Christ's Passion and Resurrection

Artistic depictions of events from the Passion of Christ, portraying emotional and dramatic moments through the use of detailed engravings.

The Bearing of the Cross 1517 Agostino Veneziano (Agostino dei Musi) Italian. The Bearing of the Cross. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). 1517. Engraving. Prints

Albrecht Dürer, The Crucifixion, probably c 1509 1510 The Crucifixion

Chist Carrying the Cross, from The Small Passion 1509 Albrecht Dürer German. Chist Carrying the Cross, from The Small Passion 387421

The Bearing of the Cross 1517 Agostino Veneziano (Agostino dei Musi) Italian. The Bearing of the Cross. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). 1517. Engraving. Prints

Hans Leonard Schäufelein, Christ Taken Prisoner Christ Taken Prisoner

Way of the Cross Jesus Christ falling under the cross meets the Mother of God unknown

Crucifixion of Christ; Scenes from the Bible; Biblia Sacra. Book illustration at the crucifixion of Christ (Marcus 15:24). Roman soldiers crucify and take his cloak. The print contains a caption with a reference to the accompanying Bible passage.

Crucifixion; The passion. Christ on the cross between the other two crucified. At the foot of the cross among others, the three Maria's and Longinus with his lance. In the foreground the soldiers dice to his clothes.

Stoning van Stefanus, Cornelis Bos, 1546 print The young Saul, the later Paulus, witnesses the stoning of Stefanus. Stefanus prays God not to punish his murderers. Print from a series of 10 prints with scenes from the life of the apostle Paulus. paper engraving the stoning of Stephen; the witnesses lay down their clothes at Saul's feet

Christ collapses under the weight of the cross, Agostino Veneziano, After Rafaël, 1517 print Christ collapses under the weight of the cross that he wears on his shoulders on the road to Golgota. In the background on the left a soldier on horseback with banner with 'spqr'. Italy paper engraving Christ collapsing ~ carrying of the cross

Judaskus and arrest of Christ, Adriaen Collaert, 1570 - 1618 print Judas kisses Christ on the cheek. The soldiers surround and arrest him. Peter tries to chase away a soldier. The print has a Latin caption paper engraving the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Peter draws his sword and cuts off Malchus' ear

Christ collapses for the second time during the crossing, Jan Christoffel Jegher, after Antoine Sallaert, 1649 print Surrounded by soldiers, Christ collapses for the second time under the weight of the cross. Antwerp paper letterpress printing second fall ~ Christ carrying the cross

Junius, Hadrianus, Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Muller, Harmen Jansz, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, The Eight Beatitudes, Blessed are those persecuted for righteousness' sake, Stoning of Stephen, Stephen is stoned outside the city gate. On the right is Saul with the cloaks of those who throw stones. On the clouds Stephen sees in a vision God the Father and Christ. The print is part of a series about the eight beatitudes of Christ and illustrates the beatitude: Blessed are those who are persecuted for righteousness' sake. In the lower left corner this text from Mat. 5:10 in Latin. At the bottom in the margin a verse in Latin about the beatitude and the representation. This print is part of an album., print, album sheet, prints, height 212 mm, width 250 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1564 - 1568, paper, engraving, engraving (printing process), Northern Netherlands

Albrecht Dürer, The Little Passion: The Descent from the Cross, 1509-1511, woodcut on paper.

The Crucifixion, from The Fall and Salvation of Mankind Through the Life and Passion of Christ ca. 1513 Albrecht Altdorfer German. The Crucifixion, from The Fall and Salvation of Mankind Through the Life and Passion of Christ 429648

Christ on the Cross (The Crucifixion), from The Little Passion Series, Albrecht Dürer, German, 1471-1528, Woodcut on paper, Christ is on the cross in the center of the composition, facing the spectator. The holy women and Saint John standing at left, Mary Magdalen kneels at the feet of Christ, her left hand covering her face. Soldiers at right. Monogram of Dürer on stone, near lower right., Germany, ca. 1509-1511, Print, Print

Woodcut by Albrecht Dürer showing Christ accepting the cross, part of the Small Passion series, created around 1509-1510.

. The Christ child, at Maria on Schoot, is worshiped by the three ways from the east that have prepared themselves with their gifts for the child. One of them kneels for the child. In the background members of their consequences. Above Mary and the child shines a star. In the margin a caption in Latin.

Reverse copy of The Martyrdom of St Paul from The Matyrdom of the Twelve Apostles After Lucas Cranach the Elder German. Reverse copy of The Martyrdom of St Paul from The Matyrdom of the Twelve Apostles 435307

Resurrection of Christ, Johannes Wierix, after Pieter van der Borcht (I), 1573 print Christ rises from his grave. The soldiers who lie around the grave wake up and flee. Antwerp paper engraving / letterpress printing Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Entry into Jerusalem; Fall and redemption of humanity through the life and passion of Christ. Christ, seated on a donkey, drives inside in Jerusalem. People with palm branches swing around him. A man puts down his cloak before Christ on the ground. The print is part of a thirty-part series with prints about the fall and Christ's passion.

Collection of Christ, Anonymous, After Hendrick Goltzius, 1597 - 1667 print Christ is captured by soldiers in the court of Getsemane. Judas kisses him on the cheek. Peter Malchus takes an ear in the foreground. Netherlands paper engraving the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Peter draws his sword and cuts off Malchus' ear

The Mount of Calvary. Dated: c. 1480. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master I. A. M. of Zwolle.

Andrea Zoan's late 15th-century copper engraving depicts a burial scene, showing a coffin, mourners, and ritual gestures.

Scourging Christ; Life and passion of Christ; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. Christ dressed in a loincloth and tied to a pillar, is kicked and fled by soldiers. Under the show a four-line verse in Latin. This print is part of an album.

Christ Bearing the Cross, from The Little Passion Series, Albrecht Dürer, German, 1471-1528, Woodcut on paper, Christ, shown in the foreground, right, has fallen to his knees under the weight of the cross. Saint Veronica comes toward him with her handkerchief. Soldiers and others in background. View of city in distance. Monogram of Dürer and date 1509 on tablet, lower right., Germany, 1509, Print, Print

Master AG, Christ Carrying the Cross Christ Carrying the Cross

Pierced Christ on the cross with a lance; The little passion. Christ depends on the cross between the crosses of two criminals. The Soldier Longinus puts a lance in Christ. Johannes and Maria are under the cross. Print is part of a book.

Christus wird ans kreuz Genagelt. Charles Von Bouell (Swiss, active 19th century)

Worship by the shepherds; In Avrora Natalis Domini. Maria, Joseph and the shepherds kneel in worship for the Christ child that lies in his manger in the stable. At different elements from the show are letters that correspond to the legend in the margin.

In the foreground a carriage, drawn by two horses, carrying a light load: a musician courtier. As an example of carrying a heavy load, depicted above: Christ falling while carrying his cross to Golgotha. Simon of Cyrene helps him carry it. Veronica offers him a cloth to dry his sweat. At top right, a coat of arms of a canon. The print has a caption in Dutch. Print from a book edition in which a scene from the life of Christ is juxtaposed with a worldly situation. Carrying the Cross and Courtier in a Carriage Soet is myn iock ende licht mynen last Moralising lessons for courtiers , print maker: Cornelis Galle, print maker: Pieter de Jode (I), (rejected attribution), print maker: anonymous, Antwerp, 1630, paper, engraving, etching, h 137 mm × w 91 mm

Collection, Albrecht Dürer, 1510 print Christ is betrayed by Judas with a kiss and captured by soldiers. This print is part of the press series 'The Great Passion', consisting of a title print and 11 scenes from the suffering story. Nuremberg paper the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ

Woodcut by Urs Graf the Elder depicting Christ being offered vinegar on a sponge during the crucifixion.

Judaskus; The little passion. Judas coast Christ on the cheek to indicate that this is the man who should take the soldiers caught. In the foreground Petrus Malchus holds his hair to turn him off his ear. Print is part of a book.

Creation of the cross of Christ; Passion of Christ. Christ is nailed to the cross that is lifted by four men. Pilatus looks at the horse in the background. In the margin a two-legged Bible quote from Luc. 23 in Latin.

Jesus and two other evildoers are crucified on a hill outside Jerusalem. Date: circa 30

Albrecht Dürer (German, 1471-1528), Christ Nailed to the Cross, probably c. 1509-1510, woodcut

Christ shown to the people, Luke Cranach (I), 1509 print Pontius Pilatus shows Christ, dressed in a cloak and with crown on his head, on a balcony to the people. The people under the balcony have raised their arm and call for his crucifixion. Germany paper Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Copper engraving by Matthäus Zasinger (Meister MZ) around 1500 depicting the beheading of Saint Katharina, showing detailed medieval religious iconography and figure composition.

Cross instration. Surrounded by a crowd, Christ carries the cross to Golgotha. He supports hands and knees and threatens to succumb to his burden. Soldiers drive it on and pull it further. Next to the cross kneels Maria with folded hands, Simon van Cyrene helps Christ to bear his load.

. Christ is nailed to the cross. In the foreground a basket with rope, nails and a hammer. In the background Mary, Mary Magdalene and John the Baptist. The performance is caught in an oval frame with a peripheral panel. Print from a series with the passion of Christ.

Christ shown to the people; Ecce gay. Eighth print from a series of fourteen with the passion, used in the Passional Buch. At the top right of an increase, Christ is next to Pilate. A group of soldiers behind them. Above left a balcony full of men, women and children. In the foreground a group of soldiers and children.

The Sacred Christoffel carries the Christ child. The Sacred Christoffel wades through a river with a stick in his left hand and the Christ child on his shoulders. There is a hermit with a lamp on the shore. A flight birds flies in the air.

Woodcut showing Christ presented before the high priest Caiaphas, depicting both figures in a courtroom scene, created by Urs Graf d. Ä. in 1506.

Christ is nailed to the cross, Crispijn van de Passe (I), 1600 print Christ is nailed to the cross. In the foreground a basket with rope, nails and a hammer. In the background Maria, Maria Magdalena and John the Baptist. The show is caught in an oval frame with an edge writing in Latin. Print from a series with the passion of Christ. Cologne paper engraving the erection of the cross: Christ is nailed to the cross which lies on the ground

Antwerp, Galle, Cornelis (II), Rubens, Peter Paul, Adoration of the Magi, verso - stamped, The Holy Family under a canopy, the Child sitting on a stone. The kings and their attendants adore the Child and carry gifts. In the air two angels., print, prints, height 398 mm, width 278 mm, Work conception, Southern Netherlands, 1615 - 1678-10-18, after print by, 1650 - 1678, paper, engraving, engraving (printing process), print maker, printmaker, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

James the multiple is executed; Martyrdom of twelve apostles. James The Multiple (Jacobus Major) is executed by Herod Agrippa command. The apostle is kneeling on the ground, his head is held by the executioner who pulls his sword to behead the sacred. On the right is Herod with his effect on horseback. On the ground lies the pilgrim hat as an attribute of the saint. At the top of the tree two shields hang with the judicial and ducal weapon of Saxony.

Joseph being taken from the well and sold by his brothers to a group of Ishmaelites. Below the representation a reference in Latin to the Bible text in Gen. 37, Joseph sold by his brothers History of Joseph Thesaurus sacrarum historiarum veteris testamenti , print maker: Johann Sadeler (I), (attributed to), Michiel Coxie (I), publisher: Gerard de Jode, Antwerp, 1579 and/or 1585, paper, engraving, h 212 mm × w 265 mm

Rader, Matthäus, Witte, Peter de, München, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, S. Thiemo archiep. Salisbvrg. M, Martyrdom of Theodomarus of Salzburg, verso lower left - stamped, In the foreground Theodomarus, Bishop of Salzburg, is being tortured by Saracens. His intestines are rolled around a windlass while the Saracen soldiers look on. An angel descends from heaven to take his soul. The print has a Latin caption and is the 47th print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlands, 1560, print maker, printmaker, 1615 - 1615, paper, engraving, engraving (printing process), etching, 1548 - 1628-03, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Christ shown to the people (ECCE Gay); The fall and redemption of humanity. Christ, standing on an increase, is held by a man on his cloak. Pilatus is on his left hand, this points to him. Watch bystanders and pointing. Twenty-fourth print from a series of forty.

Crossbreak; Passeling story. Christ carries his cross on the way to Golgotha, helped by Simon.

Crucifixion of Christ, Jacob Bos, 1549 - 1580 print The cross -death of Christ on Mount Golgota. Left and right of him the criminals who are crucified with him. Under the cross of Christ are weeping women and Saint John. Maria fainted and is supported by two women. In the foreground in the middle Veronica with the Vera Icon. Soldiers on horseback and other bystanders are spectators. On the second plan soldiers who dice for the clothes of Christ. Judas on the left in the background. In the middle behind a face on Jerusalem. The print is called a Latin caption. Rome paper engraving bystanders at the foot of the cross, among whom Mary, Mary Magdalene and John the Evangelist; Mary may be shown swooning. the cross(es) in the middle distance. sun and moon in the sky at either side of the cross of Christ. 'Vera Icon', 'Sudarium', Veronica-portrait. Judas hanging himself

Flight to Egypt; Life of Mary. Joseph performs a donkey on which Maria is with the Christ child, and a beef through a forest. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary.

Imprisonment of Christ; The fall and redemption of humanity. Christ is captured by soldiers with Lansen. A torch in the middle illuminates the group of people. On the left is Peter with raised sword, for him, Malchus is on the floor. Twentieth print from a series of forty.

Kruisdraging, anonymous, after Hendrick Goltzius, 1596 - 1667 print Christ carries the cross to Golgota. Veronica kneels next to him and offers him a canvas. Behind them the procession with, among others, Maria and John. In the background Jerusalem. Netherlands (possibly) paper engraving Christ meets Veronica, who has a cloth to wipe Christ's face. carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian)

Antonio Tempesta, Josaphat Thanking God for His Victory, 1613 Josaphat Thanking God for His Victory

Miracle from De Zweet Cloth of Veronica; Passion, death and resurrection of Christ; Passio, Mors et resurrection DN. Noostri Iesu Christ. Only women including the three Maria's and Saint Veronica kneel before Christ, who is on the way to Golgota. Christ kneels for them and the Holy Veronica tries to cover his face with a sweat cloth. The print has a Latin caption and is part of a series about the passion, death and resurrection of Christ.

Cross-canceled; DeponitVR Christi Corpvs E CRVCE. The body of Christ is taken from the cross by Nikodemus and Joseph. At different elements from the show are letters that correspond to the legend in the margin.

Cross out. The body of Christ is picked up by four men, including Nikodemus and Joseph of Arimatea, from the Cross. There are two ladders against the cross. At the bottom right of a two-legged caption in Latin.

Nebuchadnezzar accuses Sadrach, Mesach and Abednego; History of Sadrach, Mesach and Abednego. King Nebuchadnezzar accuses the Jews Sadrach, Mesach and Abednego not honor the pagan gods. Left a golden statue of a deity and a human mass adepting the image. A burning oven in the background. Anyone who refuses to worship the image is thrown into the oven.

The Emperor Hadrian celebrates his funeral during his lifetime. Engraving by John Payne, 1639.

Das Christkind besiegt das Papstungeheuer - Allegorie auf die katholische Kirche / The Christ Child defeats the Catholic Church (Allegory). Date/Period: 1552. Copper engraving. Height: 14.5 cm (5.7 in); Width: 19.5 cm (7.6 in). Author: Peter Gottland.

Christofano Robetta (Italian, 1462 - 1535 or after), The Adoration of the Magi, engraving

Christ shown to the people (ECCE Gay); The passion. Christ is shown to the people by Pilatus on a stage. Pilate has asked the people if he will leave Christ or Barabbas free. The people evoke that Barabbas should be released, which happens in the middle, and that Christ should be crucified. Pilate washes his hands in innocence.

Heraclius is wearing the true cross in Triumph; Crux Christi in Pristinum Locu AB Heraclio Imp. Restituta; Isagogia Historia De Constantino Max: Imperatore Instatuta Militie Angelicae Aureatae Constantinianae Sub Titulo Magni Martyris S Georgii; History of the Order of the Holy Joris. Emperor Heraclius carries the cross of Christ in Triumph on his shoulders in a procession through a landscape towards a temple.

Crucifixion; The Great Passion. Christ on the cross, the Maria's and John the Evangelist on his right, a rider on his left. Angels catch the blood that flows from the wounds to Christ's hands and feet in cups. Latin text printed on versow. This print is part of the 'De Grote Passie' print series, consisting of a title print and 11 scenes from the suffering story.

Jaël shows Barak the dead body of Sisera, Jan Lamsvelt, after Gerard Hoet (I), 1684 - 1743 print In an army tent the killed Sisera lies on the ground, a pin pierces its head. On the left, Jaël is pointing that barrack to the dead body. Biblical show from Ri. 4: 17-22 with the title of the performance in six languages in the margin. paper engraving Barak comes to Jael's tent; she shows him Sisera's body

Torture death from Jakobus de Minerere; Jacobus Justus Minor Apostolus; Liber chronicarum. Jakobus De Minneere died the torture death when he was thrown from the roof of the temple, after which they were stony and to death. The print is part of an album.

Cross reduction; The little passion. From series of 66 prints. No text on verso.

Sel against Christ, Anonymous, After Maerten de Vos, 1560 - 1600 print Christ is tied to a column. He is floured by soldiers with gels and rodes. Under a one -line explanation in Latin. print maker: Low Countriesafter design by: Antwerp paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

The mocking of Christ, Elias van den Bossche, After Christoph Schwarz, After Johann Sadeler (I), 1600 - 1620 print Christ is bound by the stairs of the Sanhedrin and is beaten by two soldiers with clubs. Upstairs, on the landing, Kaiphas and the priests of the Sanhedrin watch. paper engraving Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71)

Scourging Christ; The passion. Christ is tied to a column and is beaten by soldiers commissioned by Pontius Pilatus.

The scourging of Christ; The round passion. Off series of twelve prints, surroundings cut away. Christ tied to column, becomes valid.

Crossbreak; Passion of Christ; Passionis et resurrectionis. Christ falls to Golgota while wearing his cross. Simon from Cyrene helps him. Links In the foreground, Veronica offers a cloth to dry its sweat. In the margin a two-legged caption in Latin. Print from a series of fifteen with the passion of Christ.

Christ shown to the people (ECCE Gay); The Great Passion. Christ becomes, standing on a bordes, to a joined crowd of people (including many soldiers). Latin text printed on versow. This print is part of the 'De Grote Passie' print series, consisting of a title print and 11 scenes from the suffering story.

The Messeling of Christ, Elias van den Bossche, After Christoph Schwarz, After Johann Sadeler (I), 1600 - 1620 print Christ lies in front of the scenal post and is flashed by two soldiers with rods, while a company watches high -priests and soldiers. paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Stoning of the elders; History of Susanna. The two elders are tied to a tree. They are stoned by three executioners while the crowd watches. The print is part of a four-part series about the story of Susanna and the elders.

Jaël toont Barak het dode lichaam van Sisera.In a leg tent the killed Sisera is on the ground, a pin pierces his head. On the left is Jael who points to the barrack on the dead body. Biblical performance from RI. 4: 17-22 with the title of the show in six languages in the margin.

Title page for: M. Gargon, The only consolation, 1713, Jan van Vianen, 1713 print A female figure with a sieve, an all -seeing eye on her chest and a wooden crucifix with a palm branch, as a personification of true faith, tramples a female figure with a papal tiara, a crucifix, a ciboria and a misconduct, a fern on the head and jewellery. A second female figure comes running with spread arms. Leiden paper etching / engraving allegories and personifications ~ Protestantism. Roman Catholic Church

Foolishness of drinkingism; Foolishness of human life. A fool pulls a huge scales with both hands, ceased by the sky. He chooses the side of the scales where Bacchus is on. The god of the wine raises a wine glass and sits on a wine tube. Christ, with Thorns Crown and Cross, is on the other side of the Libra. That let the crazy shoot. In addition to him two children. One plays with a stick horse, the other with dolls. The print can be interpreted as an Allusion on human life. He will have to choose between piety and earthly lusts after his childhood. The print has a Dutch and Latin caption.

Judaskus en arrestatie Van Christ; Leven en passie van Christ; The mysteries of the Passion of Christ on the coast Typika Advmbrationibvs Adamussim Effigiata.Judas check. The soldiers surround and arrest him. Peter is about to chop the ear of ear.

David shows the head of Goliat to Saul; Story of David and Saul. David is standing with the head of Golia for Saul. Different soldiers watch. In the margin a single caption in Latin from 1 Sam. (Incorrectly referred to as 1 kings on the print).

Crossing, Hieronymus Wierix, 1563 - Before 1619 print Christ falls to Golgota while wearing his cross. A Roman soldier encourages him to get up. In the margin a two -way Bible quote from Joh. 19 in Latin. Antwerp paper engraving Christ collapsing ~ carrying of the cross

Solar eclipse at the death of Christ, Jan Luyken, 1700 print Mount Golgota with Christ on the cross between the two criminals. The sun has disappeared and it is dark. People panic on the chest. In the background on the left Jerusalem. Amsterdam paper etching darkness from the sixth to the ninth hour (represented by a solar eclipse) ~ Christ's death

Scene from the Apocalypse (Apoc. 20: 1-3), Pieter Serwouters, 1601 - 1657 print Presentation from the Apocalypse. A preacher speaks to the crowd from a ladder. Behind him the depth in which the devil is locked up. Above him, an angel flies in a cloud that awardes a chain and a key. Amsterdam paper engraving the Revelation of John, the Apocalypse

Jeroboam shows two golden bull calves; History of Jeroboam and Rechabeam; Theatrum Biblicum (...). Under the leadership of Jeroboam, a golden image of bull calf is hoisted on a base. In the background, the Israelites worship the other bull calf. On the right in the background the coronation of Jeroboam. Under the show a reference in Latin to the Bible text in 1. 12:28.

Collecting the Manna, Battista Franco, 1508 - 1561 print The Isralites catch and pick up the manna that falls out of the sky. In the background on the left a tent camp and three drum medaries. Venice paper etching / engraving in the morning manna falls to the earth ~ Exodus. hoofed animals: dromedary

A late 15th-century copper engraving by Israhel van Meckenem showing the Crossing, emphasizing Gothic details, figure representation, and Christian iconography.

Collection of Christ, Pieter de Jode (I), After Andrea Boscoli, 1590 - 1632 print Christ is captured in the court of Getsemane by soldiers who gather around him with Hellebaarden and lanterns. He is chained around his neck. In the background, Simon Peter has turned off the right ear of the slave Malchus with a sword. In the margin a three -faced caption in Latin. Print from a series of fifteen with the passion of Christ. Italy paper engraving / etching the arrest of Christ ~ Garden of Gethsemane. Peter draws his sword and cuts off Malchus' ear

Crossing, Albrecht Dürer, 1498 - 1499 print Christ wears his cross, followed by a crowd of people; Veronica is standing next to him with the sweat cloth. This print is part of the press series 'The Great Passion', consisting of a title print and 11 scenes from the suffering story. Nuremberg paper Christ meets Veronica, who has a cloth to wipe Christ's face

Crossbreak; Passion of Christ. Christ falls to Golgota while wearing his cross. A Roman soldier encourages him to get up. In the margin a two-legged Bible quote from Joh. 19 in Latin.

Christ Carrying the Cross, from The Fall and Salvation of Mankind Through the Life and Passion of Christ ca. 1513 Albrecht Altdorfer German. Christ Carrying the Cross, from The Fall and Salvation of Mankind Through the Life and Passion of Christ 429644

Antwerp, Galle, Theodoor, Poland, Galaminio, Augustino, Nys, Joannes, Jode, Pieter de (I), Vita et miracula SP Dominici, Life and miracles of Saint Dominic, Resurrection of Napoleon Orsini, verso center bottom - stamped, Napoleon Orsini, the nephew of Pope Nicholas III, falls from his horse and dies. His body is brought to Saint Dominic. He prays to God and brings the young man back to life. The print has a Latin inscription and caption and is part of a series of prints for a book about the life of Saint Dominic., print, book illustration, prints, width 90 mm, height, 150 mm, South Netherlandish, 1571 - 1633, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), 1570 - 1634-08-09, intermediary draughtsman, after a drawing by, Work conception, after a design by, 1552 - 1639, writer, Publication (Event), Publication, publisher

Festa della Sensa (tenth part), Jost Amman, 1679 print Procession of the Doge on Ascension Day over San Marcoplein in Venice. The procession leads to the Bucintoro, the Galei of the Doge. Once a year the doge 'married' during the Festa della Sensa in a ceremonial way with the Adriatic Sea by throwing a ring in the water from this Galei. print maker: Neurenbergpublisher: Frankfurt am Main paper procession ~ Christian religion. gondola. city-view in general; 'veduta' Clock tower. Dogepaleis. Basiliek Van San Marco. San Marcoplein. Venice

Christ appears to Paul in the army camp, in or after 1629 - in or before 1646 print Paul is chained on the floor at night. Wachters sleeping next to him. Christ appears before him and orders him to testify in Rome. A tent camp with soldiers in the background. The print is part of an album. paper letterpress printing God (or angel) speaks to Paul during the night

Amsterdam, Serwouters, Pieter, Scene from the Apocalypse (Apoc. 20:1-3), verso bottom center - stamped, Scene from the Apocalypse. A preacher addresses the crowd from a ladder. Purgatory behind him. Above him flies an angel in a cloud, offering a chain and a key., print, engraving, prints, engravings, Symbol of the Reformation. Possibly Calvin., verso center - handwritten in pencil, height 115 mm, width 91 mm, Noord-Nederlands, 1586-10-28 - 1657-09-26, print maker, printmaker, 1601 - 1657, paper, papier, graferen (drukprocessé)

KruisDraging, Louis Aerea, after Hendrick Goltzius, 1623 print Christ carries the cross to Golgota. Veronica kneels next to him and offers him a canvas. Behind them the procession with, among others, Maria and John. In the background Jerusalem. Antwerp paper engraving Christ meets Veronica, who has a cloth to wipe Christ's face. carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian)

The Martyrdom of St. Stephen, from The Nuremburg Chronicle, folio 103 1494 Anonymous, German, 15th century German. The Martyrdom of St. Stephen, from The Nuremburg Chronicle, folio 103 399047

The Crucifixion. Dated: c. 1480. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem.

The Martyrdom of St. Catherine, 1500-03. Master MZ (German). Engraving;

Antwerp, Galle, Theodoor, Poland, Galaminio, Augustino, Nys, Joannes, Jode, Pieter de (I), Vita et miracula SP Dominici, Life and miracles of Saint Dominic, Crusade against the Cathars, verso center bottom - stamped, During the crusade against the Cathars, Saint Dominic enters the battlefield. He carries a crucifix in his hand, which is pierced with arrows. The print has a Latin inscription and caption and is part of a series of prints for a book about the life of Saint Dominic., print, book illustration, prints, width 90 mm, height, 150 mm, South Netherlandish, 1571 - 1633, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), 1570 - 1634-08-09, intermediary draughtsman, after a drawing by, Work conception, after a design by, 1552 - 1639, writer, Publication (Event), Publication, publisher

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