Busts of Prominent Figures

Neoclassical busts in marble and terracotta representing influential figures, characterized by their realistic details and historical significance.

Jean-Pierre Dantan (1800-1869), said Dantan the young. Serious portrait of the great Chambellan, William-George Spencer (1790-1858), Duke of Devonshire. Terracotta patinated plaster. 1830. Paris, Carnavalet museum. Grand Chambellan, pattero patina, serious portrait, terracotta

Thomas Banks, 1735-1805, British, Dr. Anthony Addington, 1790. Marble.

Portrait of Maria Szymanowska Thorvaldsen, Bertel (1768 1844), Tatarkiewicz, Jakub (1798 1854)

Bust of Charles Brooks. Thomas Crawford (United States, New York, New York City, 1813-1857). United States, 1843. Sculpture. Marble

Jean-Pierre Dantan (1800-1869), said Dantan the young. Serious portrait of the great Chambellan, William-George Spencer (1790-1858), Duke of Devonshire. Terracotta patinated plaster. 1830. Paris, Carnavalet museum. Grand Chambellan, pattero patina, serious portrait, terracotta

Peter Gaspar Scheemakers, 1691-1781, Flemish, active in Britain (from ca. 1720), Francis, second Earl of Godolphin, 1733. Marble.

William Le Marchant Porret, Joseph Nollekens, 1737-1823, British, ca. 1800, Marble (bust on an inscribed marble pedestal), Overall: 24 x 14 1/4 x 7 inches (61 x 36.2 x 17.8 cm), boy, portrait

Ralph Waldo Emerson (1803-1882) Modeled 1879 New York. Plaster . Daniel Chester French (Sculptor)

Jean-Pierre Dantan (1800-1869), known as Dantan young. Surgeon's portrait, Pierre-Salomon Ségalas (1792-1875). Terracious patinated plaster, round-bump. 1838. Paris, Carnavalet museum. 52165-7 French surgeon, pattero patina, portrait-metering, round-bump, health, terracotta

Francis Hayman, Louis François Roubiliac, 1702-1762, French, active in Britain (from 1730), ca. 1750, Terracotta, Overall: 25 x 22 x 12 inches, 53 lb. (63.5 x 55.9 x 30.5 cm, 24 kg), man, portrait

George Washington 1827-28; modeled, ca. 1832 Horatio Greenough American When this bust of George Washington first entered the collection in 1884, it was attributed to the Italian sculptor, Lorenzo Bartolini (1777-1850). The sculpture was subsequently reattributed, however, to one of Bartolini's American pupils, Horatio Greenough. Relying on Jean-Antoine Houdon's 1789 bust of Washington, which was based on a life mask, Greenough was faithful to physiognomy, but he altered the hairstyle, raised the eyebrows, and borrowed the blank eyeballs typical of imperial Roman and late antique portraiture. Although it is not certain when this bust was executed, it was probably modeled by Greenough and carved in Italy before he received his important 1832 commission for a statue of Washington for the rotunda of the United States Capitol (now in the National Museum of American History, Smithsonian Institution, Washington, D.C.).. George Washington 10969

Lawrence Barrett as Cassius 1884 New York. Bronze . Jonathan Scott Hartley (Sculptor)

Jean-Pierre Dantan (1800-1869), said Dantan the young. Hermès bust of the painter Hippolyte Delaroche, known as Paul Delaroche (1797-1856). Patinated plaster, terracotta, 1831. Paris, Carnavalet museum. Bust, hermes, french painter, patina patina, terracotta

Jean-Pierre Dantan (1800-1869), known as Dantan young. Portrait-siege of the doctor (doctor of medicine on February 22, 1810), Louis-Victor () Sterlin. Terracious patinated plaster, round-bump. 1839. Paris, Carnavalet museum. 52166-5 French doctor, pattero patina, portrait-metering, round-bump, health, terracotta

Bust of Burkhard Christoph Graf Muenich, Russian field marshal, 1683-1767, Wallhalla, Donaustauf, Upper Palatinate, Bavaria, Germany, Europe

Portrait of Vitellus (15-69), Roman Emperor

Bust of a Woman, 18th century, H.26 x W.16-1/2 in., Terracotta, France, 18th century

Jean-Pierre Dantan (1800-1869), said Dantan the young. Caricature of the writer and caricaturist Henry Bonaventure Monnier (1805-1877). Terracotta patinated plaster. 1836. Paris, Carnavalet museum. Caricaturist, designer, French writer, pattero patina, portrait-charge, portrait, terracotta, caricature

A Lady of the Zorzi Family. Dated: 1570/1580. Dimensions: overall: 81 x 59 x 33.1 cm (31 7/8 x 23 1/4 x 13 1/16 in.). Medium: terracotta. Museum: National Gallery of Art, Washington DC. Author: Alessandro Vittoria.

Bust of Jean Léon Gérôme (1824 - 1904); Jean-Baptiste Carpeaux, French, 1827 - 1875; France, Europe; 1872 - 1873; Marble; Object (including socle): 61 x 27.3 x 24.1 cm (24 x 10 3/4 x 9 1/2 in.)

Jean-Pierre Dantan (1800-1869), said Dantan the young. Caricature of the King of the French Louis-Philippe 1st (1773-1850). Terracious patinated plaster. 1830. Paris, Carnavalet museum. Favorites, Patina Patre, King France, Terracotta, Caricature

Sculptuur Van Schiller Door Joh. Heinrich of Dannecker; Schiller of Joh. Heinrich of Dannecker (1805). Portretbuster Door Beeldhouwer Joh. Heinrich of Dannecker

. On base.

Portrait of Alphonse Roussel. Jean-Baptiste Carpeaux (France, Valenciennes, 1827-1875). France, circa 1869. Sculpture. Electrotype

Nicomedes I of Bithynia, king (278-255 BC) know as Ptolemy Alexander. Bronze bust, 1st cent. AD. Villa dei papiri, Ercolano. Naples Museum.

Jean-Pierre Dantan (1800-1869), said Dantan the young. Serious portrait of the pianist and composer Jean-Baptiste Cramer (1771-1858). Terracotta patinated plaster. 1842. Paris, Carnavalet museum. Bust, composer, pianist, pattero patina, serious portrait, terracotta

Unknown mask Jean-Pierre Dantan (1800-1869), says Dantan the young. Unknown mask. Terracotta and plaster.

Alexandre Falguière (1831-1900). Young woman's bust. Terracotta. 1851-1900. Museum of Fine Arts of the City of Paris, Petit Palais. FEMME

Portrait of Nadine Dumas; Jean-Baptiste Carpeaux (French, 1827 - 1875); France; 1873 - 1875; Marble; 80 x 56.5 x 38.1 cm, 117.9352 kg (31 1,2 x 22 1,4 x 15 in., 260 lb.);

Erato. Artist: After François Girardon (French, Troyes 1628-1715 Paris). Culture: French, probably Paris. Dimensions: Overall, with socle (weight confirmed): 17 3/8 in., 57lb. (44.1 cm, 25.855kg); Without socle (weight confirmed): 40.5lb. (18.35kg). Date: ca. 1680-1700.The bust, cast with rather thick walls, adapts that of the ancient Roman marble Pomona in the Uffizi, Florence. It and its mate, Bacchus (32.100.195), may represent the seasons Summer and Autumn. Museum: Metropolitan Museum of Art, New York, USA.

Ideal Female Head. Augustin Pajou (French, 1730 - 1809)

Self-portrait. Almost frontal; The head with the slightly protruding nose is just used to left; The hair hangs up to the shoulders. He is wearing an outstanding shirt; A drapery from behind the left shoulder runs to the right last. In. Opened oval list

Plautilla, early 3rd century AD, The Torlonia Marbles. Collecting Masterpieces, Gallerie d'Italia, Milan, Lombardy, Italy, Europe

Bust of an Englishman 1740 Peter Anton von Verschaffelt Flemish A letter from Jean-François de Troy, director of the French Academy in Rome, to Philibert Orry, director of the royal buildings in Paris, dated August 26, 1740, mentions Verschaffelt as a young sculptor whose portrait of "an English milord" showed great promise.. Bust of an Englishman 206712

Reverend John Horne Tooke, Sir Francis Leggatt Chantrey, 1781-1841, British, 1811, Plaster, Overall: 18 x 16 1/2 x 9 inches (45.7 x 41.9 x 22.9 cm), man, philologist, portrait

Jean-Pierre Dantan (1800-1869), said Dantan the young. Serious portrait of violinist Jean-Delphin Alard (1815-1888). Terracotta patinated plaster. 1839. Paris, Carnavalet museum. Bust, french, pattero patina, serious portrait, terracotta, violinist

Medallion creator Pierre Jean David d'Angers

Bust of Caroline, Queen of England, John Michael Rysbrack, 1738 Carolina has used the head to the right a little to the right and wears a crown set with pearls and precious stones, which are partially covered by a few curly hairstones. From the hair, which is absorbed in a wrong on the back of the head and is held together by a pearl necklace, a strict hangs in the right shoulder. The bust ends under the chest and on the upper arms. She has a low cleavage. The left shoulder is partially covered by its dress, which is filled with fur, on which, as well as on the bars on the sleeves, gems are applied. From the right shoulder hangs the royal cloak, lined with ermine, which runs through the chest and under the left arm. In the cleavage, a strip of side, on which a brooch, on the right shoulder, a decorative node. London terracotta (clay material) Carolina has used the head to the right a little to the right and wears a crown set with pearls and precious stones, which are partially covered

Leone Leoni; Pompeo Leoni / 'Maria of Hungary'. 1553 - 1555. Italian marble. Museum: Museo del Prado, Madrid, España.

Tony-Noël, Paul (Edme-Anthony-Paul Noël, dit) (n.1845-01-27-D.1909-10-03), young girl mask (main title). Patinated terracotta. Petit Palais, Museum of Fine Arts of the City of Paris.

Bust - Samuel de Champlain Alfred Laliberté (1877-1953)

Bust of Maria Cerri Capranica; Attributed to Alessandro Algardi (Italian, 1598 - 1654); Italy; about 1640; Marble; 90 × 61.3 × 29.2 cm, 114.76 kg (35 7,16 × 24 1,8 × 11 1,2 in., 253 lb.); 2000.72

Sorrow. Auguste Rodin; French, 1840-1917. Date: 1882. Dimensions: 22.4 × 23.7 × 27.5 cm (8 13/16 × 9 5/16 × 10 13/16 in.)Base height:3 1/2 in. (8.9 cm)Base width: 5 3/4 in. (14.6 cm). Bronze. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Jean-Pierre Dantan (1800-1869) said Dantan the young. Serious portrait of Louis-Félix-Etienne, Marquis de Turgot (1796-1866), administrator and officer. Terracotta patinated plaster. 1841. Paris, Carnavalet museum. 53354-5 Administrator, French politician, Marquis, officer, pattero patina, serious portrait, terracotta

Carpeaux, Jean-Baptiste (n.1827-05-11-D.1875-10-12), bust of Alexandre Dumas fils (main title), 1873. Patinated plaster. Petit Palais, Museum of Fine Arts of the City of Paris.

'Portrait of a Man'. Italy, Late 18th century. Dimensions: height: 59,0 cm. Museum: State Hermitage, St. Petersburg.

Sir Thomas Lawrence, P.R.A., (1769-1830), unknown artist, nineteenth century, ca. 1830, Marble, Overall: 12 x 6 1/4 x 4 1/4 inches (30.5 x 15.9 x 10.8 cm), draughtsman (artist), painter, portrait

'Portrait Madame du Barry'. France, First half of the 19th century. Dimensions: 51x45x11 cm. Museum: State Hermitage, St. Petersburg.

Josiah Wedgwood, eighteenth century, 1730-1795, British, Portrait Medallion of Augustus, after 1730. Wedgwood ceramic.

'Portrait of Count G. Potemkin'. Russia, Late 18th century. Dimensions: 49x38 cm. Museum: State Hermitage, St. Petersburg.

Bust of King Friedrich Wilhelm II 1744-1797, Martin-Claude Monot, 1783

Cornelis de Graeff and Catharina Hooft, Artus Quellinus (I), 1660

Lorenzo de Medici, Michelangelo (Florence, Italy, 1475 - 1564) 1525 - 1549

Aimé-Jules Dalou (1838-1902). "Mask by Etienne Carjat". Terracotta, n.d .. Museum of Fine Arts of the city of Paris, Petit Palais. French caricaturist, mask, photographer, poet, terracotta, face

England, Dorset, Bournmouth, The Russell Coates Art Gallery and Museum, Marble Bust of Oliiver Cromwell by L.F.Roubiliac

Bust; Manufacture Nationale de Porcelaine de Sevres (1756-); 1870 (1870-00-00-1870-00-00);

Femaleportrait

Bust of Mary Robinson; Pierre-Jean David d'Angers (French, 1788 - 1856); 1824; Marble; 46.4 cm (18 1,4 in.)

Julius Schnorr from Carolsfeld

Eva Rohr 1872 Augustus Saint-Gaudens American The American singer Eva Rohr was studying opera in Rome when Saint-Gaudens depicted her playing the part of Marguerite in Charles Gounods opera Faust. The character was associated with innocence and purity - themes reinforced by her demure downward gaze and the crucifix around her neck. The inscription on the Gothic-style pedestal is an English translation of Marguerites first words to Faust, in which she chastely rebukes her impassioned suitors offer to accompany her home.. Eva Rohr 13500

Portrait of Ralph Vaughan Williams, O.M. Sir Jacob Epstein (1880-1959). Bronze with dark green patina. Cast in 1949. 35.5cm high.

François I (1494-1547), King of France 1529 Girolamo della Robbia Italian Portrayed here at age thirty-five, François I sports a faint smile and a beard, which he is said to have adopted a few years earlier to hide scars from an accident. The king also wears a shirt adorned with double knots shaped like figure eightsan emblem of the House of Savoie, from which he descended through his mother, Louise, duchesse d’Angoulême. Modeled on roundels of ancient rulers that decorated François’s now-destroyed chteau de Madrid, the bust was commissioned by a courtier, Louis Prévost de Sansac (1496-1576), to hang above the entrance to the chteau de Sansac in Loches, Indre-et-Loire.. François I (1494-1547), King of France 198767

Jean Carriès (1855-1894). "Tight lip mask". Mat enameled sandstone. Museum of Fine Arts of the City of Paris, Petit Palais. 24847-6 Ceramic, expression, gres emaille, man, cracked lip, mask, face

Bust of King George III 1767. King of Great Britain and Ireland later King of the United Kingdom and Hanover

Georges-Louis-Leclerc, comte de Buffon (1707-1788) 1782 Jean Antoine Houdon French. Georges-Louis-Leclerc, comte de Buffon (1707-1788) 205514

Sappho (C. 620-570 BC) Greek lyric poet. Roman bronze. 1st cent. BC. Villa of Papiry, Ercolano. Naples Archaeological Museum, Italy.

Bust of Menander; 25 B.C. - A.D. 50; Bronze; 17 × 8.1 cm (6 11,16 × 3 3,16 in.)

Portrait bust of the Roman Emperor Philip the Arab, c mid 3rd century Artist: Unknown

Alessandro Algardi, Saint Matthew, c 1640 Saint Matthew

Bust of Apollodorus, 3rd century. Artist: Unknown

Bust of Stadtholder Willem II 1626-1650, Rombout Verhulst, workshop of, 1683

Joseph Chinard, A Lady, 1810 A Ladytitle QS:P1476,en:A Lady label QS:Len,A Lady label QS:Lde,Dame

Emperor Franz I, bust by Camillo Pacetti, Kunsthistorisches Museum, Vienna, Austria, Europe

Head of a Man (possibly a portrait of Cicero, 106 - 43 B.C.). Attributed to Conrat Meit (German, about 1480 - 1550/1551)

Bliżej Kultury

Adam Lindsay Gordon. June 11, 1950.

Portrait of the Emperor Valerian 1769-80 Josiah Wedgwood British. Portrait of the Emperor Valerian. Josiah Wedgwood (British, Burslem, Stoke-on-Trent 1730-1795 Burslem, Stoke-on-Trent). British, Staffordshire. 1769-80. White jasperware. Ceramics-Pottery

Daphne 1853, carved 1854 Harriet Goodhue Hosmer American In Greek mythology, Apollos first love was Daphne, a nymph who shunned marriage and vowed perpetual virginity. Fleeing the god, Daphne prayed for help and was transformed into a laurel tree just as he was about to overtake her. Rather than depicting the dramatic moment of escape, Hosmer modeled a serene image and symbolized Daphnes metamorphosis by terminating the bust in laurel branches. The work is true to Hosmers Neoclassical training in Rome, where she was one of a number of active American women sculptors. Listen to experts illuminate this artwork's story Listen Play or pause #4581. Daphne Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Daphne. Harriet Goodhue Hosmer (1830-1908). American. 1853, carved 1854. Marble

Jean Carriès (1855-1894). "Bust of Madame K.". Grisish enameled sandstone. Museum of Fine Arts of the City of Paris, Petit Palais. 24846-1 Bust, ceramic, bun, woman, gres emaille, grisatre, portrait

Jean Gautherin (1840-1890). Bust the Republic. Marble sculpture, 1880. Museum of Fine Arts of the City of Paris, Petit Palais. 71340-2 Phrygian hat, bust, face, marble, French republic, statue

Dantan young (1800-1869). "Serious portrait of Henri-François-Joseph Old Time" (1820-1881), Belgian violinist. Bronze. 1841-1841. Paris, Carnavalet museum. 100628-2 Bust, portrait

Jean-Pierre Dantan (1800-1869), known as Dantan young. Surgeon's portrait, Claude-France Lallemand (1790-1859). Terracotta patinated plaster, round-bump. 1846. Paris, Carnavalet museum. 51839-12 French surgeon, pattero patina, portrait-metering, round-bump, health, terracotta

'Head of Petöfi'. Hungary, 1926. Dimensions: height: 46 cm. Museum: State Hermitage, St. Petersburg.

England, Dorset, Bournmouth, The Russell Coates Art Gallery and Museum, Marble Bust of Oliiver Cromwell by L.F.Roubiliac

Herm of a Vestal Virgin; Antonio Canova, Italian, 1757 - 1822; Italy, Europe; 1821 - 1822; Marble; Object: H: 49.8 x W: 31.9 x D: 24.1 cm (1 ft. 7 5/8 in. x 1 ft. 9/16 in. x 9 1/2 in.)

Jean-Pierre Dantan (1800-1869), said Dantan the young. Serious portrait of the painter Alexandre Francia (1815 or 1820-1884). Terracotta patinated plaster. 1837. Paris, Carnavalet museum. Bust, painter, pattero patina, serious portrait, terracotta

RENOIR, Pierre-Auguste (1841-1919). Aline Charigot. 1916. Renoir's wife. Polychrome plaster sculpture. Impressionism. Sculpture in the round. FRANCE. ëLE-DE-FRANCE. Paris. MusŽe d'Orsay (Orsay Museum).

Balthasar Permoser, Grinning Satyr, c 1700 Grinning Satyr

Head of a Girl, c. 1920. Nancy Coonsman (American, 1888-1920). Bronze; overall: 16.5 x 44.5 cm (6 1/2 x 17 1/2 in.).

. Jan Baptist Xavery, court sculptor in The Hague, was exceptionally versatile. In addition to funerary monuments, portrait busts, marble mantelpieces and even furniture, he made refined figurines in wood and ivory, such as these Classical female heads. They represent famous beauties from antiquity, Cleopatra and Lucretia, both of whom took their own life, one out of shame, the other out of sorrow.

Bust of Lucius Juniusz Brutus

Head of a Seraph, De Nole workshop (attributed to), after Sebastiaan de Neve, c. 1600 - c. 1660 White marble angel's head with strong curly hair and feathers, which lie against the neck like a collar. Antwerp marble (rock) White marble angel's head with strong curly hair and feathers, which lie against the neck like a collar. Antwerp marble (rock)

Bliżej Kultury unknown

Buste van Augustus William Hare, anonymous, c. 1866 - in or before 1876 photomechanical print paper chest, bust. sculpture

Anthony Ashley , 3rd Earl of Shaftesbury (1671-1713). Marble bust, 1766 by Peter Gaspar Scheemakers (1691-1781). Anthony Ashley Cooper, 3rd Earl of Shaftesbury; English politician, philosopher and writer.

Head of a Bearded Man. French. Date: 1300-1325. Dimensions: 21.6 × 36.8 cm, with base (8 1/2 × 14 1/2 in.). Limestone with traces of polychromy. Origin: French. Museum: The Chicago Art Institute, Chicago, USA.

Marble bust of Emperor Napoleon, bust, marble statue, Villa dei Mulini, exile seat, town house, palace, manor house, Portoferraio, Elba, Tuscany, Italy, Europe

Edward Hodges Baily (1788-1867) after Joseph Nollekens 1737-1823. George Canning 1829. Marble. Canning was a British statesman and political politician who served as Foreign Secretary and briefly Prime Minister.

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