Christian Ascension and Resurrection Art

A collection of engravings depicting the Ascension of Mary and the Resurrection of Christ, featuring angels, apostles, and soldiers, characterized by dramatic expressions and divine light.

Nuremberg, Caymox, Balthasar, Resurrection of Christ, verso - stamped, Christ rises from the grave in a halo. He holds a banner in his hand. The soldiers guarding the grave are afraid and flee. Some hold their hands protectively over their eyes., print, prints, height 280 mm, width 210 mm, Publication (Event), Publication, German, 1561 - 1635-03-07, publisher, uitgever, 1606 - 1606, paper, papier, engraving, engraving (drukprocedé), print maker, prentmaker

Ascension of Maria, Bartholomeus Willemsz. Dolendo, 1580 - 1626 print The Ascension of Maria. In the air the kneeling Mary in heaven, surrounded by angels. In the middle of the twelve apostles: they bend over the empty grave. The print has a Latin caption. print maker: Leidenpublisher: Amsterdam paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Maria floats up on a cloud and behaved by angels. Downstairs are the apostles and some women around the opened grave. The print is part of an album.

Opstanding van Christus, anonymous, after Cornelis Cort, after Giulio Clovio, after 1569 - 1619 print Christ is rising from the grave. Soldiers rush away and cover their eyes to protect them from the light, that radiates from Christ. Christ stands in a cloud above the grave with a banner in his hand. Rome paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

The Transfiguration of Christ who appears upper centre, below him various figures including the Apostles 1530-60 Master of the Die Italian. The Transfiguration of Christ who appears upper centre, below him various figures including the Apostles 396179

Nuremberg, Caymox, Balthasar, Resurrection of Christ, verso - stamped, Christ rises from the grave in a halo. He holds a banner in his hand. The soldiers guarding the grave are afraid and flee. Some hold their hands protectively over their eyes., print, prints, height 280 mm, width 210 mm, Publication (Event), Publication, German, 1561 - 1635-03-07, publisher, uitgever, 1606 - 1606, paper, papier, engraving, engraving (drukprocedé), print maker, prentmaker

Baptism of Christ n.d. Francesco Rosaspina Italian. Baptism of Christ 391634

The Lord Calling the Virgins, pl. 5 of 8 from the series Parable of the Five Wise and FoolishVirgins. Publisher: Crispijn de Passe the Elder, Dutch, 1565-1637 After: Maarten de Vos, Flemish, 1532-1603

Paulus in Malta, Johann Sadeler (I), After Maerten de Vos, 1580 - 1581 print In the foreground, Paul is bitten by an adder in Malta when making fire. He throws the beast in the fire unharmed. In the background, Paulus is a shipwreck at Malta. With a Latin caption with a Bible passage from the actions of the apostles (Acts 28). The fourth print of a four -part series. Cologne paper engraving the shipwreck on the coast of Malta (Melita) ~ story of Paul. Paul bitten by a viper (when throwing wood on the fire)

Assumption of the Virgin 1574-99 Aliprando Caprioli. Assumption of the Virgin. Aliprando Caprioli (Italian, active Rome, 1574- 1599). 1574-99. Engraving. Prints

Coronation of Mary by the Christ child. Standing on her shot crowns the Christ child's mother. Above her head the Holy Spirit (as a pigeon). God the Father makes a blessing gesture. In addition to him, a putto is a globe. Putti frosting around in the air, while a large group of saints looks up to the coronation.

. The announcement of the birth of Christ to the shepherds by the angel Gabriel. The shepherds look frightened to the night sky where the angel Gabriel appears with a banderole with a message. In the margin a four-line caption, in two columns, in Latin.

Worship of the shepherds, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, 1548 print Maria and Joseph are kneeling in front of the manger. Shepherds come to see the Christ child. An angel with a laurel wreath flies above the manger. The print is part of a thirty -part series with prints about the fall and Christ's passion. Haarlem paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Resurrection of Christ, Crispijn van de Passe (I), 1600 print Christ rises from his grave. The soldiers who lie around the grave are waking up and flee. The show is caught in an oval frame with an edge writing in Latin. Print from a series with the passion of Christ. Cologne paper engraving Resurrection of Christ

The Martyrdom of Saint Apollonia, Apollonia of Alexandria, Historical, digitally restored reproduction from a historical work of art

Last judgement; Emblemata Saecularia, 1611. Christ is in the clouds, flanked by Moses and Paul. Among them are the dead from their graves, they are led by angels to heaven (left) or led by devils to hell (right). Emblem no. 1 from emblemata saecularia, 1611: The perishable and sinful humanity will have to justify itself for the Divine Judge.

Schut, Cornelis (I), Meyssens, Joannes, Coronation of Mary, verso lower left - stamped, Groups of people, including the apostles, saints, bishops, the pope and the soldiers who were present at the crucifixion of Christ look up to the clouds as two angels crown Mary. The Christ Child sits on her lap. The figures in the upper right corner represent God and Christ. Below the print two lines of text in Latin from the Litany of the Saints., print, prent, prints, prenten, height 320 mm, width 210 mm, Zuid-Nederlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1640 - 1670, paper, papier, etching, etchings, Publication (Event), Publicatie, 1612-05-17 - 1670-09-18, publisher, uitgever, Work conception

Ascension of Maria, Anonymous, After Jacob Matham, After Taddeo Zuccaro, 1611 - 1661 print The Ascension of Maria, the twelve apostles are around her empty sarcophagus filled with flowers. Maria on the clouds is surrounded by Putti. paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels. Mary's tomb filled with flowers

All Saints Prosecution Service, Anonymous, After Theodoor Galle, After Cornelis Galle (I), After Peter Paul Rubens, 1614 - 1676 print All the saints are collected around the throne of Christ, God and the Holy Spirit (including the Holy Sebastiaan, St. Joris. The H. Catherina of Constantinople, etc.). Maria stands next to the trinity. The print has a Latin caption. Antwerp paper engraving Devotion: All Saints Picture, 'All Saints' Day'

Christ stripped of his clothing, 1600 - 1620 print Christ is on the cross. A number of soldiers pull his clothes off his body. There are all the nails and a hammer next to him. The crowd watches. Under the show a Latin verse of four lines. paper engraving the erection of the cross: Christ is nailed to the cross which lies on the ground

. Christ rises from his grave. The soldiers who are scared around the grave awake and flights. The performance is caught in an oval frame with a peripheral panel. Print from a series with the passion of Christ.

Ezra drinks the cup of knowledge and wisdom; Visions of Ezra; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Ezra went to the pitch with five men and will be offered a fiery cup from God from God from which he drinks. This is the cup of knowledge and wisdom. The five men write the words that says Ezra. Under the show a reference in Latin to the Apocrypha Bible text in 4 Ezra 14:37. This print is part of an album.

Hemelvaart van Maria, Aegidius Sadeler (II), after Hans Speckaert, 1580 - 1629 print The Ascension of Maria. In the sky, Mary is in heaven, surrounded by angels. The twelve apostles bend over the empty grave. The print has a Latin caption. paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Last judgment (top plate). Christ is troning as a judge on a cloud in heaven at the last judgment. He makes a speaking gesture and is surrounded by angels, kings, church fathers and his apostles. Above him the pigeon of the Holy Spirit flies and God lies with the globe on a cloud.

David is anointed by Samuel; Story of David and Saul. David kneels for the prophet Samuel, who beats him from a horn to king. His harp is located for David. Among other things his father Isaï and David's brothers watch. The head of a cow is sacrificed behind Samuel. At the rear left, Samuel asks God for the Council and the right is David picked up to appear before Samuel. In the margin a single caption in Latin from 1 Sam. (Incorrectly referred to as 1 kings on the print).

Opwekking by Lazarus, Adriaen Collaert, After Maerten de Vos, 1583 - 1588 print Lazarus, just came out of his grave alive, is detached by his family from the burial cloths (Johannes 11: 1-44). The print has a Latin caption. The print is part of a series about the life of Christ. paper engraving Lazarus' shroud is removed

Massacre of the Innocents; group of women and children being attacked, two angels at upper left, after Reni ca. 1640-1700 Anonymous. Massacre of the Innocents; group of women and children being attacked, two angels at upper left, after Reni 668745

Saint Gregorius the Great and the Sacred Hieronymus pray for the souls in purgatory, Francesco Fontebasso, After Sebastiano Ricci, 1719 - 1768 print The Holy Gregorius the Great and the Holy Hieronymus pray for the souls in purgatory. Angels bring the deceased from purgatory to heaven. At the top right Mary and the Christ child on a cloud. print maker: Veniceafter drawing by: Veniceafter painting by: Italy paper etching pope Gregory the Great; possible attributes: dove, emperor Trajan. angels. the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone. liberation of the souls from purgatory

Mystical marriage of Saint Catharina, Agostino Carracci, After Paolo Veronese, 1582 print Maria travels with the Christ child on their lap. Christ is about to slide a ring on the finger of Saint Catharina of Alexandria. In the foreground on the left a group of music -making angels. Above a group of floating angels and putti. print maker: Italyafter painting by: Venicepublisher: Venice paper engraving the mystic marriage of St. Catherine of Siena: she kneels to receive a ring from the infant Christ (in Mary's lap), or from the adult Christ. angels singing, making music. viola, violoncello; double bass

Sacrifice Scene, A large group of men, women, and children around an altar with a sacrificial fire. Next to the altar stands the priest, sacrifice, non-Christian religions, Antonio Fantuzzi (mentioned on object), Fontainebleau, 1542, paper, etching, h 273 mm × w 418 mm

Ascension of Maria, Anonymous, 1629 - 1700 print Maria sails to heaven standing on a cloud. She is surrounded by angels. The twelve disciples and others are surprised by the empty grave. paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Triumph of the truth, Anonymous, After Zacharias Dolendo, after Karel van Mander (I), 1558 - 1656 print A street in a city. People stand or kneel before the female appearance of the truth floating above their heads. She wears a palm branch in her right hand and a book in her left hand. An angel choir kneels around her. In the middle of the print there are a cup with grapes (wine), a king's crown (the monarchy), a skull (death and the original sin) and a mirror (vanity) on the ground. The print portrays a scene from the apocryphal book Esdras (chapters 3 and 4). Three servants of King Darius of Persia argued or that wine, the king and the woman is the strongest in the world respectively. Zerubbabel, the last servant (probably the man to the right of the print), wins the discussion with the answer that women are the strongest in the world, but that the truth overcomes everything. As a reward, Zerubbabel can start the recovery of the temple in Jerusalem. The print has a Latin caption with

. Together with other angels, Archangel Michael presents the map of the Duchy Bavaria at the Virgin Mary and the Christ child in the clouds. The Christ child makes a blessing gesture. In the background bottom left Munich, the capital of Bavaria. The print has a Latin caption in a cartouche and is the second print of a 60-part series with the saints of Bavaria.

Christ Tells His Disciples of the Last Judgment. Dated: published 1630. Dimensions: sheet: 10.6 x 14.8 cm (4 3/16 x 5 13/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christoph Murer.

Sadeler, Johann (I), Vos, Maerten de, München, Virtutes Iesu Christi Filii Dei Vivi, Virtues of Christ, Formositas, Transfiguration: beauty, verso lower left - stamped, Christ shows his divine being to Peter, James the Greater and John. He is surrounded by heavenly rays. Moses (left) and Elijah (right) appear beside him. The fifth print in an eight-part series with scenes from the life of Christ depicting his principal virtues., print, prints, height 181 mm, width 133 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1585 - 1588, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

The rich man in hell sees Abraham with Lazarus, Anonymous, After Heinrich Aldgrever, 1554 - 1610 print The rich man, sitting in the flames of hell, points to his mouth and asks for water, a devil pulls his hair and drips water from a jug. In the sky in a cloud of Abraham with Lazarus and three angels. Under the show The text: Dives Epulo Fla Mis Ifernalibus Aestuas Lazaru (s) Hic ut Refrigert Lingua Guttula Frigidae Aquae Petit Lu 16. Fifth print from a series of five copies. Germany paper engraving in hell Dives sees Lazarus in paradise; usually Dives pointing at his tongue

. Departure with the Virgin Mary who looks like her book when the angel visits Gabriel her to announce the birth of Christ. Above her a pigeon is flying as a symbol of the Holy Spirit. There is a cat to her feet. In the margin a four-line caption, in two columns, in Latin.

An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca 1637 Pietro Testa Italian. An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca. Pietro Testa (Italian, Lucca 1612-1650 Rome). 1637. Etching. Frans van den Wyngaerde (Flemish, Antwerp 1614-1679 Antwerp). Prints

The conversion of Paulus, Antonio Tempesta, 1565 - 1630 print Paul (Saul) falls from his horse as God, surrounded by a group of angels, appears in the sky and blinds Him with a bright light. His soldiers are also shocked and fled. Italy paper etching story of the conversion of Paul (Acts 9:1-18)

All Saints' Day Scenes from the Old and New Testament (series title) ), All the saints are gathered around the throne Trinity of Christ, God and the Holy Spirit (including St. Sebastian, St. George, St. Catherine of Constantinople, etc.). Mary is standing next to the Trinity. The print has a Latin caption., Devotion: All Saints picture, 'All Saints' image', Theodoor Galle (possibly), Antwerp, c. 1612 - c. 1616, paper, engraving, w 195 mm × h 304 mm

Christ on a cloud cover with lucky and fleeing enemies, Jan van Vianen, 1706 print Christ on a cloud cover with figures among him who greet him and offer gifts. The enemies flee on the already. Imagination of the Bible ps: 68. Delft paper etching / engraving the book of Psalms (with BOOK CHAPTER:VERSE). Christ as adult

Junius, Hadrianus, Heemskerck, Maarten van, Haarlem, Galle, Philips, History of Job, Satan challenges God to stop protecting Job, God is enthroned on a cloud with a globe next to him. The other inhabitants of heaven are standing and sitting around him. On the right is Satan with wings and an animal's tail. Satan challenges God to test Job., print, prints, height 210 mm, width 248 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1563 - 1563, paper, engraving, engraving (printing process), Work conception, North Netherlands, 1498 - 1574, after a design by, 1511-07-01 - 1576-06-16, writer

Ascension of Elia, Johannes Wierix, After Maerten de Vos, 1582 - 1583 print Elijah is taken to heaven in a car of fire, with horses in front. Elisa just catches his cloak. In the background you can see how Elisa then hits the mantle of Elijah on the water so that it flows to the left and right and he can cross the river. With that he wins the recognition of the prophets across the street. In the margin a three -line bible quotation from 2 Kon. 2 in Latin. Antwerp paper engraving a chariot, horses of fire and a whirlwind appear and Elijah is carried up into heaven; Elijah's cloak falls (or he hands it over to Elisha). Elisha strikes the water with Elijah's cloak, parts the water and recrosses the river; he thus wins recognition from the sons of the prophets

An early 17th-century etching and copper engraving by Jacques Bellange illustrating 'The Resurrection of Lazarus', depicting Christ raising Lazarus with detailed figures and architectural background.

. Christ rises from his grave. The soldiers who are scared and flights around the grave. On the right in the background the arrival of the three holy women at the grave. In the margin a two-legged caption in Latin.

Adding by De Herders, Cornelis Cort, After Marco Pino, 1602 print In the middle, Maria and Joseph are kneeling for the child on a bundle of straw on the floor. There is a lamb next to Christ. A group of shepherds kneels in worship around it. The shepherd left plays a bagpipe. Angels in the air on a cloud. Right back the columns of an antique building. At the rear left, in a rolling landscape, the proclamation to the shepherds. Rome paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present. annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

Last judgment with Christ tronend in heaven on globe while he blessed Mary and Johannes, Marcantonio Raimondi, after Albrecht Dürer, 1510 - 1515 print paper engraving comprehensive representation of Last Judgement: Christ (with sword and lily), often surrounded by elders and sometimes accompanied by Mary and John the Baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the Passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils

Adam and Eva Kneelen for Maria, Cornelis Schut (I), 1618 - 1655 print Adam, with death next to him, and Eve, with behind her the winged snake, kneeling in front of Mary in the clouds. Mary is surrounded by the community of saints and by putti. At the top of God the Father who blessing his hands and the Holy Spirit. paper etching Adam and Eve (not in biblical context) - personal devotions of male persons from the Old Testament, e.g. vision, prayer, penitence. Madonna accompanied by saint(s). God the Father

. Chained to a millstone, the H. Quirinus, Bishop of Siscia dies a martyrian death in the Rába River. Before he dies he blesses his execution. An angel drops out of heaven to record his soul. The print has a Latin caption and is the eighth print of a 60-part series with the saints of Bavaria as the subject.

Adding through the shepherds. In the middle, Mary and Joseph are kneeling for the child that lies on a bundle straw on the floor. There is a lamb next to Christ. A group of shepherds kneel in worship around it. The shepherd looks for a bagpipe. In the air angels on a cloud. Right rear the columns of an antique building. At the left rear, in a rolling landscape, the proclamation to the shepherds.

Return of the Holy Family from Egypt, Cornelis Galle (I), After Giovanni Battista Paggi, c. 1592 - c. 1610 print Maria, Joseph and the child return to Israel, after their flight to Egypt. Christ, as a child with an apple in his hand, is at the forefront. Angels guide the three. An angel leads the donkey, another helps Joseph wearing the luggage. after design by: Italypublisher: Antwerp paper engraving the Holy Family (and sometimes others) returning to Israel

Maria with child and saints. Maria shows her child to the surrounding saints, including Bonaventura, Mary Magdalena and Joris with the foreground the dragon defeated by him. Hieronymus is sitting with a Bible under his arm on a lion. Putti holds a flower wreath above the Christ child in the air.

Betrayal of Judas, Hieronymus Wierix, After Bernardino Passeri, 1593 print Judas - with devil on the head - leads the soldiers to Christ. In the background you can see how Judas Christ kisses on the cheek. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Christ makes himself known; the soldiers fall to the ground ~ the kiss of Judas

Resurrection of Christ, Philips Galle (attributed to workshop or), After Jan van der Straet, 1585 - 1586 print Christ rises from his grave. The soldiers who lie around the grave are waking up and flee (Matthew 27: 32-66). In the background the arrival of the three holy women at the grave. The print has a Latin caption and is part of a series about the passion, death and resurrection of Christ. paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers. the holy women (the three Maries) on their way to or at the tomb, to anoint Christ's body

Sacrifice of iphigenia. Iphigenia is kneeling for an altar, ready to be sacrificed. Behind her is her father Agamemnon. A priest is preparing the altar. A crowd that watches behind the priest.

. Christ is being lined to heaven on a cloud. Two angels on earth point to heaven. People look frightened up. A Bible quote from hand in the margin. 1:11 in French.

Death of Gerold van Bavaria, Raphaël Sadeler (I), after Johann Mathias Kager, 1615 print Gouverneur van Bavaria, is attacked by the Avars. He is dragged off his horse and pierced with an arrow. An angel descends from heaven to record her soul. The print has a Latin caption and is the 30th print of a 60-part series on the subject of the saints of Bavaria. München paper engraving / etching violent death by arrow(s). angels crowning and/or bringing palm-branches Bavaria

Sacred Antonius, Agostino Carracci, After Jacopo Tintoretto, 1582 print Saint Antonius together with four horned women in a landscape. The women pull him on his rug and attack him in all sorts of ways. On the right the pig. Above God appears the Father. print maker: Italyafter design by: Venicepublisher: Venice paper engraving temptations of St. Antony Abbot. God the Father

. The announcement of the birth of Christ to the shepherds by the angel Gabriel. The shepherds look frightened to heaven where the angel appears with a banderole with a message. The performance is caught in an oval frame with a peripheral panel. Print from a series of twelve about life, passion and resurrection of Christ.

Paul's conversion. Paul is plenty of his shooting horse, blinded by the light from heaven when Christ appears to him; He raises his arms. Arranging horses and soldiers who protect their eyes against the light.

Last judgement. Christ is sitting as a judge on the rainbow, his feet resting on clouds. He is surrounded by saints, angels and cherubs. Under the damned with devils are withdrawn. Assignment in Latin in undermarge.

This copper engraving by François Ragot, created between 1630 and 1670, depicts Jesus carrying his cross, emphasizing detailed figures and the biblical narrative.

Holy Family. The holy family with the young John the Baptist, Mary Magdalene, Elisabet, shepherds and angels.

The Holy Trinity, Albrecht Dürer, 1511 print God keeps the deceased Christ in his arms, while above them the Holy Spirit floats in the form of a pigeon. Around them angels with the passion tools. Nuremberg paper Trinity in which God the Father and Christ are represented as persons, the Holy Ghost as dove. 'Arma Christi'

Elia and the widow of Sarefat, Anonymous, After Jan Snellinck (I), 1585 print Elia meets the widow of Sarefat and her son, who together gather wood outside the Stadspoort. In the background, Elijah prays for the boy who died and is brought back to life. The widow is sitting outside at the door. Under the show a reference in Latin to the Bible text in 1 Kon. 17. paper engraving when the brook dries up, Elijah crosses over to the city of Zarephath; at the gate he meets a woman and her little son gathering wood (the woman's sticks may form a cross). Elijah restores the child of the widow of Zarephath to life

Last judgment (top plate). Christ is troning as a judge on a cloud in heaven at the last judgment. He makes a speaking gesture and is surrounded by angels, kings, church fathers and his apostles. Above him the pigeon of the Holy Spirit flies and God lies with the globe on a cloud.

Stoning of Saint Stefanus, Anonymous, 1550 - 1649 print Saint Stephen in the middle, sitting on his knees. Figures around him throw stones at him. In the air Christ, Cherubins and Angels. Italy paper engraving the stoning of Stephen; the witnesses lay down their clothes at Saul's feet. angels. cherubs, i.e. children's heads with wings

Stoning of the Holy Stefanus. Saint Stefanus in the middle, sitting on his knees. Around him figures that stones throw him. In the air Christ, cherubs and angels.

CREAT OF MARIA, Christoffel Jegher, after Peter Paul Rubens, 1587 - 1640 print The coronation of Maria in the clouds. God the Father and Christ keep the crown over her head. In the middle the Holy Spirit as a pigeon. Southern Netherlands paper coronation of Mary in heaven (usually the Holy Trinity present). the Holy Trinity, 'Trinitas coelestis'; Father, Son and Holy Ghost ~ Christian religion

Christ in the Hof van Getsemane, Jacob Matham, After Taddeo Zuccaro, 1615 print Christ in the Hof of Getsemane, with an angel who appears to him with a miscarriage. In the foreground the sleeping apostles. paper engraving Christ's prayer in the Garden of Gethsemane during the night. agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross. angel(s) with chalice

The agony of Christ in the garden of Gethsemane; an angel descends to strengthen him while cherubs hover with the instruments of the Passion. Engraving by C. Bouzonnet Stella after J. Stella.

Antwerp, Jode, Gerard de, Vos, Maerten de, Collaert, Adriaen, Hans (I), Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi, Events from the life of Christ, Entry into Jerusalem, Christ riding a donkey into Jerusalem. The crowd waves palm branches and lays clothes and cloaks on the ground before him. Behind Christ walk his apostles. Below the image is a reference in Latin to the Bible text in Mat. 21. This print is part of an album., print, prent, albumblad, prints, height 200 mm, width 280 mm, Southern Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1585 - 1585, fourth quarter 16th century, paper, papier, engraving, engraving (printing process), 1560 - 1618-06-29, Work conception, Southern Netherlands, 1532 - 1603-12-04, after design van, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Saint Lawrence at the Stake ca. 1621-1750 Anonymous. Saint Lawrence at the Stake. Anonymous. ca. 1621-1750. Engraving; copy (undescribed). Prints

Antwerp, Jode, Gerard de, Broeck, Crispijn van den, Wierix, Johannes, Mnimata Dominicae Passionis Historiam Necisque Nostrae Mortem Complexa, Passion of Christ, Judas' kiss and arrest of Christ, Judas kisses Christ on the cheek. The soldiers capture Christ and drag him away. Peter is about to cut off Malchus' ear. Below the image is an eight-line text in Latin. This print is part of an album., print, image, album sheet, prints, images, height 168 mm, width 125 mm, Southern Netherlands, 1549 - 1618, print maker, printmaker, 1572 - 1572, paper, engraving, engraving (printing process), Work conception, 1524 - 1591, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Copper engraving depicting the presentation of Mary in the temple, created by Philippe Thomassin in 1615, showing Mary and priests in a religious scene.

The Holy Trinity n.d. Albrecht Dürer German. The Holy Trinity 388360

Copper engraving by Hans Collaert d. Ä. showing John the Baptist delivering a sermon in the wilderness, created in 1575.

Italy, Alberti, Cherubino, Return from the Flight into Egypt, Mary with the Christ Child on a donkey. Joseph walks beside it. Two angels lead the donkey. Above, between the branches of the trees, angels hover, picking fruit and giving it to Christ., print, prent, prints, prenten, height 470 mm, width 349 mm, 1553 - 1615, print maker, prentmaker, 1574 - 1574, paper, papier, engraving, engraving (printing process)

Kruisiging, anonymous, after Hendrick Goltzius, 1596 - 1667 print Christ on the cross between the other two cruised. At the foot of the cross, among others, the three Maria's and Longinus with his lance. In the foreground the soldiers who dice around his clothing. Netherlands paper engraving the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Paulus dopes the residents of Ephesus. Paul is a few inhabitants of Ephesus. The Holy Spirit descends on them in the form of a pigeon. In the foreground the new Christians study the Holy Scriptures. With a Latin caption.

Martyrdom of Saint Stephen. Engraving by C. Duflos after C. Lebrun.

The Holy Trinity 1511 Albrecht Dürer German. The Holy Trinity 343135

Worship of the shepherds. The shepherds kneel and bow in worship about the manuschind's manger in the presence of Mary and Joseph. Above the group in the stable angels appear on a cloud. There is a Latin fresh under the show.

The fall of Simon de Waardsaar, Jacques Callot, After Francesco Vanni, 1608 - 1611 print On Peter prayers, the demons that Simon keep the wizard in the air so that he deposits to the ground. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print). Rome paper engraving Peter prays: Simon falls down and dies afterwards

Kruisafneming.The body of Christ is taken from the cross by John the Evangelist, Joseph of Arimatea and Nikodemus. The Maria's mourn at the foot of the cross.

Angels Adoring the The Holy Trinity 1772 Charles Nicolas Cochin II French. Angels Adoring the The Holy Trinity 336504

The five foolish virgins are excluded; Parable of the five way and the five foolish virgins; Parabola V. VirginVM Typis AEN: Expressa. The five foolish virgins stand for the closed door of the groom's house. They call to be inside. In the margin a four-line caption, in two columns, in Latin that refers to the excluded virgins. This print is part of an album.

The flood; History of Noah. The flood flooded the country. People and animals are swallowed through the water. A few men try to save themselves by climbing in a tree. Right rear the ark that saves the people on the flood.

The Holy Trinity. God keeps the died Christ in the poor, while above them the Holy Spirit floats in the form of a pigeon. Around them angels with the passenger equipment.

The Assumption and Coronation of the Virgin, from The Life of the Virgin 1510 Albrecht Dürer German. The Assumption and Coronation of the Virgin, from The Life of the Virgin 388141

Moses and De Koperen Snake, Francesco Villamena, After Ferraù Fenzoni, 1597 print In the middle the copper hose attached to a tau-shaped pole. To the left is Moses. In the foreground the Israelites winding on the floor with snakes around their limbs. Some look up at the copper snake to stay alive. In the background the tent camp of the Israelites. Assignment and Latin text in three columns in sub -margin. print maker: Italyafter design by: ItalyVaticaanstadItalyItaly paper engraving / etching the brazen serpent (Numbers 21:4-9)

Stoning of the Apostle Paulus, Johann Sadeler (I), After Maerten de Vos, 1580 print Paulus is pelted with stones by the inhabitants of Lystra. In the background, Paul heals a lame at the gate of Lystra. With a Latin caption with a Bible passage from the actions of the apostles (Act. 14). The last print of a five -part series. Cologne paper engraving Paul and Barnabas heal the feet of a man; the people of Lystra think they are Mercury and Jupiter. Paul is stoned and dragged out of the city

Kruisafneming, Lucas Kilian, after Joseph Heintz (I), 1608 print Text in Latin in the lower margin. Augsburg paper engraving Man of Sorrows supported or accompanied by mourning angels, 'Engelpietí'. Christ is laid down ~ descent from the cross (+ angel(s) floating in the air). 'Arma Christi' ~ Christ

Three crosses on Golgotha, Jan Luyken, 1706 print Amsterdam paper etching / letterpress printing crucified Christ with other persons - DD - the three crosses

Maria with child on clouds with archangel Michael, a French king, church fathers and saints, Anonymous, 1670 - 1742 print print maker: Francepublisher: Paris paper engraving / etching Madonna: i.e. Mary with the Christ-child. the Archangel Michael fighting the dragon (devil, Satan). insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)

Paid dead Christ by family and friends; Passion of Christ.

Christ on the cross; Fall and redemption of humanity through the life and passion of Christ. Christ hangs on the cross, next to him the two criminals. Below the cross dice three soldiers for the dress of Christ. The print is part of a thirty-part series with prints about the fall and Christ's passion.

Loflied of King David and Saint Cecilia, Johann Sadeler (I), After Peter de Witte, 1588 - 1595 print In the middle of the image is the crowned King David who plays his harp. A circle of dancing angels around him. In the clouds, above his head, the Holy Cecilia is behind the organ, surrounded by a group of angels with different musical instruments (Viola da Bracchio, Viola da Gamba, zinc, trumpet). In the middle, left and right of David, two angels who stop a music sheet. On the left magazine De Cantus and Altus, on the right the tenor and the Bassuspartij of the 4-part motet of Orlando di Lasso, the text of which is derived from Psalm 150: 3-5: "Laudent Deum Chitara". München paper engraving David as musician, usually playing the harp. St. Cecilia as patroness of music. angels singing, making music. printed edition of musical score. the book of Psalms (with BOOK CHAPTER:VERSE). the book of Psalms (with BOOK CHAPTER:VERSE)

First vision of Ezra: The Son of God crowns the crowd, Maerten de Vos, 1585 print Ezra is in the foreground on the right and is pointed out by an angel for a vision. Ezra sees the Son of God on Mount Sion, who crows the people and awardes their palm branches. Under the performance a reference in Latin to the Apocryphard Bible text in 4 Ezra 2. Antwerp paper engraving other scenes from Ezra and Esdras

Adoration by the Kings, Giovanni Lanfranco, After Rafaël, 1607 print For a stable, the three kings, Mary and Joseph worship the Christ child. The kings offer gifts. paper etching adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Tombination and Ascension of H. Petronilla, Jacob Frey (i), After Guercino, 1731 print With caption in Latin. print maker: Romeafter drawing by: Romeafter painting by: Vaticaanstad paper etching / engraving the virgin and martyr Petronilla - apotheosis, glory, triumph of female saint

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