Ceremonial and Narrative Prints

Detailed prints depicting significant events and ceremonies, capturing rich storytelling through allegorical representations and historical figures.

Amsterdam, Schoonebeek, Adriaen, Northern Netherlands, Aveele, Johannes Jacobsz van den, Uytrechts Changes that occurred in the years 1672, 73 and 74, Series of five prints about the events that occurred in Utrecht during the period 1672-74 (reissued by Schoonebeek), After the departure of the French from Utrecht, the members of the city council are sent packing, 1673, After the departure of the French from Utrecht in 1673, Willem Adriaan, Count of Hornes sends the members of the city council packing. Above this scene, a reminder is made of how the city council had handed over the keys of the city to Louis XIV. Untitled and with two new two-line verses in Dutch. Fourth print in a series of five prints about the events that occurred in Utrecht during the period 1672-74., print, historical print, prints, Frederik Muller Historical plates, height 170 mm, width 251 mm, 1655 - 1727-05-18, print maker, printmaker, 1674 - 1674, third quarter 17th century, fourth quarter 17th century, paper, e

Print, The Death of Amnon, Plate 1 from "Gland Alcoves a la Romaine"; Print Maker: Jean Le Pautre (French, 1618-1682); France; etching on paper; Plate: 22 × 30.1 cm (8 11/16 × 11 7/8 in.) Paper: 26.8 × 35 cm (10 9/16 × 13 3/4 in.); 1919-32-3

Audience of Cornelis Hop at the Young King Louis XV, 1719; Public hearing Van den Heere Cornelis Hop, ambassador of their high paragraphs by Den King of Frankryk Lodewyk den XV, in the year 1719. Audience of the Ambassador of the States General Cornelis Hop at the Young King Louis XV, July 23, 1719. The Ambassador with his consequence for the child in a throne room. In the caption the title and the legend 1-9 and A-B.

The feast for the lost son; The lost Son. At an increase in a long table, the lost son, his father and family members at a party. Musicians play on a balcony in the background. Under the show a two-legged French-speaking verse. This print is part of a series of prints around the parable of the lost son, consisting of a title print and ten narrative performances.

Title sheet of Hieroglyphica, Romeyn de Hooghe, 1655 - 1708 print Title page of Hieroglyphica. A collection of allegorical figures in a classic building. Each figure is indicated by a letter that probably refers to a Legendfa. In the distance a pyramid and an obelisk. Netherlands paper etching / engraving

Village festival on a square with wedding dance, Abraham Bosse, 1632 - 1633 print Left front two musicians playing the Schalmei. The music is danced by a wedding couple and some young couples in contemporary and old -fashioned clothing. On the right a man stands against a tree the scene viewing through his squeeze glasses. A church tower in the background. Paris paper etching / engraving wedding anniversary celebration - DD - out of doors. dancing at wedding feast - DD - out of doors

The Keurvorsten of Bavaria and Van Brandenburg visiting King Willem III, 1691; The Keur Princenses of Beyeren and Brandenburgh, near many major major ones, come to mind Mayestyt in the Hage, to engage for salvation agents, for the general best; England's spectres represent the main events in Yrland from the year 1690 to the Velttogt of S: K: Mayesteit of Great Britain 1691. The Keurvorsten of Bavaria and Van Brandenburg visiting King Willem III, 1691. The princes greet each other and shake each other the hand. Plate No. 19 in the 'England's spectres' series about the war between Willem III and Jacobus II in the years 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French.

Amsterdam, Schoonebeek, Adriaen, Northern Netherlands, Aveele, Johannes Jacobsz van den, Uytrechts Changes that occurred in the years 1672, 73 and 74, Series of five prints about the events that occurred in Utrecht during the period 1672-74 (reissued by Schoonebeek), After the departure of the French from Utrecht, the members of the city council are sent packing, 1673, After the departure of the French from Utrecht in 1673, Willem Adriaan, Count of Hornes sends the members of the city council packing. Above this scene, a reminder is made of how the city council had handed over the keys of the city to Louis XIV. Untitled and with two new two-line verses in Dutch. Fourth print in a series of five prints about the events that occurred in Utrecht during the period 1672-74., print, historical print, prints, Frederik Muller Historical plates, height 170 mm, width 251 mm, 1655 - 1727-05-18, print maker, printmaker, 1674 - 1674, third quarter 17th century, fourth quarter 17th century, paper, e

Northern Netherlands, Fokke, Simon, Transfer of the Netherlands, by Emperor Charles V, to his son, Philip, in't jaar 1555, Throne Abdication of Charles V, 1555, Throne Abdication of Charles V on October 25, 1555 in which he transfers the government of the Netherlands to his son Philip. Throne room with the emperor standing before the throne, with one arm resting on the shoulder of young William of Orange, in front of them stands Philip., print, picture, history print, prints, Frederik Muller History plates, height 173 mm, width 208 mm, 1712-09-01 - 1784-04-10, print maker, printmaker, 1747 - 1759, second quarter 18th century, third quarter 18th century, paper, etching, etchings

Saint Bavo. Line engraving by P. Lightfoot after Sir P.P. Rubens.

French Revolution: Arbitrary arrests and imprisonment by Joseph Chalier, at the Town Hall of Lyon, February-March 1793. (Title)

CREATHER CAREL VI, 1711, Anonymous, 1711 print Corporate of Emperor Karel VI in Frankfurt, December 22, 1711. Leaf with seven smaller performances and texts in Dutch. paper etching coronation of a ruler. emperor Frankfurt am Main

Mercury points six gentlemen to a news square, Jan Luyken, 1700 print Mercury stands for a six -gathered gentlemen and points them to a Nieuwsprent. Above this performance the display of a bombed city. At the bottom, the attack on a besieged fortress was portrayed under the leadership of a supreme commander on horseback. Amsterdam paper etching (story of) Mercury (Hermes). newspaper, news-sheet. attack ~ siege

1834 Republican evening given in the lounges of the freedom of the press Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "1834 Republican evening given in the lounges of the freedom of the press". Board published in "caricature" of March 28, 1833. Lithography. Paris, House of Balzac.

Noordelijke Nederlanden, Luyken, Jan, King William III on the Throne in the Year 1689, the King's Advocate, William III on the Throne and the Ceremony with the Royal Champion, 1689, Northern Netherlands, Sheet with two representations. Above King William III on the English throne, 1689. Below the ceremony in which the royal champion on horseback and accompanied by two other riders challenges anyone who disputes the legality of the election of the new king, April 21, 1689. Marked top right: fol. 899., print, prent, prints, Frederik Muller Historieplaten, height 117 mm, width 138 mm, 1649-04-16 - 1712-04-05, print maker, printmaker, 1689 - 1689, fourth quarter 17th century, paper, papier, etching, etchings

Amsterdam, Mortier, Pieter (I), Haarlem, Luyken, Jan, Four representations from the New Testament, verso center bottom - stamped, Four representations on a sheet. Top left the warning of an angel to Joseph. Top right Paul before the members of the Areopagus in Athens. Bottom left the chained Paul before King Agrippa. Bottom right Christ shown to the people (Ecce Homo)., print, prent, prints, prenten, height 220 mm, width 309 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, prentmaker, 1703 - 1703, paper, papier, etching, etsen, Publication (Event), Publicatie, Frans, 1661 - 1711, publisher

Two representations on a plate. Above: after the siege of Jerusalem, the Babylonian army departs back home with the plundered treasures of the city. The people of Jerusalem are taken as slaves. In the background Jerusalem in flames. Below: King Ewil-Merodach of Babylonia sits on his throne and pardons King Jehoiakin of Judah. Jehoiakin bows in thanks, Destruction of Jerusalem by the Babylonian army and the pardon of Jehoiakin II Kings XXV vs. 9: Jerusalem plundered and burned / II Kings XXV vs. 27: Jehoiakim uyt his bonds fired , print maker: Jan Luyken, (mentioned on object), print maker: Andreas Reinhard (I), (mentioned on object), Ottmar Elliger (II), (mentioned on object), Amsterdam, 1700, paper, etching, h 364 mm × w 240 mm

Friedrich Brentel, known as Brenten the father (1580-1651). Funeral pump of Charles third of the name, Duke of Lorraine, made in Nancy the year 1608, first of the ten large tables: the mortuary chamber of the Duke of Lorraine, variant (the white 3 page 516; Andreas Andresen 10 (3), volume 4, page 193). Etching. 1609. Museum of Fine Arts of the City of Paris, Petit Palais. 99610-22 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Troon distance from Philip of the benefit of his son Lodewijk I; The king of Spanjen Philippus de v is drifting to ruling the Spanish monarchy and gives it in the 23 Ian of his government about his oldest Soon Louis Prins of Asturien on the 16 Ianuary 1724. Philip of the throne of the throne in the throne And appoints his son Louis I to successor. Different hovelings are watching. Left under a five-line text in Dutch with an explanation of the performance and to the right a comparable, five-line explanation in Latin.

Balet. (title registered) | Small comedians. (IFF 1771-1772) (Title of the whole)

Allegory. Artist: Jacob Andreas Friedrich, German, 1684-1751 After: Michael Ignaz Mildorfer, Austrian, 1690-1747

Elegant company in a room; Title page for: Jean François Regnard, the scattered of thoughts. Bly game, 1713. A group of men and women dance in a departure. An older lady looks with a strict gaze to a Lord who handles a letter to a lady.

Entry of the Duke of Anjou in Antwerp, 1582; Series 8: Dutch events, 1577-1583. Festive arrival of Anjou in Antwerp, February 22, 1582. The procession with the Duke comes on the Grote Markt where a picture of the Giant Dru is drawn up. With caption of 8 lines in German and 2 rules in French. Numbered: 47.

Consultation following the arrival of new Roman troops, 69-70, Antonio Tempesta, After Otto van Veen, 1612 print Consultation in response to the arrival of new Roman troops. Print number 23 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. Without text on the back. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME) Reims

Utrecht, Poolsum, Jurriaen van, Amsterdam, Luyken, Jan, Willem III on the throne and the ceremony with the royal champion, 1689, verso - stamped, Sheet with two representations. Above King William III on the English throne, 1689. Below the ceremony in which the royal champion on horseback and accompanied by two other riders challenges anyone who disputes the legality of the election of the new king, 21 April 1689., print, prints, height 111 mm, width 134 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1689 - 1689, paper, papier, etching, etchings, printer, drukker

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La guinguette, 1752, by Gabriel Jacques de Saint-Aubin. This engraving is approximately 32.3 x 37 cm in size and was published in Paris by ches Basan graveur, rue St. Jacques. The work is a pantomime ballet piece dedicated to Monseigneur le Duc de la Valiere and attributed to the choreographer Deshayes. It reflects the artistic style of 18th-century France

The members of the Parliament condemn the King William III after the death of the Queen, 1695, 1695 print The members of the Hogerhuis and Lagerhuis of the English parliament condemn King William III after the death of the Queen Maria II Stuart on January 7, 1695. On the left the king on his throne. Plate no. XVI in the series 'England's theater' over wars fed by Willem III in the years 1691-1695 after the Glorious Revolution, (fourth part). With captions in Dutch and French. print maker: Northern Netherlandsprint maker: Amsterdampublisher: Amsterdam paper etching condolence

Decapitation of Charles I, 1649, Anonymous, 1649 print Decapitation of the English king Charles I, in front of the Palace of Whitehall in London on January 30, 1649. At the top of the king's stump bed with two rows of standing European princes marked A-R. Above the bed a portrait of the king flanked by the portraits of Thomas Fairfax and Oliver Cromwell. Among the execution in front of the public, on either side 4 small scenes of his last days. Northern Netherlands paper engraving violent death by beheading. on the scaffold or place of execution. lying in state Whitehall's palace (London)

Erpoort at the grave of the Actionists, 1720, 1720 print Stadsplein with a large honorary gate founded at the death and the funeral of the acted actionists. In the middle a grave is filled with the worthless shares, a funeral procession comes from the left. In the courses on the honorary arches are performances of the Actionist's sickbed, John Law, the Utrecht Channel etc. Left front a man with a viewing box with the Mississippi and the South. With caption in 8 columns in Dutch and French ending with the burial of: Menheer de Bubbelaar. Print 33 in the series The Great Scene of Foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching triumphal arch. cortege, funeral procession

The sleeping farmer of Stolwijk, 1707, 1707 print The sleeping farmer of Stolwijk (Dirk Klaasz de Bakker) uses in a cartoon on the French in the year 1707. Centrally the bed with the sleeping man around which doctors and spectators are collected. This performance surrounded by eight smaller scenes with cityscapes and emblems. With inscriptions in the plate in Dutch. Northern Netherlands paper etching sleeping in bed Stolwijk

Distribution of Rewards, plate eighteen from The Large Miseries of War. Gerrit Lucasz van Schagen (Dutch, born 1642); after Jacques Callot (French, 1592-1635). Date: 1612-1635. Dimensions: 74 x 183 mm (image); 84 x 185 mm (plate); 100 x 203 mm (sheet). Etching on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Gerrit Lucasz van Schagen.

An emblematic print on the South Sea scheme The South Sea Scheme. 1721. Hogarth, William, 1697-1764. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Alexander the Great draws Babylon (left leaf). .

. Print at the top right labeled: p. 110.

Jacobus II relies a free parliament, 1688, 1689 print King Jacobus II is persuaded by members of parliament after an initial refusal to convene a free parliament. On the left the king standing at a table, on the wall large portraits of the Pope and Louis XIV (). Plate G in the 'Engelants Schouwenoneel' series about the Glorious Revolution and events from the previous years 1685-1689 (first part). With captions in Dutch and French. Amsterdam paper etching

Friedrich Barbarossa and Pope Alexander III, Julius Caesar Thaeter, German, 1804 - 1870, Steel engraving on paper, Europe, 1804-1870, Print, Print

Lodewijk XVI visits the wounded, Pierre Etienne Moitte, After Méon, 1775 print paper etching / engraving historical persons. ruler, sovereign. the poor

after Hans Vredeman de Vries, The Massacre under the Roman Triumvirate, engraving

Amsterdam, Tirion, Isaak, Fokke, Simon, The Petition of the Nobles delivered to the Governor of the Netherlands, in the year 1566, Presentation of the Petition of the Nobles to the Governor Margaret of Parma, 1566, verso - stamped, Dutch nobles offer a petition to the Governor Margaret of Parma, the Petition of the Nobles. The governor sits in a chair on a dais and listens to the gentlemen., print, prints, height 180 mm, width 208 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1729 - 1766, paper, papier, etching, etchings, Publication (Event), Publicatie, Noord-Nederlands, 1705 - 1765, publisher

Abraham Bosse after Claude Vignon, French (1602-1676), Illustration to Jean Desmarets' "L'Ariane", published 1639, etching and engraving

The Industrious Prentice Lord-Mayor of London William Hogarth (British, 1697-1764). The Industrious Prentice Lord-Mayor of London, 1747. Engraving on laid paper, 10 11/16 x 15 7/8 in. (27.2 x 40.3 cm). European Art 1747

The scaffold after the beheading of Egmond and Horne, 1568, Frans Hogenberg (Attributed to), 1568 print The scaffold after the decapitation of the Counts of Egmond and Horne, 5 June 1568. The bodies covered with rugs, putting up the heads. For the scaffold audience and soldiers. Germany paper etching on the scaffold or place of execution Large market

The Birth of Tsarevich Pyotr Alexeyevich, Schenk, Peter (Petrus), the Elder (1660-1718)

The Quincampoix coffee house in Amsterdam, 1720, 1720 Central performance of the Quincampoix coffee house in the Kalverstraat, the center of the Action Trade in Amsterdam, 1720. In the frame references to projects in Muiden, Utrecht, Harlingen, Weesp, Rotterdam and the Mississippi. At the bottom of a weapon made up of windmills and a hover head. In the caption a verse in four columns. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving Coffee house Quincampoix Central performance of the Quincampoix coffee house in the Kalverstraat, the center of the Action Trade in Amsterdam, 1720. In the frame references to projects in Muiden, Utrecht, Harlingen, Weesp, Rotterdam and the Mississippi. At the bottom of a weapon made up of windmills and a hover head. In the caption a verse in four columns. Print in the bound first edition (304 B 10) of the great scene of fool

Couronnement de La Grande Duchesse (The Coronation of the Grand Duchesse), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles) 1614-20 Jacques Callot French According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.. Couronnement de La Grande Duchesse (The Coronation of the Grand Duchesse), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles). La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis. Jacques Callot (French, Nancy 1592-1635 Nancy). 1614-20. Engraving; second state of two (Lieure). Prints

Bridal Chamber of Karel Gustaaf, King of Sweden and Hedwig Eleonora van Zweden, Cornelis Visscher (II), After Jürgen Ovens, 1654 - 1658 print Karel Gustaaf, King of Sweden and Hedwig Eleonora van Zweden in a departure with many others during a part of their wedding. Haarlem paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. wedding feast, wedding meal

Anonymous. "Louis XIV and Anne of Austria at Notre-Dame de Paris on September 5, 1649". Eat, 1649. Paris, Carnavalet museum. 72911-4 Carrosse, Notre-Dame cathedral, etching, queen, king France, street

Passion show in the list of birds, chickens and ducks, anonymous, c. 1600 - c. 1699 print Germany (possibly) paper etching

Dido and Aeneas; Scenarum Theatralium. Aeneas arrives with his men and ships in Carthage. He greets and is welcomed by the founder's of this city of Dido, which is followed by her servants. Under the show a four-line verse in Dutch and a reference to the text in Ovid metamorphoses.

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Library and curiosity cabinet of the Grand Duke of Tuscany, Jan Luyken, 1689 print Library and curiosity cabinet of the Grand Duke of Tuscany. Print at the top right marked: fol: 31. Amsterdam paper etching Study; 'Studiolo'; Library. Cabinet of Curiosities, 'Kunst- und Wunderkammer'

Cartoon on the interference of Louis XIV in the English throne, 1689, Gisling, after 1689

Der grosse Versammel-platz der Wind verkäuffer. A. 1720 De grôte Vergader-plaats der Windver-kopers van't Jaar Ao. 1720 The great-gathering place of the wind dealers in the year 1720. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Cartoon on the bubbled markgrave of Baden-Baden, 1707; Morning Swecker of Marly / Auctive Matin de Marli; Royal Almanach from 1707 / 't Lusthof by MoMus. Cartoon on the Louis Willem I, Markgraaf of Baden-Baden by the French. The Markgraaf and Louis d'Or stand at the door of a room where King Louis XIV is sleeping. In the background torture of Protestants. In the plate verses in Dutch and French. Cartoon on the situation in the year 1707 in the Spanish Succession War. Part of a series of 7 cartoons on the French and allies from the year 1707.

. Print in two parts representing Alexander's visit the Great and Hephaestion to the captured family of the Persian King Darius III after the Battle of Issos. The mother of Darius kneels per mistake for Hephaestion, but Alexander forgives her and gesture her. Below three rules in French and three in Latin.

Entry of the Duke of Anjou in Antwerp, 1582, 1582 - c. 1585 print Festive entry of Anjou in Antwerp, 22 February 1582. The procession with the duke will be on the Grote Markt where a statue of the Giant Dron is set up. With caption of 8 lines in German and 2 lines in French. Nummered in the bottom left: 177. The print is part of an album. Cologne paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Antwerp. Large market

Crowing table. The arrival of the Emperor at the Town Hall, December 16, 1804, Drawing by Jacques Louis David. (TF)

bekend, Amsterdam, Danckerts, Cornelis (II), Northern Netherlands, Cornyck or Stuarts Fate are all the Principal Disasters and Fortunes that have befallen the Tribe since its Beginning to this Time, Chronicle of the House of Stuart, King William the Third lays the oath on the Bible which is Kissed by the Queen, William III takes the oath during the coronation, 1689, unknown, During the coronation ceremony, William III takes the oath on the Bible, Mary kisses the Bible, April 21, 1689. Part of a series on the fortunes of the English royal house of Stuart from 1558-1711, of which sixteen prints are included here about the struggle between James II and William III in the years 1688-1689., print, picture, historical print, prints, engravings, Frederik Muller Historieplaten, height 91 mm, width 113 mm, print maker, printmaker, 1711 - 1711, first quarter 18th century, paper, etching, etchings, 1664-03-02 - 1717-07-22, Publication (Event), Publication, publisher, granter of privilege

Homages Rendus a Voltaire”. Artist: Charles-Étienne Gaucher, French, 1741-1804 After: Jean-Michel Moreau le jeune, French, 1741-1814

. Mayors in the town hall of Amsterdam. Part of a group of 6 plates from an almanac of approx. 1786. Signature at the top: vi.

Cheerful, Diderik.

The vices of young people, Gaspar Bouttats, 1650 - 1695 print The print, probably an illustration of a book (p. 378 of part 1), shows a street face of a city, divides into different compartments. Each of the compartments contains scenes of fornication. In the foreground on the left a room where people are scrutinated and drunk. The table fell over and one of the men present vomits over another man. At the back left a house with two floors. On the top floor, a young man is stolen and a loan is paid off on the bottom floor. In the street a man drives on horseback past another man who pulls his pants. The rider holds a handkerchief over his mouth. Behind them, three vagrants and two fighting beggars talk. In the background on the right a prison. All in the background, someone jumps from a balcony. Antwerp paper etching drunken brawl (usually peasants fighting in an inn). beggar. the ages of man (+ fistfight). prison, jail. seeking death, suicide. defecation

Offering the supplement to the Duchess of Parma, 1566, Simon Fokke, 1752 print Offering the supplement by the covenant of the nobles to the governor, the Duchess of Parma, in the Palace in Brussels 5 April 1566. Northern Netherlands paper etching Palace on the Koudenberg

To the French nation Protestants recognizing / year 2nd of the Republic 1793. (IT)

With suspended, square body decorated with consoles at the corners and medallions and garlands of fruit in between. From second ed. Chancel seen from side Chaires de Predicateurs , print maker: Jean Lepautre, Jean Lepautre, publisher: Pierre Mariette (II), (mentioned on object), print maker: France, (possibly), France, (possibly), publisher: Paris, 1659, paper, etching, h 221 mm × w 149 mm

Cologne, Hogenberg, French, Series 2: Events in the Netherlands, 1555-1558, Departure of Charles V, 1555, Charles V abdicates the throne, 25 October 1555. In the throne room, Philip II takes his place on the throne and Charles V leaves the room. The seals of Charles V are broken and replaced by those of Philip II. In the presence of the full assembly of the States-General. The walls are decorated with tapestries with hunting scenes. With a 12-line caption in German. Numbered 11 at the bottom left. The print is part of an album., print, picture, history print, album page, prints, pictures, Frederik Muller History plates, height 205 mm, width 274 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1568 - 1572, paper, papier, etching, etchings

William III takes the oath as captain-general of the Dutch armed forces, 1672, Romeyn de Hooghe (attributed to), after Romeyn de Hooghe, 1672 print Presentation and description of the appointment of Prince William III as Captain General about the Dutch armed forces. It is shown the moment that the prince takes the oath of Trouw opposite the clerk of the States General, Gaspar Fagel. Behind this hangs a canvas with a performance by the Dutch Virgin in the Dutch garden, between Zuilen with portrait busts of Willem van Oranje, Prince Maurits, Frederik Hendrik and Willem II. Two small scenes in the background show the pastry and fireworks held in honor of the prince's appointment. Under the show a printed text in three columns with descriptions of the insert and the feast. Hereby also a map of the table arrangement and an explanation of the performance. print maker: Netherlandspublisher: Amsterdam paper etching / engraving / letterpress printing swearing an oath (with two fingers raised).

Allegory on the Alliance with France, 1795, 1795 print Allegory on the recovery of freedom by the Alliance with France, 1795. For a temple, the Dutch Virgin and French Republic as a young man are connected by freedom to the sign of eternity: a ring formed by a snake that in its own tail bite. For the altar the Dutch Lion and the French Haan. In the foreground, soldiers dispel hate and faciness. Netherlands paper etching / engraving civil marriage ceremony. serpent Ouroboros

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Four episodes from Dutch history, recto - manuscript in pencil, Uncut sheet with four illustrations from Dutch history. From left to right: Failed attack on Den Bosch led by Maurits, Prince of Orange; Synod of Dordrecht; Division in state and city government; Siege of Rheinberg., print, prent, prints, verso - stamped, 57, 58, 59, 50, height 110 mm, width 246 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

Mayor Hendrik Hooft Danielsz negotiates with the bourgeoisie, 1787, Reinier Vinkeles (I), after Jacobus Buys, 1796 print The Amsterdam mayor Hendrik Danielsz. Hooft is negotiating with the bourgeoisie about the disposal of the Rhinegraaf of Salm, 26 February 1787. Hooft speaks in front of the entrance of the mayor's room in the town hall the compiled citizens. Amsterdam paper etching / engraving person addressing a group, orator. mayor, burgomaster. crowd, mob Citizen

Bust of Hugo de Groot Armed by Victoria; The life and wryf van den Heere Huig de Groot; Title page for: Caspar Brandt and Adriaan van Cattenburg, History of Life of the Lords Huig de Groot, 1727. A bust of Hugo de Groot is raised by Victoria. On the right is an allegorical female figure, possibly faith, with palm branch and sun on her chest. In the foreground an angel writes in a book, right putti with books. On the left in the background Minerva mourning at a burial monument, Loevestein slot and FAMA with two trumpets.

Maurits' investment with the order of the garter, 1613, Anonymous, After Simon Frisius, 1613 - 1615 print Maurits' investment with the Order of the Garter Band, 4 February 1613. Maurits will be given the garter in the large hall of the Binnenhof in The Hague in the presence of the English ambassador, Johan van Oldenbarnevelt, the members of the States General and many other guests. Northern Netherlands paper etching knighthood order. clothing (~ knighting ceremony) Courtyard

Title print for print series 'The park of Enghien (Edingen)'; Villa Angiana, Vulgo The Perc from Anguien; Enghien Park (Edingen). Various allegorical and mythical figures at a gazebo in a garden. In the foreground a crowned coat of arms. Under the show a Latin dedicatie text. This is the title print for a series of 16 prints of the park of Enghien (edingen), where a leaflet belongs.

Allegory on the establishment of the sincere Patriotic Society in Rotterdam, 1787, Mathias de Sallieth, after Gerrit Malleyn, 1787 print Allegory On the founding of the Orangist Society The Sincere Patriotic Society in Rotterdam, 7 or 18 January 1787. Interior with men sitting around a table, on the walls of the Union of Utrecht (1579) and the Dordtse Synod (1618-1619) . In the foreground, father lifts the curtain time and reveals images of religion, the freedom and of Hercules that the Hydra beats. In the background the portrait of Prince Willem V on the wall of the next room. Northern Netherlands paper etching learned society, academy of sciences. Father Time, man with wings and scythe. Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). allegorical representations ~ religion; 'Religione', 'Religione de SS. Mauritio e Lazaro', 'Religione vera christiana' (Ripa). (2) the Hydra of Lerna is killed by Hercules

Cologne, Hogenberg, French, Series 4: French, German and English Events, 1576-1610, Coronation of James I at Westminster, 1603, Coronation of James I in Westminster Abbey in London, 25 July 1603. Procession to the church, the coronation itself and festivities in the street. Inscriptions in Latin in the representation. With a 16-line caption in German. Numbered lower left: 345. The print is part of an album., print, picture, album sheet, prints, pictures, Frederik Muller History plates, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1603 - 1605, first quarter 17th century, paper, etching, etchings

Schönborn, Friedrich Karl Graf.

Apollo en Leucothea, anonymous, Jean Lepautre, 1628 - in or after 1682 print paper etching Apollo, possibly in the guise of an old woman, wooing Leucothea

Qualis vir Talis Oratio. Artist: Romeyn de Hooghe (Dutch, Amsterdam 1645-1708 Haarlem). Dimensions: sheet: 21 1/4 x 15 1/2 in. (54 x 39.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Beautiful bathers apartments in Paris.

The inauguration in the Church of St. Bavo at Ghent, of Charles VI, German Emperor, in 1717, Jacob Colin, 1717, Design for a print., draughtsman: Jacob Colin, 1717, paper, pen, brush, h 615 mm × w 494 mm

Suicide of Dido, Robert Strange, After Guercino, 1776 print Dido has already pierced itself with a sword and is located on the stake, while Aeneas and his fleet sail away in the distance. Text in Latin in the lower margin. Rome paper etching / engraving (story of) Dido - death. death of Dido; she climbs the funeral pyre and falls upon the sword of Aeneas

Gallery of a palace, Jean Lepautre, c. 1670 - c. 1680 print At the top a chandelier hangs on the vault. From series of sheets with wooden paneling, executed in Italian. Third edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Allegory on the province of Utrecht, Jan Caspar Philips, 1758 print The personification of the province of Utrecht is playing with Kroon, scepter, accompanying coat of arms, a Bible and on her lap of freedom. Next to her are a bishop, a spiritual, a knight and a putto with coats of arms. On the right is the Stedemag van Utrecht with weapons of the cities of Utrecht, Amersfoort, Rhenen and Montfoort. She is sitting on a flowing jug as a symbol of the Rhine. In the background a view of the city of Utrecht. paper etching / engraving personifications of countries, nations, states, districts, etc. (+ province; provincial). personification of a city, town-patron(ess). armorial bearing, heraldry Utrecht. Utrecht. Amersfoort. Rhenen. Montfoort

. Needs leaves with four prints.

The large meeting place of the wind sellers, 1720; The large meeting place of the wind sellers of 't year Ao. 1720; Der Grosse Versammel-Platz der Wind Verkäuffer. A. 1720; The great scene of foolishness. View in the Coffeehouse Quincampoix where traders are concerned with the wind trade. On the sides, smaller scenes of the emergence, fall and exodus of the promotionists and the recovery of the pure negotion. In the caption a verse in four columns. Added a title in German at the top. Print 22 in the series of large scene of foolishness with cartrots on the wind trade or action trading of 1720.

Reformed in Hungary before a court of bishops and other Romanes, 1670 / Reformed pastors in Hungary sentenced to heavy labor, 1674 / Reformed Hungarian preachers are released by Michiel de Ruyter near Naples, 1676 / to the French envoy in Constantinopel, the seat is withdrawn that He had placed next to the seat of the Great Vizier, 1677, Jan Luyken, 1698 print Uncuted leaf with four prints. Amsterdam paper etching court session (court of justice). archbishop, bishop, etc. (Roman Catholic). persecution of believers. workhouse, penal camp, penitentiary, chain gang. slavery; serfs and the enslaved. trireme, galley. liberation (of an enslaved person) (+ variant). audition; ruler giving audience. ambassador. stool Hungary. Naples. Constantinople

Adoration of Venus, Pieter Serwouters, 1622 print Venus lies, supported by Amor, on a piercing stable with the apple she received from Paris. Around this altar there are and kneel several young pairs, who are getting the favor of the goddess. Flowers have been scattered on the floor. A four -line verse in the margin. Amsterdam paper engraving / etching veneration of Venus

John Scott, 1774-1828, British, The Champion performing the Ceremony of the Challenge in Westminster Hall, 1820.

Triumphal arrival of Margaretha from Austria in Milan; Margaretha's life of Austria. Margaretha from Austria rides on a horse in a triumphal to the city gate of Milan. Her servants wear a canopy. Numbered at the bottom right: 10.

Marriage of Karel Christiaan van Nassau-Weilburg with Princess Carolina, 1760. Draughtsman: Tethart Philip Christian Haag. Dating: 1760 - 1761. Place: The Hague. Measurements: h 412 mm × w 554 mm. Museum: Rijksmuseum, Amsterdam.

Seleucus kroont Antiochus; Titelpagina voor: Corneille, Thomas. Antiochus. Tragi-comedie, 1666.Seleucus crown his son Antiochus in the throne hall until King, after Antiochus has fallen in love with his stepmother Stratonica. Stratonica stands next to him. Different hovelings watch. Above theater curtains and a cartouche with the title.

The Hospital, plate fifteen from The Large Miseries of War. Gerrit Lucasz van Schagen (Dutch, born 1642); after Jacques Callot (French, 1592-1635). Date: 1612-1635. Dimensions: 73 x 179 mm (image); 84 x 180 mm (plate); 99 x 201 mm (sheet). Etching on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Gerrit Lucasz van Schagen.

Elsevier photo collection. ball orange hall Palace House ten Bosch Princess Mary 1686 t.g.v. Willem III's birthday, Prince Orange engraving Daniël Marot. 1686. Hague, South Holland

Fashionable couple with pole stick for a ditch and monkey steals the headgear from a woman, anonymous, c. 1750 - c. 1800 print Uncuted leaf with two performances, numbered 7 and 6. Under the performances, two verse rules in Dutch. On the left a man in front of a ditch with a woman on his back with a pole stick to the other side, where a company has gathered. With the verse: it has been sealed with a great danger,/ soo thou only the least overheld '. On the right a couple in a French garden, with a monkey that steals the headgear of the woman. Under the show the rules: I would have preferred a grant,/ that you had to face it. paper etching clothes, costume. wig - AA - ~ women. wig. ditch-over with jumping pole (jumping game). French or architectonic garden; formal garden. garden fountain. monkeys, apes. theft

Tableau vivant with the covenant between King Adolf van Nassau and the English King Eduard I in 1294; Genus alto a sangvine divum; Displays in the visit of Queen Henrietta Maria van England. Allegorical tableau vivant with the covenant between Roman German king Adolf from Nassau and the English king Eduard I in 1294. For the throne a man with a lance is in his hands. At the top two hands shake each other's hand towards the covenant. Display in the theater gate founded on the Square for the stock exchange alley. At the bottom of the margin two four-line texts in Latin. Print is part of a series about the impressions during the visit of the English Queen Henrietta Maria to Amsterdam from 20 to 22 May 1642.

Cortège of Aurora. Date/Period: 1764. Engraving. Etching and burin on paper. Height: 450 mm (17.71 in); Width: 567 mm (22.32 in). Author: A. J. Defehrt.

Blazing fire on the stage of the Amsterdamse Schouwburg, 1772; Image of the fire on 't Theater in Den Schouwburg in Amsterdam; The 11th May 1772. View in the hall at the start of the blazing fire in the theater. The audience flight panic. Part of a group of four small illustrations of the fire in the Amsterdamse Schouwburg on 11 May 1772. Numbered center above: 1.

Doge and Serenissima Signoria for the Church of San Giorgio Maggiore in Venice, Anonymous, 1610 In front of the church of San Giorgio Maggiore in Venice are the Doge and the Serenissima Signoria, the board of Venice. In the foreground musicians on boats that play wind instruments. Three -lurely Italian text in the lower margin. The print is part of an album. print maker: Italypublisher: Venice paper engraving Church of San Giorgio Maggiore. Island of San Giorgio Maggiore. Venice In front of the church of San Giorgio Maggiore in Venice are the Doge and the Serenissima Signoria, the board of Venice. In the foreground musicians on boats that play wind instruments. Three -lurely Italian text in the lower margin. The print is part of an album. print maker: Italypublisher: Venice paper engraving Church of San Giorgio Maggiore. Island of San Giorgio Maggiore. Venice

Imprisoning of Egmond and Horne, 1567; Series 5: Dutch events, 1566-1570. Preventing of the graves of Egmond and Horne by Alva at the Court of Culemborg on the Zavel in Brussels, 10 September 1567. Face in the room where in the foreground Alva places in a long cloakes hand on the shoulder of Egmond, turn right Horne Drained. In the background, Alva is on a table of discussions. With caption of 8 rules in German. Numbered: 9.

Lottery on a stage, ca. 1720, 1720 - 1733 print A lottery on a stage on a city square where the lottery tickets are pulled out of the buses by two boys. Fighting breaks out among the public in the foreground. In the caption a verse in three columns in which reference is made to the 1720 action year. Belongs to the group of imprints added to the Serieel of Foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving raffle, lottery

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