Biblical Themes in Art

Etchings and prints depicting biblical narratives, including scenes of the Flight into Egypt and allegories of life, featuring landscapes and figures in various settings.

Jakob in fight with the angel, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching Jacob wrestles with the angel (or man) till daybreak; Jacob's thigh is put out of joint

Gaetano Zompini, after Giovanni Benedetto Castiglione, The Flight into Egypt with a Shepherd Watching from Behind a Tree, 1758 1759 The Flight into Egypt with a Shepherd Watching from Behind a Tree

The Flight into Egypt with a Shepherd Watching from Behind a Tree. Dated: 1758/1759. Dimensions: plate: 29 x 43.1 cm (11 7/16 x 16 15/16 in.) sheet: 32.1 x 45.7 cm (12 5/8 x 18 in.). Medium: etching in sanguine on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Giovanni Benedetto Castiglione Gaetano Zompini.

Knights in Fight, Jacob Folkema, 1702 - 1767 print Three figures try to keep two warring knights apart. In the foreground, one of his horse hugs a woman a woman. paper etching fighting

The Prodigal Son Guarding Pigs ca. 1636 Anonymous. The Prodigal Son Guarding Pigs 386088

The Prodigal Son Guarding Pigs. Artist: Anonymous; After Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 11 3/4 × 13 7/8 in. (29.8 × 35.3 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: The Prodigal Son(Histoire de l'Enfant prodigue). Date: ca. 1636. Museum: Metropolitan Museum of Art, New York, USA.

A 1649 etching by Nicolas Chaperon depicting Adam and Eve with Cain and Abel, illustrating 17th-century European biblical and religious narrative.

Shepherds and Baaders by a river, Anonymous, 1600 - 1699 print Bathing women on the banks of a river and a group of shepherds with a herd. Spain paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. taking a bath - AA - in the open air. dog. city-view, and landscape with man-made constructions

Jakob in fight with the angel, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching Jacob wrestles with the angel (or man) till daybreak; Jacob's thigh is put out of joint

Historia syna marnotrawnego. Dietrich, Christian Wilhelm Ernst (1712-1774), graphic artist

Lumberjack and death; Designs for illustrations for a publication of Jean de la Fontaine's Fabelen. Design for a print.

A fishing woman is drowning with her incurably sick man in the sea. A fishing woman drowns herself and her husband in the sea to both redeem them from suffering and pain. The fishing woman lies with her head on a stone, on her back in the water. Her husband lies with his back on her legs and with his legs against a rock. Page from a book with text on the verso.

Joseph sold by his brothers to merchants, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1704, paper, etching, letterpress printing, h 113 mm × w 157 mm

View of Garden with Neptunusfontein and couples in love, Nicolas de Son, after Johann Liss, 1611 - 1650 print paper. etching (story of) Neptune (Poseidon). garden fountain. couple of lovers. French or architectonic garden; formal garden

Artist: Giovanni Domenico Tiepolo, Italian, 1727-1804, The Virgin, Holding the Child, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt), Etching, platemark: 18.8 × 24.9 cm (7 3/8 × 9 13/16 in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

Mary, Helped by an Angel, and Joseph Carrying the Basket, Passing a Flock, plate 24 from The Flight into Egypt Made 1753 Italy. Etching on paper . Giovanni Domenico Tiepolo

Philippe Jacques de Loutherbourg II, La bonne petite soeur La bonne petite soeur

France, French Crown, Paris, Mariette, Pierre (I), Bella, Stefano della, Twelve landscapes, Two men resting in a landscape, verso - stamped, A landscape with two men resting under a tree., print, prints, height 90 mm, width 141 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1596 - 1657, publisher, uitgever van privilege

Amsterdam, Fokke, Simon, Adventures of Telemachus, The Scribes of Voluptuousness are as old as Naufrage, Telemachus and Mentor arrive on Calypso's island, verso - stamped, Telemachus and Mentor are received on Calypso's island by three nymphs. Their half-sunken boat can be seen in the background. Print marked at top right: Page 1., print, book illustration, prints, height 167 mm, width 92 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1775 - 1775, paper, papier, etching, etsen

Educatie Van Achilles Door Chiron De Centaur, Giovanni Cesare Testa, After Pietro Testa, 1637 - 1691 print Landscape with the young Achilles who is taught by Chiron de Centaur. In the foreground on the right, Achilles is taught in playing the Lier. In the foreground on the left they hunt for Lions. print maker: Italyafter design by: Italypublisher: Rome paper etching the education of Achilles by Chiron

Marteld death of Marcus Atilius Regulus in Ton with Spijkers, Salvator Rosa, 1625 - 1673 print Marcus Atilius Regulus is killed by the Carthagers. He is put in a barrel with metal pins. Italy paper etching / drypoint death of Regulus: he is enclosed in a nail-studded barrel by the Carthaginians

The Flight IntoEgypt. Artist: Giovanni Benedetto Castiglione, Italian, 1609-1664

Procris en de vermomde Cephalus, Paul van Somer (2), 1677 print To put her to the test, Cephalus tries in disguise to seduce his wife procris. Procris flight ashamed away. A putto keeps them both a laurel wreath. Watch other putti or play with hunting dogs. A ruin in the background. Under the image an explanatory text in French. Scene from Ovidius metamorphoses (with. VII, 795-866). Paris paper etching / engraving CEPHALUS in disguise uses presents to seduce procris. Cupids: 'Love' '' Amoretti '' Putti '

Ceres, Crispijn van de Passe (I), 1612 print A shepherd, surrounded by animals, kneels for Ceres, the goddess of agriculture. A vineyard in the background. In the margin a four -line caption, in two columns, in Latin. Utrecht paper engraving (story of) Ceres (Demeter). groups of animals

Tobias and the angel by a river, Tobias and the angel Raphael crossing a river. A dog follows them. In Tobias' hands a big fish. Tobias will use the bile fish later to heal his father's blindness. In the background a shepherd and his herd. The print has a Latin signature. After a painting by Adam Elsheimer, Tobias and the angel Raphael traveling, accompanied by Tobias' dog, Hendrick Goudt (mentioned on object), Rome, 1608, paper, engraving, w 185 mm × h 134 mm

Cain kills Abel, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon

Putti playing with goats. Centrally a tree with two putti that try to drive on a goat. In the background on the left a Sater and a nymph that help a putto to drive on a goat.

Maria with child assisted by Engelen follow Joseph with packed donkey, Giovanni Domenico Tiepolo, 1750 - 1753 print paper etching flight into Egypt and miracles during the journey

Haven with the statue of Neptunus, Anthony van Zijlvelt, after Johannes Lingelbach, 1650 - 1695 print The port of Genoa with a few people around a statue of Neptune. On the right a drawing artist. Amsterdam paper etching monument, statue. (story of) Neptune (Poseidon). harbour. draughtsman at work - CC - out of doors

Sara and Abraham on their way to Canaan, Crispijn van de Passe (II), 1700 - 1750 print Abraham leaves on his way to Canaan with his wife Sara, his father Terach and his son Lot. In the margin a two -way caption in Dutch. print maker: Utrechtpublisher: Amsterdam paper engraving Abraham starts out for the land of Canaan with Sarah, Lot and his belongings

Mercury and Argus. Artist: Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet: 9 15/16 × 11 13/16 in. (25.2 × 30 cm). Date: ca. 1630-1648. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Beusekom, Francoys van, Jordaens, Jacob (I), Pontius, Paulus, Royaalbijbel, Surge et accipe puerum et matrem eius et fuge in Aegyptum, Flight into Egypt, bottom center in the margin - engraved, The Holy Family flees into Egypt. Mary sits with the Christ child on the donkey, which is led by Joseph. Three putti walk in front of him with a cow on a rope. One of them carries a basket on his head. In a landscape with trees and an empty stone plinth. Below the representation four four-line verses in Dutch and a reference to the Bible text in Mat. 2:13., print, engraving, prints, engravings, verso - stamped, Jaques Iordaens invent., bottom left - engraved, Francoys van Beusecom Excudit., bottom right - engraved, title: SURGE ET ACCIPE PUERUM ET MATREM EIUS ET FUGE IN AEGYPTUM. Matth. 2.13., The Wise Man's Vision Who Sees the Young Child...How He Loves God on This Journey Weendt., height 405 mm, width 515 mm, print maker, printmaker, 1642 - 1665, 17th century, 17e century, paper, en

Sitting woman with soldier and philosopher; Capricci.

Artist: Giovanni Domenico Tiepolo, Italian, 1727-1804, The Holy Family Between Two Angels, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt), Etching, platemark: 18.8 × 24.8 cm (7 3/8 × 9 3/4 in.), Italian, 18thcentury, Works on Paper -Prints

Flight to Egypt, Jan van Ossbeeck, after Nikolaas van Hoy, after Domenico Feti, in or after 1660 print The Holy Family on the flight to Egypt. Maria and Joseph walk past a child on the side of the road. An angel takes care of the child. Brussels paper etching / engraving the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Personified soul in conversation with the meat and a blind; The soul between the meat and a blind.

Title page for: Jean Baptiste Racine, 'Fedra', 1770, Theseus and two women grieve at the dead body of Hippolytos. In the foreground a part of the fallen car that killed Hippolytos, and in the background the bull and the troubled horses, (story of) Hippolytus, accident with animal-drawn vehicle, horse, ox, Reinier Vinkeles (I) (mentioned on object), Amsterdam, paper, engraving, h 141 mm × w 90 mm

Love couple in landscape: Himit Gib Ich Zu Raten Frey ...; Pugillus facetarium iconographicarum ... Strasbourg 1608. In a landscape in the foreground a love couple at a group of trees. There are some items of clothing and weapons next to them on the ground. The woman is sitting and the man stands for her. It is not clear whether he is injured. Town in the background. Text in the margin: "Himit Gib Ich zu Rathen Frey / OPS Ambient Oder Geefhen Sey. / Es Rathe Wer Da Rathen Will / So Hab Ich But Das Best im Spill." (Not numbered). Print from: Pugillis Facetarium .... Strasburg.

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Heliae et Sacerdotum Balaami, History of Elia, Elijah and the widow of Zarephath, Elijah meets the widow of Zarephath and her son, who are gathering wood together outside the city gate. In the background Elijah prays for the boy who has died and is being brought back to life. Outside by the door sits the widow. Below the representation a reference in Latin to the Bible text in 1 Kings. 17. Print is part of an album., print, album page, prints, height 204 mm, width 288 mm, Work conception, South Netherlands, 1544 - 1638-10-01, after a design by, 1579 - 1579, paper, engraving, engraving (printing process), print maker, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Allegory at the first meeting of the 'Eeconomic branch' of the Dutch Society of Sciences in Haarlem, Noah van der Meer (II), after Jacobus Buys, 1777 print The personalized Dutch society of sciences is seated on a throne, on which the city weapons of Haarlem and Amsterdam have been installed. At the throne is Ceres, goddess of agriculture, with a corn sheaf and a sickle. On the right the sitting Mercury with the Caduceus in his hand. In the foreground, two putti bend over a building plan. In the background ships on the water. Allegory at the first meeting of the 'Eeconomic branch' founded in 1777 of the Dutch Society of Sciences in Haarlem. The aim of this branch of society was to eliminate trade and company from their decline through annual prizes. Amsterdam paper etching (story of) Ceres (Demeter). (story of) Mercury (Hermes). cupids: 'amores', 'amoretti', 'putti'

Judgment of Paris; Giudice Eletto Il Pastorel Trojano Dalle Tre Dee Nella Fatal Contes (...). The Shepherd Paris is in a landscape and assesses the three naked goddess Juno, Minerva and Venus on their appearance. He gives the golden apple to Venus, the winner.

During the Thirty Years' War, there is famine in Germany. In the foreground, a corpse is consumed by a hungry family. On the left, a corpse is dug up for eating., Famine in Germany, 1637, print maker: Caspar Luyken, (attributed to), publisher: Johann David Zunnern, Frankfurt am Main, 1701, paper, etching, letterpress printing, h 123 mm × w 179 mm

Simson beats the Leeuw, Caspar Luyken, 1712 print Amsterdam paper etching Samson kills the lion with his bare hands

. .

Two scientists discussing in a landscape Title page for: J. Le Mort, Chymia medico-physica. That is, Medicine and naturalistic chemistry, 1696, print maker: Jan Luyken, publisher: Timotheus ten Hoorn, (mentioned on object), Amsterdam, 1696, paper, etching, h 147 mm × w 86 mm

Amsterdam, Luyken, Jan, Baptism of the Chamberlain by Philippus, recto - manuscript in brown ink, print, prints, verso - stamped, 133, height 118 mm, width 153 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Hercules resting from his labours. Etching by P. Aquila after Annibale Carracci.

Bacchus lifts a cloth of a sleeping woman, Philippe Caresme, 1744 - 1796 drawing Bacchus lifts a cloth of a sleeping naked woman; There are two putti next to her. paper. pencil brush sleeping; unconsciousness

De verkeerde wereld, 1579; De verkeerde Weerelt / Le Monde a rebous; Allegorieën op de politieke toestand in de Nederlanden in de jaren 1576-1579.Landscape in which allegorical figures and pixels together form a rebus. Personifications of stress and tyranny keep the world upside down, in addition the sleeping love and time with a opened book. In the caption, the solution of the rebus in 3 verses of 2 rules each in Dutch, French and German. Numbered right and bottom left: I / I.

Rosselli, Matteo, Florence, Callot, Jacques, The miracle of Pietro dal Monte, verso lower left - stamped, A man shoots another man from behind a tree. In the background a castle or city. Below the image three lines of Latin text., print, prent, prints, engravings, height 129 mm, width 82 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1614 - 1614, first quarter 17th century, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1578-08-10 - 1651-01-08

Herman Jansz Muller after Maerten van Heemskerck, Judah Giving Tamar the Pledge, c 1566 Judah Giving Tamar the Pledge

The Resurrection of Lazarus. Dated: c. 1645. Dimensions: sheet (trimmed to plate mark): 22.6 x 31.7 cm (8 7/8 x 12 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Benedetto Castiglione.

Zomer, Daniël van den Bremden, After Adriaen Pietersz van de Venne, 1625 - 1630 print A young woman with a basket full of fruits and a farmer who has just walked from the grain harvest a lot next to each other. The farmer wears grain over his shoulder and a sickle in his hand. The young woman keeps her apron up. A dog jumps wagging on the road. In the background you can see a hay wagon with farmers who leave home. Presentation of the summer from a press series with the four seasons. Amsterdam paper engraving summer ~ human activities (the four seasons of the year)

The daughters of Cecrops open the basket with Erichthonius Metamorphoses of Ovid (series title), The three daughters of Cecrops, king of Athens, open the basket in which Erichthonius, who has a snake's tail, lies. There is a crow in the tree that witnessed the event. In the background on the left, Vulcanus is trying to rape Minerva. His seed then spilled to the ground and so Mother Earth gave birth to the child Erichthonius. In the margin a four-line caption, in two columns, in Latin, the daughters of Cecrops open the basket and discover the serpent-shaped child, possibly a crow (i.e. Coronis metamorphosed) looks on (variant), Vulcan attempts to violate Minerva, Gaea is accidentally fertilized, Crispijn van de Passe (I), Keulen, 1602 - 1607, paper, engraving, h 86 mm × w 130 mm

Vos, Maerten de, Londerseel, Jan van, Saints and hermits, H. Antiochus on horseback, verso - stamped, Saint Antiochus as a hermit on horseback in the forest, accompanied by a servant. In the margin a caption in Latin., print, prent, prints, height 170 mm, width 208 mm, 1575 - 1625-01-07, print maker, prentmaker, 1580 - 1625, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04

Jacques Callot, Peasant Removing His Shoe, c 1622 Peasant Removing His Shoe

Flood, Jan Wandelaar, After Jacob de Wit, after Godfried Maes, 1710 - 1759 print The flood floods the earth. People and animals try to bring themselves and others to safety by fleeing to higher areas. The Ark of Noah is shown in the distance. print maker: Noord-Nederlandafter drawing by: Amsterdam (possibly)after design by: Antwerp paper etching / engraving the Flood and destruction of mankind ~ story of Noah (Genesis 7:10 - 8:17)

The Flight intoEgypt. Artist: Ignatius Cornelis Marinus, Flemish, 1599-1639 After: Peter Paul Rubens, Flemish, 1577-1640

Europe and De Bier, Jan Luyken, 1691 print Print at the top right marked: Fig. 31. print maker: Amsterdampublisher: The Hague paper etching Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water

An exhausted woman is resting off the roadside attended by a man, while a woman in Roman costume encourages her to carry on, and in the background an exhausted traveller is encouraged by a Roman soldier; representing Restoration. Etching.

Edouard Eckman after Jacques Callot, Peasant with Sack, 1621 Peasant with Sack

Guidone, pl. 4 of 30 from the series Sylvae Sacrae (Hermits inLandscapes). Publisher: Johann Sadeler I, Flemish, 1550-1600 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Rafael Sadeler I, Flemish, 1560-1628

Rome, Schiaminossi, Raffaello, Quindecim Mysteria Rosarii Beatae Mariae Virginis, Fifteen Mysteries of the Rosary, Resurrection, recto lower right - handwritten in brown ink, Christ rises above his tomb with a banner in his hand. Soldiers who guarded the tomb try to flee in fright. In the bottom margin a two-line Latin text., print, prent, prints, verso - stamped, 11, height 112 mm, width 156 mm, Italian, 1572 - 1622, print maker, printmaker, 1602 - 1604, paper, papier, etching, etchings, Work conception, after own design by

Jozef tells his dreams to his brothers; Paintings in the Loggia of Rafaël. Joseph explains his dream to his brothers. He tells that in his dream's corners of his brothers bows for his own sheaf and that the sun, moon and stars for him too.

Polyphemus throws a rock to the ship of Odysseus; Les Travaux d'Ulysse; Odysseus works. The giant polyphemus throws a rock to the departing ship of Odysseus. The print is part of an album.

Minerva visits Apollo and the Muses on the Parnassus, Judge part, Pieter van den Berge, after Gerard de Lairesse, c. 1694 - in or before c. 1737 print Judge part of a performance with Minerva and Apollo on the Parnassus mountain range, the hometown of the Muzen. The muses are on the water and make music. Hercules disrupts peace by running the muses with his club and lion skin. Amsterdam paper etching / engraving Parnassus, sacred to Apollo Musagetes. non-aggressive, friendly or neutral activities and relationships of Minerva. (story of) Apollo (Phoebus)

Christ appearing to Mary Magdalen(). Artist: After Carlo Maratti (Italian, Camerano 1625-1713 Rome); Attributed to Giuseppe Canale (Italian, Rome 1725-1802 Dresden). Dimensions: sheet: 13 1/16 x 15 9/16 in. (33.2 x 39.5 cm)plate: 8 7/16 x 10 15/16 in. (21.5 x 27.8 cm). Date: 1740-1802. Museum: Metropolitan Museum of Art, New York, USA.

The Adventure of Mambrino's Helmet (Six Illustrations for Don Quixote) 1756 or after William Hogarth British. The Adventure of Mambrino's Helmet (Six Illustrations for Don Quixote) 397844

Alexander in the Studio of Apelles. Dated: c. 1662. Dimensions: sheet (trimmed to plate mark): 45.5 x 27.5 cm (17 15/16 x 10 13/16 in.). Medium: etching and drypoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: SALVATOR ROSA.

Men shoot with arrows on tied figure, anonymous, 1677 print Men with beards shoot with arrow and bow on the man tied to a tree on the right. In the background we see how the same figure is dragged over the ground behind a horse. On the left, two men with turban point on a naked figure lying on a couch. Amsterdam paper engraving / etching violent death by arrow(s)

Saint Jerome. Etching by J. van Campen after P. Veronese.

The Encounter with Talgol and Magnano (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 3) 1721-26 William Hogarth British. The Encounter with Talgol and Magnano (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 3) 396779

Louis XIII (King of France), Paris, Langlois, François, Bosse, Abraham, Costumes of the French Royal Guard, Figures Au naturel tant des Vestements que des postures des Gardes Francoises du Roy Tres chrestien, Two soldiers on a raid, dressed according to the fashion of ca. 1630, verso - stamped, costume print, prints, height 183 mm, width 110 mm, width 246 mm, height, 172 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1639 - 1639, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, 1589-05-12 - 1647-01-14, publisher, uitgever, 1601-09-27 - 1643-05-14, granter of privilege

Lucas van Leyden, Abraham Going to Sacrifice Isaac, 1517 1519 Abraham Going to Sacrifice Isaac

Bernard, Michel and Alvin-Beaumont, Rijn, Rembrandt van, The Stoning of Stephen, verso center bottom - pencil, print, engraving, prints, engravings, Rembrandt f. 1635, lower left, Coppier, height 95 mm, width 85 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1635 - 1635, second quarter 17th century, third quarter 19th century, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Illustration for the Decamerone of Boccaccio, Romeyn de Hooghe, 1697 print Illustration for the Decamerone of Boccaccio, History XIV. In washed -up man (Landolfo Rufollo) is pulled ashore by older wife on his hair. In the sea the faded ship. Netherlands paper etching (scenes from) specific works of literature: Boccaccio, Decamerone

Elegant company in Tuin, Cornelis de Wael, 1633 - 1648 print An elegant company sits together on a path in a garden. On the right a statue of Venus with Amor. A dog looks up at the image. Italy paper etching garden. private festivities, merry company. (story of) Venus (Aphrodite). dog

Antwerp, Vrints, Johannes Baptista (I), Vos, Maerten de, Weert, Jacob de, Vita b. Ioannis Baptistae graphicè descript, Life of John the Baptist, John the Baptist at the Jordan, verso lower left - stamped, John the Baptist baptizes a believer in the Jordan. Behind him a man washes his feet and another man dries himself. In the distance are some buildings at the foot of a mountain. Below the representation is a three-line Latin text with a description of the scene from Mar. 1., print, prints, height 105 mm, width 94 mm, Zuid-Nederlands, 1569-09-12, print maker, printmaker, 1580 - 1600, paper, papier, engraving, graveren (drukprocedé), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publicatie, 1555 - 1610, publisher

Italië, Wael, Cornelis de, Genre scenes, Resting hunting party, Italy, verso lower left - stamped, A group of horsemen are taking a break. They are talking to each other. One woman is still sitting on the horse with her child. On the left a goat and a dog., print, prent, prints, prenten, height 117 mm, width 147 mm, Zuid-Nederlands, 1592-09-07 - 1667-04-21, print maker, 1630 - 1648, paper, etching, engraving, engraving (printing process)

Netherlands, Dietrich, Christian Wilhelm Ernst, Shepherd with herd and four muses, verso of application sheet - stamped, In the foreground lie a flute and a tambourine, the attributes of the muses Erato and Euterpe., print, engraving, prints, engravings, height 183 mm, width 265 mm, German, 1712-10-30 - 1774-04-23, print maker, printmaker, 1740 - 1740, paper, papier, etching, etchings

Don Quixote releases the Galley Slaves (Six Illustrations for Don Quixote) 1756 or after William Hogarth British. Don Quixote releases the Galley Slaves (Six Illustrations for Don Quixote) 397848

Miraculous Draught of Fish. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Artist and publisher: Pieter Soutman (Dutch, ca. 1580-1657). Dimensions: sheet: 9 3/4 x 12 13/16 in. (24.7 x 32.5 cm). Date: 1595-1657. Museum: Metropolitan Museum of Art, New York, USA.

Death of Absalom, Caspar Luyken, 1708 print Nuremberg paper etching Joab stabs Absalom with three spears

Vucalion a Pyrrha, Philip Van Gunst, 1685 - 1732 print Deucalion and Pyrrha kneel before the oracle of Themis, the throne justice. Both are the only two survivors of the flood that Jupiter has sent in the world. Justice gives them the council to go to a field, cover their faces and throw stones behind their backs. In the background on the right, the couple follows this council. The stones change on the ground into children. Amsterdam paper etching / engraving stones turning into men: stones thrown by Deucalion and Pyrrha, as directed by the oracle of Themis, turn into men (Ovid, Metamorphoses X 400)

Greeks go on board after the fall of Troy; Les Travaux d'Ulysse; Odysseus works. The Greeks go on board and take prisoners of war. In the background the burning city of Troje. In the foreground a few trojans try to avoid the blows of the Greeks. The print is part of an album.

Eugène Delacroix, Hamlet and Horatio before the Gravediggers (Act V, Scene I), 1843 Hamlet and Horatio before the Gravediggers (Act V, Scene I)

Jakob and Rachel at De Waterput, Sébastien Bourdon, 1626 - 1671 print paper etching Jacob sees Rachel coming to the well to water Laban's sheep

Man finds a treasure while working in a field; The bad-shaving right.

Satyrs revelling in a bacchanalian celebration. Etching by A. Cioci, 1762, after A.D. Gabbiani.

The lost son says goodbye to his father, Claes Jansz. Visscher (II), After David VinckBoons, 1608 print In front of the gate of a house, the lost son receives his inheritance from his father. He says goodbye to his family while he is sitting on his horse. The horse is held by a young servant. Rear right, the lost son drives through a forest. The print is part of a four -part series about the parable of the lost son. Amsterdam paper etching leave-taking and departure of the prodigal son. clothes, costume (+ men's clothes)

Aaron and Chur propping up Moses' hands during the struggle of the people of Israel against the Amalekites, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, letterpress printing, h 109 mm × w 156 mm

Vinckboons, David (I), Amsterdam, Visscher, Claes Jansz. (II), Christ at the sheepfold, Christ at the sheepfold as the Good Shepherd, ca. 1560. Christ standing in the door to the sheepfold with a lamb on his shoulders. Thieves try to enter through the side walls and the roof and steal sheep from the fold. In the background a shepherd chases a wolf from his flock. With caption of 2 times 2 lines in Dutch and a reference to John 10. Cartoon on the Roman Church, theme from ca. 1560., print, prints, Frederik Muller History plates, height 175 mm, width 222 mm, Northern Netherlands, 1586 - 1652-06-19, print maker, printmaker, 1606 - 1606, first quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), 1576-08-13 - 1629, intermediary draughtsman

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Agreable diversity of figures, Diverse representations and figures, Resting pilgrims at a ruin, verso - stamped, print, prints, height 73 mm, width 103 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1642 - 1642, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

Fighting boys; Four genre scenes. A young couple looks at the quarrel having three boys in the background.

Farewell to David and Jonathan, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys (II), 1712

The Nature, Customs, and Manners of the Chiefes, 1671., 1671., London. Publisher, Printed by the author, and are to be had at his house. America, West Indies, British History

Fuger Gedenkblatt: Memoriam fur HeinrichFuger. Artist: Johann Josef Schindler, German, 1777-1836

Port with merchants and prisoners; Italian ports; Aliqui Pandus. Harbor with the right foreign merchants with a load; behind it a sailing ship. Links two foreign prisoners, chained at the feet with a chain. Left in the background a city gate. Sixth print from a series of twelve with Italian ports.

The Hague, Wtenbrouck, Moyses van, The story of Hagar, The angel comforts Hagar, verso lower left - stamped, Hagar sits at the foot of a thick tree in a hilly landscape. The angel walks towards her., print, prints, height 129 mm, width 180 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, 1620 - 1620, paper, papier, etching, etchings

Vatican City, Papal Court, Rome, Paolo, Giovanni Antonio de, Tempesta, Antonio, Imagini di moltes vergini Rom nel martirio, Roman martyrs, St. Tatiana, verso - stamped, St. Tatiana is martyred in three different ways., print, prints, height 73 mm, width 114 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Publication (Event), Publication, publisher, uitgever van privilege

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