Caricatures and Fashion

Whimsical illustrations and portraits showcasing historical fashion and social commentary through exaggerated features and poses.

Andalouse ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Line Drawing. Elizabeth Queen of England. Published by George Barrie.

Doctor Gruel October 3, 1771 Matthew Darly British This image comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. This etching likely satirizes either the primeminister William Petty, Earl of Shelburne, 1st Marquis Lansdowne,

Nottes, Madeleine.

Portrait of Jeanne Dielman, standing, feet from.Portrait of Jeanne Dielman, Second Wife of Eugène François de Block, Standing, Full of Feet.

Graham, Mary Ann .

A seated woman holding a closed fan before a drawn curtain, a tree and sky beyond. Artist: Henri Simon Thomassin (French, Paris 1687-1741); After Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne). Dimensions: sheet: 7 3/4 x 5 1/16 in. (19.7 x 12.8 cm)plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm). Date: ca. 1710-41. Museum: Metropolitan Museum of Art, New York, USA.

UNE LORGNETTE.. Artist: Paul Gavarni, French, 1804-1866

Small, Rosalie.

Andalouse ,. Paul Gavarni (1804-1866). Lithographs and Other Works

La robe de chambre ,. Paul Gavarni (1804-1866). Lithographs and Other Works

DECLASSES. - Mais je fus epiciere et sentis lachandelle…. Artist: Paul Gavarni, French, 1804-1866

Achille Devéria (1800-1857), French engraver and Antoine Adolphe Catherine Fonrouge (1828-1855), French printer-lithograph. The hours of the day: 10 am. Lithography on paper, 1829. Paris, Carnavalet museum. 77636-3 Drawing, exterior, woman, day time, garden, day, lithography, morning, morning, landscape, terrace, daily life, hat, dress

Achille Devéria (1800-1857). "Mrs. Hugo". Graphite pencil on layer paper, around 1823. Paris, house of Victor Hugo. Seat, graphite pencil, drawing, French writer, in the foot, wife, woman, layer paper, portrait, 19th 19th 19th 19th 19th 19th century

Ester Ravina, 1830 - 1839, Additional, Unidentified ballet, 1830 - 1839, Publisher, pubblicato al gabinetto litografico in via Larga, Italy, 19th century. Lithograph, vignette, 37.7 x 28 cm

Portrait of Clara Juliana, Countess of Nassau-Siegen, Anonymous, Pieter Schenk (I), unknown, c. 1675 - 1711.

Clara Ziegler, Actress Klara Ziegler in the Köstüm Virgin of Orleans, behind it a lady with horse car from humorous leaves , Karl Klic -, Caricaturist, Göschl, realization

Madame Unzelmann in the Part of 'Nina', Daniel Nikolaus Chodowiecki, German, 1726 - 1801, Engraving on paper, The seated figure of the acress, Madame Friederike Unzelmann is seen seated in a landscape in a scene from the first act of Armand's play 'Nina,' in the part of Nina. She holds aloft a bouquet., Berlin, Germany, 1799, Print, Print

(INDIENNE. Tunique et pantalon de merinos imprime,…). Artist: Paul Gavarni, French, 1804-1866

Gardener, from Hortulanae series Jacques Bellange French. Gardener, from Hortulanae series. Jacques Bellange (French, Bassigny () ca. 1575-1616 Nancy). Etching. Prints

The Konigin Hortensia

Netherlands, Bary, Hendrik, Farmer with firewood under her arm, verso middle - stamped, Farmer, standing in a landscape, with firewood under her arm. There is a house on the right in the background., print, prent, prints, prenten, height 205 mm, width 138 mm, North Netherlands, 1640 - 1707-02, print maker, printmaker, 1657 - 1707, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, engraving, engraving (printing process), drypoint, dry needle

Sultane Reine, plate 29 from Caravanne du Sultan à la Mecque 1748 France. Etching on ivory laid paper . Joseph Marie Vien, I

Varied alphabet: Letter E - Miss Annette Boulanger. Achille Deveria (1800-1857) and Antoine Adolphe Catherine Fondia (1828-1855). Varied alphabet: Letter E - Miss Annette Boulanger. Lithography.

Bakkersvrouw, Paul Gavarni, 1857 - 1858 print Paris paper baker. physiognomy

A Seated Young Woman Wearing a Fashionable Hat. Dated: 1800/1803. Dimensions: sheet: 34.2 x 21.8 cm (13 7/16 x 8 9/16 in.). Medium: black chalk on very light green laid paper. Museum: National Gallery of Art, Washington DC. Author: Carl Wilhelm Kolbe.

Finette , Clothing & dress, Windows, Interiors. James McNeill Whistler (1834-1903). Lithographs

TOILETTE DU SOIR.. Artist: Paul Gavarni, French, 1804-1866

Etching by Philipp Jakob Loutherbourg the Younger depicting caricatures of London townspeople from Soho, created in 1775.

Sitting woman with averted head, Pieter van Loon, 1811 - 1873 drawing paper. ink pen / brush

Ground, my ladies, your pleasure. / 14. (Registered title (letter)) | Cree of Paris. (Title of all)

State Dame (Demoiselle Quantin), Daniel Nikolaus Chodowiecki, 1758 print paper etching adolescent, young woman, maiden. gate, entrance

An Elegant Young Woman in a Garden. Alexandre Moitte; French, 1750-1828. Date: 1780-1790. Dimensions: 192 × 145 mm. Black chalk on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Farewell in Autuil, Félicien Rops, 1869 print Two women kiss each other while a coachman waits in the background. Alley paper etching / drypoint embracing each other, kissing. homosexual love - CC - homosexual love between women: lesbianism. (lovers) kissing each other Alley

A seated woman holding a child. Artist: Luis Jimenez (Spanish, active ca. 1880-1900). Dimensions: Sheet: 19 5/16 × 14 3/8 in. (49 × 36.5 cm)Plate: 10 13/16 × 7 7/8 in. (27.5 × 20 cm). Date: ca. 1800-1900. Museum: Metropolitan Museum of Art, New York, USA.

Act IV, The Relapse or Virtue in Danger, Scene 3, James Roberts, active 1766-1809, British, after unknown artist, undated, Engraving

Album Drawing, Thomas Bardwell, 1704-1767, British, Previously attributed: James Wills, Active 1740-died 1777, British, ca. 1730, Brown wash with pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm)

Portrait of a woman in a flat black toque with a pompon on a long stand. Hollar, Wenceslaus (1607-1677), graphic artist, Hogenberg, Abraham (fl. 1608-1659), graphic artist

Miss Jane Pope in the character of Rosetta in Edward Moores The Foundling, Drury Lane Theatre, 1764. Pope was an English actress, 1744-1818. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.

Garde National - à cheval ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century; It is in vain Louis-Philibert Debucourt (1755-1832). Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century. It is in vain (hair braids bound on a damn . Engraving (water-strong color).

A Standing Lady in a Day Dress, 1775/1780, red chalk on laid paper, sheet: 16.1 x 7.9 cm (6 5/16 x 3 1/8 in.), Daniel Nikolaus Chodowiecki (artist) German, 1726 - 1801

La prima donna. - Si fa si la do mi si la!... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Art. Volume 10, Off-Text Board Between Pages 02 and 03 Louis Monzies, according to George Frederic Watts (1817-1904). Art. Volume 10, Office board between pages 02 and 03. Lady Lindsay (of Balcarres). Engraving. 1877.

Shepherd with dog in oval, draughtsman: Françoise Jeanne Ridderbosch, 1764 - 1837, parchment (animal material), pen, h 162 mm × w 133 mm

La Mendiante a la Sébille (The Female Beggar with the Begging Bowl), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) ca. 1623 Jacques Callot French. La Mendiante a la Sébille (The Female Beggar with the Begging Bowl), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1623. Etching; first state of two (Lieure). Prints

Wenceslaus Hollar, Mulier Nobilis aut Generosa Gallica, 1644 Mulier Nobilis aut Generosa Gallica

Sculptuur van Rome; Dacia, in the gardens, in Rome, to whom the famous Caerijs colocó captasubest at Rome; Antieke Sculpturen in Rome; Of the Ancient Rome, known as the city of statues are to be seen in the public places, and icones.Caption in Latin. Print is part of an album.

Mrs Frances Abington in the character of Beatrice in Much Ado About Nothing, Drury Lane Theatre, 6 November, 1775. In panniered ballgown, plumed headdress, holding a fan and mask. Frances Barton, later Mrs Abington, 1737-1815, was an English actress and prostitute who appeared in Harris's List of Covent Garden Ladies. Copperplate engraving after a portrait by James Roberts from John Bell's Edition of Shakespeare, London, Feb. 19th, 1776.

Mrs Elizabeth Hartley in the character of Almeyda in John Drydens Don Sebastien, Covent Garden Theatre, 1774. Elizabeth Hartley was a famous actor on the London stage and scandalous figure, 17501824. Copperplate engraving by B. Reading after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1778.

Mary Magdalene as richly dressed woman for conversion, print maker: Pieter de Bailliu I, Anthony van Dyck, Pieter de Bailliu I, 1623 - 1660

Print, Madame la Cse de R...; Nicolas Bonnart (French, 1636-1718); 1955-15-37

Marie Antoinette / (Louis XVI)

Strasbourg Woman Made 1644-1650 Bohemia. Etching on gray Asian paper . Wenceslaus Hollar

Elisabeth Ludovika of Bavaria (1801-1873). Queen consort of Prussia (1840-1861) as the wife of King Frederick William IV (1795-1861). Portrait. Drawing by A. Belvedere. Lithography by J. Donón. "Reyes Contemporáneos" (Contemporary Kings). Volume III. Published in Madrid, 1854. Author: Augusto Belvedere (1801-1888). Portuguese artist. Julio Donón. Spanish artist active from 1840 to 1880.

Standing young woman, Gesina ter Borch, after Gerard ter Borch (II), c. 1669, Standing young woman, possibly Gesina's sister Jenneken., draughtsman: Gesina ter Borch, intermediary draughtsman: Gerard ter Borch (II), (possibly), Zwolle, c. 1669, paper, h 176 mm × w 135 mm

Print made by William Dickinson, 1746-1823, British, Mrs. Pelham, 1775. Mezzotint (only state) on medium, slightly textured, cream laid paper.

Thalie, second grace (title registered) | Series of the three graces: Thalie, second grace (dummy title)

FannyElssler.. Artist: Paul Gavarni, French, 1804-1866

For Heaven's Sake: and it was Her Mother, plate 16 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 175 x 125 mm (image); 200 x 150 mm (plate); 301 x 205 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), subsequent follow-up representing men and women standing and an old man seated. A lady directed to the left. Second issue of a sequel to 9 rooms. (A. de Vesme 157; Dutuit 169) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Interior with a young woman sitting on a chair looking at two pigeons on a desk; Les Premieres Leçons de l'Amour. .

Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century; It rained (curl hat) Louis-Philibert Debucourt (1755-1832). Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century. It rained (curl hat). Engraving (Floor).

Salome was an Idumean princess, daughter of Herod Philip I and Herodias, and stepdaughter of Herod Antipas, related to the death of John the Baptist. Old 19th century engraved illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862

Mrs Elizabeth Hartley in the character of Cleopatra in John Drydens All for Love, Covent Garden Theatre, 1773. Elizabeth Hartley was a famous actor on the London stage and scandalous figure, 17501824. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1776.

Woman of Westphalia. Wenceslaus Hollar; Czech, 1607-1677. Date: 1643. Dimensions: 90 × 62 mm (sheet, trtimmed within platemark). Etching on gray Asian paper. Origin: Bohemia. Museum: The Chicago Art Institute, USA.

Lady Leaning on a Column: (Possibly a Sketch for 'Miss Woodley'), George Romney, 1734-1802, British, undated, Brown wash and graphite on medium, slightly textured, cream laid paper, Sheet: 13 3/8 x 8 1/8 inches (34 x 20.6 cm) and Contemporary drawn border: 14 1/4 x 9 inches (36.2 x 22.9 cm), dress, figure study, genre subject, podium, woman

Dieppe Woman. Wenceslaus Hollar; Czech, 1607-1677. Date: 1649. Dimensions: 92 × 58 mm (sheet, trimmed within or just outside platemark). Etching on gray Asian paper. Origin: Bohemia. Museum: The Chicago Art Institute, USA.

Princess Izabela Czartoryska, nee Countess Fleming (1746-1835) by Anonymous / Private Collection/ 18th century/ Copper engraving/ Rococo/ Portrait

Civis Londinensis Vxor. Dated: 1643. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

On na jamais compris son coeur!. Artist: Paul Gavarni, French, 1804-1866

Seated Boerengirl, Arnoldus Johannes Eymer, 1824 drawing paper. chalk

Study for Alceste, François Boucher, 1713 - 1734 drawing paper. chalk counterproof literary characters and objects

Rosa, Salvator, work, Woman raising her bed, (1000 - 2000), etching, graphics, sheet width 9.2 cm, leaf height 13.8 cm

Big cernals big. / 30. (title registered (letter)) | Cree of Paris. (Title of all)

Sketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816

(PROMENADE PUBLIQUE.). Artist: Paul Gavarni, French, 1804-1866

Columbine

Maria Theresia, Roman-German Empress colored copper engraving by Edward Hargrave to paintings by Josef Schell

Female Trekpop (Pantan). Female draft doll (pantin) with head, body of young woman, dressed in a dress with cleavage decorated with floral garlands; Four loose parts with two legs and shed feet and two arms and hands with a tambourine in one of these.

Plate 16 from 'Los Caprichos': For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 16 from 'Los Caprichos': For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre) 377822

Dieppe Woman Made 1649 Bohemia. Etching on gray Asian paper . Wenceslaus Hollar

MAI 1837. Capotte (sic) a coulisse et bouquet de violettes;…. Artist: Paul Gavarni, French, 1804-1866

Self Portrait, Angelica Kauffmann, (Swiss, 1741-1807), Etching on laid paper, The artist sits at a table, resting her elbows on it, with her head on her hands, which are supoprted by a large book., England, 1770, Print, Print

BATELIERE.. Artist: Paul Gavarni, French, 1804-1866

Woman gardener of Chioggia, Venice, 16th century. Her hair is tied up with colorful silk ribbons apart from a few curls on her forehead. Coral necklace under a veil worn over the bust, schiavonetto chemise, long skirt with velvet band at the hem, white slippers. Holding a basket of fruit and knife. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Duronceray, Marie Justine Benoite .

Madam des three states. (IT)

Young woman gets a print or drawing from a portfolio that rests on a chair, 1800 - 1801 Numbered at the top right: 261. paper etching fashion plates. art collecting

A woman leans against a low wall Her right arm rests on a bucket The same figure appears in a drawing of Christ and the Samaritan woman by Abraham Bloemaert, Woman with bucket the Samaritan woman Abraham Bloemaert's drawing book , print maker: Frederick Bloemaert, intermediary draughtsman: Abraham Bloemaert, Utrecht, c. 1650 - c. 1700, paper, engraving, h 213 mm × w 167 mm

Queen of the Herten, Anonymous, 1848 - 1947 print paper engraving / drypoint queen. hoofed animals: stag. playing-cards

La maitresse de table d'hotel , Alexandre Benois Collection

Daniel Nikolaus Chodowiecki illustrated a standing young woman facing right in red chalk around 1775.

Image reproduction: Władysław Czachórski (1850-1911), Directions; from: "Kłosy" 1886 (II) 48; unknown, Kłosy (Warsaw; magazine; 1865-1890); 1886 (1886-00-00-1886-00-00);

Valentine Green, 1739-1813, British, Lady Caroline Howard, 1778. Mezzotint on moderately thick, slightly textured, cream, wove paper.

William Henry Hunt, 1790-1864, British, Girl in a Red Belt, ca. 1830. Watercolor and graphite on moderately thick, slightly textured, beige wove paper.

Pallas Athena in wapenrusting, 1819 Pallas Athena stands and wears a helmet, shield and spear. Probably signed according to a classic example. Page 27 Recto from a sketchbook with 94 sheets. paper. pencil. ink pen / brush (story of) Minerva (Pallas, Athena)

Portrait of Lucy Hay, Duchess of Carlisle, Lucy Hay, was famous for her political intrigue at the court of Charles I., Lucy Hay (Duchess of Carlisle), Pieter van Gunst (mentioned on object), Amsterdam, 1716, paper, etching, w 318 mm × h 515 mm

BOURGUEMESTRE(sic).. Artist: Paul Gavarni, French, 1804-1866

Portret van Eugénie Adelaide d'Orleans, Pierre Michel Adam, After François Gérard, 1852 print print maker: Franceafter painting by: Francepublisher: Parispublisher: Paris paper. etching historical persons. trees. lake. standing figure - AA - female human figure

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