Children with Grapes and Music

Vintage etchings depicting playful children with grapes and fruit, accompanied by musical elements and decorated backgrounds, showcasing a harvest theme.

Master IRs (Italian, active first half 16th century), Two Allegorical Figures (Roma and Liberty), engraving

Two children with a grapesros, Cornelis Schut (I), 1618 - 1655 print A child holds up a grapes. Another child provides him with a bowl. Piles of fruit lie on the floor. In the background grape vines. paper etching vintage, grape harvest

Print (France)

Rocaille puts Musicerend Paar, Antoine Aveline, After François-Thomas Mondon, 1736 print This series is numbered in the top left with a letter F. print is part of an album. paper etching rocaille ornament. making music; musician with instrument

Woodcut by Lucas Cranach the Elder depicting the Root of Jesse with Maria holding the Christ Child, accompanied by angels in a devotional scene.

Angel with book and halberd; Numismata virorum illustrium ex Barbadica Gente. A console with an angel, sitting on a cloud and surrounded with a laurel wreath. A book and halberd in his hands. The print is part of an album.

A. Una delle quattro figure rappresentanti quattro Vittorie alate con serto di alloro in una mano, e monile nell'altra dipinta vicino agli angoli delle riquadratura della Volta , Archaeological sites, Pyramids, Architectural decorations & ornaments, Pyramid of Cestius Rome, Italy. The Antonio Cardinal Tosti Collection

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Personification of the Persian Empire, Heinrich Ulrich, after Jost Amman, 1582 - 1671 print Sitting woman with a scepter and a shield. On the right a bear with three kings in the mouth. In the background a face on a city. Numbered in the middle: 2. paper engraving four great beasts rising from the sea ~ Daniel's visions. the bear with three rows of teeth, rising on its hind legs ~ Daniel's visions. personifications of countries, nations, states, districts, etc.. city-view in general; 'veduta'

Sculptuur Van Love ; Cupid 's also thoughtful , standing as a statue at the famous day when ; Antieke Sculpturen in Rome ; Are to be seen in the public places, and images were of the Ancient Rome, known as the city of statues . Onderschrift in het Engels . Prent maakt deel uit van list .

Master IRs (Italian, active first half 16th century), Two Allegorical Figures (Roma and Liberty), engraving

Portrait of Girolamus Barbarigo and the personifications fame and prosperity, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Girolamo Barbarigo on the front, orator at the time of Pope Paul II. On the back the pope on his throne. He receives a Venetian delegation. The pedestal is flanked by two female personifications. On the left is fame or honor with an armillarium and a statue of a woman with laurel wreath and palm branch. On the right, prosperity with an oak branch and a horn of abundance is filled with coins. The print is part of an album. paper engraving Medal (Considered as a Piece of Sculpture, Regardless of Its Specific Function). Trees: Oak. 'Cornucopia', Horn of Plenty. Armillary Sphere, Skeleton Celestial Globe. Honour, Glory; 'Amplitude of the glory', 'Gloria', 'Gloria de Prencipi', 'Gloria & Honore', 'Honore', 'Sublimatã della Gloria' (Ripa). Welfare, Prosperity; 'Publica' happiness, 'Prosperity of life',

Half list with two putti playing on musical instruments. Artist: anonymous. Draughtsman: anonymous. Dating: c. 1866 - c. 1900. Measurements: h 366 mm × w 225 mm. Museum: Rijksmuseum, Amsterdam.

Eva seduces Adam from the tree to eat; Creation and fall; Historia Creationis Mundi (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Eva offers Adam an apple from the tree of the knowledge of good and evil. In the tree the snake. Different animals in the background. At the bottom of a reference to the Bible text in Latin. Print is part of an album.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: twenty-eighth board (Dornik-Eger 36, Bartsch 81). Xylography, 1517-1517. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Design with a Cartouche 19th century Anonymous, French, 19th century French. Design with a Cartouche 358628

Erysichthon suffers hungry; Metamorphoses from Ovid; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Mountain landscape with ruins and a crawling and expressed Erysichthon. After Erysichthon has cut the Boom van Ceres, Ceres sends a nymph with her dragon wagon to Scythia as a revenge to sort hunger. Under the show the text from the metamorphoses of Ovidius, book 8, fresh rules 799-801. At the top of the Capricorn's sign from the zodiac. The print is part of an album.

Print (France)

Wood engraving, England, by Thomas Bewick.

Personification of the victory of Dutch freedom on the Inquisition, Nicolas Laigniel, After A. Houbraken, 1716 print print maker: Francepublisher: Amsterdam paper engraving / etching Freedom, Liberty; 'Freedom' (ripa). inquision

France, Vauquer, Jacques, Goldsmith designs for watch cases: lids and sides, Watch case with two strips, Watch case with Susanna and the Elders. First edition, second printing., print, ornamental print, prints, ornamental prints, height 138 mm, width 178 mm, print maker, printmaker, 1631 - 1676, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, papier, engraving, engraving (printing process), Work conception, French, 1621-10-11 - 1686-08-31, after a design by, Publication (Event), Publication, publisher

Angel Holding a Palm and a Crown 1764 France. Etching on ivory laid paper . Jean Honoré Fragonard

Portrait of Agostino Barbarigo and the personification of gratitude; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. Then a medallion with the portrait of Agostino Barbarigo with Dogehoed on the front. On the back the Doge Catarina Cornaro, Queen of Cyprus receives. The pedestal is flanked by two personifications. Left is gratitude with stork and branches with beans. She stands for the Doge Palace. On the right a man with a cornucopia and crown in his hands. At his feet a snake. The print is part of an album.

Presentation of Perseus and Andromeda, 1577, 1577 - 1578 Presentation of Perseus and Andromeda performed in De Nieuwe Vaart, with Perseus presented as Willem van Oranje who frees the Netherlands from the sea monster. Part of the entry of Willem van Oranje in Brussels, September 18, 1577. Netherlands paper Brussels Presentation of Perseus and Andromeda performed in De Nieuwe Vaart, with Perseus presented as Willem van Oranje who frees the Netherlands from the sea monster. Part of the entry of Willem van Oranje in Brussels, September 18, 1577. Netherlands paper Brussels

Fame or Victory in a Chariot, Sala di Nike, Palazzo Naldi, Faenza, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over black chalk on laid paper, Figure riding over clouds in chariot drawn by two horses, followed by two flying putti, one with trumpet and wreath. Temple front shown in central distance., Italy, 1803, figures, Drawing, Drawing

Letter N with Noah; Ornamental alphabet; Nova alphati effictio. Ornamental letter N with central noah with a grape dream in hand. Above left a naked woman. At the top right a winged putto with grape vents. The letter is further decorated with a bird, Fruits Fruits and Fish. On verso verses in Latin and German. Print is part of an album.

Étienne Delaune drawing of Coriolanus before Rome, executed with pen, ink, brush, and Bister wash on parchment.

The letter N, sheet from the episode "Nova Alphati Effictio Historiis". The letter N made of tail, with Noah, female figure and grotesque elements, leaf from the episode "Nova Alphati Effictio Historiis ad Singulas Literas Correspond Tibus, et Toreumate Brynaeo Artificiosis in Aes Incisis Illustrata: Nejw artificial alphabet, taught with Scharen Fign whose IEDe find his letter ACC Fashioned; North Jn Kupffer stabbed, through the Bry, even with Latinese verses and teutsch ratively funny. Fr. Ad Moe. A °. MDXCV.

Two ornament heads and three vases; Ornaments; Disegni, et abbozzi di Agostino Mitelli Intagliati Dal Figluolo di Lui Gioseppe Maria Mitelli. Two ornament heads and three ornamental vases. The print is part of an album.

Wood engraving, England, by Thomas Bewick.

Print (France)

Italy, Parmigianino, Mary with Child, verso - stamped, print, prints, height 122 mm, width 94 mm, print maker, 1513 - 1513, 16th century, paper, chiaroscuro woodcut, Work conception, Italian, 1503-01-11 - 1540-08-24

River god adige; Numismata virorum illustrium ex Barbadica Gente. A console with a river god. A bearded man leans at a jug from which water flows. In his right hand he holds a belt of a ship. It may be the personification of the Italian river Adige. The print is part of an album.

Lambert Melisz. from Westzan flight with his mother over the ice to Hoorn, 1573; Vlugt from a wormer with his mother after horn. Lambert Melisz. from Westzan flight with his mother outskirts by the Spaniards burned house over the ice to Hoorn, 1573

Ticky example of the three Gratiën, Pieter de Jode (I), 1629 print SAVE SAVEMENT. The three graces. Above them three putti with flowers fly in their hands. This print is part of an album. paper engraving Graces (Charites), generally three in number; 'Gratie' (Ripa). cupids: 'amores', 'amoretti', 'putti'

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Putto with the arms of Charles I Robert of Hungary, verso - stamped, A console with the arms of Charles I Robert of Hungary, flanked by a putto with a burning torch. With a crown and scepter. The print is part of an album., print, album page, prints, height 183 mm, width 181 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Drawing example of the three gratients; Varie Figvre Academic / Diversche Figvren Wt de Academia. Drawing example. The three gratients. Above them three putti with flowers fly in the hands. This print is part of an album.

Sculpture of a Sater, Anonymous, 1584 print Caption in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. satyr(s) (in general)

Roof Van Proserpina, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Pluto that kidnaps Proserpina to the underworld. Text and window in the lower margin. print maker: Francepublisher: ParisFrance paper etching (story of) Proserpina (Persephone, Core), Libera. the rape of Proserpina (by Pluto in his chariot); possibly with Diana and Minerva trying to rescue her

Portrait of Marco Barbarigo and the Personifications of deliberation and Caution; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. Then a medallion with the portrait of Marco Barbarigo on the front. On the back of the female statulation of Venice, with Dogehoed and scepter. She is held by a woman with caduceus, possibly the personal peace. In addition, the text: Felix Administratio. Left on the pedestal The personification of deliberation or council. It is a bearded man with a chain around his neck to which a heart hangs. In his right hand he holds closed book and that book is an owl. A dolphin swims under its foot. To the right of the pedestal the female personification of caution. She is wearing a helmet reverse with mulberry leaves. She looks into a mirror and has an arrow and book. To her arm winds a snake and a deer is located at her feet. The print is part of an album.

Illustration for 'Oeuvres de Salomon Gessner', Noël Le Mire, French, 1724 - 1801, Jean-Michel Moreau le Jeune, (French, 1741-1814), Etching and engraving on paper, Illustration for 'Oeuvres de Salomon Gessner', Europe, France, ca. 1799, Print, Print

Putti with bust of woman between trees. Draughtsman: Jacob de Wit. Dating: c. 1705 - c. 1754. Measurements: h 163 mm × w 64 mm. Museum: Rijksmuseum, Amsterdam.

Album magazine with various performances, 1814 - 1869 Album magazine with 11 cut out performances from mainly folk prints, including soldiers on horseback, a cityscape and a view of a square. Nijmegen paper snipping Album magazine with 11 cut out performances from mainly folk prints, including soldiers on horseback, a cityscape and a view of a square. Nijmegen paper snipping

Karl, Archduke of Austria.

Two cartouches, an ornament head and a vase; Ornaments; Disegni, et abbozzi di Agostino Mitelli Intagliati Dal Figluolo di Lui Gioseppe Maria Mitelli. Above a whole and half a cartouche. Under an ornament head and an ornamental vase. The print is part of an album.

Four Allegories of Virtue, Villa Aldini, Montmorency, France, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and greyish-brown wash, black chalk on grey textured paper, Four octagonal drawings. Top, left: Justice shown standing on one side of niche, leaning upon fasces and raising pair of scales. Inscribed above in graphite: GIUSTIZA. Top, right: Prudence shown standing in temple precinct, holding looking-glass and snake. Inscribed above in graphite: PRUDENZA. Bottom, left: Strength holding club and shown near trophies. Inscribed above in graphite: FORTEZZA. Bottom, right: Vigilance holding lamp with crane. Inscribed above in graphite: VIGILANZA., Italy, 1813, figures, Drawing, Drawing

Copper engraving by Jan Harmensz. Muller showing Apollo killing the Python. Created after 1630, depicting the mythological scene.

Diana en Pan, Carlo Cesio, after Annibale Carracci, 1656 print Pan gives the goddess Diana, floating through the sky, snow -white wool and wins her love. Next to Pan is a goat, the symbol of the lust. print maker: Romeafter drawing by: Romeafter design by: Italypublisher: RomeVaticaanstad paper etching Diana (Luna) allured by Pan with a fleece or a bundle of wool (Virgil, 'Georg.' III 391-393)

Certainly it is not the innocence persecuted in Lisbon. (IT)

Apollo as a pattern of the arts; Gelleerttyt as (...); Litterae; Van Den Coninck Salomon; Main activities of a prince; Den Grooten Figuer Bibel (...). Apollo with his winch as the pattern of the arts. It is surrounded by scientific instruments used for the practice of seven free arts, painting and sculpture (including a winch, a music book, a globe, a measuring angle, a passer, a paintbrush and a bust). Links a scientific academy with scholars. On the right a garden and practice of painting and sculpture. In the background the mountain parnassus and the nine muses. The print has a Latin caption with an explanation about the importance of the arts for a frost. This print is part of an album.

Galle, Philips, Vos, Maerten de, Antwerp, Passe, Crispijn van de (I), History of Adam and Eve, Adam and Eve hide themselves from God, recto - handwritten in brown ink, Adam and Eve hide themselves out of shame about their nakedness before God. In the inscription of the frame a Bible quotation from Gen. in Latin., print, prints, verso - stamped, 5, height 99 mm, width 93 mm, 1564 - 1637, print maker, printmaker, 1580 - 1588, paper, papier, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Fountain with image of Fortuna; Fountains or water savers in Italian style. At the bottom are two naked youngsters on a dolphin.

Convivio delle Belle Donne August 1532 Nicolò Zoppino Italian Publised by Nicolo Zoppino, Italian, active 16th century, Venice, designed by Matteo da Treviso, Italian, active 16th century.Illustrated title page with designer's signature at bottom, advice with woodcut initial letter, 39 pages of designs, printer's device on last page.. Convivio delle Belle Donne 659751

The First Book of Urizen, Plate 17, '8. The Globe of Life Blood Trembled....' (Bentley 18), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm), Plate: 6 1/2 x 4 inches (16.5 x 10.2 cm), and Spine: 10 1/4 inches (26 cm), fire, flames, hammer, literary theme, men, nudes, religious and mythological subject, text

Generosity; Liberalitas; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. Standing woman with a cornucopia in both hands. From the left horn, gold pieces fall from the right horn of vegetables and fruits. Under the show two lines text in Latin. The print is part of an album.

Design for the Decoration of a Cornice with Putti holding a Garland (recto); Red Chalk Sketches (verso) 17th century Anonymous, Italian, 17th century Italian. Design for the Decoration of a Cornice with Putti holding a Garland (recto); Red Chalk Sketches (verso) 389373

Traveler who gives a letter to a putto. The man, in travel mantle with staff, is in a hilly landscape at the putto. This is reading under a tree with his arrows and bowed next to it. Sketch in an oval. Leaf 13 Recto from a sketchbook with 30 sheets.

Print made by William Blake, 1757-1827, British, For Children. The Gates of Paradise, Plate 10, "My Son! my Son!", 1793. Etching and line engraving on moderately thick, slightly textured, cream wove paper.

Eva offers Adam the forbidden fruit; History of Adam and Eva. Adam and Eve between the animals in paradise. Eva gets a fruit of the tree of knowledge of good and evil provided by the snake and at the same time Adam offers a fruit. In the registration of the frame a Bible quote from Gen. in Latin.

Sculpture of the young Hercules in battle with a snake; Herculis Pueri Simulacrum Romae; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Dionysius als kind, c. 1701 The naked Dionysius is sitting on a wine barrel and has a wine glass in the left. Next to the barrel are a jug and stick that vines grow over it. Page 11 Recto from a sketchbook with 63 sheets. paper. chalk The naked Dionysius is sitting on a wine barrel and has a wine glass in the left. Next to the barrel are a jug and stick that vines grow over it. Page 11 Recto from a sketchbook with 63 sheets. paper. chalk

Print, Three Putti; Designed by François Boucher (French, 1703-1770); Print Maker: Louis-Félix Delarue (French, 1730 - 1777); Published by Gabriel Huquier (French, 1695-1772); France; etching on laid paper

Copper engraving by Lucas Hugensz. van Leyden from around 1510 depicting the city of Leiden, surrounded by four medallions containing putti, showing architectural details and decorative elements.

Garden sculpture with a sea god who stops a dolphin. Draughtsman: anonymous. Dating: 1500 - 1699. Place: Italy. Measurements: h 194 mm × w 240 mm. Museum: Rijksmuseum, Amsterdam.

Head of Charles Louis Napoleon Bonaparte (1808-1873), said Napoleon III, Emperor of the French. Anonymous. Head of Charles Louis Napoleon Bonaparte (1808-1873), said Napoleon III, Emperor of the French. Business card (front). Draw on albuminum paper. Before 1873.

Judith with head of Holofernes in window opening, Hans Sebald Beham, After Barthel Beham, 1547 print Judith is in a window opening with a round arch. Next to her is the head of Holofernes and in her she holds a sword. A landscape is shown behind her. Above the print is the Latin inscription Holoferni Capvt Dominvs Abstvlit per manvm iudith paper engraving Judith and Holofernes (Judith 8-16)

Marcus Curtius. The Roman Marcus Curtius on horseback with helmet and coat of arms. He is about to jump into the earth in a tear. The legend goes that the gap could only be poem by sacrificing "the most precious property". Marcus Curtius considered the courage and power of the Roman soldiers as the most precious, he sacrifices and pours into the burning gap.

Jupiter in Callisto, Anonymous Stor Francesco Dimaticcio, 1530 - 1582 print Jupiter surrounded by other gods on clouds. A bear at the top of the sky. The bear is a reference to the Nymph Callisto that was turned into a bear. Just before Diana's dogs were able to devour the bear, Jupiter raised the bear to heaven as a constellation. Italy paper engraving Callisto changed into a constellation: Jupiter changes Callisto into a constellation, when, transformed into a bear she is about to be shot by Arcas (Ovid, Metamorphoses II 506). homosexual love - CC - homosexual love between women: lesbianism

Sitting naked, c. 1585 Naked man sitting on a pillow, partly turned to the right, with a garland of acorns. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 8. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Naked man sitting on a pillow, partly turned to the right, with a garland of acorns. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 8. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Apollo flays Marsyas, Felice Giani, Italian, 1758-1823, Pencil, pen and black ink, brush and watercolors on paper, Horizontal rectangle. Apollo kneels upon the satyr who lies against a tree. Caption: '7,' in a hexagon in black chalk. The hexagon is drawn into a pencil oblong., Italy, 1796-98, figures, Drawing, Drawing

Print (France)

Etienne Delaune depicts a pastoral scene with an angler and a riverbank figure, drawn with ink in gray-brown and Bister on parchment.

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

Pious Spirit spreads his wings, Jan Luyken, 1710 print Amsterdam paper etching Father Time, man with wings and scythe. Death as skeleton - FF - Death as female. globe. fabulous beings with wings - AA - female human figure

Drawing, Hercules in the Garden of the Hesperides; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink over traces of graphite on cream laid paper; 20 x 14.5 cm (7 7/8 x 5 11/16 in.)

Fender, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Vertical rectangle. The supports consist of two crossing dolphins, with upright tails. They are connected by a festoon. Around the two inside tails are spirals which support the half-figure of a child, carrying a cornucopia, the contents of which is crowned with the sixteen-pointed star. Usual background., Rome, Italy, 1775, architecture, Drawing, Drawing

Coolen speaks to people about conversion, about 1820-1850. Draughtsman: anonymous. Dating: 1850 - 1950. Place: Indonesië. Measurements: h 203 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

Bas-relief with a group of putti; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Roman bas-relief from a group of putti, of whom two hold a portrait. (Probably a fragment of a sacrcophagus.) In the middle of the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket to Mr. Fierville's Ball. Line engraving.

Lady Justitia, Anonymous (Possible), 1500 - 1600 print Justitia naked, a sword in her right hand, a scale left of her and under her feet she seems to trample a child. paper etching Justice; 'Strength to the justice subly', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa) (+ abstract concept reprified by female figures)

A Bacchante riding a faun in a bed. Un Faune avec une Bacchante. Copperplate engraving from Pierre-Francois dHarcanvilles Monumens du Culte Secret des Dames Romaines, Sabellus, Capri (Monuments to the Secret Cult of Roman Women, Leclerc, Nancy) 1780. Based on imaginary Spintria, medals and cameos.

Symmetry and a man with the devil; Simmetria. Printed of two blocks. Links Personification of the symmetry, with compass and shopping hook. Right landscape with a man and the devil.

Persus in Andromeda, 1660 print Andromeda, the daughter of an Ethiopian king, is chained to a rock. In the background, Perseus beats the sea monster to come and save Andromeda. Left spectators, including the parents of Andromeda. This print is part of an album. paper etching Perseus kills the sea monster (or turns it into stone by showing it the Gorgon's head) to release Andromeda; sometimes her parents Cepheus and Cassiopea watch the scene

Woodcut by Lucas Cranach the Younger depicting the apostle Jacobus the Elder, showing figure, posture, facial features, and composition.

Bacchante or Maenad holding a torch and masturbating a naked faun or satyr. Etruscan style. Un faune et une bacchante. Copperplate engraving from Pierre-Francois dHarcanvilles Monumens du Culte Secret des Dames Romaines, Sabellus, Capri (Monuments to the Secret Cult of Roman Women, Leclerc, Nancy) 1780. Based on imaginary Spintria, medals and cameos.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), miracle, operated by Saint André, of a young man who falls from a high tower without hurt. Eighteenth issue of a sequence of 20 pieces. (Main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

The smiling aesopus at Het Koolmaal when saying goodbye to the action monkeys, 1720, 1720 On the left is the smiling Aesopus, Bombario in Harlekijnpak, with a group of monkeys that eat cabbage (the victims of the wind trade). On the right, wolves hunt on sheep. In the clouds Mercury, the Dutch lion and father time. In the caption a verse in four columns. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving On the left is the smiling Aesopus, Bombario in Harlekijnpak, with a group of monkeys that eat cabbage (the victims of the wind trade). On the right, wolves hunt on sheep. In the clouds Mercury, the Dutch lion and father time. In the caption a verse in four columns. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving

Surprisingly sea (or kidnapping amymone); 16th century (1520-00-00-00-1550-00-00);

Ornament with two playing putti, Jan de Goeje, 1770 drawing paper. watercolor (paint). ink pen / brush

Three figures at a bow, John B. Skippe, After Parmigianino, 1781 - 1809 print Group of three figures in the foreground, possibly shepherds, one sitting on the floor, the other kneeling on a rock. Between them, a third figure is visible with a staff in hand. In the background a stone bow with two figures watching. Part of an album with 26 pasted Clair-Obscur Houtcuts to Italian artists from the sixteenth century. paper. ink herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. arch, archivolt ~ architecture

Print (France)

For Children. The Gates of Paradise, Plate 8, 'At length for hatching ripe he breaks the shell', Print made by William Blake, 1757-1827, British, 1793, Etching and line engraving on moderately thick, slightly textured, cream wove paper, Spine: 5 1/2 inches (14 cm), Sheet: 5 3/8 x 4 1/2 inches (13.7 x 11.4 cm), and Plate: 2 3/8 x 2 inches (6 x 5.1 cm), angel, baby, children, clouds, eggs, historical subject, infant, text, wings

Torment; Tribulatio; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. A seated woman with the feet and hands tied. With folded hands, she looks up. A wolf bites in her clothes. Under the show two lines text in Latin. The print is part of an album.

Do Not Put Food in a Chamber Pot' fol. 24 recto, c. 1512/1515, Speculum principis (Mirror for Princes), pen and brown ink with watercolor on laid paper, overall: 16.3 x 10.7 cm (6 7/16 x 4 3/16 in.), French early 16th Century (artist)

The Lost Son as a Pig Hearth, Hans Collaert (I), After Chrispijn van den Broeck, 1646 print The lost son has wasted his inheritance and works with a farmer as a pig herd. He kneels with the pigs and eats with them from the feeder. On the right in the background, the lost son is hunted out of the brothel because his money is used up. Under the show a reference in Latin to the Bible text in Luc. 15:15. This print is part of an album. paper engraving the prodigal son tends the swine and eats from their trough. when all his money is squandered the prodigal son is chased away by the harlots

Black ornament with lion and musicians, 1619 print Round black ornament held by a lion with palm leaves. Among them two musicians: on the left a singer with Zottekap and glasses, on the right a man with a feathered beret. He plays with a tong on a grid. Nummered at the bottom. The print is part of an album. paper engraving ornaments ~ art. lion's head ~ ornament. musician

After: Francesco Colonna, 15th-16th century, page from copy after Francesco Colonnas Hypnerotomachia Polophili, Venice, 1499, Woodcut, one of five illustration in the set, sheet: 24.5 × 18.5 cm (9 5/8 × 7 5/16 in.), Gft of Lydia Evans Tunnard, French, 16th century, Works on Paper - Prints

French crown, Paris, Esnauts & Rapilly, Willemin, Nicolas Xavier, F VIe Recueil De Vases, D'Ornemens & De Figures, Tirées De L'Antique, Sater and a goat, verso - stamped, In a landscape a satyr and a rearing goat stand opposite each other. Above and below the representation borders with swans, winged half-figures and wickerwork., print, ornamental print, prints, ornamental prints, height 141 mm, width 104 mm, French, 1763-08-05 - 1839-01-25, print maker, printmaker, 1775 - 1797, paper, etching, etchings, aquatint, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Antique cameies, Enea Vico, 1602 print Leaf with nine performances of scenes with mythological figures in antique cameies from the Grimani collection in Venice. At the top left three more shows of a goat, a boar and two putti. paper etching Classical Mythology and Ancient History. hoofed animals: boar. goat. cupids: 'amores', 'amoretti', 'putti'. centaurs

For Children. The Gates of Paradise, Plate 15, "Fear & hope are -- Vision". Date/Period: 1793. Print. Etching and line engraving on cream-colored paper (Etching and line engraving on moderately thick, slightly textured, cream wove paper). Height: 140 mm (5.51 in); Width: 114 mm (4.48 in). Author: William Blake.

Saint John Chrysostomus as a recluse in the desert, Hans Sebald Beham, After Barthel Beham, 1510 - 1550 print Imagination of a late medieval legend of Saint John Chrysostomus. After making a virgin pregnant as a hermit, he crawled through the desert to do a fine. In this performance, the naked virgin with the child is large in the picture and the saint crawls through a landscape in the distance. paper engraving male saints (with NAME) - penitence of male saint

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