Bronze Medals and Reliefs

Bronze medals and reliefs featuring classical themes and figures, showcasing craftsmanship and historical significance in art.

After Girolamo Paladino, Liberality (reverse) Liberality reverse

A Sculptor Carving a Statue of Cupid. Dated: late 15th - early 16th century. Dimensions: overall (diameter): 470.5 cm (185 1/4 in.) gross weight: 39 gr. Medium: bronze//Dark brown patina(laquer on body of child rubbed). Museum: National Gallery of Art, Washington DC. Author: Attributed to Moderno.

Andrea Briosco, called Riccio, Vulcan, Cupid and Venus Vulcan, Cupid and Venus

Giulia Astallia obverse. Dated: c. 1485. Dimensions: overall (diameter): 6.15 cm (2 7/16 in.) gross weight: 85.93 gr (0.189 lb.) axis: 7:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Mantuan 15th Century (Possibly Giancristoforo Romano).

First International Exhibition in America Opened in Crystal Palace, New York. Artist: Charles Cushing Wright (1796-1854). Dimensions: Diam. 2 1/4 in. (5.7 cm). Date: 1853. Museum: Metropolitan Museum of Art, New York, USA.

Hadrian Riding and Carrying a Standard reverse. Dated: fourth quarter 15th century. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Filarete.

After Girolamo Paladino, Liberality (reverse) Liberality reverse

Jean du Mas on a Horse Wearing Chanfron and Bardings reverse. Dated: 1494/1495. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Niccolò Fiorentino.

Moderno, David and Goliath, mid or late 1490s David and Goliath

Allegory of Victory. Dimensions: overall (diameter): 4.3 cm (1 11/16 in.) gross weight: 32 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: ANTICO.

A Child on a Lion. Dimensions: overall (diameter): 5 cm (2 in.) gross weight: 39 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Gianfrancesco Enzola.

Worship of kings. Round, silver plaque. On the left Maria with the child, Joseph and the oldest king, who kneel for her. More to the right the second and behind the group on the second plan the morenkoning. In the foreground on the left and, a little further to the depth right, kneeling figures of the back.

Italian or French 17th Century, Laocoön and his Sons, probably 17th century Laocoön and his Sons

Style of Niccolò Fiorentino, Felicity, Virtue, and Fame (reverse), c 1490 Felicity, Virtue, and Fame reverse

Exercising the territory of Carthage, Jonas Silber, c. 1550 - c. 1575 Round, lead plaque, surrounded by a fruit wreath. In the foreground, to the right, Dido on horseback. For her on a couch, the skin, where the terrain will finish the site, is cut into strips by two soldiers; Behind her and to the right of the soldiers two horsemen. On the second plan many figures on horseback and on foot. In the background a caravan, horses, donkeys and camels in a hilly landscape with buildings. Nuremberg lead (metal) Round, lead plaque, surrounded by a fruit wreath. In the foreground, to the right, Dido on horseback. For her on a couch, the skin, where the terrain will finish the site, is cut into strips by two soldiers; Behind her and to the right of the soldiers two horsemen. On the second plan many figures on horseback and on foot. In the background a caravan, horses, donkeys and camels in a hilly landscape with buildings. Nuremberg lead (metal)

Alfonso Ruspagiari, Portrait of a Lady, late 16th century Portrait of a Lady

Italian 16th Century, Leda and the Swan (reverse), 16th century Leda and the Swan reverse

Nymph of the Seine reverse. Dated: 1623. Dimensions: overall (diameter): 5.27 cm (2 1/16 in.) gross weight: 38.9 gr (0.086 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: French 17th Century.

The Three Graces reverse. Dated: c. 1484/1485. Medium: bronze//Late cast. Museum: National Gallery of Art, Washington DC. Author: Style of Niccolò Fiorentino.

Marie-Thérèse-Charlotte, Duchess d'Angoulême, said Madame Royale (1778-1851) P. G Lénard. "Marie-Thérèse-Charlotte, Duchess d'Angoulême, known as Madame Royale (1778-1851)". Copper repulsed.

Saint Jerome in a Landscape reverse. Dated: 1540. Dimensions: overall (diameter): 4.1 cm (1 5/8 in.) gross weight: 32.35 gr (0.071 lb.) axis: 6:00. Medium: gilded bronze//Struck. Museum: National Gallery of Art, Washington DC. Author: Andrea Spinelli.

The Marquess Giving Alms reverse. Dated: probably 1484/1506. Dimensions: overall (diameter): 3.27 cm (1 5/16 in.) gross weight: 22.27 gr (0.049 lb.) axis: 11:00. Medium: bronze//Struck. Museum: National Gallery of Art, Washington DC. Author: Gian Marco Cavalli.

Peace. Dimensions: overall (oval): 4.3 x 3.3 cm (1 11/16 x 1 5/16 in.) gross weight: 20 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Valerio Belli.

Mars and Venus. Dated: late 15th - early 16th century. Dimensions: Overall (diameter without suspension loop): 5.1 cm (2 in.) overall (height with suspension loop): 5.3 cm (2 1/8 in.) gross weight: 45 gr. Medium: lead. Museum: National Gallery of Art, Washington DC. Author: Pseudo Melioli.

Matteo de' Pasti, Fountain Surmounted by a Nude Male Figure (reverse), c 1446 Fountain Surmounted by a Nude Male Figure reverse

Leda and the Swan, c. 1520. Master of the Birth of Venus (German). Gilt bronze; diameter: 5.3 cm (2 1/16 in.).

Apollo, Venus, Mars and Vulcan. Dimensions: overall (diameter): 5.6 cm (2 1/4 in.) gross weight: 60 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Master M. C.

Mauger, Jean (n.1648-D.1722-09-09), the French Academy at the Louvre, 1673 (main title), 1677. Bronze copper alloy. Lacval brunette patina. Petit Palais, Museum of Fine Arts of the City of Paris.

Medaillon: Character cutting a tree Renaud Jean-Martin, said Renaud de Sarreguemines (1746-1821). Medallion: Character cutting a tree. Terracotta, light brown color matte, with metal strapping.

MOLART or MOLLART, Michel (N.1641-06-11-D.1713), facade of the Louvre (BERNIN Knight project) (main title). Alloy with low melting point. Brown patina. Petit Palais, Museum of Fine Arts of the City of Paris.

Pseudo Antonio da Brescia, Sleeping Cupid, early 16th century Sleeping Cupid

Triumph of Neptune ca. 1515-25 Manner of Alvise of Padua. Triumph of Neptune. Manner of Alvise of Padua. Italian, Venice. ca. 1515-25. Bronze. Sculpture-Bronze

Mars and Venus reverse. Dated: 1497. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Roman 15th Century.

Venus and Cupid model ca. 1590-1600 (possibly cast 17th century) possibly Paul Hubner This plaquette depicts Venus and Cupid in a landscape, set in an oval, stylized wreath. While Paul Hübner has been identified as the possible author of this piece, it has also been attributed to an anonymous South German artist, possibly from Augsburg and dating from the late sixteenth century. Other versions are in Florence (Museo Stefano Bardini), Lyon (Musée des Beaux-Arts), Munich (Bayerisches Nationalmuseum), and Paris (Musée du Louvre). This object is an early, possibly seventeenth-century, aftercast.. Venus and Cupid 460949

Bliżej Kultury Mint Rome, Hadrian (117 138)

Amorettes with Jupiters Adelaar ,, 1575 - 1600 Italy lead (metal) Italy lead (metal)

Trojak; Decjusz, Jost Ludwik (Fl. 1528-1535), Straub (Strawb), Heinrich; 1542 (1542-00-00-1542-00-00);

Daniel Sailer, Judgment of Solomon (obverse), c 1625 Judgment of Solomon obverse

Molart or Mollart, Michel (N.1641-06-11-D.1713), Academy of Painting and Sculpture (Main title), 1647. Bronze copper alloy. Lacval brunette patina. Petit Palais, Museum of Fine Arts of the City of Paris.

Fra Cesario of Ferrara, died 1490, Servite Monk. Dated: c. 1467. Dimensions: overall (diameter): 8.3 cm (3 1/4 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Sperandio.

Allegorical scene early 16th century Master IO. F.F.. Allegorical scene. Master IO. F.F. (Italian, active mid-15th century). Italian. early 16th century. Bronze, parcel-gilt. Medals and Plaquettes

Sperandio, Doge Barbarigo Kneeling before the Winged Lion of Venice (reverse), c 1495 Doge Barbarigo Kneeling before the Winged Lion of Venice reverse

The Birth of Venus. Dated: c. 1520. Dimensions: overall (oval): 5.3 cm (2 1/16 in.) gross weight: 43 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Paduan 16th Century.

Follower of Moderno, Standing Leda and the Swan (obverse), c 1520 Standing Leda and the Swan obverse

Exhibition in Dębica Szapiry G. Son, Szapiry D. Son, Szapiry S. Son

Gianfrancesco Enzola (Italian, active 1455-1478), The Castle of Pesaro, 1475, bronze; Old cast, untrimmed

Figure Holding Victory and Branch reverse. Dated: c. 1500/1525. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Venetian 16th Century.

Saint Sebastian. Dated: c. 1475/1485. Dimensions: overall (diameter): 22.5 cm (8 7/8 in.). Medium: bronze//Black laquer (abraded locally). Museum: National Gallery of Art, Washington DC. Author: FRANCESCO DI GIORGIO MARTINI.

Tribute to the Bourbons "who perished under the Iron of Assassins", 1820 Raymond Gayrard (1777-1858). Tribute to the Bourbons who perished under the iron of the assassins , 1820. Bronze, 1820.

Allegory, possibly early 1500s. Possibly Northern Italy, 16th century. Gilt bronze; diameter: 3.6 cm (1 7/16 in.).

An Allegorical Scene. Dated: 16th century. Dimensions: overall (diameter): 8 cm (3 1/8 in.) gross weight: 192 gr. Medium: bronze//Very dark patina. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.

Antonio Pizzamani, 1462-1512, Venetian Scholar and Apostolic Pronotary, Bishop of Feltre 1504 obverse. Dated: c. 1490. Dimensions: overall (diameter): 6.1 cm (2 3/8 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Style of Niccolò Fiorentino.

Eusebi Arnau. Medalla, Festes de la Merce de Barcelona, 1902. Museu Nacional d'Art de Catalunya MNAC.

Mauger, Jean (n.1648-D.1722-09-09), the king protects the academies, 1672 (main title), 1677. Bronze copper alloy. Lacval brunette patina. Petit Palais, Museum of Fine Arts of the City of Paris.

Valerio Belli, The Triumph of Silenus The Triumph of Silenus

Jan Olbracht (1492-1501), Półgrosz, Kraków, 1492-1498 Jan Olbracht (1492-1501), Piotr of Kurozw K (Podskarbi, 1499)

Ferrarese 15th Century, Ercole I d'Este, 1431 1505, 2nd Duke of Ferrara, Modena, and Reggio 1471 (obverse), 15th century Ercole I d'Este, 1431-1505, 2nd Duke of Ferrara, Modena, and Reggio 1471 obverse

Bliej Kultury Mint of Kraków, W Adys Av Jagie o (Ca 1351 1434), Szymon de Talentis (13 .. 14 ..)

Jacopo Nizzola da Trezzo, Aurora Riding through the Heavens (reverse), 1552 Aurora Riding through the Heavens reverse

Paul Hübner, Leda and the Swan, early 17th century Leda and the Swan

Francesco di Giorgio Martini, Borghese Borghesi, 1414 1490, Jurisconsult of Siena (obverse), probably 1485 1490 Borghese Borghesi, 1414-1490, Jurisconsult of Siena obverse

Jean Warin, Hercules Helping Atlas to Bear the Globe (reverse), 1629 Hercules Helping Atlas to Bear the Globe reverse

Sigismondo Pandolfo Malatesta, 1417-1468, Lord of Rimini and Fano obverse. Dated: 1450. Dimensions: overall (diameter): 4.05 cm (1 5/8 in.) gross weight: 39.47 gr (0.087 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: after Matteo de' Pasti.

Tribute to Adolphe Thiers (1797-1877), 1871 Tribute to Adolphe Thiers (1797-1877), 1871 . Bronze.

North Italian 16th Century, The Head of Medusa, early 16th century The Head of Medusa

Gayrard, Raymond (n.1777-10-25-D.1858-05-04), death of Louis XVIII, September 16, 1824 (main title), 1824. Alloy at low point of merger. Brown patina. Petit Palais, Museum of Fine Arts of the City of Paris.

Master IO.F.F. (Italian, active 1468-1484), Judgment of Paris, second half 15th century, gilt bronze

Birth of princess juliana. Silver medal. Facade: standing Dutch virgin with baby in her arms, standing on dune on the coast, with on the left and right-hand side symmetrically two columns with flowers on top and in the middle a shield with the left '30 April 'and right' 1909 '. Downside: crowned coat of arms in orange tree with winshemina bust and profil queen Wilhemina and behind her prince Hendrik, with their names and abroad by above with oranges; From this it comes down to the bottom stlases that pushed clouds to the extreme edges; The tree is rooted within a braided hedge with a fence in the middle on which seven bundled arrows and on both sides of these stands with short halibbled (the so-called Dutch garden). In original box.

scudo. Państwo Kościelne, Mercandetti, Tommaso (1758-1821), engraver, Pius VII (papież ; 1800-1823), ruler

Jacopo Nizzola da Trezzo, Isabella at a Burning Altar (reverse) Isabella at a Burning Altar reverse

Jan Olbracht (1492-1501), Półgrosz, Kraków, 1492-1498 Jan Olbracht (1492-1501), Piotr of Kurozw K (Podskarbi, 1499)

Grosso of Lorenzo Tiepolo from Francesco Zane;Venice

Antonio Vicentino, Argentina Pallavicini, died 1550, Wife of Guido Rangoni, Poetess and Botanist Argentina Pallavicini, died 1550, Wife of Guido Rangoni, Poetess and Botanist

Federico Cocciola, David and Goliath (reverse) David and Goliath reverse

French 15th Century, Herod and Herodias, late 15th century Herod and Herodias

Seal against Henry III, vintage engraving. Seal against Henry III, vintage engraved illustration. Colorful History of England, 1837. Copyright: xZoonar.com/PatrickxGuenettex 10648834

Jan Olbracht (1492-1501), Półgrosz, Kraków, 1492-1498 Jan Olbracht (1492-1501), Piotr of Kurozw K (Podskarbi, 1499)

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Leonora, Wife of Giovanni Battista Cambi, called Bombarda, the Medallist. Dated: late 16th century. Dimensions: overall (diameter): 6.9 cm (2 11/16 in.) gross weight: 31.58 gr (0.07 lb.). Medium: bronze//Cast hollow. Museum: National Gallery of Art, Washington DC. Author: called Bombarda Giovanni Battista Cambio.

Currency of Paris (n. - d.), Catherine de Médicis (main title). Bronze copper alloy. Heterogeneous brunette patina on an orange background. Petit Palais, Museum of Fine Arts of the City of Paris.

The Continence of Scipio. Dimensions: overall (oval): 5 x 6 cm (1 15/16 x 2 3/8 in.) gross weight: 31 gr. Medium: lead. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BERNARDI.

Bliżej Kultury Gracjan, Mint of Siscia

Alfonso XI of Castile (1311-1350) "The Avenger". King of Castile, Leon and Galicia. Stamp. Engraving, 1879.

Attributed to Moderno, Orpheus Losing Eurydice, late 15th early 16th century Orpheus Losing Eurydice

Medalion: Matka Boska z Chrystusem i święci. Nieznany warsztat ruski, factory

Banquet offered to the Emperor by the city of Paris, 25 Frimer An XIII (16 December 1804) Andr� Galle (1761-1844) and Romain Vincent Jeffroy (1749-1826). Banquet offered to the Emperor by the city of Paris, 25 Frimer An XIII (December 16, 1804). Bronze. 1804.

Project Grange Manzary MANZA 2014-2016 Carnavalet Museum, Medals Collection

after:: Quinten Massijs, Terminus medal at Erasmus, penning visual material zinc, cast, Left accustomed bust of Erasmus with beret text, ER - ROT. greek text IMAGO AD VIVAM EFFIGIEM EXPESSA 1519 Matsijs Metsys Erasmus Rotterdam

Tribute to Henry IV and seven members of the Royal Family Victims of the Revolution, 1820 Armand-Auguste caked (1793-1881). Tribute to Henry IV and the seven members of the Royal Family Victims of the Revolution, 1820. Tain Tan�, 1820.

Male Figure Holding an Hourglass reverse. Dated: 1467. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Andrea Guacialoti.

Bliżej Kultury Constantine 2, Menna Sirmium

Nicolosa, Daughter of Francesco Bacci of Arezzo, Wife 1548 of Giorgio Vasari the Painter. Dated: 1555. Dimensions: overall (diameter): 5.8 cm (2 5/16 in.). Medium: bronze//Cast solid; Not an early cast. Museum: National Gallery of Art, Washington DC. Author: Pastorino de' Pastorini, called Pastorino da Siena.

100th anniversary of the premiere of Verdi Otello Tommasi, Marcello (1928 2008)

Henri-Benjamin Constant de Rebecque (1767-1830) 1830 Medalist: Pierre Jean David d'Angers Henri-Benjamin Constant de Rebecque, or Benjamin Constant, was a political activist and a prolific writer. In the eighteen-twenties and thirties, he influenced liberal movements and revolutions across Europe, Brazil, and Mexico. Constant took a government position in the French First Empire under Napoleon until 1802, when he and the infamous Madame de Staël, who was his mistress, fell out of favor, forcing the couple to flee to Germany. After the Bourbon Reconstruction, Constant returned to Paris and defended constitutional monarchy as a member of the Council of State. He was considered the most eloquent proponent of the new liberalism that engulfed French politics between 1827 and 1830. David dAngers, admiring both Constants eloquence and his views, made this medallion soon before Constants death. The medallion is a transitional piece that suggests Davids mature Romantic style in the large-sc

Sassanian dish showing a king hunting from camel-back. Artist: Unknown

Pastorino de' Pastorini, called Pastorino da Siena, Nicolosa, Daughter of Francesco Bacci of Arezzo, Wife of Giorgio Vasari the Painter 1548, 1555 Nicolosa, Daughter of Francesco Bacci of Arezzo, Wife of Giorgio Vasari the Painter 1548

Eliezer and Rebecca at the Well. Dated: c. 1540. Dimensions: overall (oval): 5.3 x 4.5 cm (2 1/16 x 1 3/4 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BERNARDI.

Anonymous, Universal Exhibition, Paris, 1900, Allegories (attributed title), 1900. Bronze. Carnavalet Museum - History of Paris.

Philip of Savoy, Count of Genevois (ca. 1490-1533) 1514-28 German. Philip of Savoy, Count of Genevois (ca. 1490-1533) 195405

Presentation Coin of Maximilian I minted, 1517; dies cut and dated, 1509 Ulrich Ursentaler Austrian Presentation coins were usually designed by court artists and given by princes as rewards or political gifts, or disseminated as propaganda. This coin was struck to commemorate the coronation of Maximilian I (1459-1519) as Holy Roman Emperor in 1508, reinforcing the emperor's dynastic claims to power through heraldry, inscriptions, and his depiction in full armor astride a fully barded horse, all elements elaborately decorated. The bard is of a type that appears to have been an invention and specialty of one of Maximilian's court armorers, Lorenz Helmschmid (rec. 1467-1515/16) of Augsburg. Its most notable feature is the armor for the horse's legs, protecting each with a system of articulated plates down to the fetlock. Such an extensive bard was in all likelihood only used for ceremonial purposes. Reflecting artistic sophistication, wealth, and power, it ideally complements the purpose

Louis Oscar Roty, Personifications of Trust and Industry in a Landscape (reverse), 1900 Personifications of Trust and Industry in a Landscape reverse

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