Christ's Resurrection Art

Artistic prints depicting the Resurrection of Christ, featuring angels, soldiers, and biblical figures in dramatic, religious scenes.

Wandelaar, Jan, Northern Netherlands, Title page for: Godly Christian Duties, Landscape with allegorical figures of Christian virtues, verso lower left - stamped, A man in a cloak, with a sword in his hand, points to an open book in which virtues are described. He is surrounded by allegorical figures: Faith (Fides) with a cross in his hand, a winged woman as a personification of Knowledge (Cognitio), Love (Caritas) with a flame above its head, Temperance (Temperantia) with a horse's bridle, and Patience (Patientia) kneeling huddled by a tree. Above them in the air flies Piety (Timor Dei), with a burning heart in its hands., print, title page, prints, height 183 mm, width 142 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1702 - 1759, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by

. Christ rises from his grave. In addition to his grave an angel. Right flights soldiers away or kneel from fear and in the background right the three women going to the grave.

Resurrection of Christ, Jan Luyken, 1712 print Amsterdam paper etching comprehensive representations of the events on Golgotha during Christ's hanging on the cross, no particular event emphasized

Resurrection of Christ, Caspar Luyken, After Jan Luyken, 1700 print Christ rises from his grave. An angel next to his grave. On the right, soldiers flee or kneel out of fear and in the background on the right the three women who go to the grave. Nuremberg paper etching Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers (+ angel(s)). crucified Christ with Mary and John on either side of the cross; Holy Rood. the holy women (the three Maries) on their way to or at the tomb, to anoint Christ's body

H. Bruno prays in the Woestenij van La Grande Chartreuse, Nicolas Pitau (I), After Philippe de Champaigne, 1657 print Mountain landscape with Saint Bruno in Monnikshabijt, in the company of his companions. He prays kneeling and looks up to divine rays that shine on him from heaven. Christ, Mary and John the Baptist are on clouds above them. Christ makes a blessing gesture. In the margin a six -line caption, in three columns, in Latin. Paris paper engraving St. Bruno praying in the desert of the Grande Chartreuse, a barren, rocky place in the mountains. John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. adult Christ together with others (non-narrative representations). Mary saving soul(s)

Jacques Callot, Christ Walking on the Water (first plate), 1608 1611 Christ Walking on the Water first plate

Stigmatization of Saint Francis; S. Francesco d 'Assisi Sul Monte d' Alvernina; New and Old Testament. The Saint Francis of Assisi, seen on the back, the cross wounds of a crucifix that appears to heaven above him. Putti contains a book for him. Text in undermarge.

Wandelaar, Jan, Northern Netherlands, Title page for: Godly Christian Duties, Landscape with allegorical figures of Christian virtues, verso lower left - stamped, A man in a cloak, with a sword in his hand, points to an open book in which virtues are described. He is surrounded by allegorical figures: Faith (Fides) with a cross in his hand, a winged woman as a personification of Knowledge (Cognitio), Love (Caritas) with a flame above its head, Temperance (Temperantia) with a horse's bridle, and Patience (Patientia) kneeling huddled by a tree. Above them in the air flies Piety (Timor Dei), with a burning heart in its hands., print, title page, prints, height 183 mm, width 142 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1702 - 1759, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by

Ascension of Christ. Ascension of Christ in the presence of Maria and John and the apostles. Under quote Acts 1, verse 9.

Christ and Engel with Kelk Op Olijf Berg (Getsemane), Anonymous, After Pieter de Bailliu (I), After Peter Paul Rubens, 1623 - 1710 print Christ and Engel with Kelk on Olives (Getsemane). Under the performance are four Latin verses in which reference is made to the suffering of Christ for the believer. Antwerp paper engraving agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross

Ten hemelopneming van Maria; Officium.Ascension of the Blessed Virgin Mary in the presence of the rest.

Antwerp, Wijngaerde, Frans van den, Schut, Cornelis (I), Christ in the Garden of Gethsemane, Christ prays in the Garden of Gethsemane. An angel appears from heaven with a chalice. In the foreground Peter, John and James are sleeping. In the background Judas leads a group of soldiers through the gate. In the margin a Bible quotation from Mat. 26 and a two-line caption with a dedication in Latin., print, prent, prints, prenten, height 381 mm, width 285 mm, Zuid-Nederlands, 1614-07-08 - 1679-03-17, print maker, printmaker, 1636 - 1679, paper, papier, engraving, graveren (drukprocedé), Work conception, 1597-05-13 - 1655-04-29, after a design by, Publication (Event), Publicatie, publisher

Venice, Senate of Venice, Pasquali, Giovanni Battista, Italy, Cattini, Giovanni, Beatae Mariae virginis officium, Assumption of Mary, verso - stamped, Assumption of Mary in the presence of the apostles., print, prints, height 106 mm, width 64 mm, 1725 - 1800, print maker, printmaker, 1740 - 1740, paper, engraving, engraving (printing process), Publication (Event), Publication, Italian, publisher, grantor of privilege

Allegory of the church 1652-1711 Johann Jakob Thurneysen, the Elder. Allegory of the church. Johann Jakob Thurneysen, the Elder (Swiss, Basel 1636-1711 Basel). 1652-1711. Etching and engraving. Prints

St. Louis Francis of Assisi, Francis, Giovanni di Pietro di Bernardone, 1181 or 1182 to 3 October 1226, the founder of the Order of Friars Minor, Ordo fratrum minorum, Franciscans, St. John the Baptist. Francis of Assisi - A Vision of Mary and the Child, 1586, Holland, Historic, digitally restored reproduction from a 19th century original.

Transfiguration of Christ on Mount Tabor, Jan Luyken, print maker: anonymous, Amsterdam, 1712, paper, etching, h 132 mm × w 70 mm

Allegorical show with Christ, Moses and kneeled figure; Title page for: Frans Burman, Debtheit, 1697. Christ is on a stone with the book title. For him, Moses stands with the stones dining, his right hand raised his right. On the left presents a kneeling man, possibly the writer, an open book to Christ. Around a group of men is watching.

Annunciatie.

Matthew and the angel; Four evangelists. The Evangelist Matthew sits with open book on his lap. The angel shows him the tables of the law. Above the head of Matthew The pigeon of the Holy Spirit. Angels fly through the air. In the margin a four-line caption, in two columns, in Latin.

Resurrection of Christ, 1660 print Christ is rising from the tomb, which has been opened by two angels. A awakening soldier for the tomb. This print is part of an album. paper etching Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

The Crucifixion, 1788. Martin Johann Schmidt (Austrian, 1718-1801). Brush and gray ink and gray wash with black chalk;

Landscape with allegorical figures of Christian Virto, Jan Wandelaar, 1702 - 1759 print A man in a cloak, with a sword in his hand, points to an open book that describes virtues. He is surrounded by allegorical figures: faith (fides) with a cross in hand, a winged woman as personification of the knowledge (cognitio), love (caritas) with a flame above the head, moderation (temperantia) with a horse -tetoma, and Passibility (patientia) who kneels in a tree. Above them in the air flies godliness (Timor dei), with a burning heart in their hands. North Netherlands paper etching / engraving Piety, 'Pietas', 'Timor Dei' ~ the Three Theological Virtues. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. Knowledge; 'Cognitione', 'Cognitione delle cose' (Ripa). Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. Patience; 'Patienza' (Ripa). Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~

H. Francis van Assisi has a vision of Mary and the child. The sacred Francis of Assisi is in a rock landscape. He is in contemplation with a skull and a rosary to pray. On the right you can see how he loves the Christ child in his arms in a vision and worshiping Maria.

John baptises Christ; the holy spirit descends. Etching by J. Mynde, c. 1737.

Transfiguration of Christ on the Berg Tabor, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36)

Engel and Holy Spirit, Gerard Edelinck, After Philippe de Champaigne, 1666 - 1707 print An angel floats above the globe and points up to a book held by two cherubs. Above the book the Holy Spirit in the form of a pigeon bathed in light. paper engraving Christian religion (+ angel(s))

Christ with Saint John the Baptist, Saint Mary (the Blessed Virgin), angels, Saint Bruno and companions praying in the desert at Grande Chartreuse. Engraving by N. Pitau, 1657, after P. de Champaigne, 1656.

Stock, Simon .

SAINT PETER DELIVERED FROM PRISON, BY GUSTAVE DOR. Dore, 1832 - 1883, French. Engraving for the Bible. 1870, Art, Artist, holy book, religion, religious, christianity, christian, romanticism, colour, color engraving.

A copper engraving created between 1518-1520 depicting Saint Matthew, showing the saint with traditional iconography and detailed attire in early 16th-century European art.

Saint Catherine of Alexandria kneels with palm branch near attributes of her martyrdom, sword and broken wheel. A small angel places a wreath on her head., St. Catherine of Alexandria with palm branch, sword and broken wheel Candida quam fuerit (...) corpore sanguis erat (title on object) Three holy martyrs (series title), print maker: Boëtius Adamsz. Bolswert, Abraham Bloemaert, publisher: Boëtius Adamsz. Bolswert, (mentioned on object), 1610 - 1614, paper, engraving, h 214 mm × w 134 mm

Saint Ephraim the Syrian as a hermit; Sanctus Ephrem; Hermiters; Sacra Eremvs Ascetarvm.

Giovanni Battista Fontana, The Annunciation The Annunciation

Martyrdom of the H. Ursula. The Saint Ursula stands between her feminine followers and is held by a man, who is about to pass her breast. Her companions are killed around her through the hers. An angel with laurel wreath and palm branch in the sky. At the top right numbered: N. XVIII.

The Baptism of Christ. Lithograph by M. Fanoli, 1849, after G. Jäger.

H. Franciscus van Assisi has a vision of Maria and the child, Cornelis Galle (I), After Francesco Vanni, 1586 - Before 1633 print The Holy Francis of Assisi is in a rocky landscape. He is in contemplation with a skull and a rosary praying. On the right you can see how he holds the Christ child in his arms in a vision and worship Mary. Siena paper engraving the Virgin Mary handing over the infant Christ to St. Francis of Assisi

Transfiguration of Christ on the mountain tabor ..

. Revival of Lazarus, a miracle carried out by Christ (John 11).

. History listens with a writing spring in her hand and a book on shot to father's time that studies a card. In addition to father's time, the night looks along, in the foreground is the day.

The Assumption observed by Mary's parents. Etching by V. Salimbini, 1590, after himself.

Saint Johns Vision of the Seven Candlesticks. Artist: Luigi Sabatelli I, Italian, 1772-1850

Resurrection of Lazarus Matejko, Jan (1838 1893), Styfi, Jan (1841 1921), Lewental, Salomon (Franciszek Salezy) (1841 1902)

Saint Thomas in heaven, Anonymous, Samuel van Hoogstraten, Michiel de Groot, 1671

Christ on the cross with Maria, Johannes and Maria Magdalena, Jacques Blondeau, After Ciro Ferri, 1665 - 1698 print print maker: unknownpublisher: Rome paper engraving crucified Christ with Mary, John, and Mary Magdalene

Saint Mary Magdalen. Engraving by J. Bernardi.

World Conservation or Physics leads to true faith, Jan Goeree, 1727 - 1760 print On a pedestal the female personification of physics or world view. She gets the man who stands in front of her, a philosopher, of his blindfold; He had cheated himself by his own imagination. In contrast to the philosopher, see in his truth -finding based on imagination, world views or physics finds the truth through perception (empirical research) of nature, by considering the world. Around her all kinds of scientific instruments that help her with that. With that she comes to find the true faith, right back her depicted as a naked woman with a palm branch and Bible in one hand and the divine light in her other hand. All kinds of natural phenomena in the background. Amsterdam paper engraving Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. invention, discovery ~ science and technology. astronomical instruments. optical

Martyrdom of holy Lucia, Pieter de Bailliu (I), 1623 - 1660 print Martyrdom of holy Lucia in which a soldier drills a sword down her throat. The holy state in a fire and receives a laurel wreath and palm as a martyr. paper engraving St. Lucy is burned at the stake, but the flames do not harm her. St. Lucy is stabbed through the throat with a dagger or a sword

Saul consults Samuel after the witch of Endor has conjured him from the dead; demons crowd the background. Engraving by A. Laurentius, 17--, after S. Rosa.

. On a pedestal the female personification world view (Rerum Magistra). She shows a man and a woman (humanity) in a vision of the true faith, a female personification with a palm branch and a Bible. In addition to the pedestal there are all kinds of scientific measuring instruments. In the background natural phenomena. By science and observations from nature, humans can understand and achieve true faith.

Allegorical Presentation of De Rede, Willem van Senus, After Jan Kamphuijsen, 1802 - 1819 print Rede sits with an altar, with a rein around her arm and a sword on her lap. She supports her feet on a globe. She is flanked by two allegorical figures. Above them watches peace from the clouds. Bottom left a figure with a broken sword and a breathe torch turns his gaze. Under the print the title. paper engraving Symbols, Allegories of Peace, 'Pax'; 'Pace' (Ripa). Wisdom; 'Sapienza', 'Humana Sapienza', 'True Sapienza' (Ripa). Truth; 'TRAPE (RIPA). Faith, 'fides'; 'Fede', 'Catholica Faith', 'Christian faith', 'Christian faith Catholica' (Ripa) ~ one of the Three Theological Virtues

Saint Stephen. Engraving, 1570.

Soldaten die Christus omsingelen vallen op de grond; Leven en passie van Christus; Dominicæ Passionis Mysteria Typicis Advmbrationibvs Adamussim Effigiata.Christ announces himself in the court of Getemane. Judas, his traitor, and the soldiers are dein back and fall on the ground. In the background, Simon Petrus pulls his sword to turn the right ear of Malchus.

God enthroned. From Physique sacree, ou Histoire-naturelle de la Bible, 1732-1737, by Johann Jakob Scheuchzer (1672 - 1733), a Swiss scholar born at Zurich

The Annunciation. Annunciation of the Archangel Gabriel to the Virgin Mary, she would conceive a child to be born the son of God (Luke 1, 28 - 38) New Testament. Antique bible illustration by Gustave Dore (1832-1883)

Transfiguration of Christ on Mount Tabor, Jan Luyken, wed. Arentsz Pieter Cornelis van der Sys II, 1712

Saint Mary (the Blessed Virgin) with the Christ Child, Saint Jerome and Saint Francis of Assisi and angels. Engraving by G. Asioli after F. Rosaspina after L. Carracci.

Moses Receives the Ten Commandments by Julius Schnorr von Carolsfeld, (1794-187)

Picture photography: Ignacy Jasiński (1833-1878), "Care of the Holy Mother of God", 1867; In: Album of Ignacy Jasiński; around 1880 (1875-00-00-1895-00-00);

Dyck, Anthony van, Antwerp, Galle, Cornelis (I), Carrying the Cross, verso - stamped, Surrounded by a crowd, Christ carries the cross to Golgotha. He leans on his hands and knees and threatens to collapse under his burden. Soldiers urge him on and pull him along. Next to the cross, Mary kneels with folded hands, Simon of Cyrene helps Christ to carry his burden., print, prints, height 387 mm, width 290 mm, Southern Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1586 - 1650, paper, papier, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09

Venice, Senate of Venice, Wagner, Joseph, Italy, Piazzetta, Giovanni Battista, Bartolozzi, Francesco, Three Dominican Saints, verso - stamped, Saint Louis Beltran with chalice and book, Saint Vincent Ferrier with a flame above his head and Saint Hyacinth of Poland with a statue of the Virgin and Child. Above floats an angel., print, prints, height 578 mm, width 350 mm, Italian, 1727-09-25 - 1815-03-07, print maker, printmaker, 1739 - 1780, paper, papier, etching, etchings, engraving, engraving (printing process), 1682-02-13 - 1754-04-29, after, after painting by, Publication (Event), Publication, German, 1706 - 1780, publisher, uitgever, Duits, verkoop, grant van privilege

Richelieu, Armand Jean du Plessis, Duke of.

Faustus, holy.

Ascension of Mary, Michel Dorigny, After Simon Vouet, 1640 print France paper engraving / etching the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

The Virgin and child appear to St Bruno. Drawing by F. Rosaspina, c. 1830, after G.F. Barbieri, il Guercino, 1647.

The Annunciation to the Shepherds, Claes Moeyaert, c. 1633 - c. 1637 drawing paper. ink pen / brush annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

The Transfiguration of Jesus. Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853

John Baptist Jackson after Veronese, The Mystic Marriage of Saint Catherine, 1740 The Mystic Marriage of Saint Catherine

Memory sheet of Tzschirers consecration

Simon, Holy Apostle.

Saint Mary (the Blessed Virgin): the celebration of her Sacred Heart. Engraving by G. Petrini after J. Olivieri.

Holy Trinity. .

Christ appears at Lake Galilee, Jan Luyken, After Anonymous, 1712 print Amsterdam paper etching appearance of Christ at the Lake of Gennesaret (Sea of Galilee, Sea of Tiberias): miraculous draught of fishes (after the Resurrection)

Heige Bruno, Michel Natalis, After Bertluet Blegle, 1620 - 1668 print Saint Bruno, founder of the Order of the Carthusians, kneels for an appearance of a crucifix in heaven. The Crucifix is caught in a monstrance decorated with leaves and is surrounded by seven stars. Neeming angels and putti on the clouds the cross. Bruno is kneeling in front of a tomb and in front of him there are a miter and a staff, palm leaves and a skull. In the background, Bruno kneels for an altar with an image of the decapitation of John the Baptist. Rear right bruno reads from a book. At the bottom of the margin the assignment in Latin. Shutter paper engraving the founder of the Order of the Carthusians, Bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s). the beheading of John the Baptist. altar with altar-piece. book - MM - book open

Pieta. Maria with the Dead Christ on his lap flanked by three angels.

Francis of Assisi, Francis, Giovanni di Pietro di Bernardone, 1181 or 1182 to 3 October 1226, founder of the Order of Friars Minor, Ordo fratrum minorum, Franciscans, c. 1600, Historical, digitally restored reproduction from a 19th century original.

Picture photography: Ignacy Jasiński (1833-1878), "Transfiguration of the Lord" from the church of St. Barbara on baskets in Warsaw; In: Album of Ignacy Jasiński; around 1875 (1865-00-00-1885-00-00);

Bassano, Jacopo, unknown, Sadeler, Johann (I), Annunciation to the Shepherds, verso lower left - stamped, At night the shepherds lie on the ground sleeping with their animals. A radiant angel comes out of the clouds and announces the birth of Christ to the shepherds. The print has a Latin caption with an explanation., print, prent, prints, prenten, height 220 mm, width 277 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, prentmaker, 1560 - 1600, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1515 - 1592-02-14

Transfiguration of Christ on the Berg Tabor, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36)

Monument to Wilhelmus Somveen. Grave monument for the Roman Catholic priest Wilhelmus Somveen from Haarlem. There is a smoking censer for the monument. Besides the monument are sad women. On the base of the monument there is a verse to sums living by Jan Severeinse.

Feather and lavated drawing by Nicolò Bambini depicting the Adoration of the Shepherds, showing figures of Mary, Joseph, infant Jesus, and visiting shepherds with details of setting and gesture.

SACRIFICIO DE ISAAC. Grabado de 1889. Álbum de Historia Sagrada (La Santa Biblia en imágenes). Dibujo de Julio Schnorr de Carolsfeld.

Christus Als Salvator Mundi, 1591 - 1592 print Christ, standing in the midst of clouds, the right hand in a blessing gesture, a rich apple in the left hand. Under the performance three lines of Latin text. This print is part of a series of 14 prints, each consisting of an image of an apostle, Christ or Paul with typical attributes and a caption in Latin. paper engraving 'Salvator Mundi', making a blessing gesture; an orb in his hand or at his feet

Holy Trinity and Angels with suffering vehicles. Holy trinity in the clouds: God the Father with his shot the body of Christ and above his head the Holy Spirit in the form of a pigeon. Two small angels on either side hold suffering tools. Under the representation quote from Matthew 17: 5.

Saint Brigitta, standing with the ship in the right hand. Possibly depicted the Holy Ursula instead of Brigitta.

Drawing by Carl Joseph Geiger depicting an allegory of the Roman Church, executed in pencil, feather, and brown brush on brownish paper.

John Baptist Jackson after Leandro Bassano, The Raising of Lazarus, 1742 The Raising of Lazarus

Christ on the Cross and Mary supported by Johannes between bystanders on Calvary, Giovanni Domenico Tiepolo, 1749 print Christ on the Cross and Mary supported by John between bystanders on Calvarieberg. In the margin under the show are the number of the Kruiswegstatie and two lines of Italian text. Venice paper etching comprehensive representations of the events on Golgotha during Christ's hanging on the cross, no particular event emphasized

Christ appears at the Sea of Galilee, print maker: Jan Luyken, anonymous, Amsterdam, 1712, paper, etching, h 130 mm × w 68 mm

Antwerp, Galle, Philips, Florence, Straet, Jan van der, Passio, mors and resurrection dn. Nostri Iesu Christ, Passion, death and resurrection of Christ, Judas kiss, verso center bottom - stamped, Judas kisses Christ on the cheek. The soldiers surround Christ, but shrink back (John 18:10). The print has a Latin caption and is part of a series on the passion, print, prints, 330, recto top right - written, verso, verso bottom middle - stamped, width 263 mm, height, 192 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1585 - 1586, paper, engraving, engraving (printing process), Work conception, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, publisher

Mountain speech with Christ and the four evangelists; Title page for David Martin, History des Ouden and New Testaments, Part II, 1703..

Saint Jude 1726 Etienne Brion French. Saint Jude 394032

Child with guardian angel; S. Angelvs Cvstos. An angel holds a little boy at the arm and points him the right way.

Archangel Gabriel, instrument of God destroys the army of Sennacherib king of Assyria. Old Testament. Antique bible illustration by Gustave Dore (1832-1883)

Paid of Christ. Maria and others grieve at the body of Christ that lies on a canvas. The two criminals still hang on their cross.

Archangel Gabriel, instrument of God destroys the army of Sennacherib king of Assyria. Old Testament. Antique bible illustration by Gustave Dore (1832-1883)

Saint Mary (the Blessed Virgin). Engraving.

Pietà with Angels in front of the Cross 1546 Giulio Bonasone Italian. Pietà with Angels in front of the Cross 357073

H. Bernardinus van Siena.Siena's holy Bernardinus enters a staircase to an altar, under his arm a book, in his other hand a candlestick. Above the candlestick three nails, which focus on the letters of the Christ monogram above. Above him an angel flies with a banner with the Christmonogram. At the feet of Bernardinus are three mentions and a staff.

The Annunciation - The Angel Gabriel appears to St. Mary

The Sacrifice of Isaac n.d. Louis Desplaces French. The Sacrifice of Isaac 363975

Saint Paul the Apostle. Etching by F. Bartolozzi, 1791, after B. West.

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