Carriages and Travel Scenes

Charming depictions of travel by horse-drawn carriages, featuring lively interactions and pastoral landscapes in a delightful, whimsical style.

Image reproduction: Juliusz Kossak (1824-1899), cheaper, 1847; Z: "Juljusz Kossak: 260 drawings in the text, 8 shelters, 6 facsimili colorful with watercolor, portraits under L. Wyczórkowski and St. Witkiewicz", p. 3; Löwy, Joseph (Vienna; Graphic AD; 1835-1902), Anczyc, W Adys A w Ludwik and Spóż (Kraków; Drukarnia; 1875-1948), Gebethner and Wolff (Warsaw; Publisher; 1857-1950 ); 1900 (1900-00-00-1921-00-00);

Captain Squander Bang Up to the Mark 1776-1827 England. Pen and brown ink with brush and watercolor, over graphite, on cream wove paper, tipped onto cream wove paper . Thomas Rowlandson

Image reproduction: Juliusz Kossak (1824-1899), cheaper, 1847; Z: "Juljusz Kossak: 260 drawings in the text, 8 shelters, 6 facsimili colorful with watercolor, portraits under L. Wyczórkowski and St. Witkiewicz", p. 3; Löwy, Joseph (Vienna; Graphic AD; 1835-1902), Anczyc, W Adys A w Ludwik and Spóż (Kraków; Drukarnia; 1875-1948), Gebethner and Wolff (Warsaw; Publisher; 1857-1950 ); 1900 (1900-00-00-1921-00-00);

Eugène Charles François Guérard, Les Touristes #15: Un Tems d'Arret, 1854, chromolithograph, partly hand-colored, on wove paper.

Equestrian portrait of Hendrik van Pruisen, Jan Balzer, 1746 - 1799 print Prague paper engraving / etching historical persons. equestrian state-portrait

Philip IV on horseback, after Velázquez. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux); Painted by Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: Plate: 14 1/2 × 12 3/16 in. (36.8 × 31 cm)Sheet: 16 1/8 × 13 7/8 in. (41 × 35.3 cm). Sitter: portrait of Philip IV (Felipe IV), King of Spain (Spanish, Valladolid 1605-1665 Madrid). Date: 1778. Museum: Metropolitan Museum of Art, New York, USA.

Alphonse Leon Noël, Une roue dans le fossé, 1817-1884, lithograph on paper.

Sketch sheet with various studies, including equestrian sports. Draughtsman: August Allebé. Dating: 1848 - 1927. Measurements: h 385 mm × w 559 mm. Museum: Rijksmuseum, Amsterdam.

Hunting, Shooting, etc. set of six: 2. 'Him from his craggy winding haunts unearth'd', Samuel Howitt, 1756-1822, British, 1794, Aquatint, hand-coloreds with aquatinted border, Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)

A black chalk drawing with gray lavation showing a landscape with a rider seeking direction, dated circa 1770-1771.

Cut One and Bridle Arm Protect. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 7/8 × 14 15/16 in. (30.2 × 38 cm)Plate: 10 13/16 × 13 1/16 in. (27.5 × 33.2 cm). Publisher: Henry Angelo (British, London 1756-1835 London). Series/Portfolio: Hungarian and Highland Broadsword. Date: September 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.

Samuel Howitt, 1756-1822, British, Hunting, Shooting, etc. set of six: "3. Throw the broad ditch behind you", 1794. Aquatint.

France, French Crown, Bella, Stefano della, Men on Horseback, Dark man with turban on horseback, verso - stamped, A dark man with a turban on horseback to the left. Along his sides hang arrows and a bow. In the background a landscape with figures, horses and a mosque., print, prints, height 187 mm, width 181 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1648 - 1648, paper, papier, etching, etchings, granter of privilege

Samuel Howitt, 1756-1822, British, Hunting, Shooting, etc. set of six: 5. "And o'er the lawn", 1794. Aquatint.

Philip III Made 1778 Spain. Etching and drypoint with engraved inscription on ivory laid paper . Francisco José de Goya y Lucientes

Title page Pamiatnaja kniżka na 1862 god" Pamjatnaja Kniżka). Österreichischer Lloyd (Triest ; wydawnictwo, towarzystwo ; 1833-1918), printing house, Voenna Tipografi (Petersburg ; drukarnia ; fl. ca 1860-1870), printing house, unknown, graphic artist, Sverčkov, Nikolaj Egorovič (1817-1898), draughtsman, cartoonist

Mehemed Ali Pascha.

Stefano Della Bella, Moorish Cavalier Moorish Cavalier

Ottoman Empire. Turkish Jereed. Traditional sport of Turks played since centuries form the times of Turkic States. Engraving by Lemaitre, H. Lalaisse and Chaillot. Historia de Turquia, by Joseph Marie Jouannin (1783-1844) and Jules Van Gaver, 1840.

Reproduction of a painting: Brodowski, Józef (1828-1900), A royal walk; from: "Wędrowiec" 1905, I, 281. Wędrowiec (Warszawa ; czasopismo ; 1863-1906), merchant employer

The military escort of the three WIse Men. Four mounted soldiers in chainmail armour and tunics, armed with mace and sword, accompany men driving pack animals laden with chests. From an Italian manuscript, Meditations of St Francis Assisi, attributed to Taddeo Gaddi, Bibliotheque Imperiale, 14th century. L'escorte des Rois Mages, Italie, XIVe siecle. Chromolithograph by F. Krause after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

A watercolor by Friedrich L'Allemand depicting a Husar in coat, executed with gray brush.

The cornemuse player (Hollstein 4) Berchem, Nicolaes Pietersz. The cornemuse player (Hollstein 4). Etching.

Thomas Sutherland, Ascot HeathPreparing to Start, 1818, aquatint on paper.

Départ pour l'Espagne , Politicians, Historians, Presidents, Lawyers, Thiers, Adolphe, 1797-1877, Persil, J.-C. Jean-Charles, 1785-1870, Montalivet, Marthe Camille Bachasson, comte de, 1801-1880. Honoré Daumier (1808-1879). Lithographs

Napoleon, 1841. Janet Lange (French). Color lithograph;

Etching by Wenzel Hollar depicting rider Johann von Werth on horseback, showing posture, attire, horse details, and environment, created 1627-1677.

John Harris the younger, "Attila" No. 2, Published July 12, 1842, color aquatint on paper.

Horse portrait of Józef Poniatowski's book; Lacoste, Jean Louis Joseph Camille (1809-1866), Vernier, Paul-Barthélémy (1830-1861); around 1850 (1830-00-00-1866-00-00);France, Poland, Poles, Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, partitions of Poland (1772-1795), Woźnicki, Kazimierz (1878-1949)-collection, gift (provenance),, Napoleonic era (1799-1815), portraits, horse portraits, men's portraits

Cheveaux des Ardennes. Dated: 1822. Dimensions: image: 15.7 x 22.7 cm (6 3/16 x 8 15/16 in.) sheet: 26.7 x 33.3 cm (10 1/2 x 13 1/8 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: Théodore Géricault.

A couple with a dog and a man on a horse with next to him a second figure on a dike in a polder landscape in stormy weather, Landscape in stormy weather, print maker: Jacob Ernst Marcus, (mentioned on object), intermediary draughtsman: Jacob Cats (1741-1799), (mentioned on object), Amsterdam, 1807, paper, etching, h 285 mm × w 357 mm

Dragoon with His Charger. Dated: c. 1830-1840. Dimensions: image (irregular): 10.16 × 14.29 cm (4 × 5 5/8 in.) sheet: 12.38 × 16.51 cm (4 7/8 × 6 1/2 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: William Tylee Ranney.

Copper engraving by Paulus Pontius depicting Ferdinand, Infant of Spain around 1630, showing his attire and royal identity in a youthful portrait.

Platen, Dubislav Friedrich von.

Philip III, King of Spain on horseback, after Velázquez. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux); After Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: Sheet: 16 1/4 × 13 7/16 in. (41.2 × 34.1 cm)Plate: 14 15/16 × 12 3/16 in. (38 × 31 cm). Sitter: Philip III (Felipe III), King of Spain (1578-1621). Date: 1778. Museum: Metropolitan Museum of Art, New York, USA.

Artist: Dirk Langendijk, Dutch, 1748-1805, Dutch Dragoon of the GeneralGuard, Watercolor over sketch in black chalk, 122 × 1015 cm (48 1/16 × 399 5/8 in.), Made in The Netherlands, Dutch, 18thcentury, Works on Paper - Drawings andWatercolors

R. Hixon, active 1813, A Tandem, 1812. Aquatint, colored by hand.

Thomas Rowlandson, 1756-1827, British, The Return from the Hunt, 1787. Watercolor, with pen, in gray ink and black ink on moderately thick, slightly textured, cream, laid paper.

Eugène Charles François Guérard, Les Touristes #11: Patience et Longueur de Tems Font Plus que Force et Rage, 1854, chromolithograph, partly hand-colored, on wove paper.

. Rider to the right in a landscape, on the right in the background a second rider at a wall. Print from a series of nine prints with subject the riding school.

SOUVENIRS OF THE SEAT OF PARIS / 6 / OFF / R of Marine / Not proud, but roughly strong! (IT)

Lafayette wounded. 1778 - 1880. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Lafayette, Marie Joseph Paul Yves Roch Gilbert du Motier, marquis de, 1757-1834

Charles H. Schwanfelder, 1774-1837, British, Horsemen in a Landscape, undated. Gray wash, brown wash, and graphite; verso: watercolor on medium, moderately textured, blued white laid paper.

Philip III - Velasquez. Unknown

Mac-Mahon. Goupil et Cie; French, active after 1855. Date: 1871-1876. Dimensions: 23.9 × 19.3 cm (image/paper); 34 × 26 (mount). Woodburytype, from the periodical "Galerie Contemporaine Littéraire, Artistique" (1876), volume 1. Origin: France. Museum: The Chicago Art Institute, USA. Author: Goupil et Cie.

Portrait of Karel Albert, king of Sardinia, J.L. Lacoste, After Huart, 1852 - 1869 print Netherlands paper

Travel coach in a mountain landscape. Draughtsman: Pieter van Loon. Dating: 1811 - 1873. Measurements: h 231 mm × w 293 mm. Museum: Rijksmuseum, Amsterdam.

Drawing (Italy)

Frederick II., King of Prussia.

The Smuggler's Flight. Eugène Delacroix; French, 1798-1863. Date: 1826. Dimensions: 102 × 157 mm (image); 123 × 176 mm (sheet). Lithograph in black on white laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The new harness. / 2. (registered title) | Panorama of the Bois de Boulogne (title of all)

Henry Thomas Alken, 1785-1851, British, 'Getting Across the Country Like a Gentleman', undated. Graphite and watercolor on medium, slightly textured, blued white, wove paper.

The First Ten Minutes, plate two from The Leicestershire Hunt Published 1825 England. Hand-colored aquatint on ivory wove paper . John Dean Paul

No. 2: He Won't Be A Soldier May 1, 1798 Heinrich Joseph Schütz Two soldiers approach a man's house on horseback. He stands in the doorway next to his wife, scratching his head.. No. 2: He Won't Be A Soldier. Heinrich Joseph Schütz (German, Frankfurt 1760-1822 Frankfurt). May 1, 1798. Etching. Rudolph Ackermann, London (active 1794-1829). Prints

Bridle Arm Protect. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 13 15/16 × 11 7/16 in. (35.4 × 29 cm)Plate: 13 1/8 × 10 7/8 in. (33.3 × 27.7 cm). Publisher: Henry Angelo (British, London 1756-1835 London). Series/Portfolio: Hungarian and Highland Broadsword. Date: September 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.

Henry Thomas Alken, 1785-1851, British, Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select', undated. Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, blued white, wove paper.

Harvest scene, draughtsman: Abraham Delfos, after: Philips Wouwerman, 1795, paper, brush, pen, h 393 mm × w 330 mm

Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, An Arab in the Clothes of Guyirat, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Russian irregular light horse. Circassian prince in chainmail armour 1, common Circassian 2, Murza or Tatar nobleman 3, Nogai Tatar 4, Turkmen Tatar 5, Bashkirs 6 and Kyrgyz cavalry 7. Armed with lance, sabre, bow and arrow. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1810. A 12-volume encyclopedia for children illustrated with almost 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

España. Catalunya. Dibujo de personajes para la obra de teatro satírico "La vida d'una dona". Author: Tomás Padró Pedret.

John Gilpin the Second, or City Light House Volunteers Performing Their Evolutions (from: Caricature, vol. 3), Isaac Cruikshank, 1756-1810, British, 1794, Etching, hand-colored, Sheet: 9 3/8 x 13 7/8in. (23.8 x 35.2cm)

Victor Adam, L'Europe, 1811-1866, hand-colored lithograph on wove paper.

Friar Lavrinovich going fundraising Illustration to the Diaries of the Fundraiser" by Ignacy Chodźko. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Adam, Victor (1801-1866), graphic artist, Cicéri, Eugene (1813-1890), graphic artist, Zaleski, Antoni (1824-1885), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Large race for wallets, caricature, no 230, pl. 479 Grandville Gérard, Jean Ignace (1803 1847), Desperet, Auguste (1804 1865), Lithograph Delaunois, Imprimerie Aubert (Pary)

Men at work by Johann Adam Klein, Watercolor on paper, 1817, 1792-1875, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 23, 9x28, 8

Les petits bonheurs de l'équitation: Avoir un domestique, et ne pas l'avoir auprès de soi..., 1842. Alade Joseph Lorentz (French, 1813-after 1858). Lithograph;

Reproduction of a painting: Juliusz Kossak (1824-1899), At the well; excerpt from a magazine. Anczyc, Władysław Ludwik i Spółka (Kraków ; drukarnia ; 1875-1948), printing house, Löwy, Joseph (Wiedeń ; zakład graficzny ; 1835-1902), reproduction atelier, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publishing house

Prudhomme obligé de prendre des leçons... , Circus performers, Menken, Adah Isaacs, 1835-1868. Honoré Daumier (1808-1879). Lithographs

'Rot the beggar exclaims Romford', 1865. Artists: John Leech, Hablot Knight Browne.

Rugendas, Johan Christian, inventor: Georg Philip Rugendas, work, Two horsemen in a church landscape, (1000 - 2000), mezzotinto, graphics, dimensions : leaf width 17.9 cm, leaf height 12.6 cm, image width 17.8 cm, image height 12.2 cm

Sadlers Flying Artillery September 3, 1798 Thomas Rowlandson. Sadlers Flying Artillery. Thomas Rowlandson (British, London 1757-1827 London). September 3, 1798. Hand-colored etching and aquatint. Prints

Don Quixote, James Ensor, 1884, drawing, circa 1884, Belgian Art

Plate VI, from the series Colección de las principales suertes de una corrida de toros (Collection of the Main Actions in aBullfight). Artist: Antonio Carnicero, Spanish, 1748-1814

Hungarian Horseman 1646-1656 Italy. Etching on paper . Stefano della Bella

Vous voyez....je viens de faire...mon marché..., from Les Hippophages, published in Le Charivari, January 13, 1857 January 13, 1857 Honoré Daumier French. Vous voyez....je viens de faire...mon marché..., from Les Hippophages, published in Le Charivari, January 13, 1857. Les Hippophages. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). January 13, 1857. Lithograph; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

Reproduction of a painting: Juliusz Kossak (1824-1899), Muranów market; from: `Wieniec` 1872, 1, 466. unknown, draughtsman, cartoonist, Wieniec (Warszawa ; 1862-1875 ; czasopismo), publisher, Puc, Bronisław (fl. 1867-1891), woodcutter

Copper engraving and etching by Simon Thomassin from 1699 depicting the equestrian statue of Louis XIV.

Deux chevaux de poste à la porte dune écurie (Two Post-Horses at a Stable Door). Artist: Théodore Géricault, French, 1791-1824

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Samuel Wale RA, 1721-1786, British, An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley, undated. Gray wash with pen and black ink on medium, slightly textured, cream laid paper.

"Bonaparte Crossing the Alps" by Paul Delaroche. Unknown, photographer about 1860-1880 A photograph of a reproduction of Delaroche's painting "Bonaparte Crossing the Alps," also known as "Napoleon Crossing the Alps." The painting depicts Napoleon Bonaparte riding a donkey through a snow-covered mountain pass. A family crest appears to have been printed in the border below the painting. (Verso, mount) lower left, pencil: "A24.31";

Hunting set of four: 3. Making a Cast at a Fault (titles are also inscribed in French)., Thomas Burford, ca. 1710-after 1774, British, after James Seymour, 1702-1752, British, 1766, Hand colored mezzotint, Sheet: 10 x 13 7/8in. (25.4 x 35.2cm)

Dibersion de España.. Goya, Francisco (1746-1828). 1825. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bulls, Bullfighters, Bullfighting

King Charles VI of France, Bien-Aime, 1368-1422. On horseback in suit of armour with coat of arms before a madonna and child. Handcoloured lithograph by Leopold Massard after a fresco in the Carmelite cloisters in Toulouse from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Russian Manners and Customs , 1821. Coloured lithograph. Man and veiled woman in horse-drawn cart processing through countryside preceded and followed by mounted horsemen. Wedding() Landscape

Equestrian statue of William I, Prince of Orange, on the Noordeinde in The Hague, Hendrik Frederik Sartor, after Alfred Emile O'hara de Nieuwerkerke, 1845 - 1863 print Ruiter statue of Willem I by Alfred Emile O'hara de Nieuwerkerke on the Noordeinde in The Hague. The Hague paper equestrian statue Noordeinde

Design for illustration for the Colossus of the nineteenth century by P.J. Andriessen (Textill., P. 9); scene from the life of Napoleon, George Lodewijk de Wetstein Pfister, 1877 - 1942 drawing Design for a print. paper. ink. pencil brush / pen historical events and situations. (ANDRIESSEN, De Kolossus der Negentiende Eeuw) specific works of literature (with AUTHOR, Title). illustration ~ printed matter, book. historical persons

Bliżej Kultury Czapski Hutten, Marian (1816 1875), Busse, Michał (1810 1881), Żupański, Jan Konstanty (1804 1883)

Visit in a forester's lodge; from: "Tygodnik Illustrowany", 1877 (II) 185; Kossak, Wojciech (1856-1942), Choromański, A. (Fl. 1870-1881), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1877 (1877-00-00-1877-00-00);

Thomas Rowlandson, 1756-1827, British, The London Citizen, undated. Watercolor and graphite with pen and brown ink on medium, slightly textured, blued white wove paper.

Coaching: Two of His Majesty's State-Horses, William Ward, 1766-1826, British, after Henry Bernard Chalon, 1771-1849, British, 1800, Mezzotint, Sheet: 18 1/2 x 22 7/8 inches (47 x 58.1 cm)

The Butter and Milk Man Nicolino V. Calyo (1799-1884). The Butter and Milk Man, 1840s. Watercolor over graphite on off-white, moderately thick, smooth textured wove paper, 10 1/2 x 14 3/4 in. (26.7 x 37.5 cm). The Italian-born Nicolino Calyo settled in New York City in the 1830s, where he made a series of images (including this one) of local tradespeople. African Americans played a crucial role in the economies of New York and Brooklyn, typically working as street vendors, chimney sweeps, domestic servants, farmhands, and dockworkers. Prior to 1827, when slavery was abolished in New York State, the black labor force included enslaved and free individuals (a system of gradual emancipation was enacted in 1799). By 1790, 40 percent of households in Kings County owned slavesthe highest percentage in the nation. In 1820, the county had a population of 9,821 whites, 882 enslaved blacks, and 879 free blacks. In art of this period, African Americans regularly appear as stereotypes, performin

The Picnic Excursion, 1869. Winslow Homer (American, 1836-1910). Wood engraving;

Around Angers. / 5. (Registered Title) | Album Lithographed / 1828. (IFF 22) (Title of all)

The Rennweg, Satire on Metternichs escape in March , Unknown

Reproduction of a painting: Juliusz Kossak (1824-1899), The farm of prince Roman Sanguszko; excerpt from a magazine. Anczyc, Władysław Ludwik i Spółka (Kraków ; drukarnia ; 1875-1948), printing house, Löwy, Joseph (Wiedeń ; zakład graficzny ; 1835-1902), reproduction atelier, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publishing house

Gone with the Wind (Autant en emporte le vent ) 1815 Anonymous, French, 19th century French. Gone with the Wind (Autant en emporte le vent ) 394501

Laborers 1789 England. Etching, with stipple engraving, roulette, rocker and burnishing, on ivory wove paper . George Stubbs

Martin van Butchell. Etching by J. Mills after A. Mills.

Fox Hunting: Fores's Hunting Casualties - A Mutual Determination, John Harris, 1811-1865, British, after Henry Thomas Alken, 1785-1851, British, 1850, Aquatint, hand-colored, Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm) and Image: 8 1/8 x 11 3/8in. (20.6 x 28.9cm)

Young English gentleman arriving back home after the Grand Tour. He rides a four-horse carriage and is welcomed by his family. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Combes The Dance of Life, Rudolph Ackermann, London, 1817.

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