Bird's-Eye Maps of Cities

Detailed aerial views of historical cities like Venice and Vienna, presented through intricate engravings, showcasing architectural styles and landscapes.

Barbari, Jacopo de', Bird's-eye view of Venice, Map of Venice printed from 6 blocks on 12 sheets glued in pairs, print, prints, height 1630 mm, width 2830 mm, height 158 cm, width 308 cm, depth 6.5 cm, 1440 - 1516, print maker, printmaker, 1500 - 1500, fourth quarter 15th century, first quarter 16th century, paper, papier, wood (plant material), hout, houtcut

Vienna besieged by Ottoman weapons , Das Belagerte Wien , Giovanni Giacomo De Rossi , Copper Engraver

Citta di Venezia. Bird's-eye view of Venice. In Coronelli's Atlante veneto, v. 2 pt. 1 (1696), p. 10-11. "Dedicata all' illustrissimo Signor Abbate Abbondio Rezzonico, Patritio Veneto, MDCLXXXXIII." Decorative border with the arms of various cities and republics on a ribbon, intertwined with vines and including an illustration of the lion of Venice. Cataloging, conservation, and digitization made possible in part by The National Endowment for the Humanities: Exploring the human endeavor.. Offering an unusual perspective, Vincenzo Coronelli presents a birds-eye view of Venice giftwrapped in a trompe loeil ribbon, blurring the lines between map and reality. Intertwined with vines and including an illustration of the symbolic lion of Venice, this ribbon is emblazoned with the arms of cities and comunes within the Republic of Venice... , Italy , Venetan ,region , Venezia ,province , Venice

Intake of Breda, 1590, 1597 - 1601 print The intake of Breda by the State Army under Maurits, March 4, 1590. Proped in four numbered ovals. At the top left (1): the embarkation in the peat ship; At the top right (2): The peat ship is withdrawn the castle; Bottom left (3): The troops appear and hit the occupiers with the occupiers; bottom right (4): Arrival of the troops of Maurits and the flights of the occupiers. Around the weapons of the seven provinces, of Willem van Oranje and Maurits, of the Duchy of Brabant and the city of Breda. With inscriptions in Latin. Northern Netherlands paper engraving capture of city (after the siege) Breda

Barbari, Jacopo de', Bird's-eye view of Venice, Map of Venice printed from 6 blocks on 12 sheets glued in pairs, print, prints, height 1630 mm, width 2830 mm, height 158 cm, width 308 cm, depth 6.5 cm, 1440 - 1516, print maker, printmaker, 1500 - 1500, fourth quarter 15th century, first quarter 16th century, paper, papier, wood (plant material), hout, houtcut

Intake of Schloß Poppelsdorf near Bonn, 1583, 1583 - 1585 print Intake of Schloß Poppelsdorf at Bonn, November 14, 1583. Episode from the Keulse War. With caption of 8 lines in German and 4 lines in French. Numbered: 63 and 6. Cologne paper etching capture of city (after the siege) Poppelsdorf

Carnival games held on the Mount Testaccio in Rome 1558 Monogrammist ITF The subject of the print is discussed by Michael Bury, 'The Print in Italy', London 2001, cat.117 (where this print is mentioned). Carnival games held on the Mount Testaccio in Rome 697840

View of Venice, 1500, Jacopo de' Barbari; Publisher: Anton Kolb, Italian, (Venice), c. 1460/70-before 1516, 52 1/4 x 109 1/4 in. (132.72 x 277.5 cm) (sheet)60 3/8 x 118 1/8 in. (153.35 x 300.04 cm) (outer frame), Woodcut from six blocks on six sheets of paper, Italy, 16th century, Long before the advent of balloons and other aircraft, Jacopo de' Barbari created a bird's-eye view of Venice through the power of his intellect and imagination. The mural-size print was unprecedented in scale when it was published in the year 1500. Every building, canal, and open square is documented here. One imagines Barbari and his assistants climbing up the city's 103 bell towers in order to survey the dense urban landscape. The View of Venice also features the maritime activities that made the city an international center of trade. Mercury, the god of commerce, presides over the city, while watchful Neptune, god of the seas, rides his dolphin through the harbor.

View of Bonneville, Johannes de Ram, 1697 print View of the French city of Bonneville. Two putti in the air with the Hertog of Savoye. On the right in the foreground a personification of justice on a cloud, next to a cartouche with a statement from the letters A-H. The Hague paper etching / engraving river. prospect of city, town panorama, silhouette of city. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues Bonneville

Posonium (Bratislava) by Braun and Hogenberg, 1588

Ego dvorets Palace of Fedor Alekseevich Golovin, 1650-1706. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Map of Amsterdam with Cityscape, Anonymous, in or after 1721 print At the top left a legend 1-147, on the right a legend 150-288. Amsterdam paper etching / engraving maps of cities. prospect of city, town panorama, silhouette of city Amsterdam

Patern de sanidad. Grabado de Mataró. Museo de Mataró. Siglo XVIII.

The Gesundbrunnen near Freienwald an der Oder, around 1850, Germany, authentic, digitally restored reproduction from a 19th century model, exact date of depiction unknown, historical

Map of and face on Madrid, Anonymous, 1707 - 1757 print Above a map of Madrid, with the most important buildings in revolt. At the top left the weapon of Madrid, at the top right the weapon of the king of Spain. Under a face on Madrid, with a bullfight on the left and an allegorical representation in which figures who represent the different continents offer the king of Spain gifts. Augsburg paper engraving / etching maps of cities. prospect of city, town panorama, silhouette of city. bullfight. coat of arms (as symbol of the state, etc.) (+ city; municipal). church (exterior) Madrid

Above, the burning at the stake of Person, Testwood and Filmer outside Windsor Castle; below, the trial of Marbeck, Testwood, Person and Filmer, the punishment of London, Simons and Robert Ockham in the pillory. Woodcut by A.S.

A copper engraving from 1673 by Cornelis Meyssens depicting Leopold I and his second wife Claudia Felicitas in Graz on October 15, 1673, showing arrival from Eggenberg estate with attendants and ceremonial elements.

The 17 provinces with adjacent countries: fireworks in The Hague, 1674; D'XVII Provincien, with the aen-bordering countries and cities. Bonfires and fireworks lit in The Hague on March 14, 1674 In honor of the Peace of Westminster, closed on February 19, 1674. On the left the victory at Lauwerkransen with the portraits of Willem III and ziijn commanders, on the right the fame with the portraits of the Admiralen Tromp , De Ruyter, Banckert and Van Nes. In the middle allegorical figures that symbolize peace between the Netherlands and England. The lower half of the print consists of a map of the seventeen provinces and the area east (to Cologne) and south thereof (to Paris).

Reproduction of a tapestry over the Spanish Armada (July 21), English and Spanish fleet in the Channel below the coast of Cornwall and Devon with the coat of arms of the English Queen Elizabeth I. The show (numbered III) is set in an ornament border with eight portraits of commanders of the English fleet. Middle above the portrait of Charles Howard, Lord High Admiral and commander-in-chief of the English fleet against the Spanish Armada. Above and below between portraits ship's bows with spears and banners and flanked by putti. They blow on a trumpet or shell, drum, write etc. Left and right there are four putti near a triumph or memorial column. Two putti decorate the column with garlands. A third putti writes the events in a book, the fourth has a sword and ouroboros in his hand. The ouroboros is a snake that bites its own tail and is therefore a symbol of eternity. Furthermore, two eagles with lightning bolts, the four winds and two lions with column or trident and a coat of arms. T

Repræsentatio scenographica Arcis Cronenburg auspiciis S.R. M. Sueciæ. ductu vero Exell. Dn. Com. C.G. Wrangelij reg. Sue. archithalassi et locumtenentis regij generalis -15 Aug. oppugnari cœptæ et -6 Septemb. pactionibus occupatæ. anno. 1658. Conservation of this piece was funded by Anna Kuznetsova-Schafer and Ronald Schafer. Bird's-eye view of the attack on Kronborg Castle by Swedish forces led by Karl Gustav Wrangel. In Samuel von Pufendorf's De rebus a Carolo Gustavo Sueciae rege gestis commentariorum libri septem. Norimbergae : Sumptibus Christophori Riegelij, 1696. Includes references, decorative title cartouche and ornamental border. "N. 85.". The Tragedy of Hamlet, Prince of Denmark is set in a fictional fortress named Elsinore, believed to be based on Kronborg Castle, in the city of Helsingør on the northeast coast of Denmark. Originally built in the 1420s, Kronborg was rebuilt in 1574. This late 17th-century engraving shows Kronborg under cannon fire during the Dano-Swedish w

Patern de sanidad. Grabado de Mataró. Museo de Mataró. Siglo XVIII.

Cologne, Wright, Benjamin, Hogenberg, French, Series 10: Dutch and Foreign Events, 1587-1612, Krakow Castle captured, 1605, Krakow Castle (Krakow Castle) besieged near Krefeld (from 4 November) and captured for Spinola by the troops under the Count of Bucquoy, 7 November 1605. With a 13-line caption in German. Unnumbered., print, picture, news print, album page, prints, pictures, Frederik Muller Historieplaten, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1605 - 1607, first quarter 17th century, paper, engraving, engraving (printing process), English, 1575

Paris, its falsebourgs and its surroundings

Map of and face to Oudenaarde, Reynier Blokhuysen, 1735 print Above a face on Oudenaarde. Under a map of Oudenaarde with buildings in a nutshell perspective. At the top left the weapon of Oudenaarde, with two mirrored lions, to the right of it the weapon of the king of Spain. At the top right the weapon of Oudenaarde with the weapon of Flanders on the left. Bottom left a cartouche with legend A-r. At the bottom right the continuation of the Legends S-Y and A-F. paper etching / engraving maps of cities. coat of arms (as symbol of the state, etc.) (+ city; municipal). coat of arms (as symbol of the state, etc.) (+ province; provincial). armorial bearing, heraldry. prospect of city, town panorama, silhouette of city Oudenaarde

Beleg van Maastricht, 1632 (linkerblad).Narrow high magazine with part of a representation of the siege of Maastricht by the state army under Stadholder Frederik Hendrik, 9 June to August 21, 1632. In the air a portrait in the bust of Frederik Hendrik surround by orange branches, below the army camp of the Lord Van Brederode and the Stadholder on horseback visiting the camp. This print is probably part of a larger composite whole.

Plan of Vienna with overall view after Anguissola,Marinoni and according to H, Schut, Johann Baptist Homann -, Copper Engraver, After, Leandro Anguissola -, Cartographer, Jacob Marinoni -, cartographer

Episodes in the plague in Rome in 1656-1657. Etching.

Print (France)

Map of Amsterdam, Johannes de Ram (Possible), Johannes de Ram, 1683 - 1684 print Map in a nutshell perspective. Along the top the title. At the top left the legend 1-154. To the right of Putti with the coat of arms of the city. Under this legend a bowl: scale of 1500 Amsteldam feet. At the top right of the Legenda 155-303 with Putti to the left with the city seal. Bottom left a female figure with a incense vessel on a camel or dromedaris as a personification of Asia and Europe on a bull as a personification of the continent of the same name. At the bottom of a face on the city, seen from the IJ, with Mercury above it with the coat of arms of the city and putti with objects that refer to the sea ship. At the bottom right a female figure with a scorpion in her hand and a lion as a personification of Africa and a female figure with a fee, arrow and bow on a large lizard or crocodile as a personification of America. Orientation: south -southwest above. paper. ink etching / engraving / pen

Hunting scene. unknown c. 1575-1625 Tapestry Dimensions: H 290 x W 455 cm Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown In large square arena, men mounted on horseback holding spears hunt bulls; group of spectators near palace (L & R background) (BRD) 4 elements represented with seated male figures under canopies in every corner; (UPR BRD) various birds with sun & moon; (LWR BRD) various sea-animals, including sea- monsters & mermaids in sea, figures in boats; (L & R BRD) various birds & animals (rabbits, stags) in landscape

Mallet, Alain Manesson (1630-1706) Private Collection Graphic arts 15x11 Architecture, Interior,Mythology, Allegory and Literature,History Moscow

unknown, Antwerp, Galle, Theodoor, Vredeman de Vries, Hans, Doetechum, Johannes or Lucas van, Variae Architecturae formae, Small architectural perspective views, View of the courtyard of a palace, View of the courtyard of a palace surrounded by a colonnade. This print is part of an album., print, prent, albumblad, prints, prenten, height 154 mm, width 210 mm, print maker, prentmaker, 1562 - 1562, paper, papier, etching, etchings, Zuid-Nederlands, 1527 - 1607, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1571 - 1633, publisher, uitgever van privilege

Purple tile picture, the first miraculous feeding, tile picture material ceramics pottery glaze wood, baked 2x glazed painted Presentation ten broad seven high; around representation edge of half tiles with decorative tendril of flowers and leaves; in the corners quarter format tile with central ornament bible religion Christ bread Geervliet Bernisse Until 1919 it was part of tiling of house in Geervliet.

Umbria Terni Amelia Palazzo Venturelli1. Hutzel, Max 1960-1990 Post-medieval: Palazzo built by Cardinal Venturelli in 15th century by Antonio da Sangallo on remains of a roman palace from 1st century B.C. Roman mosaic floor. Frescoes, stucco decorations. A few exterior views, several views of cellar that focus on mosaic floor and many views of Salon of the Venturelli Cardinals, including furniture, floors, ceiling, and frescoes. General Notes: No entry for Palazzo Venturelli in TCI; information from Hutzel's notes and attributions. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Ital

Pestigious funeral of his Majesty Willem II, King of the Netherlands, (...) in Delft, on 4th April 1849, Anonymous, 1849 print The funeral of the late King Willem II in Delft on April 4, 1849. The funeral procession winds through the landscape into the city of Delft over the new bridge (bottom left). In the frame banderollen with inscriptions, weapons and portraits. At the top an allegorical vignette. print maker: Netherlandsprinter: Amsterdam paper cortege, funeral procession Delft

The palace in Kotah. A face of the palace in a bird flight; For the palace walls in the foreground, a river flows past the city, the bottom right of a man on an elephant, in front of warriors on horseback and left for the watchmill warriors with shields; On the forecourt there is a group of visitors, separated from a row of elephants from dignitaries and high-rise people who look at a fight between two elephants, which is also gadmed by the prince from an increase on the right; In the Binnenhof women are charmed around a throne with the frost; The background consists of a dark sky above a hilly landscape. The performance is stuck on a leaf, around it a black frame line and around a double strip of paper in gray with a lilac frame line (inner strip) and lilac with a black frame line (outer strip).

Book of the Moghul. Ms. 8300. 17th c. Representation of an Enchanted City. Hindu art. Miniature Painting. ITALY. VENETO. Venice. Biblioteca nazionale marciana (St. Mark's Library).

Wish letter with village scenes, c. 1700 - c. 1899 print Wish letter with unwritten cartouche within a decorative framework with village scenes, drinking people on benches for an inn and above a castle. Numbered in the middle: 25. Netherlands paper etching hotel, hostelry, inn. fortress. castle

Vestigia Amphitheatari Sta Tilli Tauri, The Amphitheatre of Statilius Taurus, historical Rome, Italy, digital reproduction of an original 17th century artwork, original date unknown, Europe

Overview of cities lost to the French and important events of the year 1672, 1674 print Print with an overview of various events occurring in 1672 and all cities, fortresses and structures that were lost to the English, French and the bishop of Munster in that year in the war. print maker: Northern Netherlandspublisher: Amsterdam paper etching fortress Orsoy. Büderich. Wesel. Rheinberg. Rees. Groenlo. Emmerik. Tolhuis. Arnhem. Tiel. Schenkenschans. Amersfoort. Elburg. Doesburg. Deventer. Harderwijk. Hattem. Utrecht. Zwolle. Struggling. Steenwijk. Zwartsluis. Blokzijl. Hasselt (Overijssel). Zutphen. Naarden. Woerden. Grave. Nijmegen. Coevorden. Bommel. Culemborg. Overijssel

Print (France)

Coat of arms. (Dummy title)

Urbania (Marche - PU), Palazzo Ducale, Hall of Honor. Nicolaus Hogenberg, Triumphal procession of Emperor Charles V, etching. 1530

Plate K: Election and Coronation of Emperor Maximilian II 1612 Anonymous, German, 17th century Holy Roman Emperor from July 25, 1565 - October 12, 1576.CoronationsPrague: September 20, 1562Frankfurt: November 24, 1562Pressburg: September 8, 1563. Plate K: Election and Coronation of Emperor Maximilian II 699519

BRAUN, George (1541-1622). Civitatis Orbis Terrarum (Theatrum orbis terrarum). 1572-1617. Mexico (1576). Detail with Aztecs. Etching. SPAIN. CASTILE AND LEON. Salamanca. Salamanca University Library.

Fireworks in the Hofvijver to celebrate the Peace of Utrecht, 1713, 1713 print Scaffolding with fireworks on the order of the States General in the Hofvijver to celebrate the Peace of Utrecht on 14 June 1713. print maker: Northern Netherlandspublisher: Utrecht paper etching bonfire, fire-works (+ illumination, fire-works ~ festive activities) Hofvijver

View of the Herberg De Schulp and the Herberg Rozendael on the Ringdijk in Amsterdam, Anonymous, 1700 - 1799 print On the left the Oetewaler Bridge over the Ringvaart. paper. cardboard. prepared paper. watercolor (paint). deck paint etching / brush / cutting / perforating hotel, hostelry, inn. dikes, levee. bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage) Ringdijk. Oetewalerbrug. Ring shipping

View of the Buitenplaats Hof in Poppendamme, Anonymous, 1696 print View of the Buitenplaats Hof in Poppendamme on Walcheren, in a nutshell perspective. In the middle the country house with around the gardens and orchards. In the background the dunes and sea. At the top left two putti with the weapon of owner Johan de Mauregnault, in the middle a banderole with the title, at the top right two putti with a different weapon, possibly that of his wife. paper etching / engraving country-house. French or architectonic garden; formal garden. orchard. armorial bearing, heraldry. gate, entrance. dune coast Hof in Poppendamme

View of Venice lower left block. Dated: 1500. Medium: woodcut on two sheets pasted together. Museum: National Gallery of Art, Washington DC. Author: JACOPO DE' BARBARI.

The Surrender of the Khan of Badakhsan 1772 Pierre Philippe Choffard French This print, which shows the khan of Badakhsan surrendering to Qing forces in 1759, illustrates a typical Manchu military encampment enclosed within a circular perimeter. At the center, the khan is granted an audience, while Qing cavalrymen present a display of martial skills and horsemanship.Part of a set of sixteen, "The Surrender of the Khan of Badakhsan" was commissioned by the Qianlong Emperor in 1765 to commemorate Manchu victories (1755-59) over the Eleuths, the Dzungars, and other Central Asian peoples in the present-day region of Xinjiang. Made under the direction of Charles-Nicolas Cochin (1715-1790), the prints, which follow reduced-scale copies of paintings by Jesuit artists working in Beijing, were etched and engraved in France from 1767 to 1774 by the finest printmakers at the court of Louis XV. The Chinese merchants of Canton (present-day Guangzhou) paid for the copper plates and two hundred sets

The Aqueduct at Segovia and The Castle of Madrid. Artist: Jan Cornelisz Vermeyen (Netherlandish, Beverwijk 1500-1559 Brussels). Dimensions: overall 13-7/8 x 19-1/8 in. (35.2 x 48.4 cm). Date: 1500-1599. Museum: Metropolitan Museum of Art, New York, USA.

Plaque; Ko O - Freudenreich faience factory (1842-1939); after. 19th century (1850-00-00-1850-00-00);

Dahlberg, Erik Jönssen, Stockholm, Swidde, Willem, Suecia Antiqua et Hodierna, Effigies Euripi salientium labentiumque aquarum Horti Drottningholmensis, Gardens seen from Drottningholm Castle, The print is part of an album., print, album page, prints, height 216 mm, width 424 mm, Northern Dutch, 1661 - 1697-06, print maker, printmaker, 1692 - 1692, paper, etching, Swedish, 1625-10-10 - 1703-01-16, supervision

Spain, 16th century. View of Granada, engraving by Georg Braun, 1594.

Emilia-Romagna Ravenna Bagnacavallo Museo Civico0. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Croce in Gerusalemme49. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Scene at Folkstone , Cities & towns, Coastlines

Men in rowboats attempt to capture a live goose hanging from a rope across the river. From a festival held on the Seine at Suresne, Paris, for Maximilian II, Elector of Bavaria, 1713. Above: Charles Talbot, Duke of Shrewsbury, enters the palace of queen Maria Leszczynska, Paris, 11 June 1713. Les joutes sur l'eau et le jeu de l'oie. From an illustrated calendar. Lithograph from Henry Rene dAllemagnes Recreations et Passe-Temps, Games and Pastimes, Hachette, Paris, 1906.

A 1632 travel sketch by Valentin Wagner showing the Aurich fortress in East Frisia, drawn in ink and feather.

Black-Ground Fresco Fragment with Landscape in Tondo. Unknown

De Schelden in the Scheldt, 1585, 1649 - 1651 print Blowing up through burners of the Schipbrug laid out by the Duke of Parma in the Scheldt before Antwerp, 1585. In the caption De Legenda A-N in Latin. Rome paper etching pontoon bridge Antwerp. Scales

View of the garden and the Palais de Fontainebleau, Anonymous, 1700 - 1799 print paper. cardboard. watercolor (paint) etching / brush palace. garden. garden fountain. ornamental plants Palais de Fontainebleau

PLANO DE LA VILLA DE MADRID 1656, DETALLE PUERTA DE LOS POZOS DE LA NIEVE O PUERTA NORTE- REF. COMPLETA 071578. Author: PEDRO TEIXEIRA (1592-1662) PEDRO TEXEIRA. Location: ARCHIVO HISTORICO DE LA VILLA. MADRID. SPAIN.

S.Pietro d'Arena, Ligurien bei Genua, Illustration, Nürnbergische Hesperides von Johann Christoph Volkamer, 1710 / garden, Illustration from Nürnbergische Hesperides garden, 1710, Historisch, historical, digital improved reproduction of an original from the 18th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, genaues Originaldatum nicht bekannt.

Lazio Viterbo Caprarola Palazzo Farnese99. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print (France)

SEVILLA. VISTA GENERAL. DIBUJO DE FRANCISCO VALENCIA , AÑO 1626. SEVILLA PINTADO.

Patern de sanidad. Grabado de Mataró. Museo de Mataró. Siglo XVIII.

GUERRA TUNEZ 1535-TEJIDO EN 1740 POR REAL FABRICA DE TAPICES POR ORDEN DE FELIPE V. Author: ANONYMOUS. Location: REALES ALCAZARES. Sevilla. Seville. SPAIN.

Embroidered picture, Elizabeth Parry, Medium: silk embroidery, linen foundation Technique:, Horizontal panel showing Bridge, five boats on river, several buildings on the shore; eagle in the sky with wreath 'A View of Conway Bridge 1836'; on the lower border are two harps, two sheep and 'Elizabeth Parry St. Asaph.', England, 1836, embroidery & stitching, Embroidered picture

AF image of the BUYTEN AMSTEL, the Zoomers / Af image of the BUYTEREN Amstel, the winters. Leaf with 2 performances. Above a face on the Amstel and Amsterdam in the summer with boats and swimmers. Under a face on the Amstel and Amsterdam with skaters and boats sailing in a swung sailful. Under every image the title. Numbered upper left: No. 155.

Lazio Viterbo Bagnaia Villa Lante47. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Carcassonne, France: a garden with a life size representation of the Passion and Crucifixion of Christ: two views. Coloured lithograph after Gamelin fils.

Pierre Gallays. "Versailles". Engraving. Paris, Carnavalet museum. Carrosse, Chateau Versailles, Cortege, Court, Courtier, Royal Residence, French King, Attelee car

Face locked Sandemar, from the south, Johannes Jacobsz van den Aveele, 1699 The print is part of an album. Stockholm paper etching Slot Sandemar The print is part of an album. Stockholm paper etching Slot Sandemar

Panel (Furnishing Fabric) Made 1770-1780 England. Linen and cotton, plain weave; copperplate printed .

Last figure. Part 1. Facon of the Chambre or Foüet.

The chateau of Mariemont, by Jan Brueghel the Elder, Velvet Bruegel (1568-1625). Detail.

Roman Art. The Nile mosaic of Palestrina. Barberini mosaic or Nile's landscape. Hellenistic floor mosaic depicting scenes in the river Nile .It was part of a Classical sanctuary-grotto in Palestrina, Italy. 1st century BC. Detail in the bottom right hand depicting a trireme. Prenestino National Archaeological Museum. Italy.

View of the city of Madrid, 1695 - 1706 View of the city of Madrid from the other side of the Manzanares River. Different figures in the foreground. Under the performance an explanation in Dutch, French, German and English. Print is part of an album. publisher: AmsterdamThe Hague paper etching / engraving Madrid View of the city of Madrid from the other side of the Manzanares River. Different figures in the foreground. Under the performance an explanation in Dutch, French, German and English. Print is part of an album. publisher: AmsterdamThe Hague paper etching / engraving Madrid

Mourning Sampler (England); Embroidered by Sarah Ann Wimpory; silk embroidery on wool foundation; Overall: 31.1 x 43.8 cm (12 1/4 x 17 1/4 in.); Bequest of Rosalie Coe, from the collection inherited from her mother, Eva Johnston Coe; 1974-42-20

Drawing (Italy)

View from the south-west of Münster by Remigius Hogenberg (1536-1588) Dutch engraver. Dated 16th Century

VALENCIA - GRABADO SIGLO XIX. Author: ALFRED GUESDON (1808/1876). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Gothic mural of Alcaniz Castle, 14th century. Army Catalan-Aragonese with banners. The king in front, on horseback with mace. Conquest of Valencia and Murcia, 13th century. Province of Teruel. Spain.

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Parma and the papal envoy at Gnadental, 1586, The Duke of Parma is praised by the papal envoy for his merits, scene in a church at Gnadental near Neuss, 1 August 1586. Episode from the Cologne War. With only the explanation of the letters AD as a caption in the plate. A caption in letterpress under the print of four columns of 14 lines each in German. Numbered: 103., print, picture, news print, album page, prints, pictures, Frederik Muller Historieplaten, height 199 mm, width 262 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1586 - 1588, fourth quarter 16th century, paper, papier, etching, etchings, letterpress printing, letterpress

The Red Sea and Africa from world Map by Juan de la Cosa 1500 who was with Columbus in 1492

FUERTE ESPAÑOL PARA DEFENDERSE DE INDIOS ARGENTINOS. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

Nuremberg Chronicle. German version, December 23, 1493. Compiled by Hartmann Schedel and engraving by Michael Wolgemuth and Wilhelm Pleydenwurff. Engraving depicting the city of Nuremberg. German Historical Museum. Berlin. Germany.

Pass card of the Zeeland Islands and part of the North Sea, Anonymous, After Jan Luyken, 1681 - 1803 print Pass card of the Zeeland Islands and part of the North Sea, with two compass roses, the north is on the left. Bottom left a cartouche with the title, the address of the publisher and the scale, shown in German, Spanish and English or French miles (scale: c. 1: 170,000). With this data a few putti, a woman with a crown and a lion. Amsterdam paper etching / engraving beasts of prey, predatory animals: lion. sailing-ship, sailing-boat. cupids: 'amores', 'amoretti', 'putti' Zeeland

'T Close Der Peace in Rijswijk / Anno 1694., 1758 - 1787 print Landscape with a nobleman on horseback with in his retinue two foot servants with lances and a covered travel car. He drives in the direction of a triumphal arch or gatehouse decorated with the letters vdmiae (the Protestant motto: Verbum Domini Manet in Aeternum) that gives access to a castle with moat. The show has nothing to do with the Peace of Rijswijk of 1697. Numbered at the top right: N. 47. publisher: Deventerprint maker: Germany (possibly) paper letterpress printing

The Colossus of Rhodes. One of the Seven Wonders of the Ancient World.16th cent. woodcut.

Argow cum party merid. Zurichgow; Schenck, Pieter (1660-1711), Valck, Gerard (1651 cars 1652-1726), Janssonius, Johannes (1588-1664); 1711 (1711-00-00-1711-00-00);

The Pilgrimage Cities of Arabia, Folio from a Gulshan-i 'Ishq (Rose Garden of Love). India, Andhra Pradesh, Hyderabad, circa 1700. Drawings; watercolors. Opaque watercolor, gold, and ink on paper

Garden with a ground floor with trees and shrubs, anonymous, after Hans Vredeman de Vries, c. 1600 - c. 1601 Garden with central ground floor with trees and shrubs. The garden is laid according to the Doric building order. The print is part of an album. Antwerp paper etching Garden with central ground floor with trees and shrubs. The garden is laid according to the Doric building order. The print is part of an album. Antwerp paper etching

Speculum Romanae Magnificentiae: Pyramid of Caius Cestius 1547 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients comp

Vintage Map Illustration showing the principle attractions of the Magnificent City of Venice. Italy, 1575 by François de Belleforest

Jacques Callot, French (1592-1635), The Siege of La Rochelle plate 6 of 16; set comprises 1952.8.97-112, 1628-1631, etching and engraving

Pass card of the Zuiderzee and the Wadden Sea, Jan Luyken, 1681 - 1799 print Pass card of the Zuiderzee and the Wadden Sea, with all sandbanks and depths. With the Wadden Islands (with the exception of Schiermonnikoog) and a large part of West Friesland, Overijssel and Noord-Holland, and two compass roses, the north is on the left. At the top left the title, surrounded by the Dutch Lion, Minerva, a woman with a bundle of arrows and a peace hat, Mercury and a skipper. Under the title, the scale in German, Spanish and English or French miles. At the bottom right Het Wapen van Amsterdam and a stone on which the address of the publisher, flanked by Putti. Amsterdam paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. sailing-ship, sailing-boat. maps, atlases. parts of ship's exterior: rudder. (story of) Mercury (Hermes). (story of) Minerva (Pallas, Athena). seaman Friesland. North Holland. Overijssel. Wadden Sea. North Sea. Zuiderzee

S. Pietro dArena, Ligurien bei Genua, Illustration, Nürnbergische Hesperides, Nürnberger Hesperidengärten von Johann Christoph Volkamer, Nürnberg, Bay...

Die Plassenburg im 18. Jahrhundert, Kulmbach, Oberfranken, Bayern, Deutschland / The Plassenburg in the 18th century, Kulmbach, Upper Franconia, Bavaria, Germany, Historisch, historical, digital improved reproduction of an original artwork from the time / digital restaurierte Reproduktion einer Originalvorlage aus der damaligen Zeit, genaues Originaldatum nicht bekannt.

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