Christ's Agony and Resurrection

Engravings depicting pivotal moments in Christianity, including Christ in Gethsemane and the Last Supper. The artwork features religious figures and somber tones.

Maria with child worshiped by saints, William Unger, after Peter Paul Rubens, 1847 - 1932 print Germany paper. etching Mary and the Christ-child with John the Baptist (as child). Madonna accompanied by saint(s). the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Christ on the Olives Mount, Albrecht Dürer, 1508 print paper engraving agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross

Resurrection of Christ, Jan Harmensz. Muller, after Lucas van Leyden, 1800 - in or before 1891 print Is part of a cover with fourteen prints. paper engraving the empty tomb ~ Resurrection of Christ

Christ in Gethsemane, Jan Harmensz. Muller, after Lucas van Leyden, 1800 - in or before c. 1891 print Is part of a cover with fourteen prints. paper engraving Gethsemane, Mount of Olives, 'Oelberg' (Matthew 26:36-56; Mark 14:32-52; Luke 22:39-53; John 18:1-12)

Last Supper, Jan Harmensz. Muller, after Lucas van Leyden, 1800 - in or before 1891 print Is part of a cover with fourteen prints. Christ is celebrating the Last Supper with his disciples. He gives one of them bread. paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Christ appears on the Apostles, William Unger, After Giovanni Battista Crespi, 1861 - 1889 print Vienna paper. etching Christ. other groups of apostles. specific aspects ~ St. Peter. specific aspects ~ St. Paul

The holy heart held by angels with Satan near, Anonymous, After Antonie Wierix (II), c. 1630 - c. 1650 print The holy heart held by angels with Satan near. Part of a series of seventeen prints about the human heart overcome by the Christkind, a theme related to the Jesuits. paper engraving the Sacred Heart. regular clerics, e.g. Jesuits, Redemptorists

Maria with child worshiped by saints, William Unger, after Peter Paul Rubens, 1847 - 1932 print Germany paper. etching Mary and the Christ-child with John the Baptist (as child). Madonna accompanied by saint(s). the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

La Passion de Notre-Seigneur Jésus-Christ. Bisson Frères (French, active 1840 - 1864)

Christ on the Cross, Anonymous, After Hans Sebald Beham, 1521 print paper the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Christ on the Cross, Heinrich Ulrich, after Jan van der Straet, 1582 - Before 1671 print Christ and the two sinners crucified on Mount Golgota. At the bottom of the cross of Christ are the Mary's and John the Evangelist. At the foot of the cross a skull and a chained monster. In the foreground soldiers who baptize the sponge in vinegar and the clothing of Christ dragging out. In the background bystanders and a face on Jerusalem. Above the two sinners a group of angels and a dragon. A Latin text in the lower margin. Germany paper engraving the cross(es) in the middle distance. crucified Christ with Mary, John, Stephaton and Longinus - DD - the three crosses. sun and moon in the sky at either side of the cross of Christ. devil(s) and demons. riding a horse, ass, or mule; rider, horseman. cherubs, i.e. children's heads with wings Jerusalem

Evangelist Lucas. The Evangelist Marcus on a cloud surrounded by five putti. A tableau in his hand. One putto holds the book.

Bishop kneeling for Mary with Christ, Charles Onkhena, After Lucas van Leyden, 1839 print Ghent paper etching picture, painting. Mary sitting or enthroned, the Christ-child sitting on her knee (Christ-child to Mary's left). archbishop, bishop, etc. (Roman Catholic)

Copper engraving by Cornelis Cort depicting St. Francis of Assisi receiving the stigmata, created in 1567.

Maria with the Christ child, a snake trying, anonymous, 1600 - 1699 print Netherlands (possibly) paper etching / engraving Madonna: i.e. Mary with the Christ-child

Barnabas preaching.

La Passion de Notre-Seigneur Jésus-Christ. Bisson Frères (French, active 1840 - 1864)

Saint Juan Diego finds the food given by the Angel, Simon Guillain (II), After Annibale Carracci, 1646 print print maker: Romeafter painting by: Romeafter drawing by: Romepublisher: Romeprinter: RomeItaly paper etching saints. specific aspects of angels, e.g. intervening in human affairs Our Lady of the Sacred Heart

Healing of the paralyzed by Petrus and Johannes, Anonymous, Albrecht Dürer, 1800 - 1899 print paper engraving healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31)

Unknown photographer, altar wing from the Herrgottskirche in Creglingen (without date): View of the lower inner panel from the left altar wing with the proclamation scene of the Marien altar by Tillmann Riemenschneider. Photo on paper, 38 x 32.6 cm (including scan edges) unbek. Künstler : Altarflügel aus der Herrgottskirche, Creglingen

Copper engraving by Jan Harmensz. Muller, created around 1590, showing the baptism of Christ, including John the Baptist, Christ, river, and surrounding figures.

Hagar and the angel. Hagar is in the desert at a source, where an angel of the Lord appeals to her and to improve her to go back.

Christ in the Hof van Getsemane, Dirck De Bray, 1635 - 1694 print paper Christ's prayer in the Garden of Gethsemane during the night

Triumph of Faith, 1790 print Peter tramples the heresy, presented as a chained devil lying on the ground. Next to him are the personifications of the church and faith. paper etching Faith, 'Faith'; 'Fed', 'Faith Catholic', 'Fed Christian', 'Fed Christian Catholic Church (Ripa) ~ One of the Three Theological Virtues - Mm - Virtues Triumphant

Mater Dolorosa; Mirror of honorability; Speculum Pudicitiae. The Virgin Mary, mourning next to the Cross of Christ. A sword puts in her chest. In the background on the left the sleeping soldiers at the grave of Christ. The fifteenth print of a seventeen-part series with female saints.

Copper engraving by Cherubino Alberti depicting the figure of Saint Paul in the Conversion of Paulus in the Capella Paolina, created in 1590, illustrating religious and Renaissance engraving.

Les cinq disciples de Notre-Seigneur Jésus-Christ. Bisson Frères (French, active 1840 - 1864)

S.P. Blessed

Holy Franciscus Temt a hyena, Jean Baptiste Marie Pierre, 1723 - 1789 print paper etching miraculous activities and events ~ St. Francis of Assisi

Image of St. Thomas a Kempis. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, unknown, graphic artist

Copper engraving and etching by Bartholomäus Kilian depicting St. Ida of Toggenburg, showing the saint with traditional religious symbols and attire.

Lucas de evangelist, Stephan Colbenschlag, after Domenichino, 1657 print print maker: Romeafter design by: Italy paper etching Luke the evangelist; possible attributes: book, (winged) ox, portrait of the Virgin, surgical instruments, painter's utensils, scroll. ox. St. Luke painting or drawing the Madonna from memory. vestments of high priest ~ Jewish religion Sant'Andrea della Valle

Crucified Christ is embraced by a cardinal. A cardinal stands on a staircase with four steps. He embraces the crucified Christ from the upper step. His cardinal hat is behind him on the stairs. On the right is a female saint. Two-rolled Latin text in undermarge.

Angel with a palm branch and a crown. An angel, standing between two sitting men, a crown in the right hand, in the left a palm branch.

H. Ursula with her cozordies in heaven, Charles Onkhena, After Hans Memling, 1841 print Reliekeholder decorated with representations from the history of Saint Ursula. Brussels paper etching the virgin martyr Ursula of Cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship. relics (and reliquaries) Sint-Janshospitaal

Copper engraving and etching by Bartholomäus Kilian from the 17th century depicting the Virgin Mary with the sleeping child, showing figures, drapery, and compositional detail.

Christ preaching (The hundred guilder print), William Baillie, after Rembrandt van Rijn, 1733 - 1810 print paper etching Christ preaching or teaching (in general)

The Holy Family, c. 1550 - c. 1575 print Maria is sitting on her lap with the Christ child. Behind them, Jozef stands for a drapery. paper etching Holy Family, and derived representations

Martyrdom of Saint Margaret of Antioch, Johannes Wierix, after Jan van der Straet, 1559 - Before 1620 print The Holy Margaret of Antioch appears without injuries from the belly of the dragon thanks to the cross sign in her hands. She is honored by two angels who both also hand her a palm branch. In the context in the margin a two -way Bible quotation from the revelations 12 in Latin. Antwerp paper engraving the virgin martyr Margaret of Antioch; possible attributes: cross, crown, dragon (under feet or on chain), (chaplet of) pearls. angels crowning and/or bringing palm-branches. the Revelation of John, the Apocalypse

Holy Francis heals a sick woman, Jean Baptiste Marie Pierre, 1740 - 1750 print paper etching miraculous activities and events ~ St. Francis of Assisi

Christ descends in the pre -bored, James Ensor, 1895 print paper etching Christ enters hell

An Abbot-Saint Restoring a Blind Mans Sight (Un St. Abbé rendant la vûe à un aveugle), c. 1729, Etching over two chiaroscuro woodblocks, printed in yellow-brown, on laid paper.

Three men find parts of a harness in a dungeon, Anonymous, 1800 - 1900 print Netherlands paper escape, escape attempts. armour. monk(s), friar(s)

Resurrection, Christ appears to His Mother, Christ appears to Mary Magdalena, Christ in Emmaus, Albrecht Dürer, 1510 print The eighth series of four scenes from the press series 'De Kleine Passie', here still unputed with 4 images on 1 sheet. At the top left: Christ standing next to his grave, surrounded by sleeping soldiers. At the top right: Christ greets his mother Mary, who is kneeling for a reader. Bottom left: Christ, dressed as a gardener, greeting Maria Magdalena. At the bottom right: Christ breaks the bread at the table with four gentlemen in Emmaüs. Nuremberg paper Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers. appearances of Christ after the Resurrection. Mary Magdalene kneeling before Christ, who is usually represented as a gardener with a hoe and/or a spade; 'Noli me tangere'. the supper at Emmaus: Christ is recognized while blessing or breaking the bread

Maria with child in landscape. Maria is sitting with the Christ child on her knee under a tree. In addition to Jesus is a jug. In the background a bridge and a few buildings.

Saint Peter with other sacred and angels; Ascension of Maria. Saint Peter (recognizable by the putti with two large keys) along with another saint on clouds. They are surrounded by angels, two of which blow on trumpets.

David is anointed by Samuel, Anonymous, After Maarten van Heemskerck, 1626 - 1676 print David kneels for the prophet Samuel, who with oil from a horn to king ointment. His harp lies for David. His father Isaï and Davids brothers watch, among others. Behind Samuel the head of a cow is sacrificed. At the rear left Samuel asks God for advice and right rear David is picked up to appear for Samuel. At the bottom a cartouche with a three -line text in Latin and in the margin a single -line caption in Latin from 1 Sam. (incorrectly referred to as 1 kings on the print). print maker: Low Countriespublisher: Antwerp paper engraving Samuel anointing David in the presence of his father Jesse and his brothers

Last Supper, Anonymous, After Hans Sebald Beham, 1510 - 1550 print paper Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Reproduction of a print of Christ that appears before Maria Magdalena by Martin Schongauer, Simonau & Tooey, after Martin Schongauer, c. 1867 - in or before 1872 photomechanical print This print is part of a cover with 24 prints on 24 magazines. Brussels (possibly) paper the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge. Christ as adult

Archangel Michael in battle with the dragon. The Archangel Michaël tramples the dragon (the devil).

Heilige family, Hermann Eichens, After Bartolomé Esteban Murillo, 1850 - 1884 print print maker: Germanyprinter: Parispublisher: Paris paper etching / engraving Holy Family, and derived representations

Maria with child on moonstep. .

Christ on the Kruis, Lodewijk Schelfhout, 1913 print Netherlands paper drypoint Christ on the cross on Golgotha (alone, without bystanders)

Mother of God, Spouse of the Spirit (Sponsa Spiritus Sancti). Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, unknown, graphic artist

Lamb surrounded by the evangelist symbols.

Mary with Christ Child, Isabella Hertensens, 1747 - 1757 print Mary with the Christ child on an arm. Standing on a snake and a half moon including a sphere with three cherubs. Antwerp parchment (animal material) engraving

Resurrection of Christ and Christ appears as a gardener to Mary Magdalena (Noli Me Tangere), Anonymous, 1600 - 1699 print Christ appears with the banner of the resurrection in hand above the opened sarcophagus. The soldiers around the grave scare awake. In the background, Maria Magdalena recognizes the risen Christ, after she had seen him for gardener, and kneels for him. He tells her not to hold him. On the right in the background is an angel on the opened tomb of Christ. The angel tells the three Marys that Christ has risen. Netherlands paper letterpress printing Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers. Mary Magdalene kneeling before Christ, who is usually represented as a gardener with a hoe and/or a spade; 'Noli me tangere'. angel(s) addressing the holy women ~ Resurrection of Christ

Allegory on the Immaculate Conception, Pierre Lelu, After Giorgio Vasari, 1783 print At the bottom, Adam and Eva are tied to the tree of the knowledge of good and evil containing the snake. Next to them are Moses, Kings, Priesters, a soldier and other figures. At the top of the tree, Maria floats with angels on a cloud. With her left foot she is a half moon and tramples the snake in the tree. paper etching 'Immaculata', 'Purisima': Mary, usually standing on a crescent moon, descending from heaven, exempt from original sin (sometimes trampling serpent)

Monk at Prayer 1843 France. Drypoint and roulette on cream wove paper . Charles Émile Jacque

Playing Mary with child, surrounded by saints, anonymous, 1530 print France paper Mary sitting or enthroned, the Christ-child in front of her, sitting in her lap (or in front of her bosom)

Angels granted the death of Christ with ahasverus on the left, Louise Girard -Bathilde (attributed to), after Ary Scheffer, 1836 - 1857 print paper engraving Christ lamented by angels. Ahasverus, the wandering Jew

Spinning saint, Juliaan de Vriendt, 1852 - 1913 print paper. etching spinning (manufacture of yarn). female saints. nimbus, halo ~ radiance emanating from persons or things

Moses receives the tables of the law; The DNS Mysi in Monte Sinai Duas Tabulas (...); Performances by Rafael in the Vatican. Moses receives the dining of the law of God on the Sinai mountain. Right, Moses shows the dining to the Israelites. Title and reference to the Bible text in the sub-margin.

Nativity (Mother and Child Surrounded by Five Figures) 1897-1903 France. Transfer drawing in brown and black ink (recto) and graphite and red chalk (verso) on cream wove paper trimmed and perimeter mounted on cream laid paper . Paul Gauguin

Christ on the Kruis, Lodewijk Schelfhout, 1913 print Netherlands paper drypoint Christ on the cross on Golgotha (alone, without bystanders)

Christ on the Cross, Barbara Elisabeth van Houten, 1872 - 1950 print paper etching the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Vignette with Christ with grieving Maria Magdalena after his resurrection in medallion at three suffering tools in Landschap, Leendert Brasser, 1727 - 1793 print Vignette with Christ with grieving Mary Magdalena after his resurrection in medallion in sufferers, thorn crown, lance with sponge and cross of Christ, in landscape. In the background there are three soldiers at the opened grave. Netherlands paper etching mourning the dead. single instruments of the Passion. landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc.

Similarity of Christ as the Good Shepherd, Dirck De Bray, 1635 - 1694 print paper the good shepherd (Christ) defending his sheep against wolves; 'I am the good shepherd' (John 10:1-16)

Adoration by the Kings, Frans Floris (I) (School of), 1570 - 1596 print With the Christ child, Mary is sitting on her lap in front of a arched party. Behind her is Joseph. The three kings from the east kneel and offer Christ their gifts. In the background you can see how shepherds follow the star. In the lower margin a two -line Latin text. Reconstructed from two fragments. Southern Netherlands paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Reconciliation from Jakob and Esau. The Esau and Jacob brothers embrace. Right behind Esau is his army. Left the cattle and the kneeled women and children of Jacob. Under the show the title and four four-line verses in Latin. Reconstructed from two fragments.

Copper engraving by Jan van der Straet created between 1557 and 1612 depicting the Last Supper, showing Jesus with disciples, table, food, and human figures in traditional composition.

The Holy Family. Maria is on your lap with the Christ child. Joseph is standing behind them for a drapery.

Crossbearing, veronica with the sweat cloth, cross direction, crucifixion; The little passion. The sixth series of four scenes from the prents series 'De Kleine Passie', here yet failed with 4 images on 1 leaf. Top left: Christ bears his cross, followed by a crowd of people; Veronica stands next to him with the sweat cloth. At the top right: Veronica, flanked by Petrus and Paul, keeps the sweat cloth with the imprint of the face of Christ (Sudarium). Bottom left: Christ is nailed to the cross. Bottom right: Christ on the cross, the Maria's on his right, a few soldiers on his left.

The Entombment Published 1877 United States. Wood engraving on Japanese paper . Timothy Cole

Photo production from a print to a painting, representing the worship of the sages, Anonymous, After Stefan Lochner, c. 1859 - in or before 1869 photograph photographic support albumen print adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Holy Hyacinthus of Poland. The holy hyacinthus at sea with a crucifix and a large banner.

Crossing, Veronica with the sweat cloth, cross -facing, crucifixion, Albrecht Dürer, 1509 - 1510 print The sixth series of four scenes from the press series 'De Kleine Passie', here still uncut with 4 images on 1 sheet. At the top left: Christ wears his cross, followed by a crowd of people; Veronica is standing next to him with the sweat cloth. At the top right: Veronica, flanked by Peter and Paul, keeps the sweat cloth with the print of the face of Christ (Sudarium). Bottom left: Christ is nailed to the cross. At the bottom right: Christ on the Cross, the Mary's on his right side, a few soldiers on his left. Nuremberg paper Christ meets Veronica, who has a cloth to wipe Christ's face. 'Vera Icon', held up by Veronica. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. the apostle Paul of Tarsus; possible attributes: book, scroll, sword. the erection of the cross: Christ is nailed to the cross w

Piesa, Jacques Callot, after Michhelallo, 1608 - 1611 print Seated by the cross, Mary advises the body of the deceased Christ, which is on her lap. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print). Rome paper engraving the dead Christ in Mary's lap

Textile decorated with an angel and a saint with dogs, c. 1875 - c. 1900 photograph Europe cardboard. paper. printing ink collotype textile fabric, cloth. angels. dog Europe

Saint. Dominik and Saint. Thomas Aquinas unknown

Ascension of Maria, Anonymous, After Hieronymus Wierix, 1563 - Before 1619 print Maria is taken to heaven on the crescent moon. Christ takes her hand. Above Him the Holy Spirit as a pigeon and God the Father. They are surrounded by angels on the clouds. In the margin a six -line caption, in two columns, in Latin. Antwerp paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels (+ Holy Trinity)

Image of the sweet dear woman from Den Bosch; The miraculous bell from O.L. Vrouwe van 's Dukes Bos Mother of Soetightheyt (...). The image of the sweet sweet woman in the Saint-Jans Cathedral of Den Bosch.

Annunciation; Life and the passion of Christ and of the Virgin Mary. Maria is sitting on a chair and reads a book. She is visited by the angel Gabriel, who proclaims her the birth of a son who will be called Christ. In the air the pigeon as a symbol for the Holy Spirit. The print has a Latin Bible quote as a caption and is the first print of a fifteenthous series about the life of Christ and the Virgin Mary.

Man from army camp of Israel with Saul crown for David, Hans Holbein (II), 1538 print A man, fled from Saul's attacked army camp, kneels for David and offers him the crown of Saul. In the margin above the image is II regvm I 2 Samuel 1. paper a messenger brings the tidings of Saul's (and Jonathan's) death to David; the messenger falls prostrate to the ground before David

Christ child with a cross on an illuminated cloud, Sébastien Leclerc (I), 1683 print print maker: Francepublisher: Metz paper etching cross as symbol of Christ

Religious Allegorie, Edouard Vermorcken, 1830 - 1904 print paper allegorical and symbolical representations ~ the Church and Religion. angels. monk(s), friar(s)

Twelve years old in the temple, Lodewijk Schelfhout, 1931 print Christ at the age of twelve, wrapped in debate with three bearded, Jewish scribes in the temple of Solomon. One of the scholars holds a book in the form of a role. Maria and Joseph, who were looking for their son, view the scene through a window. paper drypoint Christ's dispute with the doctors in the temple; he counts his arguments on his fingers

Grave of Christ, Johannes de Mare, After Titian, 1852 print The burial of Christ. The body of Christ is carried towards the grave by Joseph of Aritathathea, Nicodemus and a third disciple. Johannes supports the Maria. Paris paper. etching / engraving Christ's entombment (possibly by angels)

Peter and John heal a paralyzed man at the Temple Gate, Tommaso di Lorenzo, After Rafaël, After Nicola Ortis, 1851 - 1922 print The performance is based on the text from Acts 3: 4-31. paper etching / engraving disabilities, deformations. healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31)

Ceiling paintings in the Chapelle du Chasteau: angels with seven-armed candlestick and musical instruments. .

Ignatius van Loyola has a vision of Petrus, Hieronymus Wierix, 1611 - 1615 print Ignatius van Loyola is injured in his bed after the siege of Pamplona. For him a vision of Saint Peter. In the foreground a small lion and a cat. In the margin a two -way caption in Latin. Antwerp paper engraving St. Peter appears to the wounded St. Ignatius of Loyola after the siege of Pampeluna

A group of angels from the cathedral in Parma Payne, Albert Henry (1812 1902), Correggio, Antonio Allegri da (Ca 1489 1534)

Ascension of Maria. Maria is entrained by angels to heaven. Angels hold a crown above her head.

Ascension of Maria. Maria is entrained by angels to heaven. Angels hold a crown above her head.

THE GREAT CRUCIFIED !!! / (6) // Dare to come and put the tomb you for him to ...

Reconciliation from Jakob and Esau. The Esau and Jacob brothers embrace. Right behind Esau is his army. Left the cattle and the kneeled women and children of Jacob. Under the show the title and four four-line verses in Latin. Reconstructed from two fragments.

Vignette with pelican who feeds his young with his own blood, Cornelis Galle (II) (attributed to), 1638 - 1678 print Emblem with a pelican who picks herself and three youngsters who drink the blood of the bird. In the background Francis that the Stigmata receives. Antwerp paper engraving symbols of Christ ~ animals. stigmatization of St. Francis of Assisi: in retreat on Mount Alverna, he beholds a vision of Christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of Christ

Worship of Christ, Lodewijk Schelfhout, 1931 print Maria, Joseph and a donkey worship the Christ child in the manger. Joseph is wearing a bundle of branches on his back. paper drypoint adoration of the Christ-child by Mary and Joseph. ass, donkey

Image of the sweet Lieve Vrouw van den Bosch, Anonymous, 1700 - 1879 print The image of the sweet Lieve Vrouw in the Sint-Janskathedral of Den Bosch. paper engraving Madonna: i.e. Mary with the Christ-child. miraculous statues of Mary or the Madonna Sint-Janskathedral

Sick is brought to a hollow tree, Charles Rochussen, in or before 1858 - 1864 print A druid brings a sick man to a hollow tree for healing. On the right are two men with the stretcher. Haarlem paper magic healings. healing of sick person

Ascension of Maria; Les Plat-Fonds Ou Les Tableaux des Galleries / ceilings or gallery pieces. Maria is being held by angels.

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