Christian Religious Art

Historical prints depicting biblical scenes and saints, showcasing intricate details and artistry, reflecting themes of spirituality and devotion.

Saint Malchus of Chalcis as a hermit Sanctus Malchus , print maker: Christoffel van Sichem (II), Abraham Bloemaert, publisher: Pieter Jacobsz. Paets, Amsterdam, 1644, paper, letterpress printing, h 152 mm × w 102 mm

Christ appears to Mary Magdalene (Noli Me Tangere). Christ stands with a shovel about his shoulder in a garden. He looks down at the Kneelde Mary Magdalene. At the left behind a palm tree.

The penitent Maria Magdalena. Saint Mary Magdalena, for feet, leaning on a skull. On the background on the right, Mary Magdalene can be seen again, kneeling under Christ on the cross. Latin line in margin under print.

Saint Pachome the older as a hermit; St. Pachomius. .

Saint Malchus of Chalcis as a hermit Sanctus Malchus , print maker: Christoffel van Sichem (II), Abraham Bloemaert, publisher: Pieter Jacobsz. Paets, Amsterdam, 1644, paper, letterpress printing, h 152 mm × w 102 mm

Christ as a salvator mundi; Christ and the twelve apostles. Print from a series of seven prints

Saint Candida and Saint Gelasia as hermitaresses with angel, Christoffel van Sichem (II), After Abraham Bloemaert, 1644 print Amsterdam paper letterpress printing female saints. anchorite, hermit. angels

Capturing of Christ. Christ is captured by soldiers. Judas kisses him on the cheek. In the background Peter lifts his sword to hit the ear of Malchus.

Saint Gaddana and the Holy Elias; Hermit: Thebani saints; Gaddana et Elias. The soldier attacking Gaddana affects his own hand with his sword. In the background the Holy Elias is praying for his cave. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century.

Holy Family with John the Baptist and Elisabet. The kneeled Mary holds the hands of the Christ child that stands for her. On the left the young John the Baptist with his mother Elisabet and behind them Joseph and the donkey. Two-rolled Latin text in undermarge.

Resurrection of Christ, Pierre Daret, After Charles II Errard, 1646 print Paris paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Holy Malchus of Chalcis as a recluse, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1619 print paper engraving saints. anchorite, hermit

Resurrection. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Christ on the Mount of Olives, from The Passion 1508 Albrecht Dürer German. Christ on the Mount of Olives, from The Passion 391351

Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right 1543 Enea Vico Italian. Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right 397619

Saint Mary Magdalen Penitent 1585 Hendrick Goltzius Netherlandish Goltziuss elegant engraving of Mary Magdalen is one of his earliest prints to reflect the influence of Bartholomeus Spranger, the court painter to Rudolf II, whose work he was introduced to in 1583. Goltzius depicts several episodes from Magdalens life; her interactions with Christ and the moments that led to her becoming a penitent following his death. She is shown half kneeling in a rocky landscape, her hand on a skull, and weeping as she reads from her prayer book. In the foreground is a small but lavishly decorated jar holding the ointment she used to anoint Christs feet when he was dining with the Pharisee. In the background atop mount Golgotha, she can be seen again, kneeling at the foot of Christ on the Cross.Partially nude, her drapery wrapped stylishly around her, Mary Magdalen has the exaggerated proportions characteristic of Northern Mannerist art. She appears to be almost weightless, her torso angled sligh

Invitation of the prophet to the man's man, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, 1548 - 1554 print The man of God is under a tree. A prophet from Betel comes by on a donkey and invites him to come and eat in his house (1 Kings 13: 11-18). Although God has forbidden Him this, the man of God agrees. The print has a Dutch caption in rhyme and is part of a four -part series about the disobedient God's man. paper engraving / etching the old prophet rides off with his donkey, meets the prophet of Judah and invites him to his house

Saint Malchus of Chalcis as a hermit; Sanctus Malchus; Hermiters; Sacra Eremvs Ascetarvm ..

Resurrection of Christ. Christ floats for the closed tomb. In his left hand he has the banner of the resurrection. Around him single cherubs. Under his feet a globe with a cross and a snake. On the left, a skeleton crawls in or out of the mouth of a fabulous. On the right two stone tables. Under the margin a two-time and a four-line caption in Latin.

Humility overcomes the pride; Seven virtues and seven vices. The personification of humility (tapinophrosyne) is sitting with a yoke in her hands and a lamb on her lap. She has put her foot on pride's personification (Superbia) that lies on the ground for her. The print has a Latin caption and is part of a series of virtues and vices.

Christ as a man of sorrows at the column; The engraved passion. Christ stands for a column, the thorns crown on the head, the stigmata to hands, side and feet. Maria and John the Evangelist look at him. This print is part of a series of 16 prints with scenes from the suffering story.

Burial of Christ, Enea Vico, After Rafaël, 1543 print Christ is placed in the rock grave by Joseph of Arimatea. On the left the Maria's and in the foreground the passion tools. print maker: Italyafter design by: Italypublisher: Rome paper engraving / etching Christ's entombment (possibly by angels)

Saint Solomon as a hermit Sanctus Solomon , print maker: Christoffel van Sichem (II), (mentioned on object), Abraham Bloemaert, publisher: Pieter Jacobsz. Paets, Amsterdam, 1644, paper, letterpress printing, h 156 mm × w 105 mm

Sv. Ieronim, ego zhe; Vosem' kartinok iz zamka Vishnevets Saint Jerome ; from Vishnevets. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Saint Paul of Thebes as a recluse, 1619 print print maker: Amsterdampublisher: Low Countriespublisher: Antwerp paper engraving Paul of Thebes, the first hermit; possible attributes: raven, two lions

Sacred Sebastian tied to tree with beside him man with crossbow.

Copper engraving by Orazio de Santis depicting Christ in spring, produced in 1574.

Holy Malchus of Chalcis as a recluse, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1619 print print maker: Amsterdampublisher: Low Countriespublisher: Antwerp paper engraving saints. anchorite, hermit

Persecution causes hope for redemption, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1550 print A naked man wears a wooden cross on his back. He personifies the persecution of true Christians. In his right hand an anchor, the symbol of hope. The print has a Latin caption and is part of a fourteen -part series on the subject of the way to achieve eternal salvation. paper etching Eternal Bliss; 'Felicití eterna' (Ripa) (+ symbolical representation of concept). cross ~ instruments of the Passion. Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Christ the Saviour. 1520. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Holy Francis of Assisi receives the Stigmata, Raphaël Sadeler (I), After Johann Sadeler (I), After Bernardo Castello, 1617 print The H. Franciscus is kneeling in the wilderness. He receives a vision from an angel with six wing and receives his stigmata. In the background there is another monk for a cave. München paper engraving stigmatization of St. Francis of Assisi: in retreat on Mount Alverna, he beholds a vision of Christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of Christ

Judas Iscariot hangs himself, print maker: Willem Isaacsz. van Swanenburg, Abraham Bloemaert, Petrus Scriverius, 1611

Sacred Hieronymus Kneeling at Crucifix and Leeuw, Anonymous, After Marcantonio Raimondi, 1500 - 1575 print paper engraving the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Inhabitants of Nazareth Verwore Christ from the city, Jan Christoffel Jegher, after Antoine Sallaert, 1649 print The inhabitants of Nazareth shift Christ out of the city, to the edge of the mountain on which their city was built to put him into the abyss. Antwerp paper letterpress printing rejection of Christ's preaching in Nazareth: 'a prophet is not without honour except in his own country ...' (Matthew 13:54-57; Mark 6:1-4; Luke 4:22-24; John 4:44)

Martyrdom of the Holy Bartholomeus. The Holy Batholomeus, tied to a tree. In addition to him a man who loves the skin of his arm with a knife. To heaven a hand holding a crown with palm branch above the saint.

Artist: Heinrich Aldegrever, Germany, 1502-1555/61, Saint Mark, from the series The FourEvangelists, Engraving, 12 × 7.7 cm (4 3/4 × 3 1/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Resurrection of Christ, Anonymous, 1720

Heilige Hieronymus, anonymous, after Ventura Salimbeni, 1581 - after 1635 print The saint Hieronymus at a table in a cave. There are a skull, a crucifix and books on the table. In his hands he holds a rosary and the stone with which he hit himself on the chest. A rule of Latin text in the lower margin. print maker: Italyafter design by: Italypublisher: ItalyFrance paper engraving the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Baptism of Christ, Alexander Foot (i), 1628 - 1689 print John the Baptist baptized Christ in the Jordaan, above them the Holy Spirit in the form of a pigeon. On the left an angel with the robe of Christ. Antwerp paper engraving baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

Ezechiël, Jacob Matham (attributed to), after Hendrick Goltzius, 1589 print The prophet Ezekiel with his vision behind him about the resurrection, where life is blown into the dead. Haarlem paper engraving Ezekiel (not in biblical context); possible attributes: book or scroll, double wheel. resurrection: life is breathed into the bodies ~ Ezekiel's visions

Moving of Christ. Christ is mocked by two men. One of them holds a reed stalk in hand. Christ is sitting on a stone, his hands are bound and on his head he wears the thorns crown. In the margin a two-legged caption in Latin.

Christ as a Salvator Mundi standing on the globe. Christ as a Salvator Mundi standing on the globe in a mandorla surrounded by angel heads. In the edge of the beam wreath, the German text Mir is beated all orders Im Himel und Eerden.

Saint Hieronymus, Crispijn van de Passe (I), 1574 - 1637 print The saint Hieronymus kneeling, leaning on a skull, a crucifix in his right hand. He looks up to heaven and listens to the trumpets that announce the last judgment. Next to him are his cardinal hat, an open book and De Leeuw. The show is caught in an oval frame with an edge writing in Latin. In the corners four cherubins. In the margin a caption in Latin. unknown paper engraving St. Jerome listens to angels blowing the trumpets of the Last Judgement

H. Theresia and H. Nicolaas from Tolentino praying for the souls in the purgatory. For a cross and skull on an altar in a distant house, the Saint Theresia and Saint Nicolaas of Tolentino pray for the souls in the purgatory. In the background a city. In the margin an explanatory caption in Latin. The text is flanked by two coats of arms.

Christ rises from his grave. The soldiers lying around the tomb are startled and flee., Resurrection of Christ, print maker: Johannes Wierix, (mentioned on object), Pieter van der Borcht (I), (mentioned on object), Antwerp, 1570, paper, engraving, letterpress printing, h 114 mm × w 74 mm

Judas de Makkabeër as amusic transparent; Judas Machabeus; The nine best.

Saint Hieronymus as a penalty in the desert. Saint Hieronymus kneels as a penalty in the desert or wilderness at a tree. He is shown as a lean old man. There are a book and a crucifix for him. A lion is running in the background. Cherubs float in the air

Saint Peter and believers. Saint Peter, pointing to heaven with his left hand. Two keys in his right hand. Believers who listen to Him in the foreground. Numbered in the middle of: XXXVIII.

Man with dragon. A man who makes a blessing gesture and looks down to a dragon. Possibly the sacred Paul who overcomes the viper in the dungeons or the Holy Philippus and the dragon.

Resurrection of Christ, Anonymous, After Jan Luyken, 1681 - 1762 print paper etching Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Evangelist Mattheüs, 1596 - 1652 print Matthew the Evangelist, seated, writing in a book. An angel holds him an ink jar from behind his back. Under the show the text 'S. Mathevs. Evan, "and the address of the publisher. This print is part of a series of four performances of the evangelists, each with the name of the evangelist in question as a caption. print maker: Leidenprint maker: Netherlandspublisher: Amsterdam paper engraving the apostle and evangelist Matthew (Mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword

Saint Roch with a donor and a dog at left 1602-03 Francesco Brizio Italian This print is after Parmigianino's painting in San Petronio, Bologna.. Saint Roch with a donor and a dog at left. Francesco Brizio (Italian, Bologna ca. 1574-1623 Bologna). 1602-03. Engraving. Prints

Landscape with Christ. Christ is next to the cross and shows the wound in his side. In the background a face on a city in a hilly landscape. Left below numbered: I. In the margin a three-legged bible quote from matte. 28 in Latin.

Sacred Christoffel. The H. Christoffel carries the Christ child on his shoulders over a river. A palm tree in his left hand. Top left in the clouds Maria with child and John the Baptist.

Soldiers give Christ to drink. Christ sitting on a stone. A man offers him a bowl of drinking, another man has a jug in his hand.

The resurrection, Lucas van Leyden, 1521 print Three men at the empty tomb, above Christ in a cloud with a flag in the left hand. Low Countries paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Copper engraving 'The Holy Christophorus' by Israhel van Meckenem, late 15th century, depicting Saint Christophorus with symbolic attributes and compositional detail.

Christ with passions of vehicles supported by an angel. The suffering Christ is supported by a little angel while sinking through his knees. To his naked body, a canvas is draped and his wounds are visible. There are two passion equipment, the thorns crown and a whip on the ground. Behind Christ is the column of his flogging.

Truth teaches man worship God; Triumph of the truth. The true believer (Adorator Verus) is guided by truth. She points him the radiant light from God that appears from behind dark clouds. By being guided by truth, the true believer is visited by the Holy Spirit (a pigeon). The print has a Latin and a Dutch caption and is part of a series about the triumph of truth.

A religious drawing by Giovanni Odazzi depicting the Holy Family in Josephs workshop, with Mary holding the sleeping child, Joseph at the left, and cherub heads above.

Marcus the evangelist; The four evangelists (copies). The Evangelist Marcus, sitting on a cloud with a banderole in his hands. The lion under him.

The time kneels for a craftsman at a loom. The winged time is with a piece of fabric in his hands, symbol of quality and durability, knocked down for a woman who is at work behind a loom. The handicraft is assisted on the right by Mercury, God of Trade. In the background, the personalized investment awaits.

The church preaches, Hendrik Bary, Jan Rieuwertsz. I, 1665

Onuphrius the big, holy.

David in prayer Lucas de Leyde (1494-1533). David in prayer - B 29, 1520.

John the Baptist; Christ, Maria, John the Baptist and the Apostles ..

Bewening, Orazio Borgianni, 1615 print The body of Christ is being tired by two Mary's and John the Evangelist. Text in STUDMARGE. paper etching lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns)

Etching by Monogrammist AC showing the baptism of the Ethiopian eunuch, created in 1524, depicting a biblical scene with water and figures in ritual action.

Sebastiaan is delivered from Arrows by angels. The Sacred Sebastian is freed from the arrows in his body and ropes by small angels with which he is tied to a tree.

Saint Jacobus of Nisibis as a recluse, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1590 - 1612 print print maker: Amsterdampublisher: Low Countries paper engraving saints. anchorite, hermit

Heilige Christoffel, Giles Sadeler (2), after Jacopo Bassano, 1605 print The Holy Christoffel carries the Christ child on his shoulders over a river. A palm tree in his left hand. At the top left in the clouds Maria with child and Johannes the Baptist. Prague (Possible) paper engraving the giant and martyr Christophorus; possible attributes: palm-tree (with bunches of dates, or withered), infant Christ - personal devotion of male saint (+ Mary)

God appears at Noah after the flood.

Lucas de Leyde (1494-1533). "Passion": 14 plates - 11. "The descent of the Cross" - Bartsch 53. Chisel. 1521. Museum of Fine Arts of the City of Paris, Petit Palais. 73055-4 Religious art, bible, chisel, the way of the cross, dead Christ, Christianity, decent cross, pain, Dutch School, Stampe, Holy History, Religious Iconography, impression in a carbonated size, Mont Golgotha, Work Art, Passion of Christ, Biblical Character , Biblical recite, biblical scene, 8th 8th 8th 8th 8th 8th arrondissement, 16th 16th XVI 16th 16th 16 Center, engraving

H. Martinus van Tours. Saint Martin gives half of his sleek to the beggar that lies on the ground by him. Martinus is barefoot.

Saint Euphrasia from Constatinople as a hermal; Sancta Euphraxia; Kluizenaars; Sacra Eremus Ascetriarum. Sacred Euphrasia from Constantinople as a horror kneel in prayer in her hermit cell and is placed in temptation by the devil.

Archangel Michael kills Satan and weighs a soul. The winged Archangel Michael has to kill his sword to satan, represented like a dragon. Satan is sitting on one of the scales of the scale that is held by Michael, in the other bowl is a soul of a dead. Left and top right the shields with the judicial and ducal weapon of Saxony are depicted.

Resurrection of Christ, Boëtius Adamsz. Bolswert, 1622 print paper engraving Resurrection of Christ

Paid of Christ. Maria pretended the body of the Died Christ, which is on her lap. Maria Magdalena and a young man (possibly John) together support the upper body of Christ.

Triumphing Christ on Het Cross, Hieronymus Wierix, After Gillis Mostaert (i), 1563 - Before 1573 print Christ triumphs over death. Christ hangs on the cross, at the foot lies the skeleton that symbolizes death. Maria Magdalena mourns at the cross. In the background there is a threatening air above the city of Jerusalem. In the margin a two -way caption in Latin. Antwerp paper engraving crucified Christ with Mary Magdalene, who usually weeps and embraces the cross. Christ triumphing (with crown, head usually upright). Death as skeleton

Prophet Samuel, Abraham de Bruyn, after Pieter van der Borcht (I), 1550 - 1587 print The prophet Samuel. He has the right -hand staff in his left hand. A landscape in the background. On top of the print is a reference to the Old Testament (1 Kings 3.5.1). Antwerp paper engraving male persons from the Old Testament (with NAME) (not in biblical context)

Saint Mark, from The Four Evangelists Heinrich Aldegrever German after Georg Pencz German 1539

St Jerome (331/347 Stridon - 419/420 Bethlehem) - a follower, Doctor of the Church, author of the Vulgate unknown

Germany, Cranach, Lucas (I), Saint Bernard adoring the Man of Sorrows, verso lower left - stamped, Christ as the Man of Sorrows sitting on the grave. He holds his arms crossed in front of his chest with two instruments of the passion, rod and whip, in his hands and a crown of thorns on his head. Saint Bernard kneels before Christ with folded hands. A mitre lies before him. Between Christ and the saint is depicted a heart, pierced by an arrow. At the top right, the electoral and ducal coats of arms of Saxony are depicted on two shields., print, prent, prints, prenten, height 131 mm, width 108 mm, German, 1472 - 1553-10-16, print maker, prentmaker, 1482 - 1553, fourth quarter 15th century, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, papier, houtsnede

Woman is admitted to heaven, Johannes Drappentier (before 1669-after 1713), After Benjamin Pratt, in or after 1695 print A woman is admitted to heaven after she has rejected worldly authority. In heaven, the choir of Engelen is welcoming her with a laurel. The woman stands on the earth and raises her arms. A spell band with the being: transported with thy Exellence, connects her with heaven. On the floor there is a rich apple with a globe next to her. England paper engraving / etching coronation of Mary by one or more angels. journey to heaven, pathway to heaven

The Resurrection, from The Passion of Christ ca. 1623 Ludovicus Siceram. The Resurrection, from The Passion of Christ 387689

The Holy Sebastian. Copy in mirror image

Illustration showing the Virgin Mary with Saint Anne, Saint Roch, and Saint Sebastian, engraved by Giovanni Giacomo Caraglio between 1520 and 1539.

Prophet Jona. The prophet Jona sitting with two figures.

Evangelist Marcus, anonymous, after Anton von Woensam, 1527 print paper Mark (Marcus) the evangelist, and bishop of Alexandria; possible attributes: book, (winged) lion, pen and inkhorn, scroll

Franziska Romana, saints.

The Blood of the Redeemer Venerated by Two Angels before 1619 Hieronymus (Jerome) Wierix Netherlandish. The Blood of the Redeemer Venerated by Two Angels 426211

. Saint Hieronymus with a crucifix in his hand, leaning on a skull.

Christ as the Good Shepherd, Master of the Amsterdam cabinet, 1473 - 1477 print Christ with lamb on the shoulders, empty banderol above head. Germany paper drypoint the good shepherd (Christ) defending his sheep against wolves; 'I am the good shepherd' (John 10:1-16)

Saint Eugenia of Rome as a hermit Sancta Eugenia , print maker: Christoffel van Sichem (II), Abraham Bloemaert, publisher: Pieter Jacobsz. Paets, Amsterdam, 1644, paper, letterpress printing, h 155 mm × w 103 mm

Holy Simeon Stylites the older as a recluse, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1619 print paper engraving the hermit Simeon Stylites. anchorite, hermit

Christ as a man of sorrows, accompanied by angels. Christ is at the foot of the cross and shows his wounds. On either side of him angels with the passions. A kneeled man hands the reed stalk to Christ. In the margin a two-legged bible quote from PS. 34 in Latin.

Triumphing Christ, Johann Sadeler (i), After Jan Snellinck (i), 1560 - 1600 print The triumphant Christ, standing on a skull and a snake. Cherubies above him in the air. paper engraving triumphant Christ, e.g. on triumphal chariot. particular types of adult Christ (without others)

Lamsvelt, Jan, Title page for: H. de Groot, Vande Waarheyd des Christelyken Gods-dienst, Personification of the Christian faith at the bust of Hugo de Groot, verso - stamped, The personification of the Christian faith has appeared on a cloud and is holding an open Bible and a palm branch. Around her head is a halo with a dove, the symbol of the Holy Spirit. The Christian Faith points to the Lamb of God that in the distance on a mountain. Next to her is a portrait bust of the jurist and writer Hugo de Groot on a pillar, at her feet an angel reveals a globe., print, engraving, title page, prints, height 161 mm, width 94 mm, Noord-Nederlands, 1674-09-30 - 1743, print maker, printmaker, 1684 - 1743, paper, papier, engraving (printing process)

. Saint Mary Magdalene, repented with a crucifix in her arms.

Landscape with St. Margaretha van Antioch, Antonie Wierix (II), 1565 - Before 1604 print The Holy Margaret of Antioch stands on a hill, her arms crossed in front of her chest. There is a lamb at her feet. At the back left the dragon. In the background a face on a city. In the margin a two -way Bible quote from PS. 36 in Latin. Antwerp paper engraving the virgin martyr Margaret of Antioch; possible attributes: cross, crown, dragon (under feet or on chain), (chaplet of) pearls

Offer of Cain and Abel; The letter to the Hebrews Chapter 11. In the foreground, Abel kneels at his sacrifice altar on which lambs are sacrificed to God. God approves Abels sacrifice and has appeared at the top of the cloud of smoke. Abel is beaten by Cain. Completely in the background, Cain kneels at its sacrifice altar on which corners are sacrificed. The smoke goes down, the sacrifice is refused. Below the image is a two-legged text in Latin, left in the margin numbered: 1. The print is part of a series of prints about the letter to the Hebrews Chapter 11.

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