Caricatures of Artists and Figures

Humorous depictions of itinerant artists and performers, captured in dynamic poses that emphasize their unique character and trade.

Bella, Stefano della, Comic scenes, Dwarfs and a donkey, verso - stamped, A dwarf is beating a donkey, a second dwarf is sitting on the donkey and a third dwarf is pulling the donkey forward., print, engraving, prints, height 100 mm, width 139 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings

A caricature figure representing a poor itinerant artist loaded with various implements relating to his trade ca. 1640-60 Anonymous, Italian, 17th century. A caricature figure representing a poor itinerant artist loaded with various implements relating to his trade. Anonymous, Italian, 17th century. ca. 1640-60. Etching and engraving. Prints

Edelman with hat in hand, bending left, 1624 print paper etching

Standing gentleman, dressed in a cape trimmed with fur, shoes with rosettes on feet, wide brimmed hat pressed to chest, bowing to right. In the background a walled garden. This print is part of a series of 12 prints depicting noblemen in costume worn in Lorraine in the first quarter of the 17th century, half of the series are men's suits, the other half show women's suits. Nobleman with hat in hand, seen on the right La Noblesse Noblemen from Lorraine , Jacques Callot, (mentioned on object), print maker: anonymous, publisher: Frederik de Wit, (possibly), print maker: Netherlands, publisher: Amsterdam, 1630 - 1690, paper, etching, h 146 mm × w 96 mm

Reverse Copy of L'Homme vu de Dos, La Main Droit Tendue (Man Viewed from Behind, His Right Hand Extended), from Les Caprices Series A, The Florence Set 17th century Anonymous. Reverse Copy of L'Homme vu de Dos, La Main Droit Tendue (Man Viewed from Behind, His Right Hand Extended), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Anonymous. 17th century. Etching. Prints

Man, a boy and a girl, Harmen ter Borch, 1650, Study sheet with three standing figures, a man, a boy and a girl., draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 1650, paper, brush, h 148 mm × w 173 mm

La Paysanne Vue de Face, Tenant un Panier sur sa Tête (The Peasant Woman Viewed from the Front with a Basket on her Head), from Varie Figure (Various Figures) ca. 1620 Jacques Callot French. La Paysanne Vue de Face, Tenant un Panier sur sa Tête (The Peasant Woman Viewed from the Front with a Basket on her Head), from Varie Figure (Various Figures). Varie Figure. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1620. Etching; first state of four (Lieure). Prints

Jacques Callot, Gentleman and His Page, c 1617 Gentleman and His Page

Bella, Stefano della, Comic scenes, Dwarfs and a donkey, verso - stamped, A dwarf is beating a donkey, a second dwarf is sitting on the donkey and a third dwarf is pulling the donkey forward., print, engraving, prints, height 100 mm, width 139 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings

Gentleman Holding a Sword. Artist: Anonymous, French, 17th century; After Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 5 5/8 × 3 11/16 in. (14.3 × 9.3 cm). Series/Portfolio: Le Jardin de la noblesse française. Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

Dancing beggar woman striking a bowl with a bone, drawn in gray brush with graphite pencil by Adriaen Pietersz. van de Venne.

Two standing men talk to each other. Draughtsman: Harmen ter Borch (possibly). Dating: 1649. Place: Zwolle. Measurements: h 81 mm × w 79 mm. Museum: Rijksmuseum, Amsterdam.

Relthous farmer dressed in rags; Single farmers ..

Bertinazzi, Carlo Antonio.

The Rat Catcher. Dated: 1632. Dimensions: plate: 9.3 x 6.4 cm (3 11/16 x 2 1/2 in.) sheet: 9.7 x 6.8 cm (3 13/16 x 2 11/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Johannes van Vliet.

Elderly beggars, Pieter Jansz Quast (attributed to workshop or), 1634 - 1638 print An old beggar couple runs over a plain. The man has a walking stick with him. In the background a tower and a tramp with a child. The print is part of a series of twenty -six prints with beggars and farmers. The Hague paper etching / engraving beggar. tower, clock tower ~ monumental adornment. old woman. old man. walking-stick, staff

Man in cape talking to comedian (), Harmen ter Borch, 1649, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 6-Jul-1649, paper, h 132 mm × w 94 mm

Running shepherdess.

Jacques Callot (1592-1635). "The nobility, the gentleman who salutes holding his felt under his arm. Second issue of a suite of 12 pieces" (Lieure 550, Meaume 674). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99601-26 Etching, engraving

Soldier blowing powder from his musket (no. 20), ca. 1600. A soldier, for feet, who holds a musket (a certain type of firearm) with both hands and blows over it, to possibly outside the pan ( The powder container) fallen krups from it (no. 20), ca. 1600. In his left hand, except the course of the musket also a freight (musket fork) and a burning wick. Plate 20 In the instructions for handling the musket: Corte Undercury on the Figuerlicke. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Man with backpack and stick, seen and profil, anonymous, After Salomon Savery, after Pieter Jansz Quast, 1630 - 1715 print Amsterdam paper engraving / etching farmers. carrying something in basket, bag, rucksack, etc.

Copy of L'Homme Qui Court (The Running Man), from Les Caprices Series B, The Nancy Set 17th century Anonymous. Copy of L'Homme Qui Court (The Running Man), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Anonymous. 17th century. Etching. Prints

Sitting woman and standing man, draughtsman: anonymous, Netherlands, 1700 - 1799, paper, pen, brush, h 96 mm × w 74 mm

The Garden of French Nobility (The King's Officer). Abraham Bosse; French, 1602-1676. Date: 1629. Dimensions: 142 × 97 mm. Etching and engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Reverse Copy of Le Paysan Portant sa Pelle sur L'Épaule (The Peasant Carrying his Shovel over his Shoulder), from Les Caprices Series A, The Florence Set 17th century Anonymous. Reverse Copy of Le Paysan Portant sa Pelle sur L'Épaule (The Peasant Carrying his Shovel over his Shoulder), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Anonymous. 17th century. Etching. Prints

Design for Illustration Toneelgroep: Two standing figures and a sitting figure, Paulus Constantijn La Fargue, 1739 - 1782 drawing Possibly a design for a print. paper. ink. pencil pen / brush group of actors, troupe; actors on the stage

Grotesque Figures 1610-85 Adriaen van Ostade Dutch. Grotesque Figures 396337

Edouard Eckman after Jacques Callot (Flemish, born c. 1600), Violinist, 1621, woodcut

Quast, Pieter Jansz., Amsterdam, Savery, Salomon, Beggars and peasants, Katael, Standing beggar bent over with arm in sling, verso - stamped, Standing grinning beggar in torn clothing with his arm in a sling. A village in the background. The print is part of a ten-part series with representations of beggars and peasants which also includes various unfortunate figures from the First English War, ca. 1652-1654., print, prent, cartoon, prints, prenten, height 134 mm, width 87 mm, Noord-Nederlands, 1594 - 1683-10-16, print maker, printmaker, 1638 - 1665, paper, papier, engraving, engraving (printing process), etching, Work conception, 1606 - 1647-06, after print by, 1652 - 1654

PRACTION SAMPER, Johan Antoni Kauclitz Colizzi, After Rembrandt van Rijn, c. 1774 - 1808 print Parody on a print by Rembrandt with a rat poison seller who is for a house where offers. paper etching rat exterminator

Man with sword around his shoulder, Cornelis Adrianus van Hoogstraten, 1757 - 1824 print Man with a sword on a sash around his shoulder, standing to the right, his arm extinguished. Leiden paper etching standing figure. arm stretched forward. hacking and thrusting weapons: sword

Peasant Removing His Shoe. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

A man selling bellows and another selling umbrellas. Etching by J. Duplessi-Bertaux.

Jacques Callot, Man Moving Abruptly, c 1622 Man Moving Abruptly

Johannes van Vliet, The Hurdy Gurdy Player, 1632 The Hurdy-Gurdy Player

Two dancing farmers and one who watches, Abraham Allard, after Pieter Nolpe, after Pieter Jansz Quast, 1686 - 1709 print Two dancing farmers, a third is looking at it. With two -way inscription in Dutch. Amsterdam paper engraving / etching farmers

Dryer's Seller with Girl and Dog, 1660 print A man, seen from behind, with a large barrel on his back, a ton in his right hand and on his left hand a girl with a flower in his hand. Left of them a dog. Italian fresh in the lower margin. The print is part of an album. paper etching street-trader. carrying something. carrying something in basket, bag, rucksack, etc.. 'cris de Paris', cries of London, etc.

Three hikers in a landscape. Draughtsman: Moses ter Borch (mentioned on object). Dating: 8-Apr-1653. Place: Zwolle. Measurements: h 110 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

Bricklayer who is going to whiten a wall, 1660 print A bricklayer with a bucket on his head and a brush tied to a long stick, walking along a door. Italian fresh in the lower margin. The print is part of an album. paper etching street-trader. mason at work. 'cris de Paris', cries of London, etc.. brushes ~ implements of painter

Boy with a hoop, from behind, Harmen ter Borch, 1651, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 30-Jan-1651, paper, brush, h 100 mm × w 78 mm

Soldier who wears his skewers horizontally on his right shoulder (no. 26), ca. 1600, 1608 A soldier, after, to the right, who carries a skewer (lance) horizontally on his right shoulder. His right hand around the skewer (no. 26), ca. 1600. First incorrectly numbered 24, this figure here improved in 26. Plate 26 in the instructions for handling the skew All t'ghene a soldaet int acting of the Spies is emergency. Part of the illustrations in: J. de Gheyn, Weapon Handele of Roers Musquetten and Spiessen, Amsterdam, 1608. War award around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, after, to the right, who carries a skewer (lance) horizontally on his right shoulder. His right hand around the skewer (no. 26), ca. 1600. First incorrectly numbered 24, this figure here improved in 26. Plate 26 in the instructions for handling the skew All t'ghene a soldaet int acting of the Spies is emergency. Part

Soldier who carries his skewers with his left hand on his right side, the point tilted up (no. 13), ca. 1600, 1597 - 1607 A soldier, who is a skewer (lance) with his left hand on his right side, the point tilted up (no. 13), ca. 1600. This is the second action for lowering the skew a vault by being able to. Plate 13 In the instructions for handling the skewers: Corte Onderwysinghe on the Figuerliicke image, interested t'recht ghebruyck, Van Al t'ghene is a Soldaet int acting of the Spies Emergency. Part of the illustrations in: J. de Gheyn, Weapons Handele of Roers Musquetten and Spiessen, The Hague, 1607. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: The Hague paper engraving A soldier, who is a skewer (lance) with his left hand on his right side, the point tilted up (no. 13), ca. 1600. This is the second action for lowering the skew a vault by being able to. Plate 13 In the instructions for handling the skewers: Corte Onderwysinghe

The quack.

Jacques Callot (1592-1635). "The whims, the crouching peasant. Thirty-second number of the suite of 50 pieces engraved in Nancy" (Lieure 459, Meaume 831). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99607-5 Etching, engraving

Le Paysan Tenant un Gobelet (The Peasant Holding a Cup), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Le Paysan Tenant un Gobelet (The Peasant Holding a Cup), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Dune landscape with a fisherman Verscheyden Beaches and water views gedaen by Jan Percelles (series title), print maker: Gillis van Scheyndel (I), print maker: Jan Porcellis, (rejected attribution), intermediary draughtsman: Jan Porcellis, Noord-Nederland, 1645, paper, etching, h 74 mm × w 92 mm

Soldier wearing his skewer with both hands at his right-hand side, the point diagonally focused up and near his stomach (no. 20), ca. 1600. a soldier, full-length, to the right, which are skewer (lance) with both hands At his right side, the tip bears diagonally and near his belly (no. 20), approx. 1600. Plate 20 in the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure the relevant recte of brush, from all T ' Ghene a Soldaet int Trading of the Skewer is Noodich. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Jacques Callot, Greed, probably after 1621 Greed

A Gentleman and his Page, from The Caprices 1617-1627 France. Etching on ivory laid paper . Jacques Callot

Dancing fool, Pieter Jansz. Quast, Frederik de Wit, 1639 - 1706

Soldier, seen on the back, wearing his skewer with both hands horizontally at nose height, his right hand at the foot of the weapon, his face to the left (no. 29), ca. 1600. a soldier, for feet, on Seen the back, which wears a skewer (lance) with both hands horizontally at nose height, his right hand at the foot of the weapon, his face to the left (no. 29), approx. 1600. Plate 29 in the handling instructions of the skewer: Enseignment letter; ET SUMPINT SUR LES PORTRAITZ FIGUREZ, Touchant L'Usage, the Tout CE QU'UN SOLDAT DOBT Faire au Maniement de la Pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhande: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour Le Prince Maurice, Prince d'Orange, Amsterdam 1608. Marriens around 1600.

Reverse Copy of Le Gentilhomme de Face, La Main Droite sur la Hanche (Gentleman Facing Forward, His Right Hand on his Hip), from Les Caprices Series A, The Florence Set 17th century Anonymous. Reverse Copy of Le Gentilhomme de Face, La Main Droite sur la Hanche (Gentleman Facing Forward, His Right Hand on his Hip), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Anonymous. 17th century. Etching. Prints

Amsterdam, Schenk, Pieter (I), Hooghe, Romeyn de, Chinese and Foreign Nations, Chinese poets, Chinese jokers, verso - stamped, Three Chinese fools, of which the middle one is banging two cymbals together., print, prints, height 104 mm, width 66 mm, Northern Netherlands, 1660-12-26 - 1711, print maker, printmaker, 1682 - 1711, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1645-09-10 - 1708-06-15, after print by, Publication (Event), Publication, publisher

Scene with Banditti mid-18th-early 19th century Attributed to Anonymous, British, late 18th-early 19th century British. Scene with Banditti 364437

Residents of Campeche, 1726; Campeche; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. Man and woman of Campeche in Yucatan in Mexico, dressed according to the local pregnancy, in the city background. Plate No. 501 in Part XX of the Picture: Les Forces de l'Europe, Asia, Afrique et amic ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war.

Drawing, A fish peddler. A gentleman.; Attributed to Massimo Stanzione (Italian, 1585 - 1656); Italy; pen and ink on paper.; 7.2 x 9.5 cm (2 13/16 x 3 3/4 in.)

Soldaat met een musket die een kruitmaat opent. Ontwerptekeningen voor de Wapenhandelinghe van Jacob de Gheyn (II) (series title). Draughtsman: Jacob de Gheyn (II). Dating: 1596 - 1606. Measurements: h 262 mm × w 182 mm. Museum: Rijksmuseum, Amsterdam.

Marskramer, Gillis van Scheyndel (I), 1638 print A venter with a container with merchandise around the neck announces his merchandise. In his hand, he has a bundle of paper with the text on it: "Almen nieu Nieu Almenac." Title print of a series of 32 prints with genre scenes. paper etching pads

Resting lord for inn hiker. For an inn, called 'the hiker', a gentleman, who loves his glass of wine.

Man with two pockets and a man with a large box, Herman Saftleven, 1619 - 1685 drawing paper. chalk brush carrying something. walking

Two sitting men, Jacques Callot, 1621 print On the left a gentleman sitting on a chair, seen on the right. On the right a man sitting on a box or wall, writing, seen from the front. Both wear a hat. This print is part of a series of 48 prints (50 incl. Title page and dicing sheet) with various topics (including men and women in different postures, landscapes, buildings and festivities in Florence). These prints may have been intended as drawing examples. Nancy paper etching sitting on an elevation. the (nude) human figure; 'Corpo humano' (Ripa) (+ sitting). handwriting, writing as activity. chair. head-gear: hat (+ men's clothes)

Tartar warman; Tartarus; Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti. Tartar warman with shield and halberd, seen from the front. His hair is braided. Part of the costume book entitled 'Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti', Venice 1569. Reference from 1569 from the first edition from 1563.

Boy leaning on a stick, Harmen ter Borch, 1649, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 1-Apr-1649, paper, h 115 mm × w 84 mm

Piping man, Adolf van der Laan, c. 1710 - 1755 Piping man, dressed according to Dutch fashion from 1710-1720. Free, standing on a step on a landing. In the background a garden with fountain. The print is part of a sixteen -part series of prints with performances of Dutch costumes. paper etching pipe ~ tobacco. clothes, costume (+ men's clothes). Europeans (with NAME) (+ costume)

Couple fighting each other, Gesina ter Borch, c. 1652, Couple fighting each other with hair tongs and a slipper., draughtsman: Gesina ter Borch, Zwolle, c. 1652, paper, h 100 mm × w 155 mm

Man salutes a seated woman. Draughtsman: Gesina ter Borch. Dating: c. 1654. Place: Zwolle. Measurements: h 103 mm × w 115 mm. Museum: Rijksmuseum, Amsterdam.

Ragged peasant dressed in rags Single farmers (series title), print maker: Cornelis Danckerts (I), Pieter Jansz. Quast, (mentioned on object), publisher: Justus Danckerts, Netherlands, 1613 - 1656, paper, etching, h 145 mm × w 91 mm

Le Turc Vu de Face, La Main Droite Posée sur la Hanche (Front View of the Turk, Right Hand Placed on Hip), from Varie Figure (Various Figures), plate 3 ca. 1620 Jacques Callot French. Le Turc Vu de Face, La Main Droite Posée sur la Hanche (Front View of the Turk, Right Hand Placed on Hip), from Varie Figure (Various Figures), plate 3. Varie Figure. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1620. Etching; third state of three (Lieure). Prints

Man with a stick and a man seen on the back. Draughtsman: Herman Saftleven. Dating: 1619 - 1685. Measurements: h 79 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

Jacques Callot (1592-1635). "The whims, the standard bearer. Forty-second number of the suite of 50 pieces engraved in Nancy" (Lieure 469, Meaume 851). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99607-25 Etching, engraving

Two Bagpipe Players. Dated: 1642. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Hondius I after Pieter Bruegel the Elder.

February, anonymous, 1600 - 1699, draughtsman: anonymous, 1600 - 1699, paper, brush, h 131 mm × w 84 mm

Amsterdam, Fock, Hermanus, Cartoons on the defeats of the French in 1813, A French soldier tries to thaw his tongue at a lamp, verso - stamped, A French soldier tries to thaw his tongue at an oil lamp. He stands with his bare feet on a block of ice. In the background fireworks and a winter quarters in which a skeleton of a soldier stands. Cartoon on the losses of the French caused by the harsh weather conditions in Russia., print, picture, cartoon, history print, prints, Frederik Muller History plates, height 85 mm, width 103 mm, Northern Netherlands, 1766-11-01 - 1822-09-27, print maker, printmaker, 1813 - 1813, paper, etching, etchings

Man in cape talks to a comedian (). Draughtsman: Harmen ter Borch (mentioned on object). Dating: 6-Jul-1649. Place: Zwolle. Measurements: h 132 mm × w 94 mm. Museum: Rijksmuseum, Amsterdam.

Sketch for an Unused Scene for a Cartoon for Cotton Printing: La Vie de Bélisaire, B. M. Lebert, 1759-1836, Pen and ink with gray wash on paper, Sketch for one island for a cartoon for cotton printing, showing a blind soldier, staff in hand, holding a young boy on his left arm, while another soldier, nearby, expresses anguish. (Probably an unused island for a Belisarius subject; island shows the blind Belisarius being recognized by one of his soldiers.), France, ca. 1820, Drawing, Drawing

May; The twelve months of the year.

Edouard Eckman after Jacques Callot, Peasant Removing His Shoe, 1621 Peasant Removing His Shoe

Man with bagpipe and dog, attacked by bees; Capricci di Varie Figure Di Jacopo Callot; Various figures and representations. Links in the foreground is a man with a bagpipe on the back, leaning on a stick. He and his dog are attacked by a swarm of bees. In the background a house and some figures in a mountainous landscape. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

Jacques Callot (1592-1635). "The whims, the violin player. Thirteenth number of the suite of 50 pieces engraved in Nancy" (Lieure 440, Meaume 793). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99605-28 Etching, engraving

Le Paysan Assailli par les Abeilles (The Peasant Attacked by Bees), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Le Paysan Assailli par les Abeilles (The Peasant Attacked by Bees), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Drawing (France)

Study sheet with three walking figures, Harmen ter Borch, 1650, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 14-Feb-1650, paper, h 86 mm × w 154 mm

Allegorical emblem at the Peace of Rijswijk, 1697. Draughtsman: anonymous. Dating: 1697. Place: Northern Netherlands. Measurements: h 295 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

Boys play the game Jonas in the Wallevis, 1649 drawing A figure is held on arms and legs at the game Jonas in the Wallevis. Zwolle paper. ink. chalk brush Jonah in the fish's belly (Jonah 2:1 - 3:2)

Callot figures; a well-dressed dwarf man to left declaring his love to an old dwarf woman to left, a dwarf man playing the guitar and a dwarf woman dancing with a tambourine to right, from 'Six grotesques' (Six pièces de figures grotesques) 1684 Agostino Mitelli II Italian Agostino Mitelli, the son of the well-known printmaker Giuseppe Maria Mitelli, had a brief career as a printmaker in Bologna. This prints is part of set of six etchings after Stefano della Bella that represent a type of caricature that was very popular in the seventeenth century. Here, several dwarf-like figures play musical instruments while striking exaggerated poses. Captions running along the bottom of the prints add to the humor of the works by identifying the figures and their relationships. In the uppermost print, the scene of a man playing a guitar to a woman holding a hearing horn is described as beauties unheard.” In the lower print, the man standing confidently in the middle is described as the great ban

9. Man with a falling belly and very high hat. Whipping man playing guitar. (Title Title) | Gobbi. (Title of the whole)

Two pages with dwarfs, approx. 1720. Two pages with the dwarfs Peregyn and Cornutus, approx. 1720. Comments from a publication of approx. 1775 with reduced copies to the original Dutch series with caricatures of dwarfs from 1716, known as the dworten tone.

Peasant with Shovel on His Shoulder. Dated: c. 1617. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Title page: a man carrying a case on his back in center, three men looking towards him on left, Medici coat of arms on ground to left, various boats and figures to right in the background, from 'Set of eight nautical landscapes' (Suite de huit Marines) 1639 Stefano della Bella Italian. Title page: a man carrying a case on his back in center, three men looking towards him on left, Medici coat of arms on ground to left, various boats and figures to right in the background, from 'Set of eight nautical landscapes' (Suite de huit Marines) 412390

Lord in Harnas and Dame with arc with richly decorated horses, Anonymous, 1600 - 1699 print Germany paper etching riding a horse, ass, or mule; rider, horseman

Allegory on human eyesight, Giuseppe Maria Mitelli, c. 1660 - c. 1680 print An allegory on eyesight and lack of this, depicted by five figures. They represent those who see, those who don't see and those who don't want to see. On the left a woman, with a mirror in hand, stands for the vanity and volatility of the human appearance. In the middle a blind beggar who, according to the caption, is accompanied by the equally blind fortune. On the right a young love couple whose woman offers money to her older husband with the request to close an eye with her amorous Escapade. Italian fresh in three columns under show. Italian title above show. paper etching sight, looking (one of the five senses). mirror. beggar. purse, money-bag. (lovers) caressing each other. hen-pecked husband. adultery. peeping between the fingers

Reverse Copy of Le Porte-Étendard (The Standard Bearer), from Les Caprices 17th century Anonymous. Reverse Copy of Le Porte-Étendard (The Standard Bearer), from Les Caprices. Les Caprices. Anonymous. 17th century. Etching. Prints

Les Danseurs a la Flute et au Tambourin (Dancers with the Flute and the Tambourine), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Les Danseurs a la Flute et au Tambourin (Dancers with the Flute and the Tambourine), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Three Germans, Sledes in the background, Johann Wilhelm Baur, 1636 print Rome paper etching clothes, costume (+ men's clothes). Europeans: Germans (+ costume). horse-sleigh

Amsterdam, Savery, Salomon, Scheyndel, Gillis van (I), Genre scenes, wat sonders wat soegers, Man leaning on a stick, verso - stamped, A man with a hat with a wide brim on his head leans on a walking stick. A hill in the background. The print is part of a series of 32 prints with genre scenes., print, prints, height 54 mm, width 44 mm, Northern Netherlands, 1595 - 1660-12-24, print maker, printmaker, 1638 - 1638, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, North Netherlands, 1594 - 1683-10-16, publisher

Chauveau, François (n.1613-05-10-D.1676-02-03), table of the war cry and the motto (sheet cut into nine pieces engraved by François Chauveau). Fifth piece (A. de Vesme 1142. Dutuit 98 bis) (main title), 1645. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

Prenez garde, madame la Majorite!, from Actualites. Artist: Honoré Daumier, French, 1808-1879

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

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