with sword and lily), often surrounded by elders and sometimes accompanied by Mary and John the Baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the Passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils

Rich Man and Lazarus, Jan Luyken, 1697 - 1698 print The history of Lazarus and the rich man in one large and five small performances. As a central performance, the rich man's meal is displayed. paper etching the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31). Dives dies; his soul is brought into hell by devils

Prayer in Latin and German in a roll work Framing, Virgilius Solis, 1568 print Numbered in the top left: 10. Nuremberg paper engraving / etching scrollwork, strapwork ~ ornament

The four apocalyptic riders; Van den Apocalipsis of Openbaeringh Iohannis; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Den Grooten Figuer Bibel (...). Opening the first four stamps: the four apocalyptic riders, 'Victorie', 'war', 'hunger' and 'death' trample humanity. Above them an angel, with a crown. Under the show a reference in Latin to the Bible text. 6. This print is part of an album.

Jesus Identifies Himself before the Arrest. Dated: 1548. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Augustin Hirschvogel.

Tegen Pow tests our faith, Gaspar Bouttats, 1679 print Page from a book (p. 112) with text on Verso. In an oval cartouche a landscape with a church. In the foreground, a clockmaker tests one of his clocks with a hammer. On the left on the print, a woman sells pots while a priest enters the church in the background while the clocks ring. Above the cartouche the title (motto) of the print and a quote from the Bible (1 Makkabee 52). Under the print a caption: 'desen Slagh, a lot of Vermagh' and a description that the print explains. A clockmaker always tests his clocks by storing it with a hammer. Only with a beautiful pure sound is a clock suitable for hanging in a church. Similarly, God gives us adversity during life to test our suitability for heaven. print maker: AntwerpDiestpublisher: Utrecht paper etching / engraving / letterpress printing Abstract Ideas and Concepts (+ emblematical representation of concept). bell-founder. church bell. Adversity, Misfortune, Bad Luck; 'Fortuna infe

Annunciation, HSD monogrammist, after Pieter van der Borcht (i), c. 1570 - c. 1610 print The proclamation to Maria. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving the Annunciation: Mary sitting - AA - Mary to the left, the angel to the right

Abraham goes to Canaan, 1740 print Abraham leaves with his wife and fate on God's command from Haran to Canaan. A procession of people and animals passes through the gate. A title above the show. Below six verses and a reference to Genesis 12: 4-5. The print is part of an album. paper letterpress printing Abraham starts out for the land of Canaan with Sarah, Lot and his belongings

Mocking of Christ, 1600 - 1699 print Christ is mocked by a group of men. He is blindfolded and bound. Netherlands paper letterpress printing mockings of Christ, who may be blindfolded

Relation of the son of the widow in Nain and the healing of a watery man, Virgilius Solis, 1524 - 1562 print Two performances one above the other. The print is numbered in the middle of the top: 9. The performances are numbered separately: 16 and 17. Nuremberg paper engraving / etching the son of the widow of Nain is carried out of the city on a bier (Luke 7:11-17). healing of a man with dropsy (Luke 14:2-4)

Education of children; Educatio Liberorum; Allegories of the Christian faith. Series of twelve allegories of the Christian faith. Each of the allegories consists of a central representation with a frame in which quotes from the Bible are combined with the imagination of certain events from the Bible. In the margin down two Latin lines.

Emblem with the road to eternal life for the righteous and the road to hell for the wicked, Boëtius Adamsz. Bolswert, 1620 print paper engraving the way to destruction is broad and the gate is wide; the way to life is narrow and the gate is straight ~ doctrine of Christ on love, etc. (Matthew 7:13-14; Luke 13:24)

Ste. Christine, vierge et martyre (St. Christine, Virgin and Martyr), July 24th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. Ste. Christine, vierge et martyre (St. Christine, Virgin and Martyr), July 24th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Saint Paul the Apostle, Paul of Tarsus, early Christian leader who went on several journeys to preach the gospel to the Gentiles, as documented in several books of the New Testament. Before his conversion his name was Saul. Seen here on the opening page of one of his Epistles (German edition), with a sword in one hand, a Bible in the other. Date: circa 5 - circa 67

Vision of the unclean animals; Petrus sees the Heaven Opens in delight of sentences. The apostle Petrus, praying in his room, gets a vision. A large sheet appears in heaven, in which all kinds of animals are of the world. This vision was symbolic, a sign of God that were also not-Jews were created by God to receive Christ's message. In the background, the messengers of the Roman Centurio Cornelius arrive at the house of Petrus. Above the show a title. There are six fresh rules and a reference to Acts 10: 11-12. The print is part of an album.

Emblem with the road to eternal life for the righteous and the road to hell for the wicked; Den Wech des century life.

Martyrdom of Saint Cipriano from Heiligenleben (Lives of the Saints), Plate 18 from Woodcuts from Books of the 15th Century Original 1481 Netherlandish. This simple woodcut book illustration, from an early printed edition of Jacobus de Voragineís famous Lives of the Saints, depicts the martyrdom of the now little-known Saint Cipriano. This theologian quickly rose in the ranks of the Church, becoming bishop of Carthage in A.D. 248. After serving for a decade, Cipriano fled and survived the first organized persecution of Christians by the Romans. Nonetheless, the Roman Emperor Valerian eventually apprehended him in another purge. Surrounded by thousands of his devoted citizens, Cipriano bravely accepted his death sentence, knelt in prayer, and was beheaded with one powerful stroke.. Woodcut in black, and letterpress in black (recto and verso), on cream laid paper . Master of the Boccaccio Illustrations

Prayer in Latin and German in a roll work Framing, Virgilius Solis, 1568 print Numbered in the top left: 1. Nuremberg paper engraving / etching scrollwork, strapwork ~ ornament

God's covenant with Abraham; Jakob Ointment the stone on which he slept, 1645 - 1646 print God promises Abraham a child and shows him the stars to show him how many offspring he will get. Jakob Ointment the stone on which he slept. In his dream he saw a ladder that reached to the sky with angels. At the top was God who promised the land to Jakobs descendants, the Israelites. When Jacob awoke, he set up the stone and poured him with oil. He called the place Betel. The print is part of an album. paper letterpress printing Jacob awakes, anoints the stone and names the place Bethel. God's covenant with Abraham (Genesis 15)

Portrait of the Holy Maximilian of Celeia worn by Engelen, Marcus Weinmann, 1766 print Vienna paper engraving / etching historical persons. the all-seeing eye, triangle with eye ~ symbol of God the Father Passau

Second Wonderful Spijsing, 1740 print Christ feels sorry for the people because they have not eaten anything for three days. He leaves the people on the floor and multiplies the bread of his students so that there is enough food for everyone. There are letters with different elements from the performance. A title above the show. Below six verses and a reference to Johannes 6: 10-13. The print is part of an album. paper letterpress printing multiplication of loaves and fishes for a multitude of four or five thousand people (Matthew 14:13-21, 15:32-39; Mark 6:32-44, 8:1-10; Luke 9:10-17; John 6:1-14)

Martyrdom of three male saints by various methods. Woodcut.

The conversion of Saint Paul the Apostle. Woodcut.

. Right unit of a map of Palestine, with inscriptions that relate to the events of the old and New Testament. In the edge Four performances from the New Testament: the cross outing, the resurrection of Christ, a Jewish high priest and the final judgment. In a frame at the bottom left of a Dutch caption. John is the evangelist in the frame.

The birth of Christ, Lucas van Leyden (attributed to), 1512 - 1516 print Leaf from a book. Right text, left worship of the Christ child by Mary, Joseph, Engelen and Shepherds. print maker: Low Countriespublisher: Leiden paper adoration of the Christ-child by the shepherds; Mary and Joseph present

Northern Netherlands, Hondius, Hendrick (I), Beeldhe vande Roomsche kercke, Revelation of the true nature of the Roman Catholic Church through the truth, Revelation of the true nature of the Roman Catholic Church through the truth. Open and dilapidated building of the Roman Catholic Church resting on four pillars in which a king kisses the feet of the pope, the antichrist. A monk and a Jesuit are laying bricks on the walls. With explanatory inscriptions in Dutch in the image. This includes a representation of the reformed church. Cartoon Germany, Lvthervs Trivmphans, Triumph of Luther, Germany, ca. 1520-1550. The church

Title print of the pamphlet from 1618 entitled: Gulden legend of the Nieuwen St. Jan, Anonymous, 1618 print Title print of the pamphlet from 1618 entitled 'Gulden legend van den Nieuwen St. Jan'. A bust of Johan van Oldenbarnevelt on an altar is given by his supporters as a saint or idol. The image of Johan van Oldenbarnevelt has a money pouch in the right hand, a scepter in the left hand. Northern Netherlands paper etching / letterpress printing altar

Pope and clergy at Feestmaal, Lucas Cranach (I), 1521 - 1522 print The pope is at a feast with different clergymen. Book illustration in rectangular frame with fine ornaments. This print is printed with multiple logs. At the top of the magazine is half the title of the edition: und Antichristi, at the bottom of the magazine is the word antichrist. Wittenberg paper pope. organization, functionaries and dignitaries in Roman Catholic church; clergy in general. celebration meal, feast, banquet

Preaching of John de Baptist, 1740 print John the Baptist under a tree, preaching to the crowd. A title above the show. Below six verses and a reference to Matthew 3: 11-12. The print is part of an album. paper letterpress printing John the Baptist preaching (perhaps Christ among the bystanders)

Pagina uit de Neurenbergkroniek van Schedel, folio 135r.Page from the Nuremberg kronic of Hartmann Skull with the Holy Hieronymus in his study, Pelagius, Johannes Chrysostomus, the Holy Paula of Rome, Alexius of Edessa and Johannes Cassianus. At the top right numbered: CXXXV.

Ascension of Christ; The heaven-vaert us Heeren Jesu Christi. Christ is sitting on a cloud and is accompanied by angels. His hand out to God. This allows the apostles. The print is part of an album.

Jesus Being Led to Caiaphas. Dated: 1549. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Augustin Hirschvogel.

Selection of gideons men, 1740 print Gideon brought his men to the water and lets them drink. He takes those who lick the water with their tongue into the fight. The men who kneel to drink the water are sent home. A title above the show. Below six verse lines and a reference to Judges 7: 4-5. The print is part of an album. paper letterpress printing those who lap water by putting their hand to their mouth are separated from those who kneel down to drink the water ~ selection of Gideon's men

Struggle between heavenly and earthly army; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. An angel is in the middle of the sun and calls to the birds. The heavenly army, led by a rider with papal miter and a sword in his mouth, fights against the earthly army. The beast goes down in a fire pit. Under the show a reference in Latin to the Bible text. 19. This print is part of an album.

Abraham builds an altar, 1740 print Arriving in Canaan, God promised the Father to give Abraham this country to his descendants. Abraham built an altar at that location. A title above the show. Below six verses and a reference to Genesis 12: 7-8. The print is part of an album. paper letterpress printing Abraham comes to the sacred tree of Moreh at Shechem, and builds his first altar

The birth of Christ; Scenes from the life of Christ. Leaf from a book. Right text, links worship of the Christ child by Maria, Joseph, angels and shepherds.

Souls receive white clothes and burning stars falling on earth; Van den Apocalipsis of Openbaeringh Iohannis; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Den Grooten Figuer Bibel (...). Opening the fifth stamp: with an altar are the souls that all receive white clothes. Including the opening of the sixth stamp: burning stars fall on earth after an earthquake. Under the show a reference in Latin to the Bible text. 6. This print is part of an album.

Roman funeral customs

Presentation of Maria in De Tempel, 1629 print Young Mary is accompanied by her father and mother and angels as she walks up the stairs towards the altar and the high priest. Under the print numbered IV and four lines of text: the Maeght ... Brenghen Sempel. The print is part of an album. paper letterpress printing dedication (or presentation) of Mary in the temple: she ascends the steps and is received by the high priest (+ angel(s))

Saint Peter and Saint Paul with the Apostles and other saints. Engraving after J. Stradanus.

Second wonderful retirement; Jesus saturates 5000 people. Christ has sorry people with the people because they have eaten nothing for three days. He lets the people sit on the floor and multiplies the bread from his students so that there is enough food for everyone. With various elements from the show are letters. Above the show a title. There are six fresh rules and a reference to John 6: 10-13. The print is part of an album.

Passional title pagina, c. 1540 print Title page of the Passional Buch with Cartouche with title text in the middle. In addition, a group of prophets including King David on the left and Moses on the right with the tables of the law. Christ is nailed to the cross in the lower zone. Roman soldiers and scribes left and right of him. paper the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Saint Margaret ofAntioch. Engraver: Johannes Wierix, Flemish, 1549-ca. 1618 After: Stradanus (Jan van der Straet), Flemish, 1523-1605 Publisher: Philip Galle, Flemish, 1537-1612

Christ on the Cross, Hieronymus Wierix, 1563 - Before 1619 print Christ on the cross. Maria, Johannes the Baptist and other mourning around the cross. In the margin a three -fitting Bible quote from 1 Petr. 2 in Latin. Antwerp paper engraving crucified Christ, with particular persons under the cross

Page Depicting Prophets Alle Propheten Teutsch The Prophet Isaiah, Adonai, Jonah Outside Ninevah, Ornament with King David Playing the Harp, Aaron as High Priest, Ornament with King Solomon, Jeremiah before Jehoiakim, Jehovah, Jonah Thrown to the Whale, Der Biblia, Altes und Newen Testament. 1534. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Allegory on Early Christianity, Johannes Jacobsz van den Aveele, 1694 print The personification of early Christianity with palm branch and flag with Christ monogram tramples a male figure. On the left is a man with the stone dining. In the background Christ and the two criminals on the cross, a church building and Christ's Ascension. paper engraving the early Christian Churches, e.g. Armenians, Copts, Syrians. the Church symbolized

Procedure to the Shepherds, 1740 print Processing the shepherds, used here as an image of the prayer of the prophet Habakkuk. A group of shepherds is awakened by an angel. The man in the middle folds his hands. A title above the show. Below six verses and a reference to Habakkuk 3: 1-3. The print is part of an album. paper letterpress printing Habakkuk's prayer (Habakkuk 3). annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

Saint Mark. Engraving.

Saint Leonard. Engraving by J. Nowohradsky.

Prayer in Latin and German in a roll work Framing, Virgilius Solis, 1568 print Numbered in the top left: 12. Nuremberg paper engraving / etching scrollwork, strapwork ~ ornament

Christ child blows soap bubbles, 1617 print In a departure, the Christ child blows soap bubbles together with two angels. His parents and grandparents watch. Maria measures a piece of fabric. Under the performance numbered 3. In addition, four lines of text. The print is part of an album. paper letterpress printing the Christ-child blowing bubbles. household occupations of Mary

roman missal roman missal, 18th century,Caballada museum, Church of the Holy Trinity, Atienza, Guadalajara, Spain Copyright: xZoonar.com/TOLOxBALAGUERx 21416227

of 2