Blake's Poetic Illustrations

Color-printed relief etchings by William Blake, featuring angels, nature, and literary themes with intricate designs and vibrant colors.

Songs of Innocence and of Experience: The Angel ca. 1825 William Blake British. Songs of Innocence and of Experience: The Angel 347977

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41), 1794. Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience: Nurse's Song ca. 1825 William Blake British. Songs of Innocence and of Experience: Nurse's Song. William Blake (British, London 1757-1827 London). ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and gold. Prints

Jerusalem, Plate 45, 'Bath, healing City!....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 3/8 inches (22.6 x 16.2 cm), branches, clouds, fish, literary theme, men, nudes, religious and mythological subject, serpent, snake, text, vegetation, women

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20), 1789. Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience: The Angel ca. 1825 William Blake British. Songs of Innocence and of Experience: The Angel 347977

Young's Night Thoughts, Page 33, 'Like that, the dial speaks; and points to thee', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 3/4 x 12 1/2 inches (40 x 31.8 cm), beds, cups, dead, death, food, goblets, literary theme, men, pointing, reclining, serpents, snakes, text, wine

Songs of Innocence, Plate 16, 'Night' (Bentley 20), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm), Plate: 4 3/8 x 2 5/8 inches (11.1 x 6.7 cm), and Plate: 4 1/4 x 2 5/8 inches (10.8 x 6.7 cm), angels, branches, garden, gowns, hills, leaf, literary theme, shrubberies, text, tree, vegetation, vines, wings, women

Young's Night Thoughts, Page 23, 'We Censure Nature for a Span Too Short', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 1/2 x 12 1/2 inches (39.4 x 31.8 cm), angels, baby, bed, bed, children, drapes, family, father, literary theme, man, men, mother, nudes, religious and mythological subject, text, wings, woman, women

Young's Night Thoughts, Page 54, 'The Vale of Death! That Hush'd Cimmerian Vale', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 12 3/4 inches (42.5 x 32.4 cm), and Plate: 15 1/2 x 12 3/4 inches (39.4 x 32.4 cm), child, children, feathers, grass, literary theme, men, religious and mythological subject, river, river banks, water, wings, women

America. A Prophecy, Plate 14, 'So Cried He....', Print made by William Blake, 1757-1827, British, 1793, Color-printed relief etching in green-black with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm) and Plate: 9 3/8 x 6 7/8 inches (23.8 x 17.5 cm), cane, cave, crypt, door, men, religious and mythological subject, staff (walking stick), stones, text, trees

America. A Prophecy, Plate 14, "So Cried He....". Date/Period: 1793. Print. Green print, pen, black ink and watercolor on cream-colored paper (Color-printed relief etching in green-black with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper). Height: 238 mm (9.37 in); Width: 175 mm (6.88 in). Author: William Blake.

Young's Night Thoughts, Page 23, 'We censure nature for a span too short', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 1/2 inches (41.9 x 31.8 cm), Plate: 15 3/4 x 12 1/2 inches (40 x 31.8 cm), and Plate: 15 5/8 x 12 1/2 inches (39.7 x 31.8 cm), angels, beds, children, drapes, family, literary theme, men, nudes, wings, women

Songs of Innocence and of Experience: Spring (second plate): Little Girl ca. 1825 William Blake British. Songs of Innocence and of Experience: Spring (second plate): Little Girl 347932

The First Book of Urizen, Plate 23: 'The Ox in the slaughter house moans . . . .' (Bentley 25), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm) and Plate: 6 1/2 x 4 inches (16.5 x 10.2 cm), literary theme, nudes, serpent, snake, text, women

Songs of Innocence and of Experience, Plate 30, 'Night' (Bentley 20), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), angels, branches, garden, gowns, hills, historical subject, leaf, text, trees, vegetation, vines, wings, women

Songs of Innocence and of Experience, Plate 35, 'Earth's Answer' (Bentley 31), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 3/4 x 2 7/8 inches (12.1 x 7.3 cm), branches, fruit, historical subject, leaf, serpent, snake, text, vegetation, vines

Jerusalem, Plate 87, 'Repelling weeping Enion....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 1/4 x 5 7/8 inches (21 x 15 cm), bending, cave, cavern, earth, gown, literary theme, men, nudes, religious and mythological subject, roots, shell, text, women

Europe. A Prophecy, Plate 10, 'Enitharmon slept . . . . ' (Bentley 12), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm), Plate: 9 1/4 x 6 3/4 inches (23.5 x 17.1 cm), and Spine: 15 3/8 inches (39.1 cm), branches, leaf, men, nudes, religious and mythological subject, text, vines, women

Lord and young lady in a hug, 1653 Lord and young lady in a hug under a love complaint on the melody of Corante Munsuier. Zwolle paper. ink. watercolor (paint) brush / calligraphy Lord and young lady in a hug under a love complaint on the melody of Corante Munsuier. Zwolle paper. ink. watercolor (paint) brush / calligraphy

And I only am escaped alone to tell thee., 1825, William Blake, British, 1757-1827, 8 1/2 x 6 5/8 in. (21.59 x 16.83 cm) (sheet), Engraving, England, 19th century, Two messengers arrive left feet first to announce the disasters. For Blake, the right hand and foot symbolized the spiritual; the left evoked the material. Job and his wife are seated beneath a pair of heavy stone crosses. Above them is a tree with scant foliage and no fruit. To the left, the Gothic church appears for the last time in the series.

Songs of Innocence and of Experience, Plate 42, 'The Tyger' (Bentley 42), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 3/8 x 2 1/2 inches (11.1 x 6.4 cm), branches, grass, historical subject, leaf, text, tiger, trees, vegetation, vines

William Blake, The Messengers Tell Job of His Misfortunes, 1825 The Messengers Tell Job of His Misfortunes

Songs of Innocence and of Experience, Plate 51, 'London' (Bentley 46), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), cane, child, children, fire, house, literary theme, man, men, stone, vines, walking sticks

William Blake, 1757-1827, British, Plate 2 (page 1): 'Swift on his downy pinion flies from woe', 1797. Engraving.

Songs of Innocence and of Experience: The Little Girl Lost/The Little Girl Found ca. 1825 William Blake British. Songs of Innocence and of Experience: The Little Girl Lost/The Little Girl Found 347968

Becomes a Womb..... Blake, William, 1757-1827. Blake, William, 1757-1827. Prints, Illustrations. 1804 - 1808. Rare Book Division. Nudes

Young's Night Thoughts, Page 10, 'Disease Invades the Chastest Temperence', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 12 7/8 inches (42.5 x 32.7 cm), and Plate: 16 1/4 x 12 3/4 inches (41.3 x 32.4 cm), crook, shepherd's, disease, dog (animal), literary theme, men, nudes, religious and mythological subject, sheep, shepherd, sleeping, text, vial, women

Very Extravagant Verses 1906-1913 México. Relief print on paper . José Guadalupe Posada

Songs of Innocence and of Experience: The Angel. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Songs of Innocence and of Experience, Plate 16, 'The Little Boy Lost' (Bentley 13), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm), Plate: 4 5/8 x 2 7/8 inches (11.7 x 7.3 cm), and Plate: 4 5/8 x 2 7/8 inches (11.7 x 7.3 cm), angels, boy, branches, children, darkness, flame, forest, gown, hat, historical subject, leaf, mother, text, trees, vegetation, vines, wings, woman

Der Abend. Josef Albert (German, 1825 - 1886)

Print made by William Blake, 1757-1827, British, There Is No Natural Religion, Plate 6, "IV None could have.. ." (Bentley a7), ca. 1788. Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper.

Pencil drawing by Rudolf Bacher titled 'Dedication', dated 29 November 1888, showing figures and line composition with detailed gesture.

Albert Glatigny

Print made by William Blake, 1757-1827, British, The Book of Thel, Plate 7, "But he that loves the lowly.. .", 1789. Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Young's Night Thoughts, Page 4, 'What, though my soul fantastick measures trod', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), and Plate: 15 3/4 x 12 1/2 inches (40 x 31.8 cm), book, branches, leisure, literary theme, men, nudes, quill pen, sleeping, swimming, text, trees, women

Print made by William Blake, 1757-1827, British, The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim.. .", 1789. Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

Illustration for Infant Joy, from Songs of Innocence first published in 1799 by English poet and artist William Blake, 1757 - 1827.

Klingholz Fritz (1861-1921): Illustration with song text

Print made by William Blake, 1757-1827, British, The Book of Thel, Plate 8, "IV. / The eternal gates.. .", 1789. Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

Forget thee, oh. Never! (valentine). Unknown Artist; American or English, 19th century. Date: 1835-1840. Dimensions: 125 x 75 mm (folded sheet). Lithograph with hand-coloring on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

America. A Prophecy, Plate 17, 'On Albions Angels....', Print made by William Blake, 1757-1827, British, 1793, Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm) and Plate: 9 3/8 x 6 3/4 inches (23.8 x 17.1 cm), flames, leaf, nudes, religious and mythological subject, text, vines, women

Songs of Innocence and of Experience, Plate 25, 'The Voice of the Ancient Bard' (Bentley 54), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/4 x 2 1/2 inches (10.8 x 6.4 cm), and Spine: 7 3/8 inches (18.7 cm), beard, branches, children, harp, kneeling, leaf, literary theme, man, standing, text, vines, women

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 10, "Disease invades the chastest temperence", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Book of Job, Plate 7, Job's Comforters, William Blake, 1757-1827, British, 1825, Line engraving on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm), Plate: 8 1/2 × 6 3/4 inches (21.6 × 17.1 cm), Image: 7 3/4 × 6 inches (19.7 × 15.2 cm), and Binding: 16 inches (40.6 cm)

Illustration with standing naked woman between trees at a lake at the Petit Air poem of Stéphane Mallarmé; Illustration Pour Le Sonnet Petit Air de Stéphane Mallarmé; L'Epreuve.

Figure wound by a plant near ruins, Unknown, 1948 print Under the image in two columns the two sonnets. paper letterpress printing landscape with ruins. man (showing himself) undressed, quasi-nude

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

In those three females....' by William Blake, created between 1804 and 1808. This piece, published in London by Keynes, features etchings depicting tree limbs and dancers. The work has an extent of 46 pages (approximately 49 folios) and includes colored illustrations, measuring 25 cm in height

Vos in Monnikspij (Reinaert) with Haas (Cuwaert) near Vossin (Hermeline) and Cubs in Vossenhol, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Print made by William Blake, 1757-1827, British, America. A Prophecy, Plate 4, "Silent as despairing love....", 1793. Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Vos in Monnikspij (Reinaert) surrounded by chickens and rooster (Cantecleer), Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Jerusalem, Plate 40, "Los shudderd at beholding Albion....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.

Waare afbeelding van den vermaarden Heer Quinquenpoix True portrait of the renowned Mr. Quinquenpoix. Duvivier, Guillaume, active approximately 1650. 1720 - 1721. Anonymous. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Unfalo Nearly Causing the Explosion of Theuerdanck's Ship, from Theuerdanck 1517 Hans Schäufelein German. Unfalo Nearly Causing the Explosion of Theuerdanck's Ship, from Theuerdanck 665499

Plate 21 (page 37): 'Love, and love only, is the loan for love', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Daniel Lysons, 1762-1834, British, Memorial to William Thompson, and to Elizabeth and Samuel Wegg, and Sarah Leheup, from Acton Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Lorenz Froelich (1820-1908), NR illustration. 7 til "love and psyche", 1862

Memorial column for Hendrik Hooft Danielsz., 1794; Monument to the onexpressed Burgerfather Henrik Hooft Danielsz..Allegoric Memorial Column for Hendrik Hooft Danielsz., Former Mayor of Amsterdam, Died on August 31, 1794. Two Putti at a Column with a Portrait of Hooft. On The Leaf Under the Plate A Fresh or Eighteen Lines.

Kupka, Franti_ek (1871-1957) © Museum of Modern Art, New York Graphic arts 29x22,3 Mythology, Allegory and Literature Prometheus

The two goats; La Fontaine Fabel; Imagerie Artistique / Série 6. Leaf with a big representation from Jean de la Fontaine Fabel, of the two goats. At the top right a text block with a verse. Numbered top left: Série 6. - No. 14.

Young's Night Thoughts, Page 95, 'The Goddess Bursts in Thunder and in Flame', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 13 inches (42.5 x 33 cm), and Plate: 15 5/8 x 12 3/4 inches (39.7 x 32.4 cm), fire, flames, lightning, literary theme, nude, nudes, pointing, religious and mythological subject, rocks (landforms), text, women

Extinguished candles and lion (Nobel) flanked by eagle, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Europe. A Prophecy, Plate 16, 'Ethinthus queen of waters . . . . ' (Bentley 17), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm), Plate: 9 1/8 x 6 1/2 inches (23.2 x 16.5 cm), and Spine: 15 3/8 inches (39.1 cm), birds, flowers (plants), leaf, religious and mythological subject, serpent, snake, text, vines

August; Z: "K Osy" 1877, No. 635 (August 30), p. 136; Kossak, Juliusz (1824-1899), Gorazdowski, Edward (1843-1901), K Osy (Warsaw; magazine; 1865-1890); 1877 (1865-00-00-1890-00-00);

Tableau des curiositée et spectacles de Paris offert aux etrangers par L'Hotel Terminus. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; engravings. Wood engraving ()

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 5, "Ode on the Spring.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Photo production of a painting from a scene from Der Trompeter von Säkkingen, representing the trumpeter next to his horse who says goodbye to his mouth with his trumpet, Anonymous, After Carl Schweninger (II), c. 1880 - in or before 1890 photograph photographic support albumen print picture, painting. horn, trumpet, cornet, trombone, tuba. horse

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Hektors Abschied. Josef Albert (German, 1825 - 1886)

Memorial to John Beard from Hampton Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm), architectural subject, church, memorial, England, Greater London, Hampton, London, St Mary's Parish Church, United Kingdom

Jerusalem, Plate 62, 'Repose on me....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 1/4 x 5 7/8 inches (21 x 15 cm), feathers, fire, flames, literary theme, men, nudes, peacock (bird), religious and mythological subject, text

Print made by William Blake, 1757-1827, British, Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10), 1789. Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 21, "O Vala! O Jerusalem....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 3, "Ode on the Spring.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Print made by William Blake, 1757-1827, British, There Is No Natural Religion, Plate 8, "VI The desires & perceptions.. " (Bentley a9), ca. 1788. Color-printed relief etching on moderately thick, slightly textured, cream wove paper.

Jerusalem, Plate 11, 'To labours mighty....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 1/2 inches (22.5 x 16.5 cm), earring, fish, island, jewelry, leisure, literary theme, religious and mythological subject, serpent, snake, swan, swimming, text, trees, water, wings, women

Reclining on a Roseate Knoll (valentine). Unknown Artist; English, 19th century. Date: 1837-1847. Dimensions: 233 × 185 mm (folded sheet). Lithograph with hand-coloring on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Etching from "Visions of the Daughters of Albion" ca. 1793 William Blake (1757-1827 British) The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California, USA

William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40), 1794. Color-printed relief etching with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

Illustration, Margery Brown on the top of the hill ... looking over to London town. Date: first published 1879

Fragrant is the Air and Wooing (valentine). Unknown Artist; English, 19th century. Date: 1837-1847. Dimensions: 232 × 183 mm (folded sheet). Lithograph with hand-coloring on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Jerusalem, Plate 70, "And this the form of mighty Hand....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 222 mm (8.74 in); Width: 162 mm (6.37 in). Author: William Blake.

Jerusalem, Plate 6, "His Spectre driv'n....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.

Sampler. Dated: c. 1941. Dimensions: overall: 61.1 x 45.7 cm (24 1/16 x 18 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: MAX UNGER.

Book of Job, Plate 21, Job and His Family Restored to Prosperity, William Blake, 1757-1827, British, 1825, Line engraving on medium, slightly textured, cream wove paper, Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm), Plate: 8 1/2 × 6 5/8 inches (21.6 × 16.8 cm), Image: 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm), and Binding: 16 inches (40.6 cm)

Photo production from a print to a fresco, representing the Last Supper, Anonymous, After Leonardo da Vinci, c. 1865 - c. 1870 photograph S. Maria delle Grazie photographic support albumen print the episode of the Last Supper

Sampler (USA); Embroidered by Ann Quigly, American; silk embroidery on linen foundation

Le jugement de Paris 1914. still image. Art reproductions. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Homer. Iliad, Athena (Greek deity), Paris (Legendary character), Aphrodite (Greek deity), Decoration and ornament , Greece, Hermes (Greek deity), Hera (Greek deity)

Shepherd kneeling in front of a shepherdess. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1652 - c. 1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Songs of Innocence and of Experience, Plate 41, 'A Poison Tree' (Bentley 49), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), branches, dead, historical subject, men, nudes, text, trees

Woman with two baskets of fruit and a cherry branch. Draughtsman: Gesina ter Borch. Dating: c. 1652. Place: Zwolle. Measurements: h 301 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

Songs of Innocence and of Experience: London. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

William Blake, 1757-1827, British, Book of Job, Plate 7, Job's Comforters, 1825. Line engraving on medium, slightly textured, cream wove paper.

Invitation of the Heriot state to the baptisms of the son Gaston adolphe album E. Maundron The Illustrous Programs of Theaters and Concert Cafes. Menus, Invitation Cards, Small Prints, etc. Maindron, Ernest (1838 1908), Willette, Adolphe Léon (1857 1926)

Robin and his mother go to Nottingham Fair. Creswick, Paul, 1866-1947. Illustrations. 1917. General Research Division. Robin Hood (Legendary character)

Pleito de la suegra con su yerno (Fight of the Mother-in-Law With Her Son-in-Law) Artist's working dates 1850-1900 México. Relief print on paper . Manuel Manilla

Woman in a hood. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1652. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Sampler. Dated: c. 1936. Dimensions: overall: 28 x 23 cm (11 x 9 1/16 in.) Original IAD Object: 23 1/2" long; 21 1/4" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Eva Wilson.

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