Christian Passion Depictions

Woodcuts showcasing pivotal moments of the Passion of Christ, emphasizing struggle and spiritual significance through detailed compositions.

The Resurrection, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. The Resurrection, from Speculum passionis domini nostri Ihesu Christi 666052

Christ Expelling the Money Lenders, from "The Small Passion" ca. 1508 Albrecht Dürer German. Christ Expelling the Money Lenders, from "The Small Passion" 375912

Martyrdom of Saint Erasmus. The Holy Erasmus is tied to the ground while two men winds his intestines on a winch (Windas). Soldiers and men watching horse. A castle is in the background. There are two shields in the tree, the judiciary and ducal weapon of Saxony.

Woodcut by Lucas Cranach the Elder depicting Christ before Annas during the Passion, created in 1509, showing figures, gestures, and narrative composition.

The Resurrection, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. The Resurrection, from Speculum passionis domini nostri Ihesu Christi 666052

Mockery of Christ; Passion of Christ.

Copper engraving by Marcantonio Raimondi, 1515-1527, depicting the capture of Christ with soldiers and disciples, emphasizing movement, expressions, and setting.

Woodcut by Albrecht Dürer titled 'The Capture of Christ,' part of the Little Passion series (plate 11), created around 1509, depicting Jesus being arrested.

Marcantonio Raimondi, The Betrayal of Christ, engraving on paper.

Commissioning; The little passion. Died Christ is grown by his mother, Mary Magdalene and John the Evangelist. This print is part of the 'De Kleine Passie' print series, consisting of a title print and 36 biblical scenes (mainly from the suffering story).

Woodcut by Albrecht Dürer from circa 1509 depicting the presentation of Christ, part of the Small Passion series, showing detailed figures and expressive composition.

Scourging Christ; Passion of Christ. Christ is tied to a column and a soldier serves the success with a rod. Two soldiers are sitting on the floor and both make a rod. At the left, Pontius Pilatusows Pilatus on the implementation of his command. Against the rear wall of the space, the judicial tricks and ducal weapon of Saxony are shown.

Apostle Filippus en Bartolomeüs, Anonymous, Anton von Woensam, 1529 print paper the apostle Philip; possible attributes: book, cross, dish with snake, lance, scroll, stone, sword. the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff

Connection coring of Christ. Soldiers put Christ with sticks on the head with sticks. A man kneels in front of him and gives him a cane in hand.

Christ shown to the people (Ecce Homo), Cornelis Galle (II), After Nicolaas van der Horst, 1610 - 1678 print Christ is shown to the people. He stands on an elevation so that the crowd can see him. On the right is a nobleman who is also imprisoned. His guard is a devil. Antwerp paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Lucas Cranach the Elder, Christ before Caiaphas Christ before Caiaphas

Woodcut by Albrecht Dürer around 1509-1510 depicting Christ accepting the cross, part of the Small Passion series, showing figure, gesture, and early 16th-century German religious iconography.

Christ collapses under the weight of the cross; Il Spasimo di Sicilia. Christ collapses under the weight of the cross that he bears on his shoulders on the way to Golgota. In the background on the left a soldier on horseback with banner with 'spqr'.

Copper engraving 'The Burial' by Albrecht Dürer, 1512, from the Copperplate Passion series, depicting the burial of Christ with detailed figures and composition.

Marteld death of Andreas on the Cross, Lucas Cranach (I), 1510 - 1514 print Andreas is tied to the Schuinkruis (Andreaskruis) and bystanders cracks how the cross is set up by soldiers. On the right in front are two women with small children. One of the women gives her child the chest. Germany paper crucifixion of Andrew: he is undressed and tied to the cross

Albrecht Dürer, The Little Passion: Christ Expelling the Moneylenders from the Temple, 1509-1511, woodcut on paper.

The Fall and Redemption of Man: Christ taken captive, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Copper engraving by Veit Stoß, around 1500-1510, depicting the resurrection of Lazarus, including Christ, Lazarus, and surrounding figures with compositional details.

Sacred Maximilianus refuses to sacrifice to Mars; S. Maximilianvs Archiep. Lavreacare. M.; Saints of Bavaria I; Bavaria Sancta I. The H. Maximilianus, the bishop of Lorch, refuses to sacrifice at the War God's War God statue. Christians caught around him. On the right a man with a hood knife, a harbinger of the martyrdom of the H. Maximilianus. The print has a Latin caption and is the fourth print of a 60-part series with the saints of Bavaria.

The Crucifixion. Dated: probably c. 1509/1510. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.

Shooting of Christ. Christ, dressed in a loincloth and tied to a pillar, is beaten by a number of men with a scourge and rods.

Christ for the high priest Annas, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, 1548 print Christ stands, bound by neck and hands in front of the throne of high priest Annas. Armed soldiers around him. One of the soldiers hits Christ. In the right corner a man blows fire into a cart. The print is part of a thirty -part series with prints about the fall and Christ's passion. Haarlem paper etching Christ before Annas (Hanna); maybe a soldier about to strike Christ (John 18:13, 18:19-24)

Christ Taken Before the High Priest, 16th century, Albrecht Dürer, German, 1471-1528, 5 x 3 13/16 in. (12.7 x 9.68 cm) (sheet), Woodcut, Germany, 16th century

. At the Court of Emperor Hendrik de Saint, the H. Cunegundes of Luxembourg runs over twelve glowing team scissors without burning her feet. She proves her virginity after an accusation of unfaithfulness. The print has a Latin caption and is the 39th print of a 60-part series with the saints of Bavaria.

Christ before Annas Christ before Caiaphas. 1509. Cranach, Lucas, 1472-1553. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Christ falls to the crossbearing; Crossbreak; Passion of Christ. Christ falls exhausted on the ground when he is on the way of the house of Pilatus to Golgotha. A soldier encourages him to get up again. Simon from Cyrene takes the cross. Pilate is sitting on a horse left behind a group of soldiers. On the background on the right, Mary is supported.

The Betrayal and Capture of Christ Israhel van Meckenem German. The Betrayal and Capture of Christ 636600

Woodcut by an anonymous artist around 1500 depicting Christ carrying the cross, part of the Albertina Passion series, illustrating the crucifixion narrative.

Copper engraving by Benedetto da Montagna depicting Christ praying on the Mount of Olives, with figures and landscape, created in the first half of the 16th century.

Stenigen van Stefanus; Paul's life. The young Saul, the later Paul, witnesses Stefanus's stony. Stefanus does not pray not to punish his murderers. Print from a series of 10 prints with scenes from the life of the apostle Paul.

Christ bearing the Cross n.d. Albrecht Dürer German. Christ bearing the Cross 387378

The Lamentation, from The Little Passion Series, Albrecht Dürer, German, 1471-1528, Albrecht Dürer, German, 1471-1528, Woodcut on off-white laid paper, Scene at the foot of the cross. The arms of Christ are supported as he is placed on the winding-sheet. The Marys and Saint John are at left. Monogram of Dürer in foreground, center., Germany, 1509-11, figures, Print, Print

Christ shown to the people (ECCE gay). Christ is shown to the people. He stands on an increase so that the crowd can see him. On the right is a second increase in a nobleman who is also caught. His guard is a devil.

The martyrdom of John the Evangelist. For a man on a throne, John the Evangelist is folded with the hands in a boiler that is on a fire. A man holds the fire high with a bellows, another man pours with a large spoon boiling oil over John. Many bystanders watch. On versose side Latin Bible text in Gothic script in two columns.

Emperor addressing his Soldiers ca. 1542-45 Antonio Fantuzzi Italian. Emperor addressing his Soldiers 366017

Lucas Cranach the Elder, Christ Crowned with Thorns Christ Crowned with Thorns

A brown ink drawing by Cornelis Galle the Elder depicting St. Dominikus healing the fatally wounded Napoleone Orsini, executed with wash and traces of black chalk or graphite pencil.

The Betrayal of Christ, from The Large Passion 1511 Albrecht Dürer German. The Betrayal of Christ, from The Large Passion 388022

Pilate shows Christ to the people. Christ, dressed in a loincloth and with the crown of thorns on his head, holds a reed. The people are calling for his crucifixion. In the dungeon below the steps is another prisoner., Christ shown to the people, print maker: Johannes Wierix, (mentioned on object), Pieter van der Borcht (I), (mentioned on object), Antwerp, 1581, paper, engraving, h 118 mm × w 77 mm

Judaskus and Arrest of Christ; Passion and resurrection of Christ; Passio et Resurrectio D.n. Iesu Christi. Christ and his students in the court of Getemane. Judas coast Christ on the cheek. The soldiers surround and arrest him. Petrus Christ is trying to defend and falls into one of the soldiers. The print has a Latin caption with a text from the Bible and is the third print of a fourteen-part series about the passion of Christ.

De Graflegging, Martin Schongauer, c. 1470 - 1491 print Christ is placed in a grave by two men. Three women stand with these men. Opposite them, on the other side of the coffin, is Christ's mother Mary and John the Evangelist kneels. This print is part of a series of twelve prints with scenes from the suffering story. Germany paper engraving Christ's entombment (possibly by angels)

Paul preaches the doctrine of Christ in Rome, in or after 1629 - in or before 1646 print The apostle Paulus preaches the doctrine of Christ in Rome. All kinds of people listen to him. Soldiers guarded Paul. The print is part of an album. paper letterpress printing Paul preaches and tells his story to Jews while guarded by soldiers

Christ shown to the people (Ecce Homo), Ludovicus Siceram, After Hendrick Goltzius, 1623 print Christ is shown to the people by Pilatus on a stage. Pilatus has asked the people if he will release Christ or Barabbas. The people calls that Barabbas must be released, which happens in the middle, and that Christ must be crucified. Pilatus washes his hands in innocence. Antwerp paper engraving Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6). Pilate washing his hands (in innocence)

Zaccheus in the Fig-Tree. 1511 - 1515. Graf, Urs, approximately 1485-approximately 1527. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Crucifixion, from The Small Passion ca. 1509 Albrecht Dürer German. The Crucifixion, from The Small Passion 387424

Cross-canceled; The little passion. The body of Christ is taken from the cross. On the back Latin printed text. This print is part of the 'De Kleine Passie' print series, consisting of a title print and 36 biblical scenes (mainly from the suffering story).

Christ heals a possessed man, master of Delft (attributed to), 1503 print Christ with followers and possessed man where devil comes from the mouth. Low Countries paper Christ healing possessed people

Copper engraving by Marcantonio Raimondi, early 16th century, depicting the fair of Saint Gregory, illustrating historical and religious event in a public setting.

Remigius, holy.

Christ Crowned with Thorns, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. Christ Crowned with Thorns, from Speculum passionis domini nostri Ihesu Christi 666009

Adoration by the Shepherds, Hieronymus Wierix, After Bernardino Passeri, 1593 print Maria, Joseph and the shepherds kneel in worship for the Christ child that lies in his manger in the stable. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

After Lucas van Leyden, Christ Carrying the Cross, engraving.

Crucifixion, Albrecht Dürer, 1503 - 1504 print Christ on the cross between the two crucified criminals. Maria Magdalena embraces the foot of the cross of Christ. On the left in the foreground, the mother of Christ falls into Zwijm. On the right in the foreground, a number of men dice to Christ's clothes. Nuremberg paper comprehensive representations of the events on Golgotha during Christ's hanging on the cross, no particular event emphasized

Miraculous healing by Ignatius of Loyola from a man with epilepsy; Life of ignatius from Loyola; Vita B.P. Ignatii de Loyola FvNDatoris Societatis Iesv.ignatius of Loyola Heals a Man Who Has had an epileptic Attack and Lies on the Ground. Two Men and A Woman Watch in Worship. In The Margin A Two-Legged Caption in Latin.

Scourging Christ; Corpvs - MEVM - DEI - Percvtientibvs; Scenes from the life and passion of Christ. Christ, tied to a pillar, is provided by soldiers. In the background spectators, including Pilate.

A woodcut by Jacob Cornelisz van Oostsanen between 1520-1523 depicting Christ with the captain of Capernaum, showing figures, gestures, and composition details.

Christ shown to the people, Pieter de Jode (I), After Maerten de Vos, 1590 - 1632 print Pilatus, standing on the balcony of his palace, shows Christ to the people. In the foreground, two soldiers are burdened by a prisoner in a dungeon. Pilatus washes his hands in innocence in the background. In the margin a four -line caption in Latin. Fourteenth print from a series of twenty -four with the birth and passion of Christ. Antwerp paper engraving Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6). Pilate washing his hands (in innocence)

Adoration by De Herders, Antoni van Leest, After Pieter van der Borcht (I), 1571 - 1632 print The shepherds worship the Christ child in the manger. Joseph and Maria are at the manger. In the background the announcement to the shepherds by the angel. Antwerp paper letterpress printing adoration of the Christ-child by the shepherds; Mary and Joseph present. annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

The passion of Jesus Christ: Jesus Christ brought to Pilate. (Bartsch 20, Volume VI, page 11) Master E.S (around 1420-1468). The Passion of Jesus Christ: Jesus Christ brought to Pilate. (Bartsch 20, Volume VI, page 11). Burin. 1440-1468.

Imprisonment; The Great Passion. Christ is betrayed by Judas with a kiss and captured by soldiers. Latin text printed on versow. This print is part of the 'De Grote Passie' print series, consisting of a title print and 11 scenes from the suffering story.

The Flagellation, from The Passion of Christ ca. 1598-1617 Anonymous. The Flagellation, from The Passion of Christ 398297

Israel Van Meckenem (v.1445-1503). Cross (Bartsch 18, Hollstein 150). Chisel, 15th century. Museum of Fine Arts of the City of Paris, Petit Palais. Curin, condemns to death, crown epine, crown epines, cross, thief, cross, painful mystery, new will, passion, biblical scene, 15th xve xv 15th 15th 15th century, crucifixion

Intocht in Jerusalem, Anonymous, Hans Schäufelein, 1506 - 1507 print paper entry into Jerusalem: people spreading their clothes before Christ on the ass, and waving palm branches (Matthew 21:1-11, 21:14-16; Mark 11:1-11; Luke 19:28-40; John 12:12-19)

. The lost son is sent away as a beggar. In the background he is as a pig powder under a tree.

Andrea Zoan's late 15th-century copper engraving depicts a burial scene with coffin, mourners, and ritual gestures in a formal setting.

Hans Leonard Schäufelein (German, c. 1480-1485-1538-1540), Christ Bearing the Cross, woodcut

Christ is taken away by soldiers after his imprisonment; The Christi Comprehensione; Vitae Passionis et Mortis Jesu Christ ..

Crossing, Anonymous, Hans Schäufelein, 1506 - 1507 print paper carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian)

Two lame men come to Christ and the apostles. Engraving by A. de Bruyn after P. van der Borcht.

Martyrdom of Saint Barbara. The Holy Barbara, at the rock where they had hidden, is executed by her father Dioscurus. Barbara kneels while her father holds her hair aside to administer the deadly battle with his sword. A spiritual tries to prevent him from his deed. A group of soldiers looks scared. At the top right of two shields, the judicial and ducal weapon of Saxony are shown.

Woodcut by Albrecht Dürer from circa 1509-1510 depicting Christ accepting the cross, part of the Small Passion series, showing detailed figures and religious symbolism.

Lucas Cranach the Elder, Christ before Annas, in or before 1509 Christ before Annas

Woodcut by Albrecht Dürer from circa 1509 depicting Christ on the cross, part of the Small Passion series, showing detailed figures and religious symbolism.

Flogging; The Great Passion. Christ becomes bonded to a column, bothered, mocked and apparently by men and children. Pilate is watching the foreground on the left. Latin text printed on versow. This print is part of the 'De Grote Passie' print series, consisting of a title print and 11 scenes from the suffering story.

. Soldiers have placed a thorns of Christ on the head of Christ and press it with sticks on his head. On the left hand over a man Christ. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

Blessed Agilbertus van Freising, Raphaël Sadeler (II), After Johann Mathias Kager, 1627 print Agilbertus, bishop of Freising. oversees the construction of the Weeihenstephan monastery. The print has a Latin caption. München paper engraving male saints (with NAME). archbishop, bishop, etc. (Roman Catholic). building of church. building activities Freising

Christ blesses the children, Anonymous, Jakob Lucius (Der ältere), 1555 print paper Christ blessing children brought by their mothers, usually with some disciples disapprovingly looking on (Matthew 19:13-15; Mark 10:13-16; Luke 18:15-17)

Italy, Saint being beaten with sticks, verso - handwritten in brown ink, A saint with a crucifix in his arms is beaten with sticks by two men. On the left a man sits on a throne., print, prints, verso - stamped, 14. W. 145., height 118 mm, width 78 mm, print maker, printmaker, 1600 - 1699, paper, papier, etching, etchings

Joseph and the woman of Potifar. Potifar's wife, sitting next to her bed, grabs the cloak of the running Joseph.

Crucifixion. Christ is on the cross, between the two crosses with the two thieves. The Maria's, Johannes and Maria Magdalena mourn under the cross. In the background, the crowd spectators and soldiers leaves back to the city. Text and assignment in Latin in the undermaster.

Worship by the Kings, Andrea Andreani, After Aurelio Luini, c. 1568 - 1629 print The three kings worship the Christ child and offer gifts brought. Balthazar is on the left in the foreground. Behind Maria is Joseph. Three angels fly in the air. Italy paper adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Seven Works of Mercy, Burial of the Dead, Tobit and his friends bury the dead in Nineveh. Christ stands on the left and makes a gesture of blessing. Below the image is a reference in Latin to the Bible text in Tobit 2:4. This print is part of an album., print, prent, albumblad, prints, height 220 mm, width 249 mm, Southern Netherlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Moving; The little passion. Christ is blindfolded and with tied hands on the ground. A man beats him, another spit in his face. Print is part of a book.

Christ has thirsty and gets drinked; Give thirsty drinking; Ir Habt Michsteckt 52; Working of mercy. Christ has thirsty and gets a drink offered (Matthew 25: 35)

Print at the top right labeled: FOLI 177.

Crossbreak; The passion. Christ carries the cross to Golgota. Veronica kneels next to him and offers him a cloth. Behind them the procession with, among others, Maria and John. In the background Jerusalem.

Domenico Campagnola, The Adoration of the Magi The Adoration of the Magi

A copper engraving by Meister des Lebens Mariae und Christi from 1470-1490 depicting the crucifixion of Christ, showing figures, composition, and late 15th-century German printmaking techniques.

Doornenkroning, Anonymous, Hans Wechtlin (I), 1490 - 1526 print paper the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Christoph Murer, Christ Tells His Disciples of the Last Judgment, published 1630 Christ Tells His Disciples of the Last Judgment

Israhel van Meckenem, The Crucifixion, c 1480 The Crucifixion

Adoration of the Magi ca. 1545 Jean Mignon French. Adoration of the Magi 336823

The woodcut 'Martyrdom of St. Katharina' (c.1510) by Hans Schäufelin depicts St. Katharina, emphasizing posture, facial expression, and symbols of martyrdom and sanctity.

Paulus repeats the women of Filippi, in or after 1629 - in or before 1646 print On the banks of a river, the apostle Paulus repeats the women of the city of Filippi. In the background he shifts a spirit from a woman. He is then arrested and thrown into prison. The print is part of an album. paper letterpress printing near a river Paul and Silas preach to the women of Philippi. the healing of the woman servant with a divining spirit ~ Paul and Silas at Philippi. Paul and Silas thrown into prison. Paul and Silas brought before the magistrates by the masters of the healed woman servant

Sel against Christ by soldiers, Anonymous, After Albrecht Dürer, 1656 - 1699 print paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

The Flagellation, from The Passion of Christ ca. 1623 Ludovicus Siceram. The Flagellation, from The Passion of Christ 387683

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