Christ's Journey to Crucifixion

Hand-colored woodcuts portraying Christ bearing the cross and key events from the Gospels, capturing emotional moments with vibrant hues.

German 15th Century, Christ Bearing the Cross, c. 1490, hand-colored woodcut

German 15th Century, Christ Bearing the Cross, c. 1490, hand-colored woodcut

German 15th Century, Christ Bearing the Cross, c 1490 Christ Bearing the Cross

Christ on the Mount of Olives. Dated: 1460/1480. Medium: metalcut, hand-colored in yellow, red-brown lake, and green. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Borders with the Four Fathers of the Church.

Colored print depicting Christ appearing to Mary Magdalene, created using current cut technique by an anonymous artist.

Workshop of Master of the Borders with the Four Fathers of the Church, The Last Supper, 1460 1480 The Last Supper

Christ Talking to the Disciples, 5, from Das Plenarium. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Dimensions: Sheet: 3 11/16 × 2 11/16 in. (9.4 × 6.8 cm). Publisher: Adam Petri (German, active Basel, 1507-27). Date: 1517. Museum: Metropolitan Museum of Art, New York, USA.

Woodcut by an anonymous artist depicting the Crucifixion, showing Christ on the cross, figures, gestures, and composition.

A colored woodcut by an anonymous artist depicting the Crucifixion of Jesus, focusing on the cross, figures, and religious symbolism in Christian art.

German 15th Century, The Crucifixion, c. 1500, woodcut, hand-colored in blue, green, yellow, and brown fragment

Saint Catherine. Dated: c. 1480. Medium: woodcut in brown, hand-colored in red lake, blue, green, yellow, gold, and orange. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Colored woodcut by an anonymous artist depicting Christ before Caiaphas, showing figures and composition of the scene.

German 15th Century, Christ on the Cross, c 1460 Christ on the Cross

Christ Warning the Disciples of False Prophets, from Das Plenarium 1517 Hans Schäufelein German. Christ Warning the Disciples of False Prophets, from Das Plenarium 670727

Parable of the lost sheep, master of Antwerp (i) (attributed to), 1485 - 1491 print Christ in conversation with three men. Herder wears lost sheep on neck. Low Countries paper the lost sheep sought and found by the shepherd ~ parable of the good shepherd (Matthew 18:12-14; Luke 15:4-7)

Colored print depicting Christ in the atrial, created using current cut technique by an anonymous artist.

German 15th Century, The Visitation, c 1480 1490 The Visitation

The Visitation. Dated: c. 1480/1490. Medium: woodcut in dark brown, hand-colored in red, yellow, green, lt. blue, pink, blue, gold, orange. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Christ Talking to the Disciples, 3, from Das Plenarium. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Dimensions: Sheet: 3 11/16 × 2 11/16 in. (9.4 × 6.8 cm). Publisher: Adam Petri (German, active Basel, 1507-27). Date: 1517. Museum: Metropolitan Museum of Art, New York, USA.

Master S, Saint Dominic Saint Dominic

The Holy Family in the Garden, Anonymous, 1490 - 1510 print Mary with Saint Anna and Joseph in a walled garden. On the left in front of a tent, Maria kneels and next to her is Anna. The Christ child in the middle is wearing a basket with apples in his left hand and walks towards the women. Joseph shakes apples from a tree in the back. At the bottom left is a nun of the Brigitten order. Low Countries paper Holy Family with others, e.g.: Anna (+ donor(s), supplicant(s), whether or not with patron saint(s)). garden. trees: apple-tree

Schläffer von Ulm, Hans. "The worship of the mages". Colored wood. 1460-1470. Museum of Fine Arts of the City of Paris, Petit Palais. 123106-27 Stamp, 15th xve xv 15th 15th 15 century

German 15th Century, Descent into Limbo, c 1490 Descent into Limbo

Ludwig of Ulm (German, active 1450-1470), The Carrying of the Cross, hand-colored woodcut (blockbook page)

German 15th Century, The Crucifixion, c 1500 The Crucifixion

Mass of Gregorius, Master of St. Erasmus, After Master with the Flower Edge, 1425 - 1575 print Gregorius kneeled in front of the altar on which Christ stands and shows the cross wounds, around the altar the Arma Christi. Germany paper engraving the mass of St. Gregory the Great: Christ appears above the altar with the instruments of the Passion; maybe blood spouts from Christ's side

Colored woodcut by an anonymous artist showing three Marys at the tomb, depicting mourning figures and a burial scene.

The Madonna with Saint Ulrich and Saint Afra recto. Dated: c. 1511. Dimensions: image: 26 x 16.6 cm (10 1/4 x 6 9/16 in.) sheet: 32.3 x 22 cm (12 11/16 x 8 11/16 in.). Medium: hand-colored woodcut. Museum: National Gallery of Art, Washington DC. Author: Urs Graf I.

German 15th Century, The Adoration of the Magi, c 1470 1480 The Adoration of the Magi

German 15th Century, The Descent of the Holy Ghost, 1480 1490 The Descent of the Holy Ghost

The Pietà. Dated: 1470/1480. Medium: metalcut, hand-colored in green, light rose, and yellow. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Aachen Madonna.

German 15th Century, Christ lead to Prison, c 1490 Christ lead to Prison

The Circumcision. Dated: 1460/1480. Medium: metalcut, hand-colored in yellow, red-brown lake, and green. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Borders with the Four Fathers of the Church.

Mass from Saint Gregory. Gregory is sitting on his knees for the altar. On the altar, Christ shows his bleeding cross wounds to Gregory. The passion tools are depicted in the background.

The flight to Egypt with the falling idol, Anonymous, 1480 - 1500 print Mary with Christ child on donkey. Joseph is next to it. Image of soldier on column has been broken. Low Countries paper the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass. statues, paintings, etc. ~ objects of worship in Roman religion

The flight to Egypt with the falling idol, Mary with Christ child on donkey. Joseph walks beside it. Image of soldier on column has fallen off, the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way, Mary usually riding an ass, statues, paintings, etc., objects of worship in Roman religion, anonymous, Nederlanden, 1480 - 1500, paper, h 89 mm × w 68 mm

The Adoration of the Magi. Dated: c. 1470/1480. Medium: metalcut, hand-colored in yellow, red-brown lake, and green. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Colored woodcut by an anonymous artist showing the crucifixion of Christ, with figures around the cross and symbolic religious elements.

Christ Appearing to Thomas. Dated: 1460/1480. Medium: metalcut, hand-colored in green, red lake, and yellow. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Aachen Madonna.

This 1520 colored woodcut by an anonymous artist depicts Saint Benedict and Saint Scholastika, showing figures, gestures, and devotional composition.

Anonymous 'Annunciation' (c. 1470-1480) is a colored woodcut depicting the angel Gabriel appearing to the Virgin Mary, emphasizing figures, gesture, and symbolic elements.

Holy Francis with kneeling Franciscan, monogrammist MB (Netherlands), 1450 - 1500 print Low Countries paper engraving founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata. monk(s), friar(s)

Christ Teaching the Disciples, 1, from Das Plenarium 1517 Hans Schäufelein German. Christ Teaching the Disciples, 1, from Das Plenarium 670707

BREVARIO DE AMOR- S XV- CURACION DE UN ENDEMONIADO MUDO- MINIATURA EN GRISALLA. Author: MATFRE ERMENGAUD DE BEZIERS. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. JESUS.

Ludwig of Ulm, The Descent from the Cross The Descent from the Cross

Workshop of Master of the Aachen Madonna, Christ Crowned with Thorns, 1470 1480 Christ Crowned with Thorns

German 15th Century, Madonna Overcome, c 1490 Madonna Overcome

Colored woodcut by Peter Berger depicting Holy Father Malchus, created in 1488, illustrating religious devotion and figures in a sacred Christian context.

Christ and the Canaanite woman. Christ with two disciples and canaanite woman in front of house. Daughter of woman handcuffed in room.

Saint Petronilla. unknown, graphic artist, Łazarski, Zygmunt (1885-1943), publisher

Lucas Cranach the Elder, Christ on the Cross Between the Virgin and Saint John, c 1502 Christ on the Cross Between the Virgin and Saint John

Verso - Front. The Assumption, 1890-1900. Design for stained glass, copy of window in Church of All Saints, Selsley, Gloucestershire.. Artist: Dante Gabriel Rossetti .

Christ Calming the Storm on Lake Tiberias, from Das Plenarium 1517 Hans Schäufelein German. Christ Calming the Storm on Lake Tiberias, from Das Plenarium 670692

Colored woodcut from the late 15th century depicting Jesus standing before the high priest Kaiphas, showing figures, drapery, and spatial composition.

German 15th Century, The Crucifixion, c 1490 1500 The Crucifixion

Christ on the Cross with Angels. Dated: 19th century. Medium: woodcut, hand-colored in blue, green, tan, brown, yellow, carmine, and gray-blue. Museum: National Gallery of Art, Washington DC. Author: German 19th Century after German 15th Century.

An anonymous circa 1480 colored woodcut depicts Christ before Pilate, emphasizing figures, gesture, and biblical narrative.

Christ Kneeling among the Instruments of the Passion. unknown, graphic artist, Łazarski, Zygmunt (1885-1943), publisher

A colored woodcut from 1470-1480 by an anonymous artist depicting the Adoration of the Kings, showing figures, gifts, and composition.

Christ on the Cross Between the Virgin and Saint John. Dated: 1493. Medium: hand-colored woodcut. Museum: National Gallery of Art, Washington DC. Author: Albrecht Dürer.

German 15th Century, The Death of the Virgin, c. 1460, woodcut, hand-colored in carmine, brown, green, and ochre

German 15th Century, Pilate Washing His Hands, c 1490 Pilate Washing His Hands

A colored woodcut from 1470-1480 depicting the Virgin in elaborate ear dresses, showing detailed figures, Gothic line work, and religious iconography.

Christ Child with Instruments of the Passion ca. 1550-1650 Anonymous The name lettered on the print 'I. P. Peruet' cannot be identified at this time.. Christ Child with Instruments of the Passion 415352

Colored woodcut by Michael Wolgemut's workshop depicting Saint Anna with the child and mother, showing figures, clothing, gestures, and religious iconography, created in 1503 in Nuremberg.

Saint Agnes. Dated: c. 1490. Medium: hand-colored woodcut with manuscript inscriptions. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

This circa 1470 artwork by an anonymous artist depicts the fair of St. Gregor, showing figures, stalls, and activities in a late 15th-century European market scene.

Colored woodcut from 1450-1470 depicting Christ carrying the cross, showing figures, cross, and drapery in a religious composition.

Workshop of Master of the Borders with the Four Fathers of the Church, The Visitation, 1460 1480 The Visitation

German 15th Century, Christ on the Cross with Angels, c. 1490, woodcut, hand-colored in blue, yellow, orange, green, brown, carmine, and gold on vellum

The Scourging of Christ (verso), and The Israelites Enslaved in Egypt (recto), from Schatzbehalter (Treasury) Original 1491 Germany. Michael Wolgemut (teacher of Albrecht D¸rer, whose work can be seen nearby) produced this woodcut as part of a book about the life of Jesus. In the 15th century, illustrations in printed books were enlivened by the addition of hand-coloring in watercolor. The colorist of Wolgemutís gruesome depiction of the flagellation emphasized Jesusís suffering by adding streams of blood running down his body, a detail absent in the woodblock.. Woodcut in black with hand-colored additions and letterpress in black with rubrication (recto and verso) on ivory laid paper . Michel Wolgemut

The Virgin as Master Dolorosa and Simeon, from Das Plenarium. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Dimensions: Sheet: 3 5/8 × 2 11/16 in. (9.2 × 6.8 cm). Publisher: Adam Petri (German, active Basel, 1507-27). Date: 1517. Museum: Metropolitan Museum of Art, New York, USA.

German 15th Century or Master of the Aachen Madonna, Saint Jerome in His Study, 1460 1470 Saint Jerome in His Study

St. John in Prison, from Das Plenarium 1517 Hans Schäufelein German. St. John in Prison, from Das Plenarium 670564

Workshop of Master of the Aachen Madonna, The Resurrection, 1460 1480 The Resurrection

Packed Jesus; 1657-1792 (1657-00-00-1792-00-00);

The Leeks of Christ, Anonymous, 1490 - 1510 print The Dead Christ in the arms of Mary, Mary Magdalena at his feet. John with a book under the arm and a woman watch. In the background cross. paper Christ's body supported

Christ and the rich young man. Christ and two disciples facing rich young man with hat in hand.

Workshop of Master of the Aachen Madonna, Saint Sophia, c 1480 Saint Sophia

Christ in conversation with Nicodemus, master of Antwerp (i) (attributed to), 1485 - 1491 print Low Countries paper Christ talking with Nicodemus at night (John 3:1-21)

Christ Teaching the Disciples, 1, from Das Plenarium 1517 Hans Schäufelein German. Christ Teaching the Disciples, 1, from Das Plenarium 670706

Colored woodcut by an anonymous artist titled 'The St. Hieronymus,' created between 1475 and 1490, depicting Saint Hieronymus.

German 15th Century, Christ on the Cross, c 1450 1460 Christ on the Cross

Christ heals the possessed man who could not speak, master of Antwerp (I) (attributed to), 1485 - 1491 print The performance is based on the Bible text Matthew 9: 32-34 and Lucas 11: 14-16. In Staten translation of Matthew it is described as follows: If they now went out, they see, as they brought to him a person who was stupid and of the devil. And if the devil was ejected, the stupid spoke. " In the new Bible translation 21: As they left the house again, someone brought him to him who was possessed and could not speak. After the demon was pushed out, the stupid began to speak. Low Countries paper healing of a possessed man who could not speak (Matthew 9:32-34; Luke 11:14-16)

Baptism of a king and queen. Woodcut.

Maria with child with behind her two church buildings, Jacobus de Man (I), 1676 - 1719 print Mary with the Christ child, both crowned, the Christ child with a rich apple and Mary with a scepter. At the top a banderole with text in Latin. In the background a landscape with two church buildings and figures. Maria stands on a pedestal, with a cartouche with four lines in Latin and a cherub. Antwerp parchment (animal material) engraving / brush Mary standing (or half-length), the Christ-child on her arm (Christ-child to Mary's left)

Spanish 15th Century, Madonna and Child, c 1475 1500 Madonna and Child

Matthew's calling, calling of Matthew (Levi), the tax collector (usually with money lying on the table and people paying taxes) (Matthew 9: 9, Mark 2:14, Luke 5: 27-28), Meester van Antwerpen (I) (attributed to), Nederlanden, 1485 - 1491, paper, h 92 mm × w 117 mm

German 15th Century, Allegory of the Eucharist, 1480-1500, woodcut, hand-colored in orange, green, tan, pink,lt. blue, and red

Saint Francis of Assisi. Dated: 1450/1470. Medium: woodcut, hand-colored in red lake, green, vermilion, blue, gray, and gold. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Soviet Propaganda Magazine Interior, "The Spirit is Eternal", Bezbozhnik u Stanka (Atheist at his Bench) Magazine, Illustration by Mikhail Cheremnykh, 1920's

A colored woodcut from around 1480 depicting the washing of the feet, illustrating a biblical event and act of humility.

German 15th Century, Pilate Washing His Hands (recto), c 1440 1450 Pilate Washing His Hands recto

German 15th Century, Christ as Salvator Mundi, c 1485 Christ as Salvator Mundi

Shows Saint Apollonius accompanied by the spirit of Hoffar, created as a colored woodcut by Peter Berger in 1488, depicting religious figures and spiritual interaction.

Christ and the Woman of Samaria (Schr. 2215). Artist: Master with the Cologne Arms (German, late 15th century). Dimensions: 6-15/16 x 4-5/8 in.. Date: ca. 1460-70. Museum: Metropolitan Museum of Art, New York, USA.

German 15th Century, Gerson as Pilgrim, 1489, woodcut, touched with red

Colored woodcut circa 1470 depicting Saint Genoveva, showing the saint in drapery, halo, gesture, and symbolic religious elements.

Woodcut by Georg Lemberger from 1524 depicting the sealing of the twelve tribes of Israel in Revelation of John 7:1-8, showing symbolic figures and ritual act.

Christ Bearing the Cross. Dated: c. 1470/1480. Medium: woodcut, hand-colored in green, red, yellow, light orange, tan, blue, black. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Christ as Salvator Mundi with the apostles. Coloured woodcut.

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