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Bronze Medals of Mythology

Decorative bronze medals illustrating mythological themes, featuring nymphs, satyrs, and heroic figures, carved with intricate designs and a sense of classical beauty.

North Italian 16th Century, Saint George and the Dragon, early 16th century Saint George and the Dragon
North Italian 16th Century, Saint George and the Dragon, early 16th century Saint George and the Dragon
179 assets in this story
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Africa. Junction trailer to the left, drawn by two elephants. On the car a throne, on which Lady Africa is sitting on a cushion with a skeptic hand in the right hand, the bottom of which rests on her knee; The left hand is based on the side support. A vase on the car, a bag of unstopped content and two beehives (); Above the throne a radiant mask, the sun. On the ochetting soil an elephant with co-driver and the top of a palm. The underside of the relief goes into a slanted cartouche.
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Bliżej Kultury
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To support the Nederlandsch Nansen Committee (1923), Chris van der Hoef, 1923 history medal Bronze medal, on the front two joined hands with a change, a sitting mother with a hunging child on the downside, with a change.  bronze (metal) striking (metalworking)
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Serpentine intaglio: Radiate lion-headed god ca. 2nd-3rd century A.D. Roman Radiate lion-headed god.Group labelThe use of spells, potions, fortune-telling, and other sorts of magic was widespread in the ancient world. Ordinary Romans were acutely aware of the supernatural and persisted in visiting oracles, using charms (such as these amulets), and writing curses (against those who had done them ill) right through until early Christian times.1. Serpentine intaglio with radiate lion-headed god in Egyptian dress, inscribed on the reverse with a meaningless incantation: chuch bachuch bakachuch bazakachuch bakaxichuch bainchoooch. Gift of Miss Helen Miller Gould, 1910 (10.130.1392)2. Onyx intaglio inscribed with a long incantation in tiny Greek letters. Bequest of Mary Anna Palmer Draper, 1915 (15.43.317)3. Jasper intaglio with Harpocrates riding a lion with snake-headed tail. Gift of John Taylor Johnston, 1881 (81.6.294)4. Jasper intaglio with Harpocrates seated on a lotus surrounded by
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Giovanni Bernardi, Pan and Syrinx, mid 16th century Pan and Syrinx
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Roty, Louis Oscar (n.1846-06-11-D.1911-03-23), International Universal Exhibition, Paris, 1900 (title awarded), 1900. Silver bronze. Carnavalet Museum - History of Paris.
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Roma, the Emperor, and Victory reverse. Dimensions: overall (diameter): 3.78 cm (1 1/2 in.) gross weight: 36.76 gr (0.081 lb.) axis: 5:00. Medium: bronze//Struck. Museum: National Gallery of Art, Washington DC. Author: Giovanni da Cavino.
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Bronze folding mirror with relief representation of Aphrodite sitting on a rock and Eros standing.
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A uniface medal of the Ancient Greek and Egyptian Monuments of the Louvre 18th century Medalist: Alexis Joseph Depaulis. A uniface medal of the Ancient Greek and Egyptian Monuments of the Louvre 209323
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Attributed to Master IOFF, Frieze of Tritons and Nereids (reverse) Frieze of Tritons and Nereids reverse
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To commemorate the founding of the National School of Industrial Arts at Roubaix, 1890 1890 Medalist: Jules-Clément Chaplain French. To commemorate the founding of the National School of Industrial Arts at Roubaix, 1890 187555 Artist: Medalist: Jules-Clment Chaplain, French, Mortagne, Orne 18391909 Paris, To commemorate the founding of the National School of the Arts and Industries at Roubaix, 1890, 1890, Bronze, silvered, both clichs, Diameter: 2 11/16 in. (6.8 cm). The Metropolitan Museum of Art, New York. Gift of Samuel P. Avery, 1893 (93.10.62a, b)
4409-17471884
A Frieze of Centaurs and Tritons. Dimensions: overall (diameter): 6.5 cm (2 9/16 in.) gross weight: 119 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Attributed to Master IO. F. F.
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FONTAINE OF REGENERATION Augustin Dupr� (1748-1833). Fountain of regeneration. Tin. 1793.
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Bliżej Kultury
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Shepherdess with a Nest of Cupids. John G. Unnevehr (American, born Denmark, 1822 - 1893)
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The Apollo Temple to Bassae in Arcadia  Tablica XXX Marchetti, Domenico (1780 1844), Stackelberg, Otto Magnus von (1787 1837)
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Lozenge-shaped dish with garden scene early 15th century China A scholar-gentleman and an attendant holding a qin zither (a stringed instrument) walk away from another figure in a nearby pavilion. The pair are either coming from or going to a festive event that would have included music, painting, poetry, and wine. Listen to experts illuminate this artwork's story Listen Play or pause #7348. Lozenge-Shaped Dish with Figures in a Landscape Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Lozenge-shaped dish with garden scene. China. early 15th century. Carved red lacquer. Ming dynasty (1368-1644). Lacquer
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Lazio Roma Castel Madama Castello7. Hutzel, Max 1960-1990 Medieval: 14th century architecure, portico, loggia with spolia, inscribed funerary monuments (fragments);. Post-medieval: Furniture, painting (c.17th century), maiolica, silver objects, choir stalls, wooden utensils, painted porcelain Antiquities: Funerary stele, fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Caradosso Foppa, View of Saint Peter's (reverse), c 1506 View of Saint Peter's reverse
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Bliżej Kultury Reinemer & Spiegel Vienna VII
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Athena medallion in St. Petersburg , Antiquities, Medals, Goddesses, Athena Greek deity. Nicholas Catsimpoolas Collection
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Medal Project: Peace to Peoples, Tyrans War Augustin Dupre (1748-1833). Medal project: Peace to peoples, war in Tyrans, 1792.
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Dupré, Abraham (n.1604 - D.1647), Jacques Boiceau (main title). Plaster. Petit Palais, Museum of Fine Arts of the City of Paris.
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Francesco Laurana, Concordia Holding a Lily Scepter and an Olive Branch, c 1460 1466 Concordia Holding a Lily Scepter and an Olive Branch
1788-41381
Gold seal pendant with a griffon from Tholos IV, Pylos (Greece). Goldsmith art, Greek Civilization.
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Coin of Agrippa. Marcus Vipsanius Agrippa (63 BC - 12 BC) was a Roman general, statesman, and architect who was a close friend, son-in-law, and lieutenant to the Roman emperor Augustus. He was responsible for the construction of some of the most notable buildings in history, including the original Pantheon
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The Reform Bill 1832 Benjamin Wyon. The Reform Bill. British. 1832. Bronze. Medals and Plaquettes
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Remembrance of the fallen and wounded on the streets of Warsaw Dargent, Jean Nicolas (1817 1871), Podczaszy Ski, Boles Aw (1822  1876)
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Sheet of Four Antique Medals, 1825. Eugène Delacroix (French, 1798-1863). Lithograph; sheet: 23.5 x 31.4 cm (9 1/4 x 12 3/8 in.); image: 17.2 x 19.4 cm (6 3/4 x 7 5/8 in.).
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Marriage of Cupid and Psyche (The Marlborough Gem) ca. 1777-80 Wedgwood and Bentley. Marriage of Cupid and Psyche (The Marlborough Gem) 195089
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The Inspiration of Genius 19th century Medalist: Jules-Clément Chaplain French. The Inspiration of Genius 187564 Artist: Medalist: Jules-Clment Chaplain, French, Mortagne, Orne 18391909 Paris, The Inspiration of Genius, 19th century, Bronze, cast - single, Diameter: 3 15/16 in. (10 cm). The Metropolitan Museum of Art, New York. Gift of Samuel P. Avery, 1893 (93.10.71)
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Moderno, Nessus and Deianira, late 15th  early 16th century Nessus and Deianira
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Carved Plaque ca. 1390-1352 B.C. New Kingdom. Carved Plaque. ca. 1390-1352 B.C.. Carnelian. New Kingdom. From Egypt, Upper Egypt, Thebes. Dynasty 18
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A Sphinx to Right. Dated: 15th century. Dimensions: overall (silhouetted contour): 6.5 x 7.1 cm (2 9/16 x 2 13/16 in.) gross weight: 75 gr. Medium: bronze//Dark red-brown patina. Museum: National Gallery of Art, Washington DC. Author: Florentine 15th Century.
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Medal of the Universal Exhibition in Barcelona by Eusebi Arnau, 1888. Museum: Museu Nacional d'Art de Catalunya, Barcelona.
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Seal against Mary Tudor and Philip II, vintage engraving. Seal against Mary Tudor and Philip II, vintage engraved illustration. Magasin Pittoresque 1861. Copyright: xZoonar.com/PatrickxGuenettex 10678061
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Medallion (obverse). Henri Emile Allouard (French, 1844-1929). Bronze; overall: 7 x 5.5 cm (2 3/4 x 2 3/16 in.).
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Allegory of the Cooperage, Anonymous, c. 1580
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Right by DUPRE - REVERS BY DUVIVIER: Portrait of Louis XVI Augustin Dupr� (1748-1833). Medal: Establishment of the Paris City Hall (1789); Right by dupro; Revers engraved by Duvivier: Portrait of Louis XVI. Etain with rail (not perforated), 1789. Paris, Carnavalet museum.
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Button, Gouache paint on tin verre fixé, ivory (backing), glass, gilt metal, Button depicting scene of three women in the foreground and a seated man in the background in a partial landscape. The women are all wearing white dresses, turbans and scarves around their necks. The central figure wears a dark turban and has lighter skin than the other two., late 18th century, costume & accessories, Decorative Arts, Button
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Lazio Frosinone Casamari Museo Archeologico2. Hutzel, Max 1960-1990 Post-medieval: paintings on canvas, paintings on wood, wooden church furnishings Governing Body: Abbazia di Casamari General Notes: This record is for the pinacoteca which is part of the Museo Archeologico, housed within the Abbey of Casamari. Hutzel assigned it a separate numbering sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Penning on the occasion of the unveiling of the statue of Michiel Adriaansz. de Ruyter, Jan Dam Steuerwald, after David van der Kellen (1804-1879), 1841 - 1843 print Penning issued on the occasion of the unveiling of the statue of Michiel Adriaansz. De Ruyter in Vlissingen. Above: the statue of the Ruyter, with pedestal and stairs. Below: The crowned coat of arms of Vlissingen. Netherlands paper  memorial medal (+ variant)
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Bliżej Kultury
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Cáliz, siglo XIV. Museo parroquial de Traiguera.
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Technicians emblem. Trojanowski, Wincenty (1859-1928), male medallist
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Alexandre Jules Clément Chaplain (1839-1809). "Elected by the National Assembly, February 18, 1899". Plaster, 1899. Paris, Carnavalet museum. Portrait
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Lucjan Wrotnowski's patron of art, for exhibitions Arts in Berlin of Articles; Pyrowicz, Ludwik (1859-1910); 1891 (1891-00-00-1891-00-00);Partage Plus, Potocki, Andrzej (1861-1908), Potocki, Andrzej (1861-1908)-collection, Pyrowicz, Ludwik (1859-1910), Wrotnowski, Lucjan (1850-1902), Secession (style)
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Carved Intaglio Gemstone with Figure ofMars
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Anonymous / 'Charles II'. Ca. 1691. Gilt-bronze. Museum: Museo del Prado, Madrid, España.
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Great Exhibition of 1851 - Prize Medals (£50 each) - No. 28. - M. Wiener, 1850. 'Her Majesty's Commissioners for promoting the Exhibition of 1851 give notice, that, having decided on giving three bronze medals, of different sizes and designs, as prizes to exhibitors, and having, by public advertisement...invited the artists of all countries to compete for the designs for the reverses of such medals, announcing...their intention to give a reward of £100 for each of the three designs which should be accepted, and a reward of £50 for each of the best three designs that should not b
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Noisettes. Acquired by the artist on the Paris World Fair 1900
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Karl Friedrich Voigt, Cupid and Erato (reverse), 1837 Cupid and Erato reverse
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Spring. Artist: William Henry Rinehart (American, Union Bridge, Maryland 1825-1874 Rome). Dimensions: 19 1/8 x 15 3/8 in. (48.6 x 39.1 cm). Date: 1856; carved 1874."Spring" and its pendant, "Winter," were among the earliest works Rinehart created after moving to Italy in 1855. Personifications of the seasons and the times of day were frequent themes in Neoclassical relief sculpture. This work is reminiscent of the popular reliefs by the Danish sculptor Bertel Thorvaldsen, especially his "Day and Night" (1815; Thorvaldsens Museum, Copenhagen). Only the oval shape is a departure, since most Neoclassical reliefs are circular. Rinehart's bas-relief depicts a young woman as the personification of Spring, with classicized facial features and hair treatment. Her flowing drapery, revealing one breast in the manner of antique sculptures of Amazons, closely outlines her elongated form. She scatters flowers, her symbol. Museum: Metropolitan Museum of Art, New York, USA.
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Marmorrelief eines Adlers Marmorrelief eines Adlers. Berlin Marble relief of an eagle. Copyright: xZoonar.com/MartinaxI.xMeyerx 176041
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Robert David d'Angers (1788-1856). Portrait of Etienne-Vincent Arago (1803-1892), literator and politician. Bronze, wood. 1886. Paris, Carnavalet museum. 76256-12
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Vernon, Banquet des Tuileries, Mayors of France, September 22, 1900 (title awarded), 1900. Bronze. Carnavalet Museum - History of Paris.
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White Metal Plaque from New York of Fine Arts FederationAward. Artist: Victor Brenner, American, 1871-1924
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Maffeo Olivieri, Crowned Eagle on a Mound Amid Waters (reverse), 1523 Crowned Eagle on a Mound Amid Waters reverse
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God Neptune depict in a gold ring. 1-100. Museum of Fine Arts. Budapest. Hungary.
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Opaque white on opaque blue glass cameo. Culture: Roman. Dimensions: Length: 1 11/16 in. (4.3 cm). Date: 1st century B.C.-3rd century A.D..Two youths and two womenThe scene may represent the return of Orestes, in which case the seated youth would be Orestes, the other Pylades, the women Elektra and the nurse, or perhaps Clytemnestra and Elektra. Museum: Metropolitan Museum of Art, New York, USA.
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Athena Parthenos
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Bliżej Kultury
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Bliżej Kultury
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Etching by Maria Anna Angelika Catharina Kauffmann depicting Rinaldo and Armida, created between 1770 and 1815 in the punctuation manner.
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Gypsum model by Émile Antoine Bourdelle depicting the "epic of Polish fights" in Tonda; Photography from the album commemorating the unveiling of the Adam Mickiewicz monument in Paris; Londonski, S. (Paris); 1929 (1929-00-00-1929-00-00);
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Society for Providing Cheap Dwelling-houses 1891 Medalist: Jules-Clément Chaplain French. Society for Providing Cheap Dwelling-houses 187561 Artist: Medalist: Jules-Clment Chaplain, French, Mortagne, Orne 18391909 Paris, Society for Providing Cheap Dwelling-houses, 1891, Bronze, silvered, both clichs, Diameter: 2 7/16 in. (6.2 cm). The Metropolitan Museum of Art, New York. Gift of Samuel P. Avery, 1893 (93.10.68a, b)
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SUPER VAN KEIERS KAREL B; Dish the charles v; Museum National You Louvre Gallery the Apollon. .
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North Italian 16th Century, Sea Monsters Fighting, early 16th century Sea-Monsters Fighting
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. In the middle, Christ hangs on a frontal cross-placed cross between the shaking plate with both naked murderers. At the front left, Maria falls in swivel, assisted by St. Jan and ahorse. Behind them a boy with a dagger, two riders to the right and a to the left and a foot servant. At the front right front two soldiers from whom one loves a shield and pointing the other with the right hand and covered his dagger with the left. Behind them a rider to the left, followed by a foot servant with shield. In the middle, Maria-Magdalen embraces the Kruishout. The background gives a hilly landscape with structures and vegetation. Riders and footstars are in Pseudo-Roman costume; Two wear a lion cheese as a headgear. On the shield the initials f.n.F.14 II.
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Hercules strangling the Nemean lion 16th century Style of Moderno (Galeazzo Mondella) Italian. Hercules strangling the Nemean lion 194516
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Asklepios / Hygieia 1913, J. Lecroart, 1913 history medal Bronze plaquette, rectangular with vaulted top, on the front a woman with a hose and grapes in a girl on a fence, leaning on a portrait bust, on the reverse bust on the base of Hygieia inside a flower -decorated arch.  bronze (metal) striking (metalworking)
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The month of March, Anonymous, c. 1525 - c. 1535 Round stained window with the presentation of the month of March, in Sepia, Clear and dark yellow, suggested by cutting three men in a forest to cut branches of trees. On the right a ram. In the foreground a Banderol on which "Marcius". A hill in the background. Northern Netherlands, ca. 1520. Northern Netherlands glass.. silver stain. lead (metal) Round stained window with the presentation of the month of March, in Sepia, Clear and dark yellow, suggested by cutting three men in a forest to cut branches of trees. On the right a ram. In the foreground a Banderol on which "Marcius". A hill in the background. Northern Netherlands, ca. 1520. Northern Netherlands glass.. silver stain. lead (metal)
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events War of the Austrian Succession 1741 - 1748 conquest of Breslau by the Prussians conmemoration medal 1741 front-side and reverse wood engraving 19th century,
1525R-14977848
Drawing sketch style illustration of an ancient sea monster attacking devouring a sailing ship in turbulent sea ocean water set inside circle. . Ancient Sea Monster Attacking Sailing Ship Circle Drawing
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Benjamin Duvivier, The Birth of the Dauphin, for the Marchands Corps (reverse), 1781 The Birth of the Dauphin, for the Marchands Corps reverse
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Adolf and Albertine Bachofen von Echt, 1891 1891 Medalist: Anton Scharff. Adolf and Albertine Bachofen von Echt, 1891 188033 Artist: Medalist: Anton Scharff, Austrian, Vienna 18451902, Adolf and Albertine Bachofen von Echt, 1891, 1891, Bronze, 1 1/4  1 1/4 in. (32  32 mm). The Metropolitan Museum of Art, New York. Gift of Baron Bachofen von Echt, 1896, through S. Oettinger (96.12.15, .16)
6145-45537075
Bliżej Kultury
6145-29093098
Fragment with Running Figure, 500s. Egypt, Byzantine period, 6th century. Tapestry; linen and wool; overall: 9.8 x 8.5 cm (3 7/8 x 3 3/8 in.).
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'Mosaic Picture 'The Dog''. Late 18th - early 19th century. Dimensions: diam. 7,2 cm. Museum: State Hermitage, St. Petersburg. Author: Giacomo Raffaelli.
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