Bullfighting Art from Goya

Dynamic depictions of bullfighting scenes, featuring riders on horseback, bulls, and artistic techniques like etching and aquatint from Goya's works.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Plate 22 from the 'Tauromaquia': Manly courage of the celebrated Pajuelera in the ring at Zaragoza. 1816 Goya (Francisco de Goya y Lucientes) Spanish. Plate 22 from the 'Tauromaquia': Manly courage of the celebrated Pajuelera in the ring at Zaragoza. 397871

Friedrich VII., King of Denmark.

Plate 13 of the 'Tauromaquia': A Spanish mounted knight in the ring breaking short spears without the help of assistants, 1816 Goya (Francisco de Goya y Lucientes) Spanish. Plate 13 of the 'Tauromaquia': A Spanish mounted knight in the ring breaking short spears without the help of assistants, 397898

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Francisco Goya (1746-1828). "Tauromachie - Pl. 22 - Valor Varonil de la Celebre Pajuelera in the Plaza de Zaragoza - H 225 III1". Eat, dry point, chisel and aquatint, BRUNISSOIR works - First edition. Museum of Fine Arts of the City of Paris, Petit Palais. 29706-10 On horseback, chisel and aquatint, bullfight, etching, plaza zaragoza, dry point, first edition, bull, bullfighter, fight

Jockey anglais (An EnglishJockey). Artist: Théodore Géricault, French, 1791-1824

A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant, Print made by John Doyle ('H.B.'), 1797-1868, Irish, Printed by Thomas McLean, 1788-1875, British, Published by Thomas McLean, 1788-1875, British, 1847, Lithograph in tan and black ink on moderately thick, smooth, beige wove paper, Sheet: 12 x 17 1/2 inches (30.5 x 44.5 cm) and Image: 9 1/4 x 13 9/16 inches (23.5 x 34.5 cm), attack, beards, bridles, counterfeit, donkey, genre subject, giant, horse (animal), horses (animals), jousting, lances, newspapers, political, politicians, saddles, satire, satirical, shield, sketches, The Ingenious Gentleman Don Quixote of La Mancha (1605 and 1616), top hats, windmills

1815 title appearing on a branch of laurel

Francisco de Goya (1746-1828), a Spanish rider in the arena kneels Smaa spear without assistance from secondants, 1815-1816

Plate 13 of the 'Tauromaquia': A Spanish mounted knight in the ring breaking short spears without the help of assistants,. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 3/4 in. × 14 in. (24.8 × 35.5 cm)Sheet: 12 x 16 15/16 in. (30.5 x 43 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

Equestrian Portrait of Don Juan de Austria. Dated: 1648. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jusepe de Ribera.

Goya El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid Francisco de Goya, El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Spanish, 1746 - 1828, in or before 1816, etching, burnished aquatint, drypoint and burin first edition impression, Rosenwald Collection

Philip IV. Francisco José de Goya y Lucientes (Spanish, 1746-1828); after Diego Velázquez (Spanish, 1599-1660). Date: 1778. Dimensions: 352 x 310 mm (image); 372 x 312 mm (plate); 553 x 432 mm (sheet, folded at top & bottom). Etching with engraved inscription on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

Equestrian Portrait of Prince Józef Poniatowski. Kisling, Gottlieb (1790-1846), graphic artist, Uniwersytet Stefana Batorego (Wilno ; uczelnia ; 1579-1939), publisher

Arab in the Eastern River in the stable; Brandt, Józef (1841-1915); around 1860 (1860-00-00-1870-00-00);Wereszczakowa, Karolina (1861-1925), Wereszczakowa, Karolina (1861-1925)-collection, Araba (horses), gift (provenance), horses, orientalism

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Artist: Francisco Goya, Spanish, 1746-1828, After: Diego Velázquez, Spanish, 1599-1660, Gaspar de Guzman, Count Duke ofOlivares, Etching, 40.8 × 32.2 cm (16 1/16 × 12 11/16in.), Made in Spain, Spanish, 18thcentury, Works on Paper -Prints

Young man on horseback with a servant, Joseph Wagner, Joseph Wagner, 1739 - 1780 print Bottom left: A. 9. paper etching / engraving riding a horse, ass, or mule; rider, horseman. measuring-instruments. tools, implements of painter. ruin of a building ~ architecture. piece of sculpture, reproduction of a piece of sculpture

Combat of the Giaour and the Pasha. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Sheet: 16 × 11 in. (40.6 × 27.9 cm). Date: 1827.The Oriental subjects of early-nineteenth-century authors provided a source of inspiration for Romantic painters. Lord Byron's Giaour was a favorite of both Géricault and Delacroix. Byron claimed that the tale of a tragic love triangle, involving the Giaour (infidel), the Pasha Hassan, and the Pasha's beautiful concubine, was based on the story of a young Venetian overheard in a Levantine coffee house. Soon after the publication of the French translation in 1823, Delacroix read the poem and noted in his journal the "exchange of two stares, that of the dying man and that of the murderer." This vigorously rendered lithograph captures the confrontation between the Pasha, whose angry stare glazes over as he succumbs, and the Christian, who confronts his own deed with horror. Museum: Metropolitan Museum of Art, New York,

Etching by Antonio Tempesta from 1596 showing Emperor Galba mounted on horseback, including soldiers, banners, and landscape elements.

Artist: Stefano Della Bella, Italian, 1610-1664, Riderless horse, with riders doing dressage inbackground, ca.1640, Etching, Sheet: 8.9 × 11.1 cm (3 1/2 × 43/8in.), Made in Italy, Italian, 17thcentury, Works on Paper -Prints

Lancastrian Soldier: Who’s this? O God! it is my father’s face, whom in this conflict I unawares have kill’d,” from King Henry VI, Part III, Act II, Scene V. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

From the series: Diffeferenties Etudes de Soldies. Parrocel, Charles (1688 1752)

Plate 10: a horseman and a woman, seen from behind, riding towards the right with a young man following them to left, another horseman and woman to right in the background, from 'Various Figures' (Agréable diversité de figures). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 2 15/16 x 4 1/8 in. (7.4 x 10.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Various Figures' (Agréable diversité de figures). Date: 1642. Museum: Metropolitan Museum of Art, New York, USA.

May God Repay You Made 1800-1804 Spain. Etching, aquatint and drypoint on laid paper . Francisco José de Goya y Lucientes

Carlos v Lanceanddo un toro en plaza de valledoididd /charles v stabs the bulll with the lance in the valladoidid Arena; Board No. 10 from: La Tauromaquia Bulfurfing, ed. III, Goya, Francisco de (1746 1828)

Equestrian Portrait of Prince Józef Poniatowski. Kisling, Gottlieb (1790-1846), graphic artist, Uniwersytet Stefana Batorego (Wilno ; uczelnia ; 1579-1939), publisher

Schiller, Frederick von.

The bullfighter (torero) Mariano Ceballos, seen from the side, rides a bull in the Madrid bullring. This one is prancing towards another bull. Numbered top right: 24., Mariano Ceballos riding a bull El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid Bullfighting (series title) La Taureaumachie (series title) La Tauromaquia (series title), print maker: Francisco de Goya, publisher: Eugène Loizelet, print maker: Spain, publisher: Paris, 1876, paper, etching, h 245 mm × w 353 mm

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Le Bien et le Evil", (Pl.81). Lithography, 19th century. Paris, Carnavalet museum. 78055-28 Album The Good and Evil, Drawing, Illustration, Lithography, Character, Scene of Life, 19th XIXth 19th 19th 19th 19th century

The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs, Paul Sandby RA, 1731-1809, British, or Thomas Sandby RA, 1721-1798, British, undated, Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, blued white, wove paper, Mount: 8 1/2 × 11 11/16 inches (21.6 × 29.7 cm), Contemporary drawn border: 5 3/4 × 8 9/16 inches (14.6 × 21.7 cm), and Sheet: 5 1/2 × 8 5/16 inches (14 × 21.1 cm), animal art, dogs (animals), horses (animals), men, portrait, sporting art

John Frederick Herring, Sr., 1. "Thinyes and so would you be thin...", 1805-1865, watercolor over pencil on paper.

The picador Pajuelera on horseback, stabbing a lance into the bull. Next to the horse is a man. On the stand several spectators. Numbered upper right: 22., Pajuelera in the bullring of Zaragosa Valor varonil de la célebre Pajuelera en la de Zaragoza Bullfighting (series title) La Taureaumachie (series title) La Tauromaquia (series title), print maker: Francisco de Goya, publisher: Eugène Loizelet, print maker: Spain, publisher: Paris, 1876, paper, etching, h 251 mm × w 353 mm

Print, Tompette de chasseur a cheval; France; etching in dark brown ink on white paper; 32.2 × 24.5 cm (12 11/16 × 9 5/8 in.); Bequest of George Campbell Cooper; 1896-3-386

Francisco Goya's etching from 1815-1820 depicts King Philip IV, emphasizing figure, posture, facial features, and royal representation.

Isabel de Borbon Made 1778 Spain. A court painter during his early career, Goya produced prints with comparatively little political subtext after his famed predecessor Diego de Vel·zquez. Isabella de Bourbon, the wife of King Phillip IV of Spain, is depicted riding sidesaddle in this portrait based on a 1635 painting in the Museo Nacional del Prado, Madrid. Intended to be paired with a companion image of Philip, the print faces the same way as the panting, showing Isabella enjoying a secure seat, elaborate trappings, and an expensive horse.. Etching with engraving in black on off-white laid paper . Francisco José de Goya y Lucientes

Bibis de 1832. Two women in dresses with very short skirts. A man looks at the statue behind the two ladies with a monocle. He supports the other hand on a walking stick or stump with brushes.

Uhlan of the Vistula Legion on horseback, cut-out for son.. Witkiewicz, Stanisław (1851-1915), draughtsman, cartoonist

Francisco de Goya, Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid), in or before 1816 Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)

Farmer and His Cart. Johann Adam Klein; German, 1792-1875. Date: 1833-1834. Dimensions: 179 x 250 mm (plate); 242 x 330 mm (sheet). Etching in black on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Amazon overcoming the obstacle; 1890-1900 (1890-00-00-1900-00-00);

Etching by Francisco José de Goya y Lucientes between 1815-1820 depicting Don Gaspar as Guzera, illustrating a character study in early 19th-century Spanish printmaking.

Rider, from the front, draughtsman: anonymous, 1748, paper, counterproof, h 178 mm × w 83 mm

Baltasar Carlos Made 1778 Spain. Like Vel·zquez in the 17th century, Goya was an artist to the Spanish Royal Court. He worked in a variety of media, from tapestry design and painting to printing. While his posthumous fame derived from the satirical series Caprichos and the Disasters of War, he also produced other types of prints. Some of his earliest were reproductive etchings after Vel·zquezís much-prized portraits and history paintings. Goya would have seen the originals hanging in the Royal Palace in Madrid (now in the Museo del Prado).. Etching and drypoint with engraved inscription on ivory laid paper . Francisco José de Goya y Lucientes

Man in Eastern clothing on horseback, Rodolphe Bresdin, 1861 print Man in Eastern clothing on horseback holds a carabiner rifle. He wears a turban on his head. The horse with long curly moons and tail runs to the left in a rocky landscape with a low horizon. The magazine thin Chinese paper that the artist used for this technique (Chine Collé) has ended up on the supporting sturdy magazine with a tank plate skewed with an etching plate. Bordeaux . etching riding a horse, ass, or mule; rider, horseman. private soldier. Asiatic races and peoples

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Passe-temps" (pl.64). Lithography, 19th century. Paris, Carnavalet museum. 78051-14 Album Passe-Temps, Bivouac, corpse, campaign, rider, cart, horse, drawing, French emperor, Personal group, Napoleonniene war, illustration, infirmary, mare, lithography, manege, riding, death, character, foal, retreat from Russia, Care, hang, paintings, 19th 19th 19th 19th 19th 19th century, animal, fight, scene

Station of William IV, 1752, plate 3, Jan Punt, 1752

The knight and the dog. Design for a print.

Noon.

Marie Louise

Boy begging at the carriage of an elegant pair, 1660 - c. 1687 Zwolle Paper. Watercolor (Paint). Framework lines:. Lines: Ink brush Zwolle Paper. Watercolor (Paint). Framework lines:. Lines: Ink brush

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Unidentified illustration Man on horseback, 19th century, Graphite and black ink and wash, sheet: 10.8 × 16.6 cm (4 1/4 × 6 9/16 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors

Bullfights: Another Madness of his in the Same Ring, 1816, printed 1876. Francisco de Goya (Spanish, 1746-1828). Engraving;

Tithing sled, Nicolaas van der Worm, after Abraham Delfos, 1776 print The tenth sledge in the parade. A sled with Asclepius (Aesculapius), pulled by a horse. Part of a series of twelve plates from the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century celebration of the Leiden Relief (3 October 1574) and the establishment of the University of Leiden (8 February 1575) . Northern Netherlands paper etching / engraving commemoration of the founding of a university. sledge, sleigh (winter sports). specific aspects, allegorical aspects of Aesculapius; Aesculapius as patron - triumph Leiden

Horses Head, Near Side, Protect September 1, 1798 Thomas Rowlandson. Horses Head, Near Side, Protect. Hungarian and Highland Broadsword. Thomas Rowlandson (British, London 1757-1827 London). September 1, 1798. Hand-colored etching and aquatint. Henry Angelo (British, London 1756-1835 London). Prints

Etching in punzenstich style by Louis Darcis in 1797 depicting the disadvantages of wearing wigs in period fashion.

A coal sketch by Franz von Pausinger from a sketchbook showing Crown Prince Rudolf during an orientation trip. The drawing emphasizes figures, posture, and landscape elements, dated 1881.

De Vorst who rules to the country's law the Gansche people / deserves that each ruled to him honor and loyal swears. / Him expresses ourselves; But the noblest prince, / provides his concerns through the room's healment. Leaf with 2 performances. On the left a ridge portrait of Lodewijk Napoleon Bonaparte, referred to as Willem I Frederik. On the right a ride portrait of Hortense Eugénie de Beauharnais, referred to here as Wilhelmina van Prussen. The performances are caught in a decorative frame. Under both images a caption. Numbered at the top right: No. 72.

Angelo Tremamondo, Italian riding master and first Master of the Royal Riding Menage, and brother to the famous fencing master Dominico Angelo Malevolti Tremamondo. Copperplate engraving by John Kay from A Series of Original Portraits and Caricature Etchings, Hugh Paton, Edinburgh, 1842.

Honoré Daumier, Bouquet envoyé A l'empereur de Russie , 19th century Bouquet envoyé ... A l'empereur de Russie ...

Knight with a woman on horseback, Louis Moritz, 1773 - 1850 drawing paper. ink. pencil pen

Removal van with allegorical figures Le D, print maker: Eugène Delacroix, printer: Charles Etienne Pierre Motte, (mentioned on object), Paris, 1822, paper, h 254 mm × w 345 mm

Spitzbua, Go Runta, - Sit eh already between herobn, Satire on the escape of Metternich and Czapka in March , Johann Höfelich -, printer

Copper engraving print by Nicolas Beatrizet showing the equestrian statue of Marcus Aurelius on the Capitoline Hill, created in 1548.

Eugène Louis Lami (French, 1800 - 1890). La Barrière, 19th century. Lithograph.

Polish man on horseback, Stefano della Bella, 1620 - 1664 print A Polish man on horseback to the right. He holds a war hammer in his right hand. On the right a rider on horseback and two riders on horseback. In the background on the left a tower and the sea on the right. Various figures and horses walk on the beach. France paper etching horse. riding a horse, ass, or mule; rider, horseman. Europeans. tower, clock tower ~ monumental adornment. coast

The Pattern of the Monument for Xcza Józef Poniatowski unknown

John Singleton Copley, The Prince Regent as a Hussar, 1804 1809 The Prince Regent as a Hussar

Stopping from the hunt; Mittag, Carl (Fl. Ca 1844), Krüger, Ferdinand Anton (1795-1857), Königliche Lithographisches Institut ZU Berlin (Berlin; Society; 1823-1876), Lüderitz'sche Kunst-Verlagshandlung (publishing house; 1847-1861) ; XIXW. (1801-00-00-1900-00-00), around 1850 (1847-00-00-1861-00-00);

Image reproduction: Stanis Aw Bagie Z: "W Drowiec" 1900, No. 15 (April 14), p. 297; W Drowiec (Warsaw; magazine; 1863-1906); 1900 (1900-00-00-1900-00-00);

Ligereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in the Ring at Madrid), Plate 20 from La tauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

Man on Horseback and Three Figures, John Phillip (Aberdeen, Scotland, 1817 - 1867)

An ink and watercolor illustration by Louis Freiherr von Pereira-Arnstein depicting a scene from Faust, highlighting figures, gestures, and composition.

Moscow dimensions from the 16th century, according to the woodwork with the "rerum Moscoviticarum of Commentarii" by Zygmunt von Herberstein from 1571; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, XVI in ., broń biała, broń dawna, dar (proweniencja), grafika (artyst.), grafika europejska, jeźdźcy, konie, ubiory, ubiory męskie, uzbrojenie, wojsko, wojsko rosyjskie, łucznicy, żołnierze

At the aspect of Virgil and Dante, three centaurs of the troop, weapons of flesche and javelots. (At the Sight of Poets of Virgil and Dante, Three Hundreds Arred With Arrows and Jackets, They Break Away Their Group, With: The Divine Comedie du Dante ), in: Oeurvre de Flaxmann Collection of his Composions serious by back, with analysis of the Divine Comedie Comedie of the Dante and notice on Flaxman. Various subjects. Paris 1847 . FERRERI, Vincenzo (Fl. 1845), Flaxman, John (1755 1826), Audot, bookseller editor, Paris rue du Paon 8, school of medicine

Trojden Prince Czerski (according to the seal) Matejko, Jan (1838 1893), Styfi, Jan (1841 1921), Lewental, Salomon (Franciszek Salezy) (1841 1902)

Girls and sailors in a fiacre Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Girls and sailors in a fiacre. Feather, brown ink and gray wash.

Museum for laughter. N ° 9 / EFFECTS OF THE A-DMI-RATION ON THE ABDEL-KADER ABDRES. (TI)

Arab in the eastern row in the stable. Brandt, Józef (1841-1915), painter

Mount, Lola.

Lost son at De Zwijnen, Jean Leclerc, After Abraham Bloemaert, 1597 - 1633 print paper engraving the prodigal son tends the swine and eats from their trough

Apollo in Chariot with Aurora and the Hours, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown watercolor washes over traces of graphite on light brown rough paper, Apollo shown riding in chariot drawn by three horses. Aurora and the Hours accompany him. Part of Zodiac shown., Italy, 1805, figures, Drawing, Drawing

Precise foolishness, Francisco de Goya, 1815 - 1820 print A woman stands on the back of a horse that balances on a rope. A large group of spectators. One of the four extra plates made for the Los Desparates series. Spain Japanese paper etching / drypoint horse. tight-ropewalker

Le Déménagement de la Censure (Censorships Moving Out). Lithographer: Charles Étienne Pierre Motte, French, 1785-1836 After: Eugène Delacroix, French, 1798-1863

George Hunt, active 1820-1840, British, Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was, 1823. Aquatint, hand-colored.

Underwater In: Sketches from the Białowieża Forest: 14 Cartons of Antoni Kamieński. Text of Zygmunt Bartkiewicz , Warsaw: World 1912, Board 9.

Eighth Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The eighth sledge in the parade. A sledge with the personification of religion, drawn by a horse. Part of a series of twelve plates from the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century celebration of the Leiden Relief (3 October 1574) and the establishment of the University of Leiden (8 February 1575) . Northern Netherlands paper etching / engraving commemoration of the founding of a university. sledge, sleigh (winter sports). allegorical representations ~ religion; 'Religione', 'Religione de SS. Mauritio e Lazaro', 'Religione vera christiana' (Ripa) Leiden

Etching - Canadian Calash or Marche-Donc' Isaac Weld (1774-1856)

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), the King's mistress. (Registered title (letter)), 1828. Maison de Balzac.

Northern Netherlands, Incident between a Jew and a Keeshond, who to get to his master, dragged the Israelite through the Haarlemmer Vaart. 1789, 1789, verso - stamped, Landscape with a carriage at the Haarlemmertrekvaart. A Keeshond drags a Jew, to whom the dog had been sold, through the water to the other side back to his former master. The - fictional - incident should probably be interpreted as a political analogy. On the sheet below the plate a verse of 24 lines., print, prints, Frederik Muller Historieplaten, height 294 mm, width 182 mm, print maker, printmaker, 1789 - 1789, paper, papier, etching, engraving, engraving (printing process), letterpress printing, letterpress

Pleasure of a Poste aux Anes, from Sentimental Travels ca. 1821 Thomas Rowlandson British. Pleasure of a Poste aux Anes, from Sentimental Travels 363995

Italy, Tempesta, Antonio, His ducibus princeps celebraberis ore viroru illa homines beat haec sideribusq locat, Horses from different countries, Rearing horse seen from behind in front of a seascape, verso sheet - stamped, Text in Latin in bottom margin., print, prints, height 141 mm, width 165 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1590 - 1590, paper, papier, etching, etchings, Work conception, after own design by

Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos.. Goya, Francisco (1746-1828). 1815. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bulls , Spain, Bullfighters , Spain, Bullfighting , Spain

Obstacle jump. (Title Title) | Travel in Touraine, 24 hours of stop in Saumur. (Title of all)

Image reproduction: Juliusz Kossak (1824-1899), count. Branicki, 1872; Z: "Juljusz Kossak: 260 drawings in the text, 8 shelters, 6 facsimili colorful with watercolor, portraits under L. Wyczórkowski and St. Witkiewicz", p. 67; Löwy, Joseph (Vienna; Graphic AD; 1835-1902), Anczyc, W Adys A w Ludwik and Spóż (Kraków; Drukarnia; 1875-1948), Gebethner and Wolff (Warsaw; Publisher; 1857-1950 ); 1900 (1900-00-00-1921-00-00);

Joseph Stonefield, Weather Vane, c 1937 Weather Vane

Boy and a donkey, baron Reinierus Albertus Ludovicus van Isendoorn à Blois, 1796 - 1856.

James Seymour, 1702-1752, British, Two Horses Racing, Jockeys Up: Railings in the Background, undated. Pen, in brown ink, and graphite on medium, moderately textured, beige, laid paper.

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