Classic Biblical Art Prints

Engravings depicting dramatic biblical moments, showcasing figures like prophets and kings, with rich textures and emotional expressions, embodying narratives from religious history.

Arnhem, Jansz., Jan, Wassenaar, Nicolaas Jansz. van, Rubens, Peter Paul, Leiden, Swanenburg, Willem Isaacsz. van, Lot getting drunk by his daughters, verso bottom center - stamped, Lot is sitting between his two daughters in front of a cave. The daughter on the left is being embraced by him. She is holding a goblet, which is filled with wine by the other daughter. In the distance to the right, Sodom is burning. Below the image is a four-line Latin text in which the depicted event is disapprovingly discussed., print, prent, prints, prenten, height 316 mm, width 380 mm, Noord-Nederlands, 1580-01-29 - 1612-05-31, print maker, printmaker, 1612 - 1612, paper, papier, engraving, engraving (printing process), Zuid-Nederlands, 1577-06-28 - 1640-05-30, after, after painting by, writer, Publication (Event), Publicatie, publisher

Profeet Jeremia, Adam Sculptors, After Michelangelo, c. 1585 print The prophet Jeremiah sitting. Left and right of the prophet are small figures. One of the prophets of Michelangelo's ceiling painting. Title in sub -margin and numbered bottom right: 32. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Jeremiah (not in biblical context); possible attributes: book or scroll, 'the seething pot'

Bathsheba brings the young maid Abishag to the aging King David for body heat. Mezzotint by R. Earlom, 1779, after G. Farington after A. van der Werff, 1696.

Jupiter and Juno; Paintings in Palazzo Farnese in Rome. Jupiter sits on bed with an eagle at his feet. Juno also climbs the bed. A peacock is behind her.

Arnhem, Jansz., Jan, Wassenaar, Nicolaas Jansz. van, Rubens, Peter Paul, Leiden, Swanenburg, Willem Isaacsz. van, Lot getting drunk by his daughters, verso bottom center - stamped, Lot is sitting between his two daughters in front of a cave. The daughter on the left is being embraced by him. She is holding a goblet, which is filled with wine by the other daughter. In the distance to the right, Sodom is burning. Below the image is a four-line Latin text in which the depicted event is disapprovingly discussed., print, prent, prints, prenten, height 316 mm, width 380 mm, Noord-Nederlands, 1580-01-29 - 1612-05-31, print maker, printmaker, 1612 - 1612, paper, papier, engraving, engraving (printing process), Zuid-Nederlands, 1577-06-28 - 1640-05-30, after, after painting by, writer, Publication (Event), Publicatie, publisher

Lucretia and Sextus. Sextus fails Lucretia, which is naked on a four-poster bed, with a dagger and forces her to submit to him.

Tarquin and Lucretia. Cornelis Cort (Netherlandish, 1533/36-1578); after Titian (Italian, c. 1488-1576). Date: 1566-1576. Dimensions: 420 x 288 mm (plate); 424 x 291 mm (sheet). Engraving on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Lot drunked through his daughters. Lot is between his two daughters for a cave. The left daughter is embraced by him. She holds a drinking bowl that is filled with wine by the other daughter. On the right in the distance burns sodom. The show is a four-line, Latin text in which the event shown is disapproving.

Esther fainting before Ahasuerus. Etching by L.J. Le Lorrain after J.F. de Troy.

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Juvenis auscultans seni de divinis admonenti, 1764. Etching on moderately thick, moderately textured, beige wove paper.

Lucretia regrets her accident, Simon François Ravenet (Le Vieux), After Andrea Casali, 1763 print London paper etching / engraving (story of) Lucretia

Illustration for the Decamerone of Boccaccio, Romeyn de Hooghe, 1697 print Illustration for the Decamerone of Boccaccio, History XXXVII. Silvestra and her husband discover the deceased Jeronimus in their bed. Netherlands paper etching (scenes from) specific works of literature: Boccaccio, Decamerone

Allegorical show with Hendrik IV and Maria de 'Medici, Pieter Franciscus Martenasie, after Peter Paul Rubens, 1739 - 1789 print Hendrik IV and Maria de 'Medici walking in a landscape with Putti above them. One finds between them with a burning torch in his hand. Antwerp paper etching / engraving

Death of Magdalena, François Tortebat, After Simon Vouet, 1664 print print maker: Parisafter painting by: Franceafter drawing by: Parispublisher: ParisFrance paper engraving / etching St. Mary Magdalene dies in the wilderness, supported by angels

Samson and Delilah, Jacobus Buys, c. 1734 - c. 1801, Design for a print., draughtsman: Jacobus Buys, c. 1734 - c. 1801, paper, pen, brush, h 150 mm × w 89 mm

Portret van Pierre Vincent Bertin, Gerard Edelinck, After Noël -Nicolas Coypel, After Nicolas de Largillière, 1700 - 1707 print Two women as personifications of painting and sculpture roll together with two putti a portrait of Pierre Vincent Bertin (1653-1711). paper engraving 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). 'Sculptura', symbolic representations, allegories and emblems ~ sculpture; 'Scoltura' (Ripa)

Woman characteristic in a window, Johannes de Mare, after Adriaen van der Werff, 1827 print A woman in a window with drawing tools for herself, drawing to the Capitoline Venus in front of her in the windowsill. Behind her a man with a sculpted head in his hands. Under the window a relief with putti. paper engraving / etching artist (in general) (+ artist at work). drawing. sculpture

. In a landscape, Prudentia (caution) seeks itself in its hand mirror. A snake winds around her free arm. On the ground for her are a skull, books, ink and a writing spring.

Danae. Artist: Léon Davent (French, active 1540-56); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: Sheet: 9 3/16 × 11 5/8 in. (23.3 × 29.6 cm)Plate (oval): 8 1/2 in. × 11 5/8 in. (21.6 × 29.6 cm). Date: ca. 1542-47. Museum: Metropolitan Museum of Art, New York, USA.

Jupiter en Semele, Giovanni Battista Pasqualini, After Guercino, 1626 print Jupiter arrives with his lightning bolts at the bed of Semele. She lets herself be loved by Jupiter in his own form, where she is consumed by the glow of his lightning. At the bottom left a coat of arms and three columns with text in Latin in the lower margin. Italy paper engraving Jupiter kills Semele by coming to her with his lightning and thunderbolts

Susanna and the elders, 1646 - 1658 print Susanna is harassed by two elders during her bath. She sits with a fountain while one of the men touches her shoulder and the other grabs her rug and makes a gesture to silence her. paper engraving / etching the story of Susanna and the elders (in which the youth Daniel intervenes on behalf of Susanna) (Daniel 13)

Chastity. The female personification of chastity (Castitas) is sitting with the unicorn next to her. On the right a bass relief and on the left in the background a landscape.

Buys, Jacobus, Noordelijke Nederlanden, Vinkeles, Reinier (I), De Vrijheid der Drukpers, Title page for the verse: De vrijheid der drukkers, 1787, Northern Netherlands, verso - stamped, Allegory in which Liberty protects a writer against the attempts of a man (Censorship) to captivate her. In the background a monument for Laurens J. Coster., print, engraving, title page, prints, Frederik Muller Historieplaten, height 154 mm, width 103 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1787 - 1787, paper, papier, etching, engraving (printing process), 1724-11-19 - 1801-04-07, intermediary draughtsman

Young Woman Seated on a Bed. Dated: 1767. Dimensions: Overall (5th framing line): 40.9 x 29.2 cm (16 1/8 x 11 1/2 in.) image: 35.5 x 23.8 cm (14 x 9 3/8 in.). Medium: chalk manner printed in black and white inks on blue paper. Museum: National Gallery of Art, Washington DC. Author: Louis-Marin Bonnet after François Boucher.

Suzanna in de Ouderlingen, Laurent Cars, After Jean-François de Troy, c. 1731 print France paper etching / engraving the elders making advances towards Susanna

. Amor connects a man and woman who symbolizes worldly love as a couple in real life.

Geraud Vidal after Charles Monnet, Venus et Adonis Venus et Adonis

Mars and Venus in bed, John Smith (print maker/ publisher), after Giovanni Jacopo Caraglio, After Perino del Vaga, After Titian, 1708 print London paper Mars and Venus as lovers

Latona met Diana en Apollo op delos, anonymous, after Domenichino, 1599 - 1647 print France paper etching birth of Apollo: Latona gives birth to Apollo and Diana on the island of Delos

Holly family with Parrot, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Holy family is sitting on a stone couch near column with parrot that grasps with his beak to a wine rank. Under the show is a text in Latin. paper engraving Holy Family, and derived representations. ornamental birds: parrot. vine

Joseph and the wife of Potifar, Cornelis Cort, After Titian, after c. 1560 - c. 1565 print Potifar's wife is naked in a four -poster bed. Joseph flees her way (to the right) and is grabbed by her by his cloak. Venice paper engraving Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib). bed with tester. slippers

Pygmalion 1662 Joachim von Sandrart German. Pygmalion 334968

Marriage from sensuality concluded by Amor, Jan Saenredam, After Hendrick Goltzius, 1575 - 1607 print Amor connects a man and woman who symbolizes worldly love as a couple, in real life. paper engraving (story of) Cupid, Amor (Eros). (civil) marriage ceremonies. (personifications and symbolic representations of) Qualities of Love

Jupiter and Callisto. Wooded landscape with Jupiter, seducing in the form of Diana, the Nymph Callisto. Behind them Amor with a mask and an eagle. Scene from the metamorphoses of Ovid.

Tende girl in Age to be loved Jean-Baptiste Poilly (active in Paris in 1669). Tender little girl with being loved. Engraving.

Print made by Johann Jacobus Haid, 1704-1767, Vertumnus et Pomona, undated. Mezzotint on moderately thick, slightly textured, cream laid paper.

While picking grapes, a man grabs a young woman around the waist. She addresses him with a raised finger, Vineyarder in Love., print maker: anonymous, after: Peter Paul Joseph Noël, print maker: Low Countries, after: Southern Netherlands, 1817 - 1867, paper, steel engraving, h 276 mm × w 221 mm

Allegory on writing art. The personnel of writing art is in hand with a spring to a table where three kneaded naked women provide her writing utensils. An angel in the air holds a paper with the text: L.V.L. Antwort an h.v.l. To right of writing art Putti, behind writing art is a man in contemporary clothing with a pipe at the fireplace.

Johan Georg Preisler (1757-1831); Antonio Franchi (1634-1709), Susanne Au Bain, 1781

Valentine Green, 1739-1813, British, Agrippina Surrounded by her Children, 1774. Mezzotint.

Title print for collected drawings and sketches by Gerardus Lairesse, part 2, Pieter van den Berge, after Gerard de Lairesse, 1695 print A naked young man with laurel wreath on his head brings a woman, with armor, helmet and palm branch, a message. In the background on the right is Hercules in a landscape with classic buildings. Amsterdam paper etching / engraving messenger. (story of) Hercules (Heracles)

Nawiedzenie. Maratti, Carlo (1625-1713), graphic artist

Louis Lafitte drawing depicting the Roman story of Cimon and Pero, executed in black chalk with wiping and white heightening.

Maria with child at a fountain, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Maria is sitting with child with a fountain. Under the show a rule in Latin and Dutch from Hoogl. 4. This print is part of an album. print maker: Southern Netherlandspublisher: Antwerp paper engraving Mary, usually with the Christ-child, in orans-position in a fountain (of life)

DOSOD VAN H. DEALA KNOWNICA, Jean Audran, Aftersia Restout (II), 1702 - 1756 print print maker: Francepublisher: Paris paper etching martyrdom, suffering, misfortune, death of St. Scholastica

Italy, Bartolozzi, Francesco, Roman soldier attended by two women, verso - stamped, A Roman soldier lies on a bed. He is supported by a woman. Another woman approaches with a chalice of drink., print, engraving, prints, engravings, height 380 mm, width 330 mm, Italian, 1727-09-25 - 1815-03-07, print maker, printmaker, 1738 - 1815, paper, papier, etching, etchings, stippelgravure, kleurdruk

Prudence dated 1516 Agostino Veneziano (Agostino dei Musi) Italian. Prudence. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). dated 1516. Engraving. Prints

Apollo laurel poetry; Title page for: P. Verhoek, Pieter Verhoeks Poëzy (...), 1726. Poetry is raised by Apollo. She is flanked by two putti. One of them holds a flame, symbol of inspiration, and a bazuin. The other shows a coat of arms on which the title in Dutch.

Maria Met Kind, Annibale Carracci, After Agostino Carracci, 1570 - 1609 print Mary is in her arms with the Christ child. Italy paper etching Madonna: i.e. Mary with the Christ-child

Samson a delila. .

French 18th Century, Autre imitation L'amour mouille Autre imitation: L'amour mouille

Ninus offers Semiramis his crown, Georg Martin Preissler, After Guido Reni, 1710 - 1754 print paper etching Ninus offers his crown to semiramis. Marriage, Married Couple, 'Marriage'

Belisane and Parcival under the Enchantment of Urma. Dated: 1782. Dimensions: plate: 44.9 x 55.6 cm (17 11/16 x 21 7/8 in.) sheet: 47.5 x 59.4 cm (18 11/16 x 23 3/8 in.) mat: 55.9 x 71.1 cm (22 x 28 in.). Medium: mezzotint in brown-black ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: John Raphael Smith after Henry Fuseli.

Shows Judith holding the severed head of Holofernes, illustrated as a copper engraving print by Andrea Zoan at the end of the 15th century and beginning of the 16th century, focusing on the Biblical narrative.

Christ and Nicodemus, draughtsman: Willem van Oordt, 1600 - 1699, prepared paper, brush, h 155 mm × w 187 mm

Italy, Cipriani, Giovanni Battista, Bartolozzi, Francesco, Ciprianis rudiments of drawing, Ciprianis principes van het teken, Titelprent met personification of painting, verso - stamped, A Muse or the personification of painting sits before a tablet with the title. Around the tablet stand and float three putti., print, engraving, title print, prints, engravings, height 217 mm, width 305 mm, Italian, 1727-09-25 - 1815-03-07, print maker, printmaker, 1796-02-23 - 1796-02-23, paper, etching, etchings, stipple engraving, colour printing, Work conception, 1727 - 1785-12-14

Pen and chalk drawing by Biagio Pupini depicting a woman with two children to the left, executed on gray paper with gray wash and white heightening, emphasizing figures and composition.

Spanish Crown, Antwerp, Vorsterman, Lucas (I), Rubens, Peter Paul, Susanna and the Elders, recto lower left - stamped, print, prints, verso lower left - stamped, height 385 mm, width 280 mm, Southern Netherlands, 1595 - 1675, print maker, printmaker, 1620 - 1620, paper, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher, granter of privilege

Herder and Herderin in Landschap, Cornelis van Dalen (II), After Casper Casteleyn, 1648 - 1664 print paper etching / engraving pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Andromache and Astyanax. Artist: Pierre Paul Prud'hon (French, Cluny 1758-1823 Paris). Dimensions: 11 3/4 x 8 5/8 in. (29.8 x 21.9 cm). Date: ca. 1798.Didot initially commissioned Prud'hon to design the frontispiece to The Works of Racine (1801-5) and five illustrations to the play Andromache. This design for Act 2 depicts the heroine embracing her son Astyanax and exclaiming that she still sees her dead husband in his features ("It is you, dear husband, whom I embrace"). This illustration was never published by Didot since the commission for Andromache was ultimately given to Girodet. However, Prud'hon used this drawing as the basis for the painting Andromache and Astyanax, which is in the Metropolitan's collection (25.110.14). Museum: Metropolitan Museum of Art, New York, USA. Author: PIERRE-PAUL PRUD'HON.

Untitled: Classical scene, Arthur Pond, ca. 1705-1758, British, after Parmegiano, 1503-1540, Italian, 1740, Sheet: 6 1/2 x 7 1/2in. (16.5 x 19.1cm)

The Virgin and Child ca. 1641 Stefano della Bella Italian. The Virgin and Child 373939

Pallas and the righteousness, Dirk van der Aa, 1767 drawing paper. pencil. ink pen / brush Justice, 'Justitia'; 'Divine Giustitia' (Ripa) ~ One of the Four Cardinal Virtues. Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa). Minerva as Patroness

Engraver: Pierre Daret, French, 1604-1678, After: Simon Vouet, French, 1590-1649, Virgin and Child with anAngel, Engraving and etching, sheet: 33.1 × 25.6 cm (13 1/16 × 10 1/16in.), Made in France, French, 17thcentury, Works on Paper -Prints

Maria Met Kind en De Johannes de Doper, Elisabetta Sirani, 1648 - 1665 print Three -lurely Latin text in the lower margin. Italy paper etching Mary and the Christ-child with John the Baptist (as child)

La Foil Pare La Décrépitude des Ajustementes de la Jeunesse. Satire on the camouflage of old age symptoms: graduated old lady is sitting in front of a dressing table on which countless vials and boxes and a mirror. She gets wig and elegant hat set up by lady behind her.

Offer Aan Aesculapius, Bernard Picart, After Elisabeth Sophie Chéron, 1712 print A company brings a sacrifice to the Escula monkey, the symbol of the God of Health and Medicine Aesculapius. In the foreground is a naked young man on a pedestal. Paris paper etching / engraving Aesculapian sign. Sacrifice

Second Day, Seventh Story: The Duke of Athens Contemplating the Sleeping Princess Alatiel. Dated: c. 1757. Dimensions: overall (to the outer framing line): 11.2 x 5.8 cm (4 7/16 x 2 5/16 in.). Medium: pen and gray ink with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hubert François Gravelot after François Boucher.

Decapitation of Saint John the Baptist. Line engraving by Rivers, 1813, after G. Douw.

Italy, Michelangelo, Bonasone, Giulio, Holy Family with the Young John the Baptist, verso - stamped, Mary sits on a throne and the sleeping Christ Child lies on her lap. To the left and right of Mary are Joseph and the young John the Baptist. In the background is a drapery., print, prent, prints, height 385 mm, width 285 mm, Work conception, Italian, 1510 - 1576, after a print by, 1501 - 1580, paper, papier, etching, etchings, engraving, engraving (printing process), print maker, printmaker, 1475-03-06 - 1564-02-18, intermediary draughtsman

John Hamilton Mortimer, Comedy, 1778 Comedy

Lettering woman on a terrace. On a terrace, a woman reads a letter to two other women and a man. There is a dog for her. A rolling landscape in the background.

Italy, Raphael, Vico, Enea, Toilet of Venus, verso - stamped, Venus dries off after a bath. On the right is Amor., print, prints, height 183 mm, width 121 mm, Italian, 1523 - 1567, print maker, 1546 - 1546, paper, engraving, engraving (printing process), plate tone, Work conception, 1483-04-07 - 1520-04-07

Illustrates a male figure in both seated and standing positions, known as 'het rolwagentje', created by Rembrandt around 1646 using etching with brush and gray ink retouching. Focuses on anatomy and movement.

Egyptian Sibille, Romeyn de Hooghe (attributed to), after Romeyn de Hooghe, 1688 print Egyptian Sibille Netherlands paper etching / engraving sibyls (with NAME)

Engel appears to Joseph in his carpentry workshop, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching Joseph worrying about Mary's pregnancy; annunciation to Joseph in a dream (Matthew 1:19:25)

Love (Charitas), Barend Graat, 1638 - 1709 drawing Young woman with a child on the chest and children playing around her. paper. ink pen / brush Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Sleeping woman by anonymous artist, painting, Sweden, Stockholm, Nationalmuseum

Mars in Venus; Metamorphoses from Ovid. .

Design for a painting, Wisdom Unveils the False, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, pen, brush, h 325 mm × w 204 mm

Wszyscy Święci w MNK Payne, Albert Henry (1812 1902), Santi, Raffaello (1483 1520), Glücksberg, Michał (1838 1907)

Paris, Basan, Pierre François, Rubens, Peter Paul, France, Quel eclat brillant, Adoration by the shepherds, verso - stamped, print, prints, height 302 mm, width 213 mm, French, 1723-10-23 - 1797-01-12, print maker, printmaker, 1733 - 1797, paper, engraving, engraving (printing process), plate tone, Work conception, South Dutch, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, publisher

Portrait of Louis-Philippe, duc d'Orléans 1778 Augustin de Saint-Aubin French. Portrait of Louis-Philippe, duc d'Orléans 423183

Francois Nicolas Barthelemy Dequevauviller after Antoine Borel, L'Indiscret, 1786 L'Indiscret

Musicing company, Gerard Hoet (I), 1658 - 1733 print A man and two women make music in a park. The man plays a whistle while one of the women hits and sings on a tambourine. A sculpture in the background. Northern Netherlands paper flute, aulos, tibia. tambourine. dog. dog

Allegorical drawing by Gerard de Lairesse depicting silence and a talkative widow of Ephesos, executed in graphite and black chalk.

Astronomy In One Vertek, Jacob FollowMema, After Louis FabRiusius Dubbourg, 1703 - 1767 print The personification of astronomy, one of the seven free arts, is in a departure behind a table with books on. There is a globe next to her, on the floor are measuring instruments and books. Astronomy is accompanied by a putto that plays with a passer. paper etching 'Astronomy', 'cosmography'; 'Cosmography' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti'

Sculpture of a bacchante; Bacchae Signum Marmoreum Romae in Aedibus fallsibus; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Judit with the head of Holofernes. Judit with the head of Holofernes and a sword in the hands. She is accompanied by her maid.

Angelica in Medoro, Antoine Radigues, After Charles François Hutin, After Alessandro Tiarini, c. 1754 print Angelica and Medoro are notified their names in a stone fountain. paper etching / engraving Medoro. Angelica

Prudence and Beauty, Francesco Bartolozzi, Italian, active England, 1727-1815, Giovanni Battista Cipriani, Italian, 1727-1785, active England, 1755-1785, Stipple engraving in sanguine ink on paper, Beauty, lightly clothed, and accompanied by Amor, moves toward the right. Prudence, left, wearing armor, attempts to restrain Beauty., England, 1782, Print, Print

Two figures in the sickbed of an old man, Willem van Senus, After Henrent, 1783 - 1851 print Two figures in the sickbed of an old man. The woman gives him the chest and the man supports the pillow. paper etching visiting the sick; sick person together with others. sick-bed

Illustration for Boccaccio decamerone. Illustration for Boccaccio decamerone, history xxi. A man, mazet from LampRechio, and a non-drapse each other in a shed. They are gaming through an Anden Non.

Juno and two goddesses reclining on clouds with two child figures and fruits at right, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau. Artist: After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: oval sheet: 7 1/4 x 9 3/16 in. (18.4 x 23.3 cm) (trimmed). Series/Portfolio: Eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau. Date: ca. 1560-69. Museum: Metropolitan Museum of Art, New York, USA.

Historic steel engraving, Aristippus of Cyrene, a Greek philosopher, scene from Aristippus and some of his Contemporaries, a novel by Christoph Martin Wieland

Cephalus is familiar with Procris, Johann Liss, 1600 - 1629 print Cephalus puts his husband Pro procris to the test and tries to seduce her in disguise. He almost succeeds because ProPris has already bared her breasts. At that moment Cephalus is taking his mask and shows who he really is. paper etching Cephalus in disguise uses presents to seduce Procris

Night. Dated: c.1595-1598. Dimensions: sheet: 21.2 x 15.1 cm (8 3/8 x 5 15/16 in.) (trimmed to plate mark). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Jan Pietersz Saenredam.

. Two naked children at a fire pot. One child tries to emphasize grapes of the grape food from the other. Under the show a two-legged fresh in Dutch, indicating that grapes are fierce in the winter time.

People at the age of ten, Gerard van Groeningen, 1569 - 1575 print In an oval framework decorated with ornaments, a representation of a mother who breastfeeds her child. Next to her two other children. One of them lets her read something from a book, while the other hits a drum. Children play games in the background. The print has a Latin caption. Antwerp paper etching / engraving the first years ~ the ages of man. children's games and plays. nursing, suckling

Bacchus and Ceres, draughtsman: Monogrammist KG, 1726, paper, h 229 mm × w 198 mm

Venice, Titian, Cort, Cornelis, Joseph and Potiphar's Wife, verso - stamped, Potiphar's wife lies naked on a four-poster bed. Joseph flees from her (to the right) and is held by her by his cloak., print, engraving, prints, engravings, TYCIAN INVENIT, lower left - engraved, height 203 mm, width 260 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1560 - 1565, third quarter 16th century, paper, engraving (printing process), Work conception, Italian, 1488 - 1576-08-27

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