Bullfighting and Equine Art

Etchings and sketches focusing on bullfighting and horses, showcasing the bravery of riders and the grace of horses in motion.

Metopes of the exterior frieze of the Temple, The Elgin marbles from the Temple of Minerva at Athens: on sixty-one plates, selected from Stuart's and Revett's antiquities of Athens to which are added, The Report of the Select Committee to the House of Commons, respecting the Earl of Elgin's collection of sculptured marbles, and an historical account of the temple, Revett, Nicholas, 1720-1804, Stuart, James, 1713-1788, Engraving, 1816, Antiquities of Athens.

Francisco Goya (1746-1828). "Tauromachie - Pl. 5 - El Animoso Moro Gazul Es El Primero que lanch Toros en Regla - H 208 I1". Etching and dry tip - First state. Museum of Fine Arts of the City of Paris, Petit Palais. Tauromachie - Pl. 5 - The courage Arabic, brave, bull, rider, courageous, horse, etching, etching, horse, maure, moor, rider, bull, turban, valiant, valiant, arab

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Plate 26 from the 'Tauromaquia':A picador is unhorsed and falls under the bull. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm)Sheet: 12 1/16 × 17 1/4 in. (30.7 × 43.8 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

Jockey on a Horse 19th century Anonymous, French, 19th century French. Jockey on a Horse 337189

The Herald of Murcia and Other Studies (recto). Dated: c. 1860. Dimensions: overall: 14.9 x 22.4 cm (5 7/8 x 8 13/16 in.). Medium: pen and brown ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: JEAN-LOUIS-ERNEST MEISSONIER.

Barbarous Entertainment (Barbara dibersion). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 15/16 × 8 5/8 in. (17.7 × 21.9 cm)Sheet: 12 3/8 × 14 7/8 in. (31.4 × 37.8 cm)Sheet (Unfolded sheet): 12 3/8 × 17 13/16 in. (31.4 × 45.3 cm). Date: 1800-1804. Museum: Metropolitan Museum of Art, New York, USA.

Naked man on a horse in the mouth from you; Thoma, Hans (1839-1924); around 1890 (1885-00-00-1895-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, acts, German drawings

A False Scalping Performed by Iowa Tribe Members in Paris, 1845, pen and brown ink on laid paper, sheet: 20.16 × 31.43 cm (7 15/16 × 12 3/8 in.), Robaut 1885, part of no. 1671, Eugène Delacroix (artist) French, 1798 - 1863

Metopes of the exterior frieze of the Temple, The Elgin marbles from the Temple of Minerva at Athens: on sixty-one plates, selected from Stuart's and Revett's antiquities of Athens to which are added, The Report of the Select Committee to the House of Commons, respecting the Earl of Elgin's collection of sculptured marbles, and an historical account of the temple, Revett, Nicholas, 1720-1804, Stuart, James, 1713-1788, Engraving, 1816, Antiquities of Athens.

Mounted Huntsman Sounding a Horn. Carle Vernet (French, 1758-1836); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1813-1823. Dimensions: 301 × 221 mm (image); 379 × 272 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Two riders, part of the Frisian of the Parthenon, Charles Bargue, 1866 - 1871 print paper piece of sculpture, reproduction of a piece of sculpture. riding a horse, ass, or mule; rider, horseman

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Bliżej Kultury Matejko, Jan (1838 1893)

St. George fighting the dragon - sculpture. Cengler, Juliusz Faustyn (1828-1886), sculptor, Trzebiecki, Michał (1830-1905), photographer

Study for portrait of Count of Aremberg. Van Dyck, Anthony, 1599-1641. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

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Knight with a woman on horseback, draughtsman: Louis Moritz, 1773 - 1850, paper, pen, h 203 mm × w 244 mm

Benjamin West, 1738-1820, American, active in Britain (from 1763), Study. Graphite.

Bliżej Kultury Matejko, Jan (1838 1893)

Lying woman. Possibly sleeping. Page 32 From a sketchbook with 29 sheets.

The Dog, from Histoire naturelle. Pablo Picasso (Spanish, 1881-1973); written by Georges-Louis Leclerc, comte de Buffon (French, 1707-1788); published by Martin Fabiani (French). Date: 1936. Dimensions: 270 x 213 mm (image); 370 x 276 mm (sheet). Aquatint and sugar lift etching with drypoint on copper in black on off-white laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Cavalrymen, etc., Joseph Steuart, active 1821, 1821, Etching

One is shown at right, standing, the other in the center running. Bushes are in the background. On verso: a few letters and figures, and the monogram "18 / FPJ". Graphite on paper. Date: 1810-1830. Museum: Cooper Hewitt, Smithsonian Design Museum.

'Cottages with Thatched Roofs and Figures', July 1890, Ink on paper, Letter 908 (651) P7. Author: VINCENT VAN GOGH. Location: MUSEO VAN GOGH. Amsterdam. HOLANDA.

Valkenier, Jan van de Velde (II), 1616 print Falconer with falcon on his right arm, standing in landscape, to the left. He is wearing a round hat with downward ferry. Third print from series of four prints with Valkeniers. Low Countries paper etching / engraving sports, games ~ animals (+ hunting with falcon, hawk; falconry)

Rodrigo Díaz de Vivar Verwondt Een Stier, Francisco de Goya, 1811 - 1816 print The Spanish knight Rodrigo Díaz de Vivar, nicknamed El Cid Campeador, is bothering his fool of a bull. Spain paper etching knight. bullfight. bull. riding a horse, ass, or mule; rider, horseman

Print, Interieur d'Ecurie á Samois; France; etching on light brown paper; 15.9 × 22.2 cm (6 1/4 × 8 3/4 in.); Bequest of George Campbell Cooper; 1896-3-419

Willem van de Velde, on horseback, and his sons Willem and Adriaen. Drawing with text by baron P.C. van Leyden: A drawing with Roedt van Willem van de Velde on Reijs in Paardt, vegseldte van sijn twee soons, Willem van de Velde showing him a drawing, and Adriaan van de Velde drawing that sit, uyt the Cabinet of the Lord of Valkenburch in Haarlem in meij 1784., Willem van de Velde and his sons Willem and Adriaen., draughtsman: Adriaen van de Velde, (possibly), 1646 - 1672, paper, pen, brush, h 156 mm × w 138 mm

Horse boots Norblin, Jan Piotr (1745 1830)

Triumph of Maximilian Artist's working dates 1493-1531 Germany. Woodcut on paper . Hans Burgkmair, the elder

Man with three horses. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 100 mm × w 137 mm. Museum: Rijksmuseum, Amsterdam.

Pegasus and the Young Bellephron. Artist: Max Klinger (German, Leipzig 1857-1920 Großjena). Dimensions: 6 3/8 x 4 in. (16.2 x 10.1 cm). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Ericsson, Henry, work, Kneeling woman, drawing, 34.5 cm x 26 cm, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

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Rider subdues a horse without a rider, Gerardus Emaus de Micault, 1799 - 1863, draughtsman: Gerardus Emaus de Micault, 1799 - 1863, paper, pen, h 171 mm × w 153 mm

Horseman of Montecavallo, George Romney, 1734-1802, British, between 1773 and 1774, Brown ink and gray wash over graphite on moderately thick moderately textured cream laid paper, Sheet: 17 3/8 x 15 1/4 inches (44.1 x 38.7 cm) and Frame: 1in. (2.5cm), genre subject, horse (animal), man, statuary

Two Horsemen 17th century Anonymous, Italian, 17th century Italian. Two Horsemen 342336

La Tauramaquia: A Spanish Knight Kills the Bull after Having Lost His Horse, 1815-1816. Francisco de Goya (Spanish, 1746-1828). Etching, aquatint and engraving;

Lorenz Froelich (1820-1908), Picture 6, 1838

Sheet of studies, three of a waterfall, one of acolt.. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The Duke of Orleans A horse Jean-Victor Adam, said Victor Adam (1801-1866). The Duke of Orleans on horseback, 1830.

TAUROMAQUIA 18 - TEMERIDAD DE MARTINCHO EN LA PLAZA DE ZARAGOZA - 1815-1816 - DIBUJO PREPARATORIO. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN. MARTINCHO BASSON FRANCISCO. BASSON FRANCISCO ANTONIO.

Woźnica przy zaprzęgu w Patnie. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

An aquatint by Francisco Goya from 1816 showing a bullfighting scene in a plaza with figures on the sand.

Drawing, Horse Studies; Italy; red crayon on paper

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Utrecht, Stoop, Dirk, Horses, Two horses at a trough, verso - stamped, Two horses at a trough. A rider is sitting on one of the horses. On the left in the landscape a rider., print, prints, height 150 mm, width 196 mm, Dutch, 1621 - 1686, print maker, printmaker, 1651 - 1651, paper, papier, etching, etchings

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Photo production of a painting of (presumably) cybele and a boy behind a team, scene from Virgilius' Georgica, Anonymous, c. 1853 - in or before 1858 photograph paper albumen print agricultural implements: plough

Italy, Tempesta, Antonio, His ducibus princeps celebraberis ore viroru illa homines beat haec sideribusq locat, Horses from different countries, Two fighting horses, verso attachment sheet - stamped, Text in Latin in bottom margin., print, prints, height 141 mm, width 165 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1590 - 1590, paper, papier, etching, etchings, Work conception, after own design by

Bizon. .

Aquamanile Made 1913 Scotland. Etching and drypoint on ivory laid paper . David Young Cameron

Victories and conquests / the fruits of victory. (IT)

Peasant sitting on the left (Dutuit 100, Volume IV) Van Diepenbeeck, Abraham. Farmer sitting on the left (Dutuit 100, Volume IV). Etching. 1630-1630.

A Centaur and a Satyr. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: sheet: 7 1/2 x 10 3/4 in. (19.1 x 27.3 cm). Date: 1727-1804. Museum: Metropolitan Museum of Art, New York, USA.

Dead Horse. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Gottfried Engelmann (French, 1788-1839). Date: 1823. Dimensions: 185 × 229 mm (image); 201 × 243 mm (chine); 292 × 420 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

El buitre carnívoro. (The Carnivorous Vulture.), pl. 76 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Horse Weather Vane. Dated: 1935/1942. Dimensions: overall: 40.4 x 43.4 cm (15 7/8 x 17 1/16 in.) Original IAD Object: 34 1/2" long; 22 1/4" high; 1" thick. Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Nicholas Acampora.

Se defiende bien.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, Horses, Dogs, Wolves

Fools Folly, from Disparates Made 1816-1819 Spain. In this ludicrous vision, bulls tumble effortlessly in the air, completely unfazed by the fact that they are bobbing like balloons. This print is from an enigmatic series that Goya began in his late 70s but never finished before moving to France. Titled Disparates, which roughly translates to nonsense, absurdity, or fantasy, the series would have included at least 25 images, but only 22 plates are known to exist. Foolís Folly is one of four plates that were separated from the 18 printed posthumously by the Royal Academy of Fine Arts of San Fernando. It was not printed until almost 50 years after Goyaís death.. Etching and burnished aquatint in black on Japanese paper . Francisco José de Goya y Lucientes

Hablot Knight Browne, 1815-1882, British, One of eighteen designs for a series of plates illustrating Venus and Adonis, undated. Graphite, red chalk, watercolor and gouache on medium, slightly textured, gray wove paper.

Bull of the Roman Campagna. Jean Honoré Fragonard; French, 1732-1806. Date: 1773-1774. Dimensions: 363 × 492 mm. Brush and brown and gray wash, over black chalk, on ivory laid paper, laid down on cream laid card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Marcellus Laroon the Younger, 1679-1772, British, The Horseman and the Beggar, 1730. Graphite on medium, slightly textured, cream laid paper.

James McNeill Whistler, Draped Figure Reclining, American, 1834-1903, color lithograph

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Mężczyzna z mufką. Płoński, Michał (1778-1812), draughtsman, cartoonist

Ferdinand Gaillard after Donatello (French, 1834-1887), Gattamelata, engraving on gray India paper

Dwie stojące kozy w pejzażu. Reinhart, Johann Christian (1761-1847), graphic artist

Johan Thomas Lundbye (1818-1848), an Aesel, plagued by flies, 1834

The Sheep and the Flies. Charles Meryon (French, 1821-1868); after Karel Dujardin (Dutch, c.1622-1678). Date: 1849. Dimensions: 66 × 98 mm (image); 95 × 125 mm (sheet). Etching on grayish tan laid China paper, laid down on ivory wove card. Origin: France. Museum: The Chicago Art Institute, USA.

Weather Vane. Dated: c. 1940. Dimensions: overall: 36.2 x 51.5 cm (14 1/4 x 20 1/4 in.) Original IAD Object: 19 3/4" long. Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Selma Sandler.

Noah and the animals entering the ark. Artist: Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609-1664 Mantua). Dimensions: Sheet: 9 13/16 × 14 3/8 in. (25 × 36.5 cm). Date: 1650-55. Museum: Metropolitan Museum of Art, New York, USA.

Sketch sheet with naked man, holding two horses in check. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 195 mm × w 137 mm. Museum: Rijksmuseum, Amsterdam.

Italiaans rijtuig met muilezels. Chaise Italienne & mulets (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 173 mm × w 235 mm. Museum: Rijksmuseum, Amsterdam.

Crawford's Orpheus 1843. still image. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Orpheus (Greek mythology), Lyres, Capes (Clothing), Sculpture , United States, Male nude in art, Cerberus (Greek mythology)

Tigre en arrêt. Dated: 1854. Dimensions: plate: 16.7 x 19.9 cm (6 9/16 x 7 13/16 in.) sheet: 16.7 x 19.9 cm (6 9/16 x 7 13/16 in.). Medium: clich verre on wove paper. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX.

The Pit and the Pendulum, second Plate. Alphonse Legros; French, 1837-1911. Date: 1861. Dimensions: 265 × 367 mm (plate); 274 × 372 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

The White Ox Made 1905 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Hussar. unknown, draughtsman, cartoonist

Paul Gauguin's 1889 Zinkography 'The Washer' on yellow paper portrays a figure washing clothes, emphasizing domestic labor and daily life in a simple, realistic style.

Dyck, Anthony van, Netherlands, Bos, Anthonie van den, Rider with dog, verso - stamped, A soldier with armor and a feather in his hat, on horseback. A dog walks between the horse's legs. In the background, advancing soldiers with a flag are schematically depicted., print, prent, prints, prenten, height 238 mm, width 195 mm, 1763 - 1838-01-01, print maker, prentmaker, 1778 - 1838, paper, papier, etching, etchings, aquatint, print drawing, Flemish, Dutch, 1599-03-22 - 1641-12-09, intermediary draughtsman

BOCETO PARA RETRATO EQUESTRE - 1799 - AGUADA SEPIA - 135x138 mm. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

Edelfelt, Albert, work, Sketch book, drawing, 14 cm x 9 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), Le Lion (main title), 1906. Gypsography, black draw. Petit Palais, Museum of Fine Arts of the City of Paris.

In the arena, a picador has been knocked off his horse by a bull. The picador lies on the ground below the bull. Next to the horse are four men. A small group of spectators are seated in the stands. Numbered upper right: 26., Picador fallen off his horse Caida de un picador de su caballo debajo del toro Bullfighting (series title) La Taureaumachie (series title) La Tauromaquia (series title), print maker: Francisco de Goya, publisher: Eugène Loizelet, print maker: Spain, publisher: Paris, 1876, paper, etching, h 247 mm × w 353 mm

Three Putti with a Dead Bull. Dated: 1610. Dimensions: plate: 14.1 x 18600 cm (5 9/16 x 7322 13/16 in.) sheet: 14.2 x 18.8 cm (5 9/16 x 7 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christoph Jamnitzer.

Weather Vane. Dated: c. 1938. Dimensions: overall: 36.6 x 56.8 cm (14 7/16 x 22 3/8 in.) Original IAD Object: 34 1/8" long; 16" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Rothenberg.

Francisco de Goya (1746-1828), Gribben (76), 1810-1820

Lying tiger tearing a piece of meat. Draughtsman: anonymous. Draughtsman: Antoine Louis Barye (rejected attribution). Draughtsman: Charles Edmé Saint-Marcel-Cabin (rejected attribution). Dating: 1800 - 1900. Measurements: h 146 mm × w 232 mm. Museum: Rijksmuseum, Amsterdam.

Paul Gauguin, Tahitian Carrying Bananas (Le porteur de fei), in or after 1895 Tahitian Carrying Bananas (Le porteur de fei)

Henry Thomas Alken, 1785-1851, British, Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week, between 1818 and 1822. Graphite and red chalk on medium, slightly textured, blued white, wove paper.

Standing OS, to the left, Paulus Potter (Rejected Attribution), After Paulus Potter, 1645 - 1706 print print maker: Netherlandspublisher: Amsterdam paper etching ox

Rider with Quiver on Horseback, Rembrandt van Rijn (Follower of), After Rembrandt van Rijn, After c. 1640 - 1675 drawing paper. ink pen riding a horse, ass, or mule; rider, horseman. riding a horse, ass, or mule; rider, horseman

Bliżej Kultury Michałowski, Piotr (1800 1855)

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Photograph of oil painting: Marceli Bacciarelli (1731-1818). Krieger, Ignacy (Kraków ; zakład fotograficzny ; 1860-1926), photo studio

Two Landsdragers; Various performances and figures; Agreeable Diversité the figures. .

Carousel Horse. Dated: c. 1939. Dimensions: overall: 40.5 x 55.7 cm (15 15/16 x 21 15/16 in.) Original IAD Object: 49" Long 56" High. Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Constantine.

Bucks head, Pieter Janson, 1780-1851

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