Biblical Triumphs and Offers

Engravings depicting biblical narratives, including David's victory over Goliath and Melchizedek's offering, showcasing historical art with dynamic compositions and dramatic scenes.

David is received by Saul in the army camp, where he tells him that he wants to fight Goliath. David is incorrectly depicted in the foreground partially in armor, as he refused the equipment. The soldier behind him puts a helmet on his head. In the margin a one-line caption in Latin from 1 Sam. (incorrectly identified as 1 Kings on the print), David receives the armor Story of David and Saul , print maker: anonymous, Maarten van Heemskerck, publisher: Hieronymus Cock, print maker: Low Countries, publisher: Antwerp, publisher: Antwerp, 1555 - 1633, paper, engraving, h 205 mm × w 249 mm

David returns triumphant with the head of Goliath; David e Golia Triumphate; Oudtestament fighting scenes. David returns to the giant goliat after victory. David is on horseback with the sword of the giant in his hands. In addition to the horse, a soldier walks with the chopped head of Goliat. A crowd welcomes David with music and dance. Title and caption in Latin in the undermaster.

Melchizadek Offering Bread and Wine to Abraham. Artist: Battista Franco (Italian, Venice ca. 1510-1561 Venice). Dimensions: sheet: 10 13/16 x 16 5/16 in. (27.5 x 41.5 cm)plate: 10 5/8 x 16 5/16 in. (27 x 41.5 cm). Date: ca. 1547. Museum: Metropolitan Museum of Art, New York, USA. Author: Battista Franco.

Southern Netherlands, unknown, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, Envoys from Cologne bring gifts to Julius Civilis, verso - stamped, Envoys from Cologne bring gifts to Julius Civilis. On top of the tower on the right is Civilis' female companion, the prophetess Veleda. She also receives gifts. Caption in Dutch and Latin., print, prent, prints, prenten, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etsen, Work conception, 1556 - 1629-05-06, after a design by, granter of privilege

Second pretext: the new herd, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1581 - 1633 print The king's messenger comes to the second guest and invites him to the wedding party. The guest apologizes with the pretext that he has bought a new herd of cattle. The man points to the herd in the background. The print has a Latin caption and is part of a six -part series about the parable of a wedding party. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper engraving / etching those that are invited to the royal wedding-feast excuse themselves. messenger. horn, trumpet, cornet, trombone, tuba. agricultural implements: spade. farmers. ox. ploughing

Death of Timoteüs, Chereas and Apollofanes, Johannes Wierix, after Gerard van Groeningen, 1579 print The army of Judas Makkabeeër storms the walls of the castle. They set fire to the towers. Timothy and his brothers Chereas and Apollophanes are killed. Under the show a reference in Latin to the Bible text in 2 bubble. 10. Antwerp paper engraving other scenes ~ second book of the Maccabees

Copper engraving print by Marco Dente depicting Roman riders crossing a bridge, showing figures, horses, and architectural elements, 1510-1599.

Allegory on the acquisitions in Brabant, Romeyn de Hooghe, 1705 - 1707 print Netherlands paper etching personifications of countries, nations, states, districts, etc. Brabant. Breda. Maastricht. Den Bosch

The Triumph of Fame. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Georg Pencz.

David is received by Saul in the army camp, where he tells him that he wants to fight Goliath. David is incorrectly depicted in the foreground partially in armor, as he refused the equipment. The soldier behind him puts a helmet on his head. In the margin a one-line caption in Latin from 1 Sam. (incorrectly identified as 1 Kings on the print), David receives the armor Story of David and Saul , print maker: anonymous, Maarten van Heemskerck, publisher: Hieronymus Cock, print maker: Low Countries, publisher: Antwerp, publisher: Antwerp, 1555 - 1633, paper, engraving, h 205 mm × w 249 mm

Melchizadek offering bread and wine to Abraham ca. 1545-1561 Battista Franco Italian. Melchizadek offering bread and wine to Abraham 371821

Second pretext: the new herd; Similarity of a wedding party. The King's messenger comes to the second guest and invites him to the wedding party. The guest apologizes itself with the pretext that he bought a new herd cattle. The man points to the herd in the background. The print has a Latin caption and is part of a six-part series about the parable of a wedding party.

Southern Netherlands, unknown, Antwerp, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, Cologne troops bring Civilis' wife and sister to Cerialis, Cologne troops bring Civilis' wife and sister to Cerialis. Caption in Dutch and Latin., print, prints, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, letterpress printing, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

David returns triumphant with the head of Goliath; David e Golia Triumphate; Oudtestament fighting scenes. David returns to the giant goliat after victory. David is on horseback with the sword of the giant in his hands. In addition to the horse, a soldier walks with the chopped head of Goliat. A crowd welcomes David with music and dance. Title and caption in Latin in the undermaster.

The Women of Weinsberg carry out their men on their backs, Zacharias Dolendo, after Jacques de Gheyn (II), After 1615 - Before c. 1652 print The Emperor (Roman King Koenraad III) has taken the city of Winbergen (Weinsberg), December 21, 1140. The townspeople are asked to leave the city and can take what they can carry. The women of Winbergen choose to carry out their men on their backs so that they do not get into captivity. print maker: Leidenafter design by: Leidenpublisher: Amsterdam paper engraving carrying a person on one's back. capture of city (after the siege) Weinsberg

Christ, St. Paul, and the Twelve Apostles: St. John, c. 1578. Hendrick Goltzius (Dutch, 1558-1617), after Maarten de Vos (Flemish, 1532-1603). Engraving; plate: 20.6 x 27.9 cm (8 1/8 x 11 in.).

A copper engraving by Cornelis Galle the Elder depicting a hunt for a kite bird, emphasizing figures, hounds, and landscape.

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, S. Carolvs magnvs, During the siege of a city, Charlemagne's soldiers find a well, verso lower left - stamped, In the foreground, Charlemagne's soldiers drink from a well. In the background, a city is under siege. Charlemagne leads his men on horseback. The print has a Latin caption and is the 31st print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlands, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Lucas Cranach the Elder, Saint Matthew Saint Matthew

Cerialis donates overlooked soldiers grace, 69-70, Antonio Tempesta, After Otto van Veen, 1612 print Cerialis donates overlooked Roman soldiers grace. Print number 26 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. Without text on the back. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). granting mercy; free pardon Netherlands

Hooghe, Romeyn de, Netherlands, Esopus in Europa, De Geschooren Hoop, Title page for the pamphlet: De Geschooren Hoop, 1702, Arrival of a ship at a Turkish or North African city where the French flag flies. Title is on separate text sheet., print, title page, prints, height 99 mm, width 138 mm, height 47 mm, width 125 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1702 - 1702, first quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

The Romans Paying Off Dutch Old Men for the Services of Young Ones. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, publshed 1612. Prints; etchings. Etching

Riders and footmen at a city gate, A female rider with hat and staff is surrounded by male riders. Many figures have gathered around her on foot, including on the city walls. On the right a gate., Riding a horse, ass, or mule, rider, horseman, city-gate, city-walls, Christiaan Hagen, Amsterdam, c. 1663 - 1695, paper, etching, h 90 mm × w 129 mm

Canto XI. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 16th century. Prints; etchings. Etching

An ambush against Giovanni the 'Medici Verildeld; History of Giovanni de 'Medici (called' Dalle Bande Nere '). In the foreground an equestrian fight, in the background the siege of a castle. Under the show two Latin lines. This print is part of a 22-part set of pictures of the history of Giovanni de 'Medici, called' Dalle Bande Nere '.

Antigonus beheaded by order of Antony, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1704, paper, etching, letterpress printing, h 112 mm × w 160 mm

Southern Netherlands, unknown, Antwerp, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian Wars against the Romans, Meeting to determine what steps to take against the new Roman troops approaching over the Alps, View of a room where a meeting is taking place to determine what steps to take against the new Roman troops approaching over the Alps. Through a window a view of the Alps with the Roman troops. Caption in Dutch and Latin., print, prints, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, letterpress printing, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

Ferdinando I The 'Medici lets the aqueduct repaired with Pisa; Life of Ferdinando I the 'Medici. Ferdinando I The 'Medici stands on the left under a parasol and points to an aqueduct, right at the center plan, where construction work. In the background the city of Pisa with the typical crooked tower. Under the show a blank margin. This print is part of a series of 16 prints (plus 2 unfinished prints) of the life of Ferdinando I the 'Medici, intended as a supplement to an already existing series of illustrations of the history of the Medicis.

Death of Timothy, Chereas and Apollofanes, 1579 print The army of Judas Makkabeeër storms the walls of the castle. They set fire to the towers. Timothy and his brothers Chereas and Apollophanes are killed. Under the show a reference in Latin to the Bible text in 2 bubble. 10:32. Print is part of an album. paper engraving other scenes ~ second book of the Maccabees

Wild Boar Hunt with Spears, from Hunting Scenes in Ornamental Frames 1570 After Jan van der Straet, called Stradanus Netherlandish This engraving of a wild boar hunt is based on one of a series of six tapestry designs that Stradanus made for the Florentine Duke Cosimo I de Medicis villa in Poggio a Caiano. In addition to this series, Stradanus made enough cartoons, or full-scale preparatory drawings, to decorate twenty rooms in the villa. Hunting boar was an activity limited to the aristocracy, and here we see the members of Cosimos court mounted on horseback, assisted by various servants on foot. A second engraving from the series shows the hunters catching the boars in nets.. Wild Boar Hunt with Spears, from Hunting Scenes in Ornamental Frames 356242

Giovanni de 'Medici in consultation with Swiss mercenaries; Family history of the genus the 'Medici (Part 1); Mediceae Familiae Rerum Feliciter Gestarum Victoriae et Triumphi. Giovanni's' Medici, nicknamed 'Dalle Bande Nere', in consultation with Swiss nationals. In the bottom margin two lines text in Latin and numbered 7. The print is part of an album.

Augustin Hirschvogel, The Lord Sweetens the Waters of Marah, 1548 The Lord Sweetens the Waters of Marah

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in pencil, print, engraving, book illustration, prints, engravings, Chained Anabaptists in Austria say goodbye to their families, 1540, verso - stamped, 55, height 115 mm, width 148 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publicatie, publisher, uitgever, - 1693-06-26

Florence, Callot, Jacques, Entry of Margaret of Austria into Ferrara, verso lower left - stamped, In a procession Margaret of Austria rides on horseback, flanked by two cardinals, towards a city gate (of Ferrara)., print, prent, prints, height 131 mm, width 180 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, papier, etching, etchings

Ferdinando I de 'Medici has the aqueduct repaired at Pisa, Jacques Callot, After Matteo Rosselli, 1614 - 1620 print Ferdinando I de 'Medici is on the left under a parasol and points to an aqueduct, on the right in the middle plan, where workers build. In the background the city of Pisa with the typical crooked tower. Under the show an empty margin. This print is part of a series of 16 prints (plus 2 unfinished prints) of the life of Ferdinando I de 'Medici, intended as a supplement to an existing series of illustrations of the history of the doctors. Florence paper engraving aqueduct (~ water supply). building activities Pisa

Waldstein, Johann Heinrich Freiherr.

Luxembourg intake by the French, 1684, 1684 - 1685 print Conquest of Luxembourg by the French army under Marshal François de Créquy and the Marquis de Vauban on 4 June 1684. View of the siege of the city, in the foreground the French Marshal and other commanders on horseback. At the bottom of smaller scenes, including the bombing of Genoa from 17-28 June. At the bottom of an open cartouche intended for a calendar leaf for the year 1685. two sheets stuck together. Paris paper etching / engraving capture of city (after the siege) Sit (city)

Wild Boar Hunt with Spears, from Hunting Scenes in Ornamental Frames. Artist: After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence); Formerly attributed to Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Dimensions: Sheet: 17 5/8 x 12 7/8 in. (44.8 x 32.7 cm). Publisher: Published by Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1570.In this scene from a series of hunting prints after the famous Flemish draughtsman and painter Jan Stradanus, the wild boar is finally killed with a so-called boar sword by a mounted huntsman. Note the two differing spearheads of the two assisting hunters. Museum: Metropolitan Museum of Art, New York, USA.

The Triumph of Peace, from The Cycle of the Vicissitudes of Human Affairs, plate 8 1564 Cornelis Cort Netherlandish. The Triumph of Peace, from The Cycle of the Vicissitudes of Human Affairs, plate 8 630114

Gideon has brought his men to the water and let them drink. Those who lick up the water with their tongues he takes into battle. The men who kneel to drink the water are sent home. Below the depiction a reference in Latin to the Bible text in Ri. 7, Selection of Gideon's men History of Gideon Thesaurus sacrarum historiarum veteris testamenti , intermediary draughtsman: Maerten de Vos, print maker: anonymous, publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 206 mm × w 269 mm

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Abimelech saxo percussus moritur, The death of Abimelech, verso - stamped, Abimelech and his army storm a city. The inhabitants of the city fight back from the city wall. On the left, Abimelech sits on his horse and has a stone thrown at his head by a woman on top of a tower. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever van privilege

St. John's College.

The Death of Abimelech. Dated: 1613. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

Solomon builds the temple in Jerusalem; Paintings in the Loggia of Rafaël. A group of men is in the weather with tools and building materials. They build the Temple of Solomon. In the background, King Solomon consists of the work.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Jode, Pieter de (I), Ryckmans, Nicolaes, Den Grooten Figuer-Bibel, Geschiedenis van Jefta, De Historie van Iephtah, Jefta is chased away by his brothers, bottom right - handwritten in brown ink, Jefta, with a spear in his hand, and his squire are chased away by his brothers in front of an army tent banished. Jephthah is excluded because he has a different mother than his brothers. Below the image is a reference in Latin to the Bible text in Judg. 11:1. This print is part of an album., print, prent, albumblad, prints, prenten, 116, height 216 mm, width 281 mm, 1595, print maker, prentmaker, 1616 - 1636, paper, papier, engraving, graveren (drukprocedé), Work conception, Zuid-Nederlands, 1570 - 1634-08-09, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher, uitgever, 1592 - 1656-04

Triumph car with pride (Superbia), Cornelis Cort, After Maarten van Heemskerck, 1564 print The personification of pride is on a triumphal wagon that drives through an antique city. She can be recognized by the mirror and the peacock. The triumphal wagon is pulled by two horses and driven by the personification of contempt. Other vices are walking with the car. Print from a series of nine prints with triumphal cars from the Antwerp circumcision commitment of 1561. The personifications on the cars together represent the cycle of human action. Antwerp paper engraving Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins - NN - triumph. Vicissitudes of Life (+ allegorical scene, i.e. two or more personifications involved in an action). chariot, triumphal car. Vicissitudes of Life (+ allegorical scene, i.e. two or more personifications involved in an action)

Hertog van Lerma welcomes Margaretha van Austria in Viares, Antonio Tempesta, After Unknown, 1565 - 1630 print The Duke of Lerma welcomes Margaret of Austria in Viares. He kneels in front of her throne. Behind Margaret are women from her court. Numbered below: 13. Italy paper etching being welcomed ~ travelling. throne

Second pretext: the new herd, 1581 - 1633 print The king's messenger comes to the second guest and invites him to the wedding party. The guest apologizes with the pretext that he has bought a new herd of cattle. The man points to the herd in the background. The print has a Latin caption and is part of a six -part series about the parable of a wedding party. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper engraving / etching those that are invited to the royal wedding-feast excuse themselves

Haarlem, Numan, Hendrik, Play on a stage with an audience, verso lower left - stamped, On a stage are a number of figures, including a man in a suit with a checked diamond pattern. Men, women and children are standing around looking at it., print, prints, height 101 mm, width 137 mm, 1736-03-21 - 1788, print maker, printmaker, 1746 - 1788, paper, papier, houtsnede

Ecce Homo ca. 1590-1600 Hans von Aachen German. Ecce Homo 343505

The merciless servant lets his debtor imprison, Anonymous, 1585 print The servant, whose debts have just been abandoned by the king, meets another servant who is guilty of a hundred denarie and claims this amount from him. The man kneels and begs for postponing. But the grafting Diienaar instructs soldiers to take the man to prison. Under the performance a reference in Latin to the Bible text. Antwerp paper engraving the unmerciful servant attacks his fellow-servant who owes him money, and casts him into prison ~ parable of the unmerciful servant

Allegory with Overijssel.

After his release from prison, Louis II is brought to the Bourbon, Prince of Conde to Paris. He gets out of a vehicle and is welcomed by Parisians.

Aeneas Bij de Sibylle Arcana, François Bourlier, After François Perrier, 1651 - 1682 print paper etching / engraving the story of Aeneas' wanderings to Italy (Virgil, Aeneid). sibyls

. Emperor Aurelianus drives his triumphar, who is being pulled through deer. He triumphs over the chained Zenobia, queen of Palmyra. He carries her and Tetricus to Rome to show them to the people. In the margin a two-person caption in French.

Netherlands, High, Romeyn de, The feigned testimony of Jacob Stuart, former King of England, to his Highness the Lord Prince of Orange, shown in the presentation of the Charters and Penal Laws., William III and the defeated James II, bottom left - engraved, William III on horseback. Right behind the bowing James II, the former King of England. Left behind statue of Religion and Freedom. The figures in the representation are provided with numbers. Below the representation the corresponding numbers with explanatory text., print, picture, cartoon, prints, pictures, Printed after the Copije in London, height 395 mm, width 304 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1690 - 1690, fourth quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), letterpress printing

Etienne Delaune, Diana and Orion Diana and Orion

Antwerpen, Jode, Gerard de, Snellinck, Jan (I), Vos, Maerten de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Judith and Holofernes, Judith presented to Holofernes, Antwerp, Judith and her maid are presented to Holofernes. The Assyrian army looks on. Below the image is a reference in Latin to the Bible text in Judith 10:10. This print is part of an album., print, prent, albumblad, prints, enten, height 200 mm, width 262 mm, Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, 1585 - 1585, fourth quarter 16th century, vier kwart 16th century, paper, engraving, engraving (printing process), South Dutch, 1544 - 1638-10-01, intermediary draftsman, after a drawing by, print maker, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

The Ghent Vreede gave the first breath, / where the country's vryheid wiered on a better foot. // But further the band to Uytrecht Seven countries, / that fremed dwinglandy to Lyf and soul connections.

Judit presented to Holofernes, Anonymous, After Maerten de Vos, After Jan Snellinck (I), 1585 print Judit and her maid are presented to Holofernes. The Assyrian army watches. Under the show a reference in Latin to the Bible text in Judit 10:10. This print is part of an album. paper engraving Judith and her maidservant are led to Holofernes' tent

Joshua and the Israelites before the Walls of Jericho. Dated: c. 1600. Dimensions: overall: 20 x 15.8 cm (7 7/8 x 6 1/4 in.). Medium: pen and black ink and gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christoph Murer.

Graflegging van Christus, Andrea Mantegna, 1460 - 1470 print paper engraving Christ's entombment (possibly by angels)

The Return of the Prodigal Son ca. 1510 Lucas van Leyden Netherlandish. The Return of the Prodigal Son 364692

Odysseus fights with the Kikonen, Theodoor van Thulden, After Francesco Primaticcio, 1632 - 1633 print Arriving on the island of Ismarus of the Kikonen Odysseus and his men are all kikons and set the city on fire. Paris paper etching / engraving Ulysses' piratical raid on the Cicones at Ismarus (Homer, Odyssey IX)

The city mawn of 's-Hertogenbosch hands over the city keys to Frederik Hendrik, 1629.alator on the conquest of' s-Hertogenbosch by Frederik Hendrik on September 17, 1629. The city mawn of 's-Hertogenbosch hands up the keys of the city's keys to Frederik Hendrik. Bijnschop Ophovius, Governor of Grobbendonck, Lord of Brederode and Count Ernst Casimir are located between the bystanders. On the right in the distance, the Spanish troops leave the city. At the top of a verse of four rules in Dutch.

Southern Netherlands, unknown, Antwerp, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian Wars against the Romans, Romans Defeated at the Rhine, The Roman army is defeated by the army of the Batavians with their fleet on the river Rhine. Caption in Dutch and Latin., print, prints, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, letterpress printing, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

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Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Den Grooten Figuer-Bibel, Geschiedenis van Balaam, Gheschiedenissen Israëls in de Woestyne, Balaam en de ezel, lower right - handwritten in brown ink, Balaam urges his donkey to ride on and hits her with a club, but she is stopped by an angel with a sword. In the landscape behind Balaam are three warriors. Below the representation is a reference in Latin to the Bible text in Num. 22:21. This print is part of an album., print, album sheet, prints, 92, height 192 mm, width 262 mm, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

The death of Abimelech, Antonio Tempesta, 1613 print Abimelech and his army storm a city. The inhabitants of the city fight back from the city wall. On the left is Abimelech on his horse and gets a stone thrown to his head by a woman on top of a tower. Title and caption in Latin in the lower margin. print maker: Italypublisher: RomeRomeItalyItaly paper etching Abimelech is struck on the head by a millstone thrown by a woman

Triumphwagen with Peace (Pax), Cornelis Cort, After Maarten van Heemskerck, 1564 print Triumph car decorated with garlands of fruits, pulled by two horses (Concordia and Utilitas). The car is mixed by Amor. On a seat is the peace, olive branches in the right hand and on the head, laurel wreath in the left hand. To the right of her is wealth (Opulentia) that holds a crown. In addition to the car, truth, diligence and justice (Veritas, Diligentia and Justitia) run. Print from a series of nine prints with triumphal cars from the Antwerp circumcision commitment of 1561. The personifications on the cars together represent the cycle of human action. Antwerp paper engraving chariot, triumphal car. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Truth; 'Verità' (Ripa) (+ allegorical scene, i.e. two or more personifications involved in an action). Wealth, Opulence; 'Opulenza', 'Richezza' (Ripa). Carefulness, Diligence; 'Diligenza' (Ripa). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one

Tacito, The Batavian or Old Dutch War against the Romans, The Batavian Revolt, Civilis is forced to flee by swimming, 69-70, Italy, Civilis is recognized and shot at and has to get off his horse and flee by swimming. Print number 31 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, auctore Othone Vaenio Lugdunobatava = The Batavian or Old Dutch War against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. Without text on the back., print, picture, history print, prints, pictures, Frederik Muller History Plates, height 167 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Standard bearers and canons, plate F, plate F. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, engraving, news print, propaganda print, prints, Frederik Muller Historieplaten, height 360 mm, width 295 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, paper, papier, etching, etsen

Lucas Cranach the Elder, Saint Andrew Saint Andrew

The Betrayal, 1509, Woodcuts, approx. 9 3/4 x 6 5/8 in. (24.7 x 16.8 cm); Paper / Sheet approx. 9 3/4 x 6 5/8 in. (24.7 x 16.8 cm), Stamped in brown ink, verso A. Freiherr von Lanna (Lugt 2773), Cream laid

Print at the top right labeled: fol: 57.

Calvary Made 1503-1504 Germany. Albrecht D¸rer described this deceptively simple image of Jesus Christís Crucifixion as one of his ìschlechtes Holzwerk,î his ìplainî or ìhomely woodcuts.î Yet the number of figures represented, the receding landscape, and the pathos embodied by the swooning Virgin Mary and the kneeling Mary Magdalene exceed the artistís own modest assessment of the work. In comparison with earlier woodcuts, especially the quickly produced book illustrations undertaken in Wolgemutís workshop, the woodblock must have been cut particularly closely to the artistís own design. While busier than D¸rerís monumental Passion woodcuts from the same period, this moving woodcut hints at the artistís past and future.. Woodcut in black on ivory laid paper . Albrecht Dürer

Amsterdam, Mortier, Pieter (I), Haarlem, Luyken, Jan, Israelites pass through the dry Jordaan, verso bottom center - stamped, print, prints, height 110 mm, width 158 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1703 - 1703, paper, papier, etching, etchings, Publication (Event), Publicatie, Frans, 1661 - 1711, publisher

Emperor addressing his Soldiers. Artist: Antonio Fantuzzi (Italian, active France, 1537-45). Dimensions: Sheet: 10 3/4 x 8 11/16 in. (27.3 x 22 cm). Date: ca. 1542-45. Museum: Metropolitan Museum of Art, New York, USA.

Nuño Salido, Tutor of the Infantes, Sees Evil Omens for Them in this War. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 1612. Prints; etchings. Etching

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, The Batavian Oft Oude Hollandtsche Krijghe teghen de Romeynen, The Batavian Revolt, Claudius Civilis is captured and his brother Paulus beheaded, 69-70, Claudius Civilis is captured by the Romans and his brother Paulus is beheaded. Print number 3 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. On the back text in Latin., print, picture, history print, prints, pictures, Frederik Muller History plates, height 167 mm, width 212 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

Dance on the Village Square ca. 1633 Abraham Bosse French. Dance on the Village Square 387754

Family van Narren, 1530 - 1570 print Family Van Narren. An old Zottin in a tent has hatched a nest of young narries. The little ones get food and drink. Two fools dance over the egg in front of the tent. In the background a mountain landscape with a castle. Caption of 4 lines in Dutch. Southern Netherlands paper engraving fool, simpleton, numskull

Arrival of the Batavians in the Netherlands, approx. 55-10 v.c .. Arrival of the Batava in the Netherlands.

The burnt resembles of David and Levina in Ghent, 1554; David et Levina Etrange et Brulez à Gand, Ao. 1554 / David und Levina zu Gent Erwürget Unf Verbent, Ao. 1554. The burnt resembles of David and Levina to strike in Ghent. A lot sticks into the corpses with a pitchfork, a smiling monk with a cross in the background.

Depicts 'The Crossing' from the Passion of Christ series by Lucas Cranach the Elder, created as a woodcut in 1509, showing Jesus carrying the cross and figures.

Nicolaus Beatrizet, after Marco Dente, after Baccio Bandinelli, The Massacre of the Innocents, 1540s() The Massacre of the Innocents

Kings David, Solomon and Jeroboam; The twelve kings of Israel. One of four woodcuts, part of Frisian with kings of Israel. David with winch on horseback, followed by Solomon and Jeroboam on horseback. Above all three banderoles with name and then name.

Justice of Trajanus, Hans Sebald Beham, 1537 print The son of a widow was killed by a soldier of Emperor Trajan. Kneeling at the dead body of her son, she points out the emperor to this injustice. Above the performance, the text about this episode from the Legend Aurea is in a framework. paper engraving the emperor riding out is stopped by the mother of the dead baby ~ justice of Trajan

Holofernes sits on a throne in a tent of the army camp and listens to the message of Achior, the captain of the Ammonites. Achior for Holofernes History of Judit and Holofernes , print maker: Philips Galle, (mentioned on object), Maarten van Heemskerck, (mentioned on object), publisher: Joannes Galle, (mentioned on object), print maker: Haarlem, publisher: Antwerp, 1627 - 1678, paper, engraving, h 205 mm × w 248 mm

Spring; Far; The four Seasons. Central to a cartouche an image of a party in the open air. People dance and play music in a large garden. A game is playing in the background. The print has a Latin caption and is part of a series of four seasons.

Almanac for 1663 - The triumphant tank of peace under the repet of Louis XIV Nicolas de Larmessin (1638-1794). "Almanach for 1663 - The triumphant tank of peace under the reign of Louis XIV". Engraving.

Keizer Justinian I receives the first silkworm eggs, Karel van Mallery, after Jan van der Straet, c. 1595 print Emperor Justinian I receives the first silkworm eggs from Nestorian monks. At the bottom two lines in Latin. Second print of a series of six prints about the introduction of the sideups and silk production in Europe. Antwerp paper engraving silk (material ~ textile industry). silkworm. special processes for silk fabric

Drawing by Étienne Parrocel depicting Josephs triumphal procession, executed with pen, brush, bister wash, and chalk traces on brownish paper.

The Hague, Hondius, Hendrick (I), Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Standard bearers with arms of Habsburg and the Pope of Rome, plate 8, Standard bearers with arms of Habsburg and Pope Clement VII of Rome, plate 8. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, news print, propaganda print, album sheet, prints, Frederik Muller Historical Plates, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, second quarter 16e eeuw, first quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publicatie, Noord-Nederlands, 1573-06-09 - 1650-10-25, publisher, uitgever, 1615 - 1620

Europe's personification frees from the safety net of wars by European rulers; Title page For: 't time Europe, or the policess and historical description of the wars (...) of the wars (...) in Europe, Amsterdam 1675. Personalification of Europe frees from the safety net of wars by European rulers. In the background woman on throne with globe.

The king as the strongest in the world, print maker: Zacharias Dolendo, Karel van Mander, Jacob de Gheyn II, 1595 - 1596

Cartoon on the poet Joan Pluimer, approx. 1685. Cartoon on the poet Joan Pluimer, 1716. A woman presenting the Amsterdam thoughts with a banner that ZIVER is facing the personification of poetry. In the foreground the poet plumer, a woman with a pie and the naked Venus with Cupid. In the background a harlequin with a sword and a group of dancing figures.

Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Hendrik III van Nassau-Breda, plate FF, archbishop of Bari and the bishops of Coria, Palecia, Osma, Arras and Brixen, plate FF. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, engraving, news print, propaganda print, prints, Frederik Muller Historieplaten, height 360 mm, width 295 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, paper, papier, etching, etsen

Allegorical figures on a pedestal, Christiaan Hagen, 1676 print A base in a landscape on which a female nude with a sail (Fortuna). To the right of her a man with flames around his head. At her feet a dog and a lion. Around the block many secular and spiritual figures. In the foreground a beheaded naked and a money box. In the background a classic structure with a tympanum, on which the inscription: Tolluntur in Altum ut Lapsu Graviore Ruant. Behind soldiers and sailing ships at sea. Amsterdam paper engraving / etching the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure. battle. violent death by beheading. ideal and visionary architecture. money

Abigaïl collects food; History of David and Saul; History of David and Abigaïl; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Abigair, Nabal's wife, let donkeys paint with loaves and jugs wine. She will bring the food to David. Abigaïl speaks with one of her servants, which is shepherd. Under the show a reference in Latin to the Bible text in 1 Sam. 25. This print is part of an album.

Christ Before Pilate, from The Fall and Salvation of Mankind Through the Life and Passion of Christ ca. 1513 Albrecht Altdorfer German. Christ Before Pilate, from The Fall and Salvation of Mankind Through the Life and Passion of Christ 429639

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