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Christ and the Passion Narratives

Diverse artistic depictions focusing on the crucifixion and related themes, presenting emotive scenes and intricate engravings relevant to Christian faith.

Photo production from a print to the painting cross -rise by Peter Paul Rubens, Louis de Necker, after Anonymous, after Peter Paul Rubens, 1864 photograph Belgium cardboard. paper albumen print descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)
Photo production from a print to the painting cross -rise by Peter Paul Rubens, Louis de Necker, after Anonymous, after Peter Paul Rubens, 1864 photograph Belgium cardboard. paper albumen print descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)
236 assets in this story
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Majel G Claflin, Tin and Painted Glass Cross, c 1937 Tin and Painted Glass Cross
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King Henry I the Fowler, King of East Francia, and Henry II, Saint Henry, Holy Roman Emperor, on thrones with crown, sword and orb, and a Norman chapel. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages, Chez Collignon, Metz, 1810.
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Vilnius. Basilica Stanis "Cathedral. Carrifix in the sacristy in the sacristy" - the main Christ; Zdanowscy, Edmund and Boles; around 1932 (1927-00-00-1937-00-00);
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Head of Christ in beams. Christ's head, with long hair and beard in a ray wreath. With caption in French. The plate is used as an exercise plate for the etching plate.
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Barth Erwin (1880-1933), expansion of the cemeteries in Stolp (10.1932): wooden high cross in the cemetery: view and cut, with dimension 1:25. Pencil on transparent, 50.3 x 37.5 cm (including scan edges) Barth Erwin (1880-1933): Erweiterung der Friedhöfe, Stolp
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Detail of the Doksaal in the Saint-étienne cathedral in Limoges representing an angel with a cross, c. 1875 - c. 1900 photograph Europepublisher: Paris cardboard. photographic support albumen print rood-screen, choir-screen; iconostasis. angels Limoges Cathedral
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The Holy Father has traveled, Visiting Pope Pius VI, in Vienna , Unknown
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Majel G Claflin, Cedar Cross, c 1937 Cedar Cross
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Old spiritual sitting at the table with Bible and Crucifix, 1833 - 1886 copper (metal) etching / engraving
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Window with the wedding in Kana, Jan Swart van Groningen (Circle of), c. 1540 Double with the wedding in Kana. Christ is in the foreground where barrels are filled. Northern Netherlands glass. lead (metal).. silver stain Double with the wedding in Kana. Christ is in the foreground where barrels are filled. Northern Netherlands glass. lead (metal).. silver stain
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Double heads of the pope with the devil and the cardinal with a nar, ca. 1650, 1600 - 1699 print A spot medal or medal with two double heads of the pope with the devil and the cardinal with a nar. With two four -line verses. Northern Netherlands paper engraving (aspects of) Christian Religion or the Church (as institution) ridiculed, criticized, or caricaturized. medal (considered as a piece of sculpture, regardless of its specific function)
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Bruno of the Carthusians, holy.
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Christ with Doornenkroon, Joseph Edouard van Looy, After Quinten Massijs (I), 1896 print paper etching head of Christ with crown of thorns
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Circular printing presenting the church and mother Bosk and this; around 1914 1920 (1914-00-00-1920-00-00);
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Organ playing monk. .
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Mary with Christkind, Anonymous, After Abraham Bloemaert, c. 1615 - c. 1623 print paper Mary standing (or half-length), the Christ-child lying on her arm (Christ-child to Mary's left)
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Leaf with two performances of two alleged shrouds of Christ. Left: The front and rear of the shroud of Turin. Right: the shroud of Besançon.
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France, Paris, 4Th Arrondissement, Inside The Cathedral Of Notre-Dame
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Howard H Sherman, Baptismal Font at San Luis Rey Mission Church, 1936 Baptismal Font at San Luis Rey Mission Church
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Benedict by Nursia, saint.
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Masks of Ya'mukakto (a) and Hu'tutu (b,c), Zuni Nation. Chromolithograph by August Hoen from John Wesley Powell's 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904.
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Title vignette with frame in which bridal couple and symbols of love and marital faith are included, François van Bleyswijck, 1720 print Title vignette with frame in which bride and groom are included. Both hold a flower wreath. As symbols of love and marital faith, two tackling hands are displayed with a burning heart. There is a peacock next to the bride. Leiden paper etching profane heart symbolism ~ love. marriage, married couple, 'matrimonium'
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The lingam, or linga, meaning 'mark' or 'sign', represents the penis and is an aniconic representation of the Hindu deity Shiva used for worship in temples. Although most Hindu sculpted images (murtis) are anthropomorphic, the aniconic Shiva linga is an important exception. The lingam is often represented with the Yoni, the aniconic symbol of the goddess.
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American 20th Century, San Gabriel Mission Priest's Vestment from the portfolio Decorative Art of Spanish California, 1935 1942 San Gabriel Mission Priest's Vestment from the portfolio Decorative Art of Spanish California
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Samoyed idol. Arctic, Russia. The Voyage of La Vega through Asia and Europe by Adolf Erik Nordenskiold 1879-1880, Le Tour du Monde 1882
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Mask of Na'tashku and Na'wisho, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powell's 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904.
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Group of Mevlevi Dervishes - Istanbul (Constantinople) - with childrenThe Mevlevi Whirling Dervishes of Konya (Konia). This Dervish order was founded in memory of Jelaluddin Rumi (1207 - 1273) mystic and poet. When the great Andalusian mystic Muhyiddin Ibn Arabi met Rumi (as a boy) with his Father in Baghdad he commented when he saw him walking away behind his Father How strange, there goes a Sea followed by an Ocean. The advancing Mongol hordes forced Rumis Family to leave Balkh arriving fin
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Madonna looking upwards , Mary, Blessed Virgin, Saint. Louis Prang & Company Collection
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Pierre Roche, Saint Iltud Saint Iltud
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Sri Sri Durga ca. 1875-80 India, West Bengal, Calcutta The goddess Durga, wielding an array of weapons in her ten arms, slays the buffalo demon Mahisha, who now reveals himself in human form. Durga plunges a trident (trisula) into his chest, whilst her lion mount (vahana) mauls his arm. To her left stands Lakshmi who holds two flowers while on the right stands Saraswati holding a vina. Dancing in the lower left is Ganesha with his rat vehicle at his feet, while to the right Skanda sits astride his peacock. The ensemble is framed by a decorative arch supported on fluted columns. An inset painted panel evokes Victorian architectural decoration in the academic manner, but with Hindu deities replacing classical philosophers and muses. This early and extremely rare monochromatic print was refashioned a decade later into a widely popular chromolithographic version by the Jubilee Art Studio in Calcutta.. Sri Sri Durga. India, West Bengal, Calcutta. ca. 1875-80. Lithographic print on paper. Pr
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First day cover of poste vaticane, stamps, india, asia Copyright: xAnilxDave/DinodiaxPhotox
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Vignette with a saint in an oval, Isaac Weissenbruch, 1836 - 1912 print Netherlands paper vignette. female saints
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Memento Mori. A human skull.
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Young Hindoo, India
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Folder magazine Theosophia. Wrap of the magazine Theosophia of May 1896. Ornament edge with flower buds and down a lotus. Above the Lotus a circle surrounded by a Ouroboros, a snake that bites in its own tail. In the middle of the circle spiritual symbols and at the bottom the text 'There is no religion that goes above truth'.
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"Lithograph from 1946 by an anonymous artist depicting the Passion play 'INRI' with Jesus of Nazareth at the Landestheater Innsbruck, showing figures, stage, and composition."