Cityscapes and Historical Scenes

Etchings capturing dynamic city life and historical settings, featuring figures in street scenes and architectural elements from various periods.

Two Doorways. James Abbott McNeill Whistler (United States, 1834-1903). 1879/80. Prints. Etching and drypoint

Four performances from Constantinople, Marius Bauer, 1889 print Plate with four performances. At the top left a walking man who transports goods on his back. At the top right a sitting man wearing a cylindrical hat, a sikke. In the middle a street in Constantinople with a donkey driver and veiled women. Under a cityscape on Constantinople from the water. paper etching city-view, and landscape with man-made constructions. street. carrying something in basket, bag, rucksack, etc.. fraternities ~ Islam, Mohammedanism Constantinople

The Rialto. James McNeill Whistler; American, 1834-1903. Date: 1878-1880. Dimensions: 295 x 199 mm (plate); 379 x 275 mm (sheet, sight, bound). Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Seal Pool, Fairmount Park , Parks, Bodies of water, Memorial arches. Joseph Pennell (1857-1926). Prints and Drawings

Winter landscape with figures in a rowing boat on a frozen canal, c. 1825 - c. 1829 The figures chop the rowing boat from the ice. In the background a building, stable and cake and zopie. Leaf 34 Recto from a sketchbook with 95 sheets. paper. pencil frost, freezing weather. rowing-boat, canoe, etc.

Bead Stringers James Abbott McNeill Whistler (American, 1834-1903). , 1886. Etching, 8 15/16 x 6 in. (22.7 x 15.2 cm). American Art 1886

Two Doorways. James Abbott McNeill Whistler (United States, 1834-1903). 1879/80. Prints. Etching and drypoint

Tête-à-tête in the Garden 1894 James McNeill Whistler American. Tête-à-tête in the Garden 372943

Small Fishing Port, Arnold William Brunner, American, 1857-1925, Graphite on cream paper, Sailboats foreground, and rowboats. Houses, beyond, with trees and a ridge in back., USA, ca. 1883, seascapes, Drawing, Drawing

Forum Nervae. Jabłczyński, Feliks (1865-1928), graphic artist

Street in Villefranche, Arnold William Brunner, American, 1857-1925, Graphite on paper, Narrow street, with one figure on it. Four-story buildings on each side., USA, 1892, architecture, Drawing, Drawing

The Man at the Window, Paul-Edme Lerat, French, 1849 - 1892, Etching on vellum paper, Room interior; a man stands looking out of a casement window. Inscribed: P. LeRat 1885 and signed (in pencil)., France, 1885, Print, Print

Traghetto 1879-1880 United States. Etching and drypoint in black ink on ivory Japanese paper . James McNeill Whistler

Paris: la Rue de la Montagne-Ste-Geneviève. Louis Auguste Lepère; French, 1849-1918. Date: 1886. Dimensions: 313 × 145 mm (image); 367 × 203 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Team for a barn, 1859 - 1864 Page 26 Recto from a sketchbook with 77 sheets. paper. pencil cow. agricultural implements: plough

James McNeill Whistler (American, 1834 - 1903), The Laundress - La Blanchisseuse de la Place Dauphine, 1894, lithograph

Sketch of a cityscape, draughtsman: Reinier Craeyvanger, 1822 - 1880, paper, h 215 mm × w 240 mm

Groep figuren bij een gebouw met torens.In the foreground a man with a cloak and hat at a tree. In the background the contours of houses and a tower. Leaf 46 Verso from a sketchbook with 60 sheets.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: sheet: 10 1/4 x 4 5/8 in. (26 x 11.7 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Ulm, Willem Adrianus Grondhout, 1888 - 1934 print A street in Ulm, Germany with a horse cart. paper etching street. animal traction, animal-drawn vehicle (carriage etc.) Ulm

Old-clothes shop, no. 2. Whistler, James McNeill (1834-1903). 1884 - 1886. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Roman ruin, Anonymous, After Willem van Nieulandt (II), 1594 - 1685 print On the right a ruin in a landscape, left three figures on a road. Print is part of a series of Roman ruins and coastal landscapes to prints by Willem van Nieulandt. This series is a copy of the series, which Claes Jansz Visscher made to Van Nieulandt. paper etching landscape with ruins

Farm interior, near 't Kalfje. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: 15-Jul-1903. Measurements: h 285 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

attributed to John Constable, 1776-1837, British, Study for Cottage in Cornfield, East Bergholt, ca. 1833. Graphite and brown wash on medium, smooth, beige wove paper mounted to card.

Pencil sketch sheet by Carl Goebel from 1888 showing observational studies of figures, forms, and compositional elements.

James McNeill Whistler, Sunflowers, Rue des Beaux Arts, 1892 1893 Sunflowers, Rue des Beaux-Arts

Balcony, Amsterdam 1889 James McNeill Whistler American. Balcony, Amsterdam 339436

Landscape with Roman ruin, Anonymous, After Willem van Nieulandt (II), 1594 - 1685 print In a landscape on the right on a hill Roman ruins are side by side. On the left a wall and shepherds with their goats. Print is part of a series of Roman ruins and coastal landscapes to prints by Willem van Nieulandt. This series is a copy of the series, which Claes Jansz Visscher made to Van Nieulandt. paper etching landscape with ruins

James McNeill Whistler (American, 1834 - 1903), Justice Walk - Chelsea, c. 1886-1888, etching

Little Court 1880-1881 United States. Etching with foul biting in black ink on ivory laid paper . James McNeill Whistler

Drawing by Ferdinand Boberg. Småland, Kinnevalds hd., Skatelövs sn., Huseby Nordic

Street. Jasiński, Feliks Stanisław (1862-1901), draughtsman, cartoonist

James McNeill Whistler, Trial Sketch Grand Rue, Dieppe, c 1891 Trial Sketch: Grand Rue, Dieppe

High visit, Marius Bauer, 1889 print A man steps on the back of a kneeling man to climb his horse or just get off. On the left in the foreground, figures kneeling their arms on the ground, on the right in the foreground some sentries. paper etching contrast between important and unimportant people; the inferior before the superior, the weak before the mighty. kneeling figure

Rue Furstenburg. James McNeill Whistler; American, 1834-1903. Date: 1894. Dimensions: 225 x 159 mm (image); 323 x 202 mm (sheet). Transfer lithograph in black on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Amsterdam, Springer, Cornelis, Woman kneeling before a chapel, verso - stamped, A woman kneels before a chapel, in which a crucifix hangs, on the outside of a church. A man stands with his hat in his hands next to her., print, prints, height 243 mm, width 161 mm, Dutch, 1817-05-25 - 1891-02-20, print maker, printmaker, 1844 - 1844, paper, papier, etching, etchings, drypoint, dry needle

The Laundress - La Blanchisseuse de la Place Dauphine, 1894. James McNeill Whistler (American, 1834-1903). Lithograph;

Kanonia in Warsaw; Care, Ignacy (1865-1941); 1929 (1929-00-00-1929-00-00);Dzieńania (Warsaw - street), Kanonia (Warsaw - street), Poland, Stare Miasto (Warsaw), Warsaw (Masovian Voivodeship), Polish graphics, cathedral of St. John the Baptist (Warsaw), Poland (culture), symbolism (style), streets, city views

Classical architecture, with a Corinthian capital on the ground. Draughtsman: Thomas Cool. Dating: 1861 - 1904. Measurements: h 119 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam.

Thomas Daniell, 1749-1840, British, active in India, An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri, July 1795. Graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, moderately textured, cream, wove paper.

Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso) 1712-93 Francesco Guardi Italian. Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso) 338948

Arch with garden vases in a garden, Dionys van Nijmegen (Possibly), 1715 - 1798 drawing Design for a painting. paper. pencil garden

Three hammers in Igelfors, Östergötland. Drawing of Ferdinand Boberg Nordic

Woman with child at a gate, Maria Vos, 1834 - 1906

Court with Trees (Bahnhof Tiergarten). Dated: 1920/1921. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Old doorway, Easthampton , Doors & doorways, Vines. Childe Hassam (1859-1935). Prints and Drawings

La rue des Mauvais Garçons 1854 France. Etching with roulette (plate is scraped and burnished) on tan wove paper . Charles Meryon

Chartres, Sir David Young Cameron, 1865-1945, British, 1902, Etching touched with drypoint on laid paper, Plate: 12 x 7 1/2in. (30.5 x 19.1cm) and Sheet: 14 x 10in. (35.6 x 25.4cm)

Nocturne Palaces Made 1879-1880 United States. Cancelled copper plate . James McNeill Whistler

A pencil drawing by Ferdinand Georg Waldmüller featuring different sketches, including human figures, landscape elements, and objects for artistic study.

Lewis Vulliamy, 1791-1871, British, Villa Chigi, Ariccia, between 1818 and 1822. Graphite on slightly textured, moderately thick, cream wove paper.

Double Doorway, Sandwich. James McNeill Whistler; American, 1834-1903. Date: 1886-1887. Dimensions: 70 x 110 mm (image, trimmed within plate mark); 74 x 110 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

TheNativity. Artist: Albrecht Dürer, German, 1471-1528

Marsh. / No. 2.

Kanonia Street in Warsaw. Łopieński, Ignacy (1865-1941), graphic artist

My Backyard, Number One Julian Alden Weir (American, 1852-1919). , 1890. Etching and drypoint on laid paper, 7 7/16 x 6 in. (18.9 x 15.2 cm). American Art 1890

Drawing by Ferdinand Boberg. Värmland, Jösse hd., Älgå sn., Älgå Nordic

Via Dolorosa James Tissot (French, 1836-1902). , 1886-1887 or 1889. Ink and graphite on paperboard, Image: 8 13/16 x 5 15/16 in. (22.4 x 15.1 cm). European Art 1886-1887 or 1889

Continental Street Scene. Dated: 1860/1870. Dimensions: overall: 26.6 x 19.4 cm (10 1/2 x 7 5/8 in.). Medium: graphite with pen and brown and blue inks on wove paper. Museum: National Gallery of Art, Washington DC. Author: John Skinner Prout.

Maunder's Fish Shop, Chelsea Made 1890 United States. Transfer lithograph in black on cream laid paper . James McNeill Whistler

Cityscape. Draughtsman: George Hendrik Breitner. Dating: 1888. Place: Amsterdam. Measurements: h 120 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

The Doorway. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 291 x 201 mm (plate); 295 x 207 mm (sheet). Etching in black ink on ivory Asian laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Childe Hassam, Washington's BirthdayFifth Avenue & 23rd Street, 1916 Washington's BirthdayFifth Avenue & 23rd Street

Face in a foreign city, Jan Diederikus Kruseman, 1880 drawing paper. pencil. watercolor (paint) brush street

Pencil illustration by August Xaver Karl von Pettenkofen depicting a scene from the novel Gil Blas.

View of the Reguliersdwarsstraat in Amsterdam, George Hendrik Breitner, c. 1902 Figures on the street. Page 69 from a sketchbook with 46 magazines made in the vicinity of Amsterdam, Rotterdam and Haarlem. Amsterdam paper. pencil street (+ city(-scape) with figures, staffage). urban housing Reguliersdwarsstraat

Landscape 1780 Pierre Nicholas Camus. Landscape. Pierre Nicholas Camus (French, active 1779-80). 1780. Etching. Prints

Delightful Pictures of Domestic Life, Alcalá 1898-1908 United States. Oiled charcoal with stumping and erasing, on cream wove paper, perimeter mounted on off-white wood pulp laminate board . Joseph Pennell

The Steps, Amsterdam. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1889. Prints; etchings. Etching and drypoint

Skaters at a mill on the edge of a village, c. 1825 - c. 1829 Leaf 37 Recto from a sketchbook with 95 sheets. paper. pencil brush frost, freezing weather. village (+ city(-scape) with figures, staffage). windmill

Capt. Thomas Hastings, 1778-1854, British, In Mr. Nash's, East Cowes, Isle of Wight, 1828. Graphite on medium, slightly textured, cream wove paper.

Hercules Brabazon Brabazon, Constantine, c 1867 Constantine

Thomas Girtin, 1775-1802, British, Flint Castle, ca. 1798. Pen and brown ink on thin, smooth, cream wove paper.

Clock-Tower, Amboise. Dated: 1888. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The Market-Place, Vitré, James Abbott McNeill Whistler, 1893 print View of a market square in Vitré, Bretange. Many women run in traditional costume among the market stalls. London paper market Window

Kapliczka na Świętym Krzyżu. Pietras, Kazimierz (1869 aut 1870-1909), draughtsman, cartoonist

The Garden. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 6 11/16 × 7 5/16 in. (17 × 18.5 cm)Sheet: 12 5/16 × 7 11/16 in. (31.2 × 19.5 cm). Date: 1891. Museum: Metropolitan Museum of Art, New York, USA.

Frontispiece for the ladies of Fr. Villon (dummy title)

Chelsea Shops. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 95 x 195 mm (image); 203 x 310 mm (sheet). Transfer lithograph in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Maunder's fish-shop, Chelsea, 1890, by James McNeill Whistler (1834-1903). Lithograph, image size 19 x 17 cm

Little Court 1880-81 James McNeill Whistler American. Little Court. Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1880-81. Etching and drypoint, printed in black ink on ivory laid paper; first state of two (Glasgow). Prints

Staircase. James McNeill Whistler; American, 1834-1903. Date: 1891. Dimensions: 184 x 163 mm (image); 240 x 185 mm (sheet). Transfer lithograph in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Street with figures. Leaf 5 Verso from a sketchbook with 11 sheets.

Man met hond bij een poort.On the left is a man with a basket to read his arm a billboard. Nast him a dog. Above the gate a window and a lantern.

Giovanni Fattori, Bauco near Rome (Bauco presso Roma), c 1904 Bauco near Rome Bauco presso Roma

Figures and camels on a covered courtyard, 1830 - 1860 Figures in Eastern clothing stand and sit on the floor. Two men are sitting on a camel. The space in which the figures are located (possibly a gallery or courtyard at a street) is covered with an arc construction. Leaf 35 Recto from a sketchbook with 46 sheets. paper. pencil Figures in Eastern clothing stand and sit on the floor. Two men are sitting on a camel. The space in which the figures are located (possibly a gallery or courtyard at a street) is covered with an arc construction. Leaf 35 Recto from a sketchbook with 46 sheets. paper. pencil

Old man with keeshond for a house, Johann Christoph Erhard, 1817 print paper etching old man. dog

Dorpsstraat with figures, c. 1825 - c. 1829 Page 21 Recto from a sketchbook with 95 sheets. paper. chalk village (+ city(-scape) with figures, staffage)

Luxembourg Gardens , Gardens, Sculpture, Sitting. Joseph Pennell (1857-1926). Prints and Drawings

The Lime-Burner, James McNeill Whistler, American, 1834-1903, Etching and drypoint on paper, Veritcal rectangle. The figure of the burner is seen in the middleground, facing the spectator. The wharf and ships in the background., USA, 1859, figures, Print, Print

James McNeill Whistler (American, 1834 - 1903), Quai de Montebello, 1893, etching

Park face with girls at a herme. Draughtsman: Dionys van Nijmegen (possibly). Dating: 1715 - 1798. Measurements: h 208 mm × w 206 mm. Museum: Rijksmuseum, Amsterdam.

View of Trafalgar Square in London, 1888 - 1891 Between the fountains the statue of Charles George Gordon by Hamo Thornycroft. In the background the National Gallery. Page 66 from a sketchbook with 49 sheets. London paper. chalk square, place, circus, etc.. ornamental fountain Trafalgar Square. National Gallery

The Village Sweet Shop 1886 United States. Etching with foul biting in dark brown ink on ivory laid paper . James McNeill Whistler

The doorway , Canals, Doors & doorways. James McNeill Whistler (1834-1903). Lithographs

Drawing, Architectural details; human figures; Designed by Filippo Marchionni (Italian, 1732-1805); Italy; brush and brown wash, pen and brown ink on cream laid paper; 27.5 x 20.3 cm (10 13/16 in. x 8 in.)

Drawing by Ferdinand Boberg. Småland, N. Tjusts hd., Lofta sn., Överum, Nordic

Cutler Street, Houndsditch. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 6 7/8 × 4 7/8 in. (17.5 × 12.4 cm)Sheet: 6 7/8 × 4 7/8 in. (17.5 × 12.4 cm). Date: 1886-88. Museum: Metropolitan Museum of Art, New York, USA.

John Sell Cotman, 1782-1842, British, Framlingham Castle, Suffolk: Part of Ruined Interior, ca. 1815. Graphite on medium, smooth, cream wove paper.

Hôtel Lallemont, Bourges. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 164 x 271 mm (image, trimmed within plate mark); 168 x 271 mm (sheet). Etching with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Figures at a farmhouse next to a group of pine trees. Leaf 9 Recto from a sketchbook with 44 sheets.

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