Bronze Medals and Portraits

A collection of bronze medals depicting historical figures, showcasing detailed profiles and artistic styles from various periods.

Profile of Andre-Marie Ampere by Pierre-Jean David D'Angers, Bronze, 1829, 1788-1856, USA, Baltimore, Walters Art Museum, D 12,9

Bliżej Kultury Minheymer, Jan (1808 1879)

Installation of the first stone of the Fish Barrier, August 25, 1824 Bertrand Andrieu (1761-1822). Portrait of Louis XVIII, King of France and Navarre. Bronze. 1824.

Pierre-Jean David d'Angers, F. Couturier, 1830, bronze.

Charles du Fresne, Sieur of the booth or booth (1610-1688), historian, linguist and French philologist, 19 August 1849 Alexis-Joseph Deaulis (1790-1867). Charles du Fresne, Sieur of the booth or booth (1610-1688), historian, linguist and French philologist, 19 August 1849. Bronze, 1849.

The French Eagle on the Borysthene, 1812 Romain Vincent Jeffroy (1749-1826) and Henri-Fran�ois Brandt (1789-1845). The French Eagle on the Boryth�ne, 1812. Bronze, 1812.

Completion of the Palace of the Scholarship and the Commercial Court of Paris, 1825 Louis-Michel Petit (1791-1844). Completion of the Palace of the Stock Exchange and the Commercial Court of Paris, 1825. Bronze, 1825.

Assassination du Duc de Berry, February 14, 1820 Raymond Gayrard (1777-1858). Assassination of the Duke de Berry, February 14, 1820. Bronze. 1820.

CAQUE, Armand-Auguste (n.1793-D.1881-12), coronation of Charles X (main title), 1825. Bronze copper alloy. Medium brown patina. Petit Palais, Museum of Fine Arts of the City of Paris.

Joseph-J�r�me Le Fran�ois de Lalande, Astronomer (1932-1807) Nicolas-Marie Guards (1751-1832). Joseph-J�r�me Le Fran�ois de Lalande, Astronomer (1732-1807). Bronze.

Foundation of the free drawing school of Paris, April 1, 1830 Armand-Auguste caked (1793-1881). Foundation of the free drawing school of Paris, April 1, 1830. Bronze.

Parallel between the assassination of Henry IV and that of the Duke de Berry, February 14, 1820 Raymond Gayrard (1777-1858). Parallel between the assassination of Henry IV and that of the Duke de Berry, February 14, 1820. Bronze. 1820.

Days of the Three Glorious, 27-28-29 July 1830 Joseph-Arnold Pingret (1798-1862). Days of the Three Glorious, 27-28-29 July 1830. Bronze.

Return of the ashes of Emperor Napoleon I, December 1840 Jean-Pierre Montagny (1789-1862). Return of the ashes of Emperor Napoleon I, December 1840. Bronze.

Bliżej Kultury Hart, Laurent Joseph (1810 1860)

Maurice Valentin Borrel (1804-1882). The children of Ferdinand d'Orléans, 1842. Copper. Paris, Carnavalet museum. Medal, numismatics

Charles Cushing Wright, die engraver, after design by Paul Peter Duggan, Washington Allston, 1779 1843, Painter (obverse), 1847 Washington Allston, 1779-1843, Painter obverse

after Leonhard Posch, Johann Wolfgang von Goethe, 1749-1832 obverse, 1809, bronze

Julien-David Leroy (1724-1803), Architect, An Xi (1803) Benjamin Duvivier (1730-1819). Julien-David Leroy (1724-1803), Architect, An XI (1803). Bronze.

Inauguration of the Arc de Triomphe, July 29, 1836 Jean-Pierre Montagny (1789-1862). Inauguration of the Arc de Triomphe, July 29, 1836. Bronze.

Portrait Medallion, 1830. Jean-Auguste Barre (French, 1811-1896). Bronze; diameter: 21.8 cm (8 9/16 in.).

Pierre Jean David d'Angers, Jean François Bodin, 1776 1829, Politician and Architect, 1828 Jean-François Bodin, 1776-1829, Politician and Architect

Louis-Antoine Garnier-Pages 1877 Medalist: Daniel Jean-Baptiste Dupuis Garnier-Pages was mayor of Paris and a stalwart republican opponent of the government of Napoleon III.. Louis-Antoine Garnier-Pages. Medalist: Daniel Jean-Baptiste Dupuis (French, 1849-1899). French. 1877. Bronze. Medals and Plaquettes

Bliżej Kultury Gatteaux, Jacques Edouard (1788 1881)

Rebustment of the Statue of Henry IV on the bridge-nine, 1817 Bertrand Andrieu (1761-1822). Recovery of the Statue of Henri IV on the bridge-nine, 1817. Bronze, 1817.

L�on XII, Annibale Genga Sermattei (L1760-829), 252E Pape (1823-1829), 1823 Jacques Augustin Dieudonna (1795-183). Leon. XIII, Years of the Genga (L1760-829), 252nd Pope (1823-1829), 1823. Bronze.

NORTH: COMMISTRANCE IN ASSURANCE AGAINST FIRE IN LILLE, 1849 Rogat, Emile. "North: Commeters insurance consists The Fight to Lille, 1849." CIRPER. 1849-1849. Paris, Carnavalet museum.

Installation of the first stone of Saint-Denys du Saint-Sacrament, September 15, 1826 Jacques-Edouard Gardeaux (1788-1881); VATORIAL USINA (1798-1881. Installation of the first stone of Saint-Denys of the Saint-Sacrament. Paris (Third Arr.), September 15, 1826. Bronze. 1826.

Return of the ashes of Emperor Napoleon I, December 1840 Auguste Bovy (1795-1877). Return of the ashes of Emperor Napoleon I, December 1840. Bronze.

Fran�ois-Andr� Isambert (1792-1857), Jurisconsult and French politics, 1838 Emile Rogat (1770-1852). Fran�ois-Andr� Isambert (1792-1857), Jurisconsult and French politician, 1838. Bronze.

Achille Lecl�re (1785-1853), Architect Joseph Dantzell (1805-1877). Achille Lecl�re (1785-1853), Architect. Bronze.

Hiacynthe de Rigaud, 1741-1817, Comte de Vaudreuil. Dated: 1770. Dimensions: overall (diameter): 11.5 cm (4 1/2 in.). Medium: terracotta. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Nini.

Bliżej Kultury Radnitzky, Carl (1818 1901)

Anonymous / 'Roman Woman'. Ca. 1550. White marble. Museum: Museo del Prado, Madrid, España.

Portrait of Jan Zamoyski (1542-1605) Factory: Minter Karol

Medallion creator Pierre Jean David d'Angers

Advent of Charles X (1757-1836) at the Crown of France, September 16, 1824 Anonymous. Advent of Charles X (1757-1836) at the Crown of France, September 16, 1824. Vermeil.

In Memory of Lord Nelson 1805 Medalist (reverse): Jean-Pierre Droz. In Memory of Lord Nelson. Medalist (reverse): Jean-Pierre Droz (French, La Chaux-de-Fonds, Neuchtel 1746-1823 Paris). British. 1805. Bronze. Medals and Plaquettes

Farcy, Jean-Baptiste (n.1812-05-10-D.1871-07-01), Casimir Delavigne (main title), 1847. Bronze. Petit Palais, Museum of Fine Arts of the City of Paris.

Bliżej Kultury Rygier, Teodor (1841 1913), Vagnetti, Giovanni (1840 post 1890)

Georges Cuvier: bronzecast

Medallion creator Pierre Jean David d'Angers

Augustin Dupré (1748-1833). Liberty (1795). Medallion (sculpture). Tinted plaster, 1795. Paris, Carnavalet museum. Phrygian cap, freedom, medallion, plaster shade, republic

Richard Morris Hunt c 1891 United States. Copper on plaster . Karl Theodore Francis Bitter

Fran�ois Guizot (1787-1874), 1844 Maurice Valentin Borrel (1804-1882). Fran�ois Guizot (1787-1874). Bronze, 1844.

Pierre-Paul David d'Angers. Artist: Medalist: Victor Peter (French, Paris 1840-1918 Paris). Culture: French, Paris. Dimensions: Overall (confirmed): 6 1/2 × 6 1/2 in. (16.5 × 16.5 cm). Date: 1881.This medal is a touching bow to a progenitor of the splendidly gifted sculptor and medalist Victor Peter, as it represents the grandson of the great medalist Pierre-Jean David d'Angers. An example was shown in the Salon of 1881 and the present one looks as fine as that in the Musée d'Orsay.James D. Draper, 2014. Museum: Metropolitan Museum of Art, New York, USA.

David d'Angers, Pierre-Jean (n.1788-03-12-D.1856-01-05), portrait of Charles-Augustin Sainte-Beuve (1788-1869), poet and critic, 1828. Plaster. Carnavalet museum, history of Paris.

Antoine Augustin or Auguste Préault (1810-1879). Portrait of Tullie Blum (1805-1875). Bronze. 1875. Paris, Carnavalet museum. 76256-27

Alfred Borrel (1836-1927). "Tribute to the workers of the national workshops to Mr. Lecoq, April 1848". Copper. 1848. Paris, Carnavalet museum. 102018-14

Youthful portrait of Victor Hugo (1802-1885), French poet and novelist 1828 Pierre Jean David d'Angers French Pierre-Jean David dAngers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819-1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830-1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David dAngers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campai

Pierre-Jean David d'Angers (1788-1856). Portrait of Alfred de Musset (1810-1857). Plaster. 1829. Paris, Carnavalet museum. 61224-1 Bas-relief, French writer, medallion, plaster, portrait, novelist

David d'Angers (1788-1856). Louis Jérôme Gohier (1746-1830), French politician. Paris, Carnavalet museum. 39481-5 Directory, French politician, medallion, first empire, portrait, French revolution

Visit of the Duchess d'Angoul�me in Vend�e, September 1823 Armand-Auguste caked (1793-1881). Visit of the Duchess of Angoul�me in Vend�e, September 1823. Bronze. 1823.

Medallion. Celiński, Sławomir (1852-1918), sculptor

Fernand Camus, French landscape painter 1898 Medalist: François-Joseph-Hubert Ponscarme. Fernand Camus, French landscape painter 189243 Artist: Medalist: Franois-Joseph-Hubert Ponscarme, French, Belmont-les-Monthureaux, Vosges 18271903 Malakoff, Hauts-de-Seine, Fernand Camus, French landscape painter, 1898, Bronze, cast, No dimensions recorded.. The Metropolitan Museum of Art, New York. Rogers Fund, 1907 (07.118.5)

Maurice Etienne Comte de Gerard, (1773-1852), Marshal of France 1830 Pierre Jean David d'Angers French Pierre-Jean David dAngers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819-1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830-1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David dAngers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of c

Pierre Jean David DANGERS. "Jean-Paul Marat, 1830". Paris, Carnavalet museum. 39539-11 French, politician, medallion, portrait, French revolution, revolutionary

Grund, Norbert, image reference: S0006600, museum/owner: SFF, name: In front of the stable, 12 x 18, painting, original: 32103.164, photo: Lukumaa, Jaakko/KKA, AgfaT5000+/ PS 6.0, data input: JVAINIO, 28.08.01

Matteo de' Pasti, Sigismondo Pandolfo Malatesta, 1417 1468, Lord of Rimini and Fano (obverse), 1446 Sigismondo Pandolfo Malatesta, 1417-1468, Lord of Rimini and Fano obverse

David d'Angers (1788-1856). General Bonaparte. Paris, Carnavalet museum. 39480-19 Bas-relief, Directory, Future Emperor, General Francais, Medallion, Portrait

Robine. "Recovery of the French Empire by universal suffrage, 1852". Golden copper. 1852. Paris, Carnavalet museum. 102019-13

Emile Augier (1820-1889) 1884 Jean-Désiré Ringel d'Illzach. Emile Augier (1820-1889). French. 1884. Cast bronze with warm brown patina. Medals and Plaquettes

Medallion creator Pierre Jean David d'Angers

Portrait medal of Isotta degli Atti (obverse); An Elephant (reverse) model 1446 or later (possibly cast 16th century) Matteo de' Pasti Italian A beautiful merchants daughter, the thirteen-year-old Isotta degli Atti inspired the passion of Sigismondo Malatesta, the ruler of Rimini. The date 1446 commemorates the year Sigismondo consolidated his political power and won Isotta as his mistress; she later became his wife. Sigismondo embedded portrait medals of himself and Isotta in the walls of his buildings as a legacy of his triumphant reign. Here, Matteo captures the teenage beauty with tenderness and sensitivity. The elephant portrayed on the medals reverse is a masterpiece of animal representation, at once naturalistic and richly symbolic. As one of the favorite heraldic devices of the Malatesta family of Rimini, the elephant signifies regal strength and the fame that confers immortality. In the context of a portrait medal devoted to Isotta degli Atti, the elephant symbolizes her pie

Medallion creator Pierre Jean David d'Angers

Medal on the death of Maarten Harpertszoon Tromp, death medal penning footage copper, in raised relief bust Tromp Two trumpet-angels holding crown, my deer and hand - was for the landt (on ribbon) Kijkduin death certificate die Maarten Harpertsz. Tromp Rotterdam

Judith Pasta (1798-1865), Italian singer 1828 Pierre Jean David d'Angers French Pierre-Jean David dAngers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819-1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830-1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David dAngers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary an

Raymond Gayrard (1777-1858). Restoration of the Henri IV statue on the Pont Neuf, October 28, 1817. Red copper (obverse). Paris, Carnavalet museum. Medal, numismatics

Medallion. Dmochowski, Henryk (1810-1863), sculptor, unknown, foundry worker, Oleszczyński, Antoni (1794-1879), painter

Gatteaux, Jacques-Edouard (n.1788-11-04-D.1881-02-08), advent of Louis-Philippe (main title), 1830. Alloy at low point of merger. Brown patina. Petit Palais, Museum of Fine Arts of the City of Paris.

Currency of Paris (n. - d.), Mazarin in Cazal (main title). Bronze copper alloy. Gilding. Petit Palais, Museum of Fine Arts of the City of Paris.

Alfonso V, King of Naples. Artist: Medalist: Pisanello (Antonio Pisano) (Italian, Pisa or Verona by 1395-1455). Culture: Italian. Dimensions: Overall: 3 1/2 × 2 3/8 in. (8.9 × 6 cm). Date: ca. 1449. Museum: Metropolitan Museum of Art, New York, USA.

Du Lord, Jehan (n.1808-06-23-D.1866-03-06), Petrus Borel (Inscribed title (Letter)), 1832. Plaster. Houses of Victor Hugo Paris - Guernsey.

Cameo of a Gentleman ca. 1850 Erastus Dow Palmer American During the early years of his career, Palmer is estimated to have produced over a hundred miniature cameos. These small low-relief portraits were cut in shell and were often duplicated in plaster by means of a wax mold. Twelve plaster casts (1983.519.1-.12), all of men, are mounted in an oval in a shadow box. Only three of the sitters have been identified: Mason Fitch Cogwsell (1807-1865), an Albany physician; John J. Francis (ca. 1810-1877) of Utica; and John Nichols Wilder (1813-1858), one of the founders of the University of Rochester. Three are the same portrait, although the identity of the sitter is unknown. The sculptors signature appears on two of the unidentified portraits. Studied together, these cameos reveal Palmer's special talent for rendering a gallery of Americans with a surprising variety of expression and character considering their intimate format.. Cameo of a Gentleman 13481

Friedrich Ludwig Zacharias Werner (1768-1823) 19th century Medalist: Pierre Jean David d'Angers French Pierre-Jean David dAngers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819-1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830-1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David dAngers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of c

An Amsterdam Burgomaster (), Bartholomeus Eggers (attributed to), 1667 He is used to the right, wears a mustache and imperial; The curly hair partly covers the ears. His wambuis with buttons can be seen under the open tabola with pleated sleeve. A flat collar lies over, including two Akertjes. The man is placed against a somewhat hollow background, which turns into a raised edge. Amsterdam marble (rock) He is used to the right, wears a mustache and imperial; The curly hair partly covers the ears. His wambuis with buttons can be seen under the open tabola with pleated sleeve. A flat collar lies over, including two Akertjes. The man is placed against a somewhat hollow background, which turns into a raised edge. Amsterdam marble (rock)

Medallion creator Pierre Jean David d'Angers

Napoleon I (1769-1821), Emperor of the French 1811-14 French. Napoleon I (1769-1821), Emperor of the French. French. 1811-14. Ceramic paste, glass; wood and brass frame. Glass

Paul Delaroche, born Hippolyte de la Roche (1797-1856), French painter, after 1856 Albert-desired Bar (1818-1878). Paul Delaroche, born Hippolyte de la Roche (1797-1856), French painter, after 1856. Bronze.

Anonymous (n. - d.), Joachim Napoleon, King of the Deux -Siciles (Main title), 1813. Alloy at low point of merger. Brown patina. Petit Palais, Museum of Fine Arts of the City of Paris.

KSI Zdzis Aw Lubomirski Regent; Care brothers (Fl. 1884-1941), walks, Kazimierz Mieczys AW (1861-1921); 1918 (19-00-00-19-00-00);Paliński, Kazimierz (1861-1919), Lubomirski, Zdzisław (1865-1943)-iconography, men

Antoine Augustin or Auguste Préault (1810-1879). Portrait of Léopold Leclanché. Bronze. Paris, Carnavalet museum. 76256-31

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