Birds and Insects Engravings

An array of intricate blackwork designs showcasing birds, insects, and ornamental motifs, blending nature and artistic craftsmanship in historical prints.

Egyptian marshes with hippos, crocodiles and a Pygmy, Herculaneum, Campania, Italy, engraving by Filippo Morghen from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 66, 1757-1787, Naples.

Le Bate. Dated: in or after 1756. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles Germain de Saint-Aubin.

Blackwork Designs with Birds and Insects, Plate 2 from a Series of Blackwork Ornaments combined with figures, birds, animals and flowers Artist and engraver Meinert Gelijs Dutch After Jakob Hoefnagel German After Jacques Callot French after 1622 Plate 2 from a print series consisting of a title page (missing) and seven numbered plates displaying motifs for the application in goldsmith's work, executed in blackwork, combined with figures and other motifs borrowed from other print series, executed in engraving. This plate contains five distinct motifs in blackwork, with a large design in the center of the plate and two smaller designs on either side. Surrounding the blackwork motifs are engraved figures of birds, insects and a frog. Due to the similarity in their production techniques, blackwork prints often relate to precious objects decorated with champlevé enamel work. However, on the title page of his second series, characterized by the almost square copperplates and exclusive use of

CODEX TRUJILLO, PERU - BOOK III - ESTAMPA XIX - HUAMBUQUERO - AQUARELA - 18TH CENTURY. Author: MARTINEZ COMPAÑON BALTASAR. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

Goudplevier. Lombard album (series title). Draughtsman: anonymous. Dating: 1560 - 1585. Place: Nederlanden. Measurements: h 144 mm × w 200 mm × h 163 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

This is a weird fish, which never kooms on the Disch, 1831 - 1854 print Leaf with 4 performances of different nature: a fish, a sinking ship and two rebuses. A caption under each performance. Numbered in the middle: No. 19. publisher: Amsterdamprint maker: Netherlands paper letterpress printing ships (in general). fishes. rebus

Kemphaan (Philomachus pugnax). West-fries haneken (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 184 mm × w 253 mm. Museum: Rijksmuseum, Amsterdam.

Amsterdam, Walraven, Isaac, Monkey and birds, verso - stamped, Example for goldsmith's work., print, ornamental print, prints, height 32 mm, width 26 mm, Noord-Nederlands, 1686-03-23 - 1765-03-11, print maker, printmaker, 1696 - 1765, paper, papier, etching, engraving, engraving (printing process)

Charles Germain de Saint Aubin, Le Bate, in or after 1756 Le Bate

Egyptian marshes with hippos, crocodiles and a Pygmy, Herculaneum, Campania, Italy, engraving by Filippo Morghen from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 66, 1757-1787, Naples.

fine arts - D™rer, Albrecht (1471 - 1528), painting,

Jupiter and Alcmene Medallion, Sketch for Decoration of a Frame 1907-1908 England. Roussel made two separate etched studies of medallion designs for the Comedy Pattern Frame before incorporating the figural and grapevine images into the large etching plate for the frame itself.. Etching in black on cream laid paper . Theodore Roussel

Plate 1, from Die Folge der phantastichen Scmucksträße (Suite of Fantastic Ornamental Bouquets), Wendel Dietterlin the Younger, German, active 1610-1614, Etching on laid paper, Octagonal print showing a nosegay plant; two grotesque head-monsters flank the bottom of the plant; symmetrical arabesque motif with creatures., Germany, 1614, ornament, Print, Print

The big fish eat the small fish, cartoon at the fall of Johan van Oldenbarnevelt, 1619; the right undercut of states. Cartoon on the fall of Johan van Oldenbarnevelt and the Remonstranten, 1619. Imagination of the proverb 'The big fish eat the small'. Prince Maurits slows a large fish 'Barneverse Monster' with the knife of justice. In the mouth of the fish and in the water there are other small fish with names of the best-known remonstrators. In the foreground a father points to the scene and learns his son "Siet Sone this" Ick Seer Lange Geweten / that those great fishing the Cleyne food. " In the background the cities of Utrecht and the S-Gravenhage are located.

Engraving depicting men eating around a large table. The illustration is set within an ornate frame.

Portrait of General Antoni Madaliński; around 1794 (1794-00-00-1805-00-00);Aleksander (1821-1877), Aleksander (1821-1877)-collections, Anna (1876-1953), Anna (1876-1953)-collections, Antoni Józef (1739-1805), Antoni Józef (1739-1805)-iconography, Branicki, Juliusz (1864-1917), Juliusz (1864-1917)-collections, Juliusz Gabriel (1901-1989), Juliusz Gabriel (1901-1989)-collections, Józef Ignacy (1812-1887), Józef Ignacy (1812-1887 ) - collections, collection from Sucha - collection, Kraszewski, Madaliński, Tarnów, Tarnowski, Władysław (1848-1914), Władysław (1848-1914) - collections, 18th century (history), cannons, generals, medallions, panoplia, portraits , Men's portraits, Kościuszko Uprising (1794), silhouettes, snare drums (instruments), army and Rzyczypospolita, military, purchase (provenance)

Various species of seafood, third part, sea needle (Robert-Dumesnil 446, Bartsch 32) Albert Flamen (1620-1674). Various species of sea fish. Third part: the sea needle (Robert-Dumesnil 446, Bartsch 32). Floor, 17th century.

Animalia Aqvatilia et Cochiliata (Aqva): Plate XXX. Dated: c. 1575/1580. Dimensions: page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.). Medium: watercolor and gouache, with oval border in gold, on vellum. Museum: National Gallery of Art, Washington DC. Author: Joris Hoefnagel.

Nose with mustache, Cornelis Ploos van Amstel, after George van der Mijn, 1736 - 1798 print The print is loose in the back of an album. Amsterdam paper parts of the face: nose. moustache

Hunting trophy with game birds and rabbit 1850-1900 Charles- Alphonse Deblois French. Hunting trophy with game birds and rabbit. L'Artiste. Charles- Alphonse Deblois (French, Paris, 1822-ca. 1883). 1850-1900. Etching. Prints

Poon on the beach, Albert Flamen, 1664 print print maker: Parisafter own design by: Parispublisher: ParisFrance paper etching fishes

Silver Vessel Found near the Temple of Jupiter at Rome, Print made by Charles Cameron, 1742-1812, British, 1775, Etching on moderately thick, moderately textured, beige laid paper, Sheet: 7 1/16 x 9 1/2 inches (18 x 24.2 cm) and Image: 5 13/16 x 8 3/4 inches (14.7 x 22.3 cm), artifact, bird, bowl (vessel), flowers (motifs), mythological creatures, serpent, spout, still life, vessel, Italy, Lazio, Rome, Temple of Jupiter Optimus Maximus

Egyptian relief sculpture: captured ducks. Draughtsman: Willem de Famars Testas. Dating: c. 1844 - c. 1896. Measurements: h 238 mm × w 159 mm. Museum: Rijksmuseum, Amsterdam.

Willard Hazen, Eagle Woodcarving, c 1939 Eagle Woodcarving

Weather Vane. Dated: c. 1939. Dimensions: overall: 22.8 x 29.1 cm (9 x 11 7/16 in.) Original IAD Object: 35" long; 32 1/2" high. Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Helen Blumenstiel.

Suite of Vases: Plate 20, 1746. Jacques François Saly (French, 1717-1776). Etching;

Ceramic toilet articles Ancient Greece. Old 19th century engraved illustration, El Mundo Ilustrado 1880

Large Bronze Dragon Incense Burner 1882-1883 Henri-Charles Guérard Guérard made this etching as an illustration for Louis Gonse's two-volume book "L'Art Japonais" (1883), the first significant scholarly study of Japanese art published in French. Guérard contributed eleven etchings and 220 drawings to the project based on objects in renowned Parisian collections. This bronze dragon incense burner came from the collection of Henri Cernuschi (1821-1896), a banker who acquired 5,000 works of art during his travels in Japan and China in the early 1870s. Gonse wrote of the illustration: "M. Guérard has pit his strength against the monster. His feverish etching needle has translated well its epic energy." Japanese aesthetics continued to influence Guérard's printmaking for the remainder of his career.. Large Bronze Dragon Incense Burner. Henri-Charles Guérard (French, Paris 1846-1897 Paris). 1882-1883. Etching, drypoint, and roulette; between states two and three of three. Prints

Man Struggling with an Ox. Dated: c. 1747. Dimensions: plate: 20.9 × 29.4 cm (8 1/4 × 11 9/16 in.) sheet: 22.4 × 32.2 cm (8 13/16 × 12 11/16 in.). Medium: etching, hand-colored with watercolor, on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI FRANCESCO COSTA.

Italy - Latium region - Palestrina (Rome Province) - 1st century b.C. - Sillian age. Crocodile, mosaic

Amsterdam, Visscher, Claes Jansz. (II), Bruyn, Nicolaes de, Volatilium varii generis, Stork among two other birds, Copy of print from the series described in Orn Cat I-37.4, print, ornament print, prints, ornament prints, height 78 mm, width 125 mm, Work conception, Southern Netherlands, 1571 - 1656-10, after a design by, 1581 - 1652, fourth quarter 16th century, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, papier, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Galatea, anonymous, 1688 - 1698 print Galatea is in her heart shell and is surrounded by tritons that blow on their shell or horn, and putti, moving the shell over the sea. This print is part of an album. Netherlands paper engraving / etching (story of) Galatea; 'Galatea' (Ripa)

Rog (Batoidea or Rajomorphii), Rocche. / Raya. / Raie. (title on object), Rog. Numbered top right: 19. At the top the name in seven languages. Part of the sixth album with drawings of fish, shells and insects. Sixth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanations in Dutch, Latin and French, cartilaginous fishes: ray, Anselmus Boetius de Boodt, 1596 - 1610, paper, pencil, chalk, watercolor (paint), deck paint, ink, pen, h 164 mm × w 282 mm

Louis XV (king of France), Paris, Huquier, Gabriel, Meissonnier, Juste Aurèle, Chedel, Pierre Quentin, Oeuvre de Juste Aurele Meissonnier, Livre de legumes inventées et dessinées par J. Me.r, Ornament with shell, fish, water snake, net and reed, This print is part of an album., print, album sheet, ornamental print, prints, height 157 mm, width 114 mm, French, 1705 - 1763-06-01, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, 1695 - 1772-06-11, publisher, uitgever, 1710-02-15 - 1774-05-10, verlener van privilege

Agama hispida (Southern spiny agama). Draughtsman: Robert Jacob Gordon (attributed to). Dating: 17-Dec-1778. Measurements: h 660 mm × w 480 mm; h 170 mm × w 334 mm; h 134 mm × w 317 mm. Museum: Rijksmuseum, Amsterdam.

Overgrown Rocks. Draughtsman: Josephus Augustus Knip. Dating: c. 1809 - c. 1812. Place: Italy. Measurements: h 365 mm × w 504 mm. Museum: Rijksmuseum, Amsterdam.

Sadeler, Aegidius, Gheeraerts, Marcus (I), Prague, Fable of the sick vulture, A nest in a tree with a sick vulture. Next to the nest a chicken. The moral of the story is that the chicken will not help the sick vulture, because the vulture will never lose its malice., print, book illustration, prints, height 96 mm, width 112 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1608 - 1608, paper, etching, etchings, engraving, engraving (printing process), letterpress printing, Work conception, English, 1520 - 1590, after print by, after design by, Publication (Event), Publication, publisher

Luigi Balugani, 1737-1770, Italian, Najel, undated. Watercolor, gouache, and graphite on moderately thick, moderately textured, cream laid paper.

Shell, Melonga Melonga; Shells. .

Heuvel, G. van den, Amsterdam, Fokke, Simon, Snake lizard and worm lizard, verso - stamped, A snake lizard and a worm lizard, both seen from the side. Print numbered at top right: Tab. I., print, prent, prints, prenten, height 166 mm, width 209 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1764 - 1784, paper, papier, etching, hand-colouring, Nederlands, 1735 - 1809-07-25, intermediary draughtsman

Lying oval with putto; Das Neuw Grottesken Buch Nürnberg 1610; Four ovals with marine animals and genii. A putto that is busy standing on his hands. Leaf from a series of flat decorations with grotesken, cartouches, ovals, mascarons, putti and fantastic beings. The series consists of three title sheets, two text sheets with the assignment and the preface and 60 sheets, spread over three books.

Jacques Callot, The Reeds and the Wind, 1628 The Reeds and the Wind

Animalia Aqvatilia et Cochiliata (Aqva): Plate L. Dated: c. 1575/1580. Dimensions: page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.). Medium: watercolor and gouache, with oval border in gold, on vellum. Museum: National Gallery of Art, Washington DC. Author: Joris Hoefnagel.

Charles Alexandre Lesueur (French, 1778 - 1846), C. Aureolus, 1817, etching

Bradypodion pumilum (Cape dwarf chameleon). Draughtsman: Robert Jacob Gordon (attributed to). Dating: Oct-1777 - Mar-1786. Measurements: h 660 mm × w 480 mm; h 171 mm × w 293 mm; h 138 mm × w 293 mm. Museum: Rijksmuseum, Amsterdam.

Victorin, the 'flying-man', takes to the air. Date: First published: 1781

Neer, Jacob Jozef van der, Southern Netherlands, Cardon, Antoine Alexandre Joseph, Cabin boy on a dolphin, Sculpture of a cabin boy or sailor sitting on a fountain in the form of a dolphin. Statue made by Jaques vander Neer. Numbered top right in the plate: 19. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772., print, book, Frederik Muller Historieplaten, height 172 mm, width 97 mm, 1739-12-07 - 1822-09-10, print maker, printmaker, 1772 - 1773, paper, papier, etching, engraving, engraving (printing process), Southern Netherlands - 1794, after statue by

Sea bottom. Draughtsman: Johannes le Francq van Berkhey. Dating: 12-Mar-1750. Measurements: h 104 mm × w 154 mm. Museum: Rijksmuseum, Amsterdam.

Putter of distelvink (Carduelis carduelis). Distelvinke Wijfken. / Acanthis faemina / Chardonneret. femelle. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 129 mm × w 175 mm. Museum: Rijksmuseum, Amsterdam.

Drapery for Candlestick. Dated: c. 1939. Dimensions: overall: 35.5 x 26.7 cm (14 x 10 1/2 in.) Original IAD Object: 6 1/2" high; 4 1/2" wide. Medium: watercolor, graphite, gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Douglas Campbell.

Burning Phoenix. Dated: 1628. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

The Scourage of Utah.. Charles William Carter (American, 1832 - 1918)

Crystal shell-shaped scale, from the Louvre.

Netherlands, Valk, Maurits van der, Slakken en kikkers, print, prints, Dutch, 1857-12-16 - 1935-05-06, print maker, printmaker, 1867 - 1935, paper, lithography (technique)

Trophy, Pen and ink, brush and watercolor, black chalk on paper, A tambourin, a bow, and a hunting horn., France, ca. 1780, Drawing, Drawing

Three shellfish on the beach, Albert Flamen, 1664 print print maker: ParisParisFrance paper etching fishes

Pegs at a fishnet, Albert Flamen, 1664 print print maker: Parisafter own design by: Parispublisher: ParisFrance paper etching bony fishes: herring

Crewel Embroidery. Dated: 1935/1942. Dimensions: overall: 43.5 x 33.7 cm (17 1/8 x 13 1/4 in.) Original IAD Object: 12" high; 13 1/2" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Helen Dana.

Animalia Aqvatilia et Cochiliata (Aqva): Plate XXXVII. Dated: c. 1575/1580. Dimensions: page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.). Medium: watercolor and gouache, with oval border in gold, on vellum. Museum: National Gallery of Art, Washington DC. Author: Joris Hoefnagel.

Animalia Aqvatilia et Cochiliata (Aqva): Plate XXXII. Dated: c. 1575/1580. Dimensions: page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.). Medium: watercolor and gouache, with oval border in gold, on vellum. Museum: National Gallery of Art, Washington DC. Author: Joris Hoefnagel.

Snail, Theo van Hoytema, 1873 - 1917 drawing Snail, drawn on the Verso of a litho. paper. chalk molluscs: snail

Sibmacher, Hans, Germany, Ware ung eigentliche contrafactur eines walfisches gewogen in der scheldt nitt weit von Antorff Am 2 Julij. Anno 1577, Stranded whale near Antwerp, 1577, Three combined representations of the whale (sperm whale) stranded in the Scheldt near Antwerp, 2 July 1577. With inscriptions in the representation and with a caption of 4 verses of 4 lines in the German., print, picture, news print, prints, pictures, Frederik Muller History plates, height 323 mm, width 357 mm, print maker, printmaker, 1577 - 1577, fourth quarter 16th century, paper, etching, etchings, engraving, engraving (printing process), German - 1611-03-23

Lazio Viterbo Bolsena Palazzo del Drago37. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two dead birds, hung on a string. Draughtsman: Jean Bernard. Dating: 1823. Measurements: h 219 mm × w 188 mm. Museum: Rijksmuseum, Amsterdam.

James Heath, 1757-1834, British, Whaalia, 1789. Engraving.

Ornament. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Mathias Beutler.

Behemoth and Liviathan by William Blake.

Noordkapers. Draughtsman: Jan Brandes. Dating: 7-Nov-1778 - 2-Dec-1778. Place: Atlantic Ocean. Measurements: h 155 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

James Gillray, 1757-1815, British, An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill, 1791. Etching, hand-colored.

Various species of seafood, third part, bearded (Robert-Dumesnil 450, Bartsch 36) Albert Flamen (1620-1674). Various species of sea fish. Part Three: Barbe (Robert-Dumesnil 450, Bartsch 36). Floor, 17th century.

Roman mosaic. Nilotic landscape. From the House of the Faun (VI, 12, 2), Pompeii. 2nd century AD. National Archaeological Museum, Naples. Italy.

Bird (41 of the agenda). Jean-Baptiste Carpeaux (1827-1875). Bird (41 of the agenda). Drawing, 1871. Museum of Fine Arts in the city of Paris, small palace.

Oyster with Pearl. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Trionfo Di Virtu. Libro Novo..., page 21 (verso). Dimensions: Overall: 9 13/16 x 7 7/8 in. (25 x 20 cm). Publisher: Matteo Pagano (Italian, 1515-1588) , Venice. Date: 1563.Published by Matteo Pagano, Italian, 1515-1588, Venice.From top to bottom, and left to right:Design consists of a central section that is framed on the left and right by a border ornamented with 2 different foliage patterns and on the bottom by 2 half-borders that are ornamented with different figures and animals. Middle section is in the form of a rectangle and is ornamented with an interlace pattern formed by vines of leaves and flowers. Museum: Metropolitan Museum of Art, New York, USA.

Armor of King Jan III Sobieski (17th century); Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Wellington as Hummer

Golden Eagle Gatepost. Dated: c. 1938. Dimensions: overall: 43.2 x 34.7 cm (17 x 13 11/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Henry Murphy.

Le dompteur a été manage. Artist: Jean Veber (French, Paris 1864-1928 Paris). Date: July 1909. Museum: Metropolitan Museum of Art, New York, USA.

Animalia Volatilia et Amphibia (Aier): Plate XIX. Dated: c. 1575/1580. Dimensions: page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.). Medium: watercolor and gouache, with oval border in gold, on vellum. Museum: National Gallery of Art, Washington DC. Author: Joris Hoefnagel.

Ideas for Metal Sculpture: Reclining Figures Ink with Watercolor Henry Moore (1898-1986/British)

Schjerfbeck, Helene, work, Illustration for the book Finska Folksagor, Berättade af Rafaël Hertzberg, fairy tale Det Tunga skrinet, sketch for the illustration on page 34, sketch 1880, pencil on paper, drawing, 14 cm x 23.7 cm, Helena Sofia Helene Schjerfbeck 1862 - 1946, Finnish modernist painter, known for her realist works, self-portraits, landscapes and still lifes, finland.

Snoek (Esox lucius). Snoek. / Lucius Lupus. / Brochet. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 128 mm × w 294 mm. Museum: Rijksmuseum, Amsterdam.

A Dragonfly, Ladybirds, and Butterflies. Wenceslaus Hollar; Czech, 1607-1677. Date: 1646-1677. Dimensions: 111 × 206 mm (sheet, trimmed within plate mark). Etching on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute, USA.

Baars (Perca fluviatilis). Baers. / Perca. / Perche. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 170 mm × w 254 mm. Museum: Rijksmuseum, Amsterdam.

Various species of seafood, second part, the ray (Robert-Dumesnil 435, Bartsch 21) Albert Flamen (1620-1674). Various species of sea fish. Second part: the ray (Robert-Dumesnil 435, Bartsch 21). Floor, 17th century.

Koi. Artist: Keisai Eisen (Japanese, 1790-1848). Culture: Japan. Dimensions: 9 3/4 x 14 in. (24.8 x 35.6 cm). Date: ca. 1842. Museum: Metropolitan Museum of Art, New York, USA. Author: KEISAI EISEN.

Rome, Salamanca, Antonio, Italy, Veneziano, Agostino, Ancient building fragments, Dorica, Doric basement, verso - stamped, Numbered: I., print, ornamental print, prints, ornamental prints, height 122 mm, width 191 mm, Italian, 1490 - 1536, print maker, printmaker, 1536 - 1536, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1478 - 1562, publisher

Cepola Tænia, The Band-Fish., 1785 - 1797., Berlin. Publisher, chez l'auteur., 1785 - 1797. Fishes

Le Pin de la Chine, 1776, Pierre Joseph Buc'Hoz, French, 1731 - 1807, 12 1/2 x 8 1/4 in. (31.75 x 20.96 cm) (plate), Hand-colored etching, France, 18th century

Door Stop: Eagle. Dated: c. 1939. Dimensions: overall: 31.1 x 37.8 cm (12 1/4 x 14 7/8 in.). Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Austin L. Davison.

Hippopotamus amphibius capensis (Hippopotamus), draughtsman: Robert Jacob Gordon, Nov-1777 - Jan-1778, paper, brush, brush, pen, h 660 mm × w 480 mm, h 257 mm × w 407 mm, h 220 mm × w 371 mm

Suite and progress of mutual music education (IT)

Punishment of the defamation. Color drawing where the malespoke is shown on the one hand as a shit fly that is almost hitched by a swallow. On the other hand on the pillory in a summery Dutch landscape. With inscription. Statement on the back. Part from Jan Brandes, DL sketchbook. 1 (1808), p. 29 And see p. 30 Statement.

Album, Album Pintoresco Herbario; Mexico; pressed flowers in purple leather binding studded with mother-of-pearl; Album: 43.5 x 31.5 cm (17 1/8 x 12 3/8 in.) Page: 42.6 x 30.5 cm (16 3/4 x 12 in.)

Six trophies with agricultural attributes including a threshing-flail, a scythe, a sickle, vegetables, a shepherd's staff, a bagpipe, a birdcage, a bunting chin, a pitcher, a barrel, a barrel of grapevines and a thyrsus, Trophies with agricultural attributes M Cahier de Troph, print maker: anonymous, intermediary draughtsman: Pierre Ranson, (mentioned on object), publisher: Johann Martin Will, (mentioned on object), intermediary draughtsman: Paris, publisher: Augsburg, in or after 1772 - 1806, paper, etching, h 292 mm × w 206 mm

Smelly herb. Draughtsman: Jan Brandes. Dating: 2-Sep-1783. Place: Jakarta. Measurements: h 195 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

A Turkey. Artist: Anonymous, Dutch. Dimensions: sheet: 4 3/4 x 6 11/16 in. (12 x 17 cm). Former Attribution: Formerly attributed to Pieter Holsteyn II (Dutch, Haarlem, ca. 1614-1673/83). Museum: Metropolitan Museum of Art, New York, USA.

Animalia Aqvatilia et Cochiliata (Aqva): Plate XLVII. Dated: c. 1575/1580. Dimensions: page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.). Medium: watercolor and gouache, with oval border in gold, on vellum. Museum: National Gallery of Art, Washington DC. Author: Joris Hoefnagel.

Plate 10: From the Portfolio "Folk Art of Rural Pennsylvania". Dated: c. 1939. Dimensions: overall: 46 x 35.6 cm (18 1/8 x 14 in.). Medium: screenprint on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

The Fairy Queen's Messenger': Illustration by R Doyle for a poem by William Allingham c1870.

Cedrato con fior e Sugo doppio und Garten des Doktor Falchner, Gartengestaltung, Nürnbergische Hesperides von Johann Christoph Volkamer, 1710 / garden, Illustration from Nürnbergische Hesperides garden, 1710, Historisch, historical, digital improved reproduction of an original from the 18th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, genaues Originaldatum nicht bekannt.

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