Cityscape Illustrations

Detailed engravings depicting the landscapes and architecture of historical cities, capturing the essence of urban development and culture through time.

River Landscape with Mercury and Psyche, print maker: Symon Novelanus attributed to, Pieter Brueghel I, Joris Hoefnagel, 1553 and or 1593 - 1597

Hispalis (Sevilla). 1560 - 1590. Braun, Georg, 1540 or 41-1622. Illustrations. Rare Book Division. Geography, Costumes, City planning

View of Granada, Symon Novelanus (Possible), After Joris Hoefnagel, 1596 - 1597 print With Latin text on Verso. Cologne paper etching / engraving / letterpress printing prospect of city, town panorama, silhouette of city Granada

Antwerp from the Scheldt to see, right leaf. .

View of the headland of Cádiz, Symon Novelanus (Possible), After Joris Hoefnagel, 1596 - 1597 print View of the headland of Cádiz, with a chapel dedicated to Sint-Sebastiaan in the foreground. On the left is fished. In the foreground a woman and a begging tonnik. Bottom left a performance of trade in the port of Cádiz. At the bottom right a presentation of a bastion on the coast. Hercules with two lions in the middle. With Latin text on Verso. Cologne paper etching / engraving / letterpress printing prospect of city, town panorama, silhouette of city. trade, commerce and finance. commercial fishery. church (exterior) Cádiz

View of Treviso, Anonymous, 1724 print paper etching / engraving prospect of city, town panorama, silhouette of city Treviso

River landscape with Mercury and Psyche, Symon Novelanus (Attributed to), after Pieter Bruegel (I), 1593 - 1597 print River landscape with Mercury in the air, which carries psyche to heaven. Vienna paper etching Psyche is carried up to Olympus by Mercury. landscapes in the temperate zone

River Landscape with Mercury and Psyche, print maker: Symon Novelanus attributed to, Pieter Brueghel I, Joris Hoefnagel, 1553 and or 1593 - 1597

Hanns Lautensack, View of Nuremberg from the East (center section), 1552 View of Nuremberg from the East center section

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Wie Westerloo in Brabant von den Malcontent erobert und ingenommen Ao. Dni. 1583 am 5. Juniij, Westerlo Castle captured by Mansfeld, 1583, Westerlo Castle near Breda fired upon by the army of the Count of Mansfeld, 5 June 1583. With a caption of 12 lines in German and 6 lines in French. Numbered lower left: 189. The print is part of an album., print, picture, history print, album sheet, prints, pictures, Frederik Muller History plates, height 199 mm, width 275 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1587 - 1591, paper, etching, etchings

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Conquest of Hülchrath, 1583, 16 March 1583. Episode from the Cologne War. With a caption of 8 lines in German and 5 lines in French. Numbered lower left: 186. The print is part of an album., print, picture, history print, album sheet, prints, pictures, Frederik Muller History plates, height 196 mm, width 283 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1587 - 1591, paper, etching, etchings

Colette Boylet of Corbie, 1 of 24 prints from the series Solitudo Sive Vitae Foeminarum Anachoritarum (Female Hermits inLandscapes). Publisher: Adriaen Collaert, Flemish, 1560-1618 After: Maarten de Vos, Flemish, 1532-1603

View of the city of Grave. Design for a print.

The Siege of a Fortress. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 8 13/16 x 14 15/16 in. (22.4 x 37.9 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Sorious, Isaac, Series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672, Waverveen, destroyed by the French in 1672, verso bottom center - stamped, View of the burning houses in the village of Waverveen. Thirteenth print in a series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672., print, historical print, prints, height 163 mm, width 255 mm, print maker, printmaker, 1672 - 1676, paper, papier, etching, etsen

GRABADO CONQUISTAD DE TUNEZ. Location: PALACIO REAL-BIBLIOTECA, MADRID, SPAIN.

River Landscape with Mercury Abducting Psyche. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels); Simon Novellanus (16th century). Dimensions: Sheet: 10 11/16 x 13 3/8 in. (27.2 x 34 cm). Publisher: Joris Hoefnagel (Netherlandish, Antwerp 1542-1601 Vienna). Date: ca. 1595. Museum: Metropolitan Museum of Art, New York, USA. Author: after Pieter Bruegel the Elder. Simon Novellanus.

View of Harderwijk; Cities and branches in the Republic of the Netherlands; Thooneel of the cities of the Sterckten van 't Verenight Nederland with d'Aeng-brightened plaster. View of the city of Harderwijk. In the foreground, outside the city walls, the main road to the city. Some travelers leave the city with their covered wagons. In the distance the Zuiderzee. Above the cityscape a cartouche with the name of the city and the coat of arms. The print has a Dutch and French caption.

Landscape with the emaschers; Christ Castellum Emaus Petit; Italian landscapes with biblical performances. On the left in the foreground in an Italian landscape, the Emmausgoers walk. Christ runs between them. View of a bay with left and right a village on the coast. There are some barges in the harbor. A fully loaded shuit with a man comes to accept on top of the load.

View of Groenlo, Gaspar Bouttats, After Jan Peeters (1624-1678), 1679 print View of the city of Groenlo. In the foreground, outside the city walls, the main road to Grol. A carriage has turned and people come to the aid of the passengers. A covered wagon in the distance. A cartouche with the name of the city above the cityscape. The print has a Dutch and French caption. Antwerp paper etching prospect of city, town panorama, silhouette of city Groenlo

Schenck driven from Werl, 1586, 1587 - c. 1591 print Maarten Schenck driven from Werl, March 17, 1586. Episode from the Keulse War. With caption of 12 lines in German. Nummered in the bottom left: 234. The print is part of an album. Cologne paper etching battle, fighting in general Werl

Ultrajected.

This brown ink drawing depicts a mountain landscape with a mule carrying porridge, created around 1600.

Speculum Romanae Magnificentiae: Carnival games held in the Mount Testaccio in Rome. Artist: Monogrammist ITF (Italian (), active ca. 1540-60). Dimensions: sheet: 12 3/8 x 19 5/16 in. (31.5 x 49 cm)plate: 10 5/8 x 17 5/16 in. (27 x 44 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome); Vincenzo Luchino (Italian, active Rome and Venice from 1552, died Venice (), 1569/71). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1558.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also

The fleet at Acapulco, 1615, 1646 print The fleet in the port of Acapulco, October 9, 1615. The imprisoned Spaniards are released and exchanged against refreshments and cattle. In the water a fish (shark) That is caught there. Part of the illustrations in the report of the Joris van Spilbergen journey around the world, 1614-1617, No. 14. Northern Netherlands paper etching exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions. fishes Acapulco

Crescenzio Onofri, The Flutist, 1696 The Flutist

October; October; The twelve months, with village scenes, copies. Landscape with a castle on a mountain on a lake with the rope of farmers with vessels at vine; A face of Palermo on Sicily, representing the month of October. At the top of the constellations belonging to this month: Scorpio. Tenth print from a series of twelve.

The 'White Hood' rebellion in Ghent : led by Jan Gronnet, the insurgents take Oudenarde. Date: 1379

Reimerswaal in current and earlier times, 1634; Rommerswael, ahead of sea-kide most ineited, or road-moped / rommerswael, thus exhibited from outs. Leaf with two representations of the Zeeland historic site Reimerswaal on Zuid-Beveland. Above a representation of the city as it appeared in the year 1634, under a fanciful reconstruction of the former grandeur of the city, with a bet card. At the top left numbered: pars vi. PAG.

Map of Amsterdam; Amstelodami Veteris et Novissimi Delineatio. Floor plan in Vogelvluchtsplucht. Along the top the title. Above left the legend 1-154. Right of it putti with the coat of arms of the city. Under this legend a crankcase: Scale of 1500 Amsteldam's feet. At the top right of the Legenda 155-303 with links with the city stamp. At the bottom left of a woman's figure with a wave vessel on a camel or dromedary as Personification of Asia and Europe on a bull as a personification of the continent of the same name. Under in the middle a face of the city, seen from the IJ, with Mercury above that with the coat of arms and putti with objects that refer to the sea shipping. At the bottom right a woman's figure with a scorpion in her hand and a lion as a personification of Africa and a woman's figure with a transit, arrow and bow on a large lizard or crocodile as a personification of America. Orientation: Zuidzuidwest above.

Hilly Coastal Landscape with Hunters, with an elaborate border of Fishes and Birds 1584 Hans Bol Netherlandish. Hilly Coastal Landscape with Hunters, with an elaborate border of Fishes and Birds 364211

View of a harbor town, A, Jan Vincentz. van der Vinne, After Thomas Wijck, 1686 print View of a harbor town. Figures at tons in the foreground and in the middle figures near the city wall. On the water a sloop with freight. Haarlem paper etching harbour. city-walls. towers ~ fortified city

Walls of Babylon, Philips Galle, Hadrianus Junius, 1572

Arrival at the island of Mocha, 1615, 1646 print Arrival of the five ships at the island of Mocha (Isla Mocha) in Chile, May 23, 1615. In the foreground examples of the locals with a sheep. Part of the illustrations in the report of the Joris van Spilbergen journey around the world, 1614-1617, No. 4. Northern Netherlands paper etching exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions Moccha, Isla

Rome, Baur, Johann Wilhelm, Pugna ad Gemingam, Albano Gubernatore. 1568, Battle of Jemmingen, 1568, July 21, 1568. View of the battlefield, in the middle the village of Jemmingen, in the foreground soldiers fall into the water of the Ems. With inscription in the plate above the representation on banderole with legend AN in Latin., print, history print, prints, Frederik Muller History plates, height 298 mm, width 426 mm, German, 1607-05-31 - 1642-02, print maker, printmaker, 1630 - 1632, second quarter 17th century, paper, etching

Wedding party on a village square, Jacob Savery (I), c. 1587 - c. 1603 drawing paper. ink. graphite (mineral). chalk pen / brush wedding feast, wedding meal - DD - out of doors

The Belgian Wagon (Plaustrum Belgicum) from The Large Landscapes ca. 1555-56 Johannes van Doetecum I Netherlandish. The Belgian Wagon (Plaustrum Belgicum) from The Large Landscapes 415704

Tortorel, Jacques, Keulen, Hogenberg, Frans, Series 3: French Wars of Religion, 1559-1573, Siege of Orléans and the Assassination of the Duke of Guise, 1563, Siege of Orléans and the Assassination of the Duke of Guise by Jean Poltrot, 18 February 1563. With caption of 8 lines in German. Numbered lower left: 34. The print is part of an album., print, picture, history print, album sheet, prints, pictures, Frederik Muller History plates, height 208 mm, width 277 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1567 - 1571, paper, etching, etchings, Work conception

Rheinfall at Schaffhausen; Entertaining fortunes to the Rhijnstroom; Admirandorum Quadruplex Spectaculum. Print from a series of 71 prints with Rhine landscapes, faces on regal palaces and cityscapes from The Hague and Amsterdam.

View of the Vijverberg in The Hague, Hendrick Hondius (I), After Aegidius van Saen, 1598 print View of the Vijverberg in The Hague. At the top of the title. In the foreground, for a shore wall over the entire width, walkers, discussing gentlemen and hell beer. On the left the court, in the middle, the pond, right, the Vijverberg, front right a gate. In 't Visdd the prison gate, the Buitenhof, the place and the St. Jacobskerk and tower. Under the performance four columns with four lines each. On the left two columns in Latin and on the right in Dutch. The Hague paper engraving city-view, and landscape with man-made constructions. pool, puddle. police Buitenhof. Vijverberg. PRISPORT GOORT. Place. Big church

View of Haarlem C, right leaf. View of Haarlem, seen from the north, with buildings, which are equipped with numbers. In the foreground cattle, riders a hunter, a horse and carriage and walkers.

Arrival the fleet at Acapulco, 1624, 1644 - 1646 print Arrival the fleet at Acapulco, October 28, 1624. Part of the illustrations in the report of the journey around the world of the Nassausche fleet under Jacques L'Heremiet, 1623-1626, No. 5. Northern Netherlands paper etching / engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions Acapulco

Silver Age, Jan Collaert (II), After Tobias Verhaecht, 1576 - 1628 print The silver era of humanity. People edit the ground and keep cattle. They live in Huizen. In the background a landscape with shepherds. On the right in the foreground all kinds of agricultural equipment. The print has a Latin caption and is part of a series about the four eras of man. Antwerp paper engraving the silver age, 'Aetas argentea'; men plough the soil and build huts

The storm is over, the waters subside, a rainbow appears in the sky, and Noah and his family can safely leave the Ark, along with the animals (including a pair of unicorns)

GREEL VAN SIINT-Jean the Angély, 1569, 1565 - 1573 print Siege of Saint-Jean d'Angély by the troops of King Charles IX from 13 October to 2 December 1569. View of the besieging troops located around the walled city. With caption of 8 lines in German. Numbered: 29. Blad from an album that has been taken apart. Nummered at the top right (in pen): 70. Cologne paper etching Victory, position was Saint-Jean d'Angély

View of the German city of Nuremberg with several towers. In the sky above the city sit the personifications of Africa and America., View of Nuremberg (sheet 2), print maker: Dirk Eversen Lons, publisher: Nicolaes Visscher (I), (mentioned on object), Nicolaes Visscher (I), Amsterdam, 1666, paper, etching, h 406 mm × w 520 mm

Waverveen

View of Lepanto, Jan Luyken, Hendrick and Dirk Boom, 1679

Hogenberg, French, Northern Netherlands, Conquest of Diest, 1580, Conquest of Diest by the Dutch army under the Spanish captain Alonso Vanegas, June 9, 1580. The city gate to Zichem is opened so that the Dutch horsemen can enter, on the right soldiers climb the city walls with ladders. With a 4-line caption in Latin. Numbered 119. Printed on the back with text in Latin., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 137 mm, width 176 mm, print maker, prentmaker, 1613 - 1615, first quarter 17th century, paper, papier, engraving, engraving (printing process), Work conception, Dutch, German, 1540 - 1590

View of Nuremberg, to the east, right plate. Artist: Hanns Lautensack (German, Bamberg () ca. 1520-1564/66 Vienna). Dimensions: sheet: 17 1/16 x 20 11/16 in. (43.4 x 52.5 cm). Date: 1552. Museum: Metropolitan Museum of Art, New York, USA. Author: Hanns Lautensack.

Pyramus and Thisbe; Metamorphoses from Ovid. Landscape with the dead pyramus at a fountain. He has stipulated herself because he thought Thisbe was killed by a lion. ThisBe discovers her dying loved one, to which she commits suicide with the sword of Pyramus. Left in the background is the lion under a stone bow. Under the show an explanatory text. The first line from the metamorphoses of Ovid, book 4, fresh rule 61.

Nuremberg, Germany sheet 2, Dirk Eversen Lons, Nicolaes Visscher I, Nicolaes Visscher I 1666

Saint-Gilles Relieved by the Protestants, 1562, 1570 print Saint-Gilles relieved by the Protestants from Nimes, September 1562. In the caption De Legenda A-L in French. Unnumbered. France paper etching / letterpress printing raising the siege with outside assistance, relief Saint-Gilles-du-Gard

Cock, Hieronymus, Italy, Pittoni, Giovanni Battista (I), Praecipua aliquot Romanae Antiquitatis Ruinarum Monimenta, Roman ruins, Landscape with an ancient ruin near a river with a settlement, verso - stamped, Landscape with an ancient ruin near an outlet of a river into the sea. A settlement on the left bank. In the background a high mountain., print, engraving, book illustration, prints, engravings, height 212 mm, width 312 mm, Italian, 1520 - 1583, print maker, engraving maker, 1561 - 1561, third quarter 16th century, paper, etching, etchings, Work conception, South Netherlands, 1518 - 1570-03-10

. The Foot of Willem III lying in Hellevoetsluis on October 28, 1688, before leaving to England on 11 November 1688. The fleet is prepared in the port of Hellevoetsluis for the journey of Prince Willem III with his army to England. A panorage of the fleet of Stadholder Willem III, with an explanation in a frame at the bottom (where also the title).

View of Alexandria, Anonymous, 1533 print paper city-view in general; 'veduta' Alexandria

GRABADO CONQUISTAD DE TUNEZ. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

View of Luxembourg, 1726, 1726 print View of the city of Luxembourg, in the foreground some figures by a road. Plate no. 267 in Part XII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. At the bottom right marked with the letter: m. print maker: Northern Netherlandspublisher: Leiden paper etching Sit (city)

The conquest of Schweidnitz on November , Georg Stettner, Copper Engraver

Schipbrug van Parma over the Scheldt, 1585; Le Pont de Farnese; Guerres de Flandres. The ship bridge constructed by the Duke of Parma over the Scheldt, 1585. Bottom left does Farnese approve the design for the Schipbrug well. In the distance the city of Antwerp. Carriages and soldiers are about the completed bridge. Middle under a cartouche with the title and the legend A-Q in French.

Saint Prosper. Dated: possibly 1652. Dimensions: sheet (trimmed to plate mark): 23.9 x 35.2 cm (9 7/16 x 13 7/8 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Netherlands, Ottens, Frederik, Laäla by Compagnies Sagoe-bosch, Loehoe, en de Fortres Overburg, Het dorp Saway, Various fortifications of the VOC on Ceram, Sheet with three coastal views with fortifications of the VOC on the island of Ceram in the Moluccas. The images are numbered IX to XII in the upper left corner. They are: Laäla, Fort Overburg on Loehoe and the village of Saway, both on the Klein-Ceram peninsula. Illustration from: Beschryving van Amboina (1724)., print, prent, prints, prenten, paper, papier, height 305 mm, width 385 mm, Noord-Nederlands, print maker, prentmaker, 1722 - 1724, etching, etsen

Arrival of the fleet at Goleta; Series 1: Journey from Karel V to Tunis, 1535; KURTZE ERZEICHNISS Who Keyser Carolus der V. in Africa Dem Konig von Thunis, So von Dem Barbarossen Vertrieben, Mit Kriegsrustu N G Zur Hulffe comes, und Was Sich Zugedranen, ass Ihr in Diet Figurn Fein Ordentlich NACH EIN other Sehen. Arrival of the imperial fleet of galeien and sailing ships at Goleta, 1535. On the left the Fort Goleta, in the distance tunis. Under the show a German-speaking text: Hie Habt Ihr, who Carolus der V. ... Glucklich Anlendett. The print is part of an album.

. View of a village with two storks at a pool. On a house a stork nest. In an architectural frame with two putti. The Linke holds a weapon with a stork that eats a snake (weapon of The Hague), the straight has a scepter with a stork.

Nieulandt, Willem van (II), Roman ruins and coastal landscapes (series 2), Pyramid of Gaius Cestius, recto center top outside the plate edge - handwritten, The pyramid of Gaius Cestius in Rome, in front of it a man on a donkey and a walker. The print is part of a series of Roman ruins and coastal landscapes after prints by Willem van Nieulandt. This series is a copy of the series that Claes Jansz Visscher made after Van Nieulandt made., print, prints, verso - stamped, 27, height 98 mm, width 155 mm, Northern Netherlands, 1584 - 1635, intermediary draughtsman, after a drawing by, 1594 - 1685, paper, papier, etching, etchings, print maker, printmaker

View of Nuremberg, to the east, left plate 1552 Hanns Lautensack German. View of Nuremberg, to the east, left plate 393882

View of Magdeburg, left leaf. Panorama of Magdeburg, seen from the other side of the Elbe to the west. On the right the Dom van Magdeburg. At the top left the imperial coat of arms of the Holy Roman Empire. Left in the foreground A group of figures engaged in bird shooting, where a shooter with his crossbow tries to shoot a wooden bird from a pole.

Mountain Landscape with Falconers ca. 1560-70 Lucas Gassel. Mountain Landscape with Falconers. series of varied landscapes. Lucas Gassel (Flemish, Helmond ca. 1495/1500-ca. 1570 Brussels). ca. 1560-70. Etching and engraving. Published by Aux Quatre Vents. Prints

Pyramids of Egypt; Pyramids aegypti; The eight world wonders. In the background Egyptian pyramids and obelisks. Slaves scoop clay from the river, which are then baked into a burning oven to stones for the buildings. In the foreground, Pharaoh is psammetiches on a stone block. He looks at an eagle with a sandal in his mouth. This image refers to a fable of Aesopus about the relationship between Rhodopis, a young Egyptian woman, and the pharaoh. The print has a Latin caption and is part of a series about the eight wonders.

The native American town of Secoton was located on the Pamlico River in present-day North Carolina. This engraving is based on John White's 1585 watercolor made during an expedition sponsored by Sir Walter Raleigh. In 1590, Theodor de Bry published this, and other White images, in Thomas Hariots, 'A Briefe and True Report of the New Found Land of Virginia' (BSLOC_2020_1_138)

November, Jacob Matham, after Jan Wildens, 1614 print A wide coastal landscape with a wild sea and on the right in the foreground shepherds with a herd as the imagination of the month of December. Haarlem paper engraving landscape symbolizing November. November and its 'labours'

View of the village Lembeek, draughtsman: Josua de Grave, 26-Jul-1675, paper, pen, brush, h 97 mm × w 150 mm

Panoramic Landscape with River Logging, draughtsman: Jan Ruyscher, (attributed to), Germany, (possibly), c. 1677, paper, pen, chalk, h 95 mm × w 155 mm

Beleg van Zaltbommel, 1599; de Bommeler Waart (title on object). Draughtsman: Lambert Cornelisz. (attributed to). Dating: c. 1593 - c. 1621. Place: Northern Netherlands. Measurements: h 365 mm × w 526 mm. Museum: Rijksmuseum, Amsterdam.

. .

GRANADA. ALHAMA. VISTA GENERAL. GRABADO DEL LIBRO CIVITATIS ORBIS TERRARUM , 1572.

Cologne, Hogenberg, French, Series 6: Dutch Events, 1571-1576, Capture of Krimpen, 1576, Siege of Krimpen on the Lek by the army of the prince. Ships of the prince shell the fortified town from the water. On February 21, Krimpen surrenders. With an 8-line caption in German. Numbered: 27., print, picture, news print, album page, prints, pictures, Frederik Muller Historieplaten, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1576 - 1578, fourth quarter 16th century, paper, etching, etchings

Parable of merciful Samaritan, 1582 - 1586 print River landscape with the portrayal of the parable of the Merciful Samaritan. In the foreground, the merciful Samaritan takes care of the wounded traveler. The traveler is then helped on his horse and brought to the inn. In the background the Leviet and the priest who left the traveler to his fate. The print has an ornamental list of flowers, fish and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving a Samaritan tending the wounds of the traveller. the Samaritan sets the wounded traveller on his mount (ass or horse), and brings him to an inn. the Samaritan and the wounded traveller arrive at the inn; the traveller is cared for. a priest and/or a Levite passing by without attending to the wounded man ~ parable of the Good Samaritan. river bank. lizards: chameleon (+ ornamental variants of animals). rodents: squirrel (+ ornamental variants of anima

Igarassu, Olinda and Recife. 1729. BRAZIL. Iguarau. Convent of Saint Anthony. Colonial baroque. Oil on canvas.

BRAUN, George (1541-1622). Civitatis Orbis Terrarum (Theatrum orbis terrarum). 1572-1617. Valladolid (1599). Etching. SPAIN. CASTILE AND LEON. Salamanca. Salamanca University Library.

Amsterdam, Picart, Bernard, Bijenkorf, verso - stamped, Bijenkorf in a frame of flowers and bees with the motto: Amaris Mella Ex Condunt Atque Sua., print, prints, height 40 mm, width 58 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1717 - 1717, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process)

Göttingen im Mittelalter, Baden-Württemberg, Deutschland / Göttingen in the Middle Ages, Baden-Württemberg, Germany, historical, digital improved reproduction of an original from the 18th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, genaues Originaldatum nicht bekannt.

View of Leiden, Anonymous, in or after c. 1715 - 1728 print View of Leiden, with a few figures with cows and horses in the foreground. Imagined at the bottom: i. paper etching prospect of city, town panorama, silhouette of city Leiden

Ruins of the Thermen by Trajanus in Rome, Etienne Dupérac, 1575 View of the ruins of the Thermen of Trajan in Rome. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Thermen from Trajanus View of the ruins of the Thermen of Trajan in Rome. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Thermen from Trajanus

Casteel del Mina.. Ogilby, John (1600-1676). Illustrations, Prints. 1670. General Research Division. South Africa, Islands of the Indian Ocean, Islands of the Atlantic, Africa , Description and travel, Sailing ships, Castles & palaces

Golf van Gaeta, Pieter van der Aa (I), 1682 - 1730 print View of the Gulf of Gaeta on the Italian west coast. A sailing ship sails on the water. In the background on the right a tower and a castle. A road runs in the foreground. List of explanatory letters in Submarga. paper etching landscapes. sailing-ship, sailing-boat. gulf, bay. coast. castle Gaeta

This print was made after the adjacent drawing of 1601. This engraving and the other prints in the series must have been popular among art buyers. Besides vivid and richly contrasted impressions, grey and dull ones have also been preserved: proof that the copper plates were run through the press hundreds of times.

Plan and view of fireworks (IT)

Spada, Valerio, Veduta della città di Firenze dal muricciolo del prato de' padri di S.Francesco al Monte, View of Florence, verso - stamped, print, prints, topography, height 439 mm, width 1211 mm, Italian, 1613 - 1688, print maker, 1650 - 1650, paper, papier, etching, engraving, engraving (printing process), pasting

Fvrstliche Hochzeit ... Wilhelm Hertzog zu Gulich, Cleue und Berg, ... und Frewlin Jacobae gebornen Marggraffinen zu Baden.. , Dußeldorff Anno Dni. 1585 am 18. Junij 1587 Frans Hogenberg Netherlandish. Fvrstliche Hochzeit ... Wilhelm Hertzog zu Gulich, Cleue und Berg, ... und Frewlin Jacobae gebornen Marggraffinen zu Baden.. , Dußeldorff Anno Dni. 1585 am 18. Junij 341763

Antwerp, Cock, Hieronymus, Gassel, Lucas, Doetechum, Johannes or Lucas van, Landscapes with Biblical figures, Landscape with the prophet Jonah under the magic tree, Jonah sits outside the city of Nineveh and waits for God to destroy the city. God has made a magic tree grow for him, so that he can sit in the shade. On the left in the landscape is visible what was previously went: the fish spits Jonah ashore. Below Jonah a line of text in Latin. This print is part of an album., print, image, album leaf, prints, images, height 224 mm, width 325 mm, print maker, printmaker, 1560 - 1564, paper, engraving, engraving (printing process), etching, Work conception, South Netherlands, 1500 - 1568, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Reconciliation of Jakob and Esau, 1613 River landscape with the reconciliation of Jakob and Esau on the foreground. Right behind Esau is his army. On the left the women, children and caravan of Jakob (Gen. 33: 1). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching River landscape with the reconciliation of Jakob and Esau on the foreground. Right behind Esau is his army. On the left the women, children and caravan of Jakob (Gen. 33: 1). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

Antwerp, Borcht, Pieter van der (I), Landscapes with the story of Abraham, Abraham feeds the three angels, recto top right - handwritten, Landscape with Abraham on the left bringing food to three angels (Gen. 18:5). Sarah stands hidden in the doorway., print, prints, verso bottom right - stamped, 30, height 271 mm, width 355 mm, Southern Netherlands, 1545 - 1608, print maker, printmaker, 1586 - 1586, fourth quarter 16th century, paper, papier, etching, etchings, Expression creation

Lottery for a new guest house in Petten, 1643, 1643 print The lottery in Petten for a new guesthouse, 1643. In the foreground two fishermen (male and female) at a raised plate with an image of the new guesthouse. On the plate a basket with a fish, a lighthouse on the left with a few fishermen and walkers. In the background the village on the coast. At the top of the name of the village with the weapons of Holland and Van Petten on either side. Amsterdam paper etching raffle, lottery Petten

The Virgin and Joseph Refused at the Inn (Capricornus). Dated: 1585. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Adriaen Collaert after Hans Bol.

Pyramids of Egypt, Philips Galle, After Maarten van Heemskerck, 1581 - 1633 print In the background Egyptian pyramids and obelisks. Men made to slave scoop clay from the river, which are then baked into stones in a burning oven for the buildings. In the foreground, Pharaoh Psammetiches is on a stone block. He looks at an eagle with a sandal in his mouth. This image refers to a fable of Aesopus about the relationship between Rhodopis, a young Egyptian woman, and the Pharaoh. The print has a Latin caption and is part of a series about the eight wonders of the world. print maker: Antwerpafter design by: HaarlemHaarlempublisher: Antwerp paper engraving Egyptian pyramids (Wonder of the World). pyramid (historical grave form). Psammetichus, king of Egypt, and the courtesan Rhodopis; Cupid assists her in putting on her sandal (while she was bathing one day an eagle carried away one of her sandals and dropped it near Pharaoh, who started to look for its owner). slavery; serfs and the enslaved

A ship lift in a river; L'Arte di render I Fiumi Navigabili, in Varij Modi, Con Altre Nuove Inventioni, E Varij Altri Segreti. River landscape with a three-master at a ship lift that can lower the ship to a lower water level. Numbered top left and top right: 28.

Entrance of the Count of Brionne; CET Entreé Est the Monsieur Le Comte de Brionne Grand Chambelan de Son Altesse, representant Jason. Mr. Van Brionne, dressed up as Jason, standing on the rear of a ship surrounded by tritons and musicing ladies, led by Poseidon. Below a small island with a dragon that monitors a chain with the golden fleece. In addition, a rocky island with a house on it, for which the fame is. Above the show a letter in French. This print is part of a series of illustrations for a book about the festivities (O.A. a tournament) in the Ducal Palace in Nancy on February 14, 1627.

View of Warsaw from the side of the Praga District. Bellotto, Bernardo (1722-1780), graphic artist

Prospect der König, lichen, Residence Siam, Entwurff einer historischen Architectur: in Abbildung unterschiedener berühmten Gebäude, des Alterthums, und fremder Völcker, umb aus den Geschicht-Büchern, Gedächtnüss-Müntzen, Ruinen, und eigeholten wahrhafften Abrissen, von Augen zu stellen: alles mit grosses Mühe gezeichnet, und auf eigene Unkosten, Delsenbach, Johann Adam, 1687-1765, Fischer von Erlach, Johann Bernhard, 1656-1723, Etching, 1725

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