Classic Frame and Chandelier Designs

Artistic sketches of elegant light fixtures and decorative frames, showcasing elaborate shapes and intricate floral motifs in various styles.

Jewelry or Ornament Design. 1596. Mignot, Daniel (French engraver and goldsmith, active from 1593, died 1616). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Drawing, Urn and leaf-like ornament; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Print, Ornament Design; Designed by Lange; Print Maker: Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); Germany; etching and engraving on laid paper

Floor plan of a Kandelaber in the Hofburg, Vienna, designed by August La Vigne, drawn in graphite with gold-colored and gray washes, early 19th century.

Festoen of Fruit with a grape thross in the middle, Michiel Mosijn, After Francoys Dancx, After Jacob van Campen, 1655 - 1678 print Amsterdam paper engraving

Shows the exlibris of Italian art collector and bibliophile Giuseppe Cavalieri, created by N. Pineider as an etching on paper around 1900.

Bound Print, La Théorie et la Pratique du Jardinage (The Theory and Practice of Gardening), 1711; Pierre Máriete (French, 1660-1742); Written by Antoine-Joseph Dézallier d'Argenville (French, 1680-1765); Published by Pierre Husson; France; etching on paper; 1984-87-1-25

Candelabras, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Three candelabras, France, ca. 1759-70, ornament, Drawing, Drawing

Panel filling with three putti and palm tree ..

Print, Figure Under Tent, from "Recueil des Tentes Chinoises"; Designed by Jean-Baptiste Pillement (French, 1728-1808); France; etching on paper

Charles James Richardson, 1806-1871, British, Decoration between Windows of Parlor, No. 3 Old Palace Yard, 1871. Graphite, pen and black and brown inks with brush applied to brown ink, pink wash on slightly textured, moderately thick, white wove paper.

Gabriel Huquier after Claude Gillot, Designs for Tail Pieces pl 10, c 1730 Designs for Tail-Pieces: pl. 10

. Vignet with a castle room. On a throne under a canopy, Culemborg's urban sitting, in her hands, the coat of arms of the city. On a cartouche the title in Dutch.

Trophy of artists' tools, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, A palette with brushes in the hold, a compass, a square, a drawing-pen, a protractor, and a garland in front of a strone () and a branch. Colored background., Rome, Italy, 1780-1800, architecture, Drawing, Drawing

Console with garland; Console avec Son Profil; Consoles; 42E CAHIER. side and front view of a console with leaf motifs and a garland. Byond this a tablet with egg list and garland. Print number 248.

Chandelier project has branch for the king; Eleventh book of the work of J. Meissonnier. Eleventh book of the work of J.A. Meissonnier: Models d'Orfèvrerie: Titelblad: Kandelaar MET Vijf Armen in Ornament in Vorm van Een Adelaar

Putto with a peacock in a landscape, 1696 In the background a cart on a bridge. Drawing in a frame, possibly to a print. Page 66 Recto from a sketchbook with 91 sheets. paper. ink. watercolor (paint) pen / brush cupids: 'amores', 'amoretti', 'putti'. ornamental birds: peacock. city-view, and landscape with man-made constructions

Several figures with grotesken, monogrammist SB (16th century), 1596 print Different figures with grotesken. Brushes hang on the rectangular ornament in the middle. Print is part of a series of designs and decorations for goldsmiths. paper engraving ornament ~ grotesque

Portefeuille Historique de lOrnement [Landscape with Three Figures. Artist: Pierre Guillaune Metzmacher, French, 1815-after 1872

Allegory of Marie Antoinette 1776 Augustin de Saint-Aubin French Marie Antoinette is seated at centre holding a child. Minerva is behind, the Seven Virtues surround her, and the Three Graces in the clouds above hold a crown.. Allegory of Marie Antoinette 423256

Coat of arms of Jan Szumski, the Prelate of Vilnius. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Piotrowski, Jan Onufry (fl. 1754-1765), graphic artist

Design for an oil and vinegar, c. 1825 - c. 1830 Paris paper. pencil. ink drawing / pen / brush dinner-service. containers. oil, vinegar, sauces

Frisian with three oval medallions with two river gods and a river goddess, Anonymous, After Johannes Lutma (1624-1689), 1641 print The medallions are interconnected by a fruit guillande on which a putto is with a gift jug. print maker: Netherlands (possibly)after design by: Amsterdampublisher: Netherlands (possibly) paper ornament ~ medallion. river-gods

Cartouche with shell, crown and tritons with sirens on the shoulders, Stefano della Bella, 1646 print print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching ornament ~ cartouche. triton(s). merman - AA - mermaid, siren. scallop, shell ~ ornament

Knoblauch Eduard (1801-1865), Russian embassy, Berlin (1840-1841): Coat of arms with the Russian double head eagle. Pencil on paper, 35.1 x 21.9 cm (including scan edges)

Artist: Jeanne Deny, French, 1749-after 1815, After: Jean Baptiste Pillement, French, 1728-1808, Untitled (Ideal Flowers), from a set ofsix, late 18th to mid-19thcentury, Engraving, platemark: 24.1 × 16.4 cm (9 1/2 × 67/16in.), Made in France, French, 18th-19thcentury, Works on Paper -Prints

Memorial medal Zeebeslag near Doggersbank, 1781, Noah van der Meer (II), After Jacobus Buys, 1781 print Trophy around the memorial medal by the States General offered on 30 November to Schout-Bij-Nacht Johan Zoutman and fellow fighters after the victory in the sea battle at Doggersbank on August 5, 1781. Northern Netherlands paper etching / engraving medal (considered as a piece of sculpture, regardless of its specific function)

Designs for Tapestry Chair Seats, Plate 2 from 'Cahier de Cartouches et Ornemens de l'Oeuvre de Ranson', Pierre Gabriel Berthault, French, ca. 1748 - ca. 1819, Pierre Ranson, French, 1736-1786, Engraving on paper, Two curvilinear chair seats showing flowers in cartouche framework., France, 1778, Print, Print

Titelblad: new bond of clean ornaments to do in embroidery and small point, Anonymous, after Daniël Marot (I), after 1703 - Before 1800 print On the left you can see two embroidered canvases, on the right a cover with the English royal weapon. Copy to print from the Nouveaux Liure d'Orgings props Pour faire and Broderié et Petit Point published by Daniel Marot. Netherlands (possibly) paper etching

Drawing, Papal Escutcheon; Carlo Marchionni (Italian, 1702-1786); Italy; pen and sepia ink on laid paper; 16.4 x 16.1 cm (6 7/16 x 6 5/16 in.)

Le Tambour Arabe; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Triumphant amor. Amor shows his arrow and bow in Triumph, standing on all kinds of earthly things like a crown and a painting palette. Above the medallion The Devies: Omnia Vincit Amor (love conquered everything). The show is crowned by two burning hearts. Around the show ornament of leaf refines.

Allegory on peace with three putti in Cartouche, 1741 - 1820 print Allegory on peace with three putti in landscape in Cartouche with in the middle of a coat of arms. A Puto Hawoudt a phases in hand. A putto with laurel wreath and palm branch flies in the middle. paper etching cupids: 'amores', 'amoretti', 'putti'. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

The Arab Marabba and a Salamis, Flute Tur and the Sumara with two pipes, in gold before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. flute, aulos, tibia Royal Palace

Schmalz Otto (1861-1906), travel sketches from Austria, Germany, Italy and Spain (May 22, 1893): Palermo: Cathedral (Detail Choir Still). Pencil on paper, 42.5 x 30.9 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Österreich, Deutschland, Italien und Spanien

Round deck bowl on screened underput (Écuelle) with a crowned lid, anonymous, c. 1750 drawing France graphite (mineral). ink. chalk drawing

A rectangular with a basket of fruit and flowers, to the right draperies and columns Below, a garland with a torch and a tambourine Publisher's number 250, Panel with fruit and garland with tambourine, print maker: anonymous, intermediary draughtsman: Pierre Ranson, (mentioned on object), publisher: Johann Georg Hertel (I), (mentioned on object), Augsburg, 1746 - 1775, paper, etching, h 232 mm × w 168 mm

Design for the Decoration of the Grip of a Pocket Pistol ca. 1797-1805 Workshop of Nicolas Noël Boutet French. Design for the Decoration of the Grip of a Pocket Pistol 652958

Medallion with man with zeis. A round locket with flowers, corners and a representation of a man with a zeis working on the land. Around Rocaille ornaments, a threshing leg, a rake, a sickle, roses, branches with fruit and birds.

Design for the Base of a Crucifix, Plate 4 from: 'Neü inventierte Crucifix= Stöcke' Printed ca. 1750-56 Jacob Gottlieb Thelot Ornament print with a design for the base of a crucifix decorated with rocaille ornaments and a small dragon at the top of the base. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for the Base of a Crucifix, Plate 4 from: 'Neü inventierte Crucifix= Stöcke'. After Carl Pier (German, active Augsburg, ca. 1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Jacob Gottlieb Thelot (German, Augsburg 1708-1760 Augsburg)

PortraT van Leonardo da Vinci, Johann Heinrich Lips, 1768 - 1817 print paper engraving historical persons. portrait, self-portrait of artist

Lazio Roma Bracciano S. Lorenzo0. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Architecture, architectural sculpture, painting, sculpture. Exterior views of the front facade, and interior views of nave, altar, ceiling, paintings, and statues. Views of first church on this site (now a farmhouse), dating from 12th century. General Notes: Two medieval architectural prints are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

NIS with fountain; Wall decorations; 26 Nouveaux disseers de Lambris. An ornamented fountain with (Sater) cup and putti in a semicircular niche. On both sides ornamented panels with braid, seed beads and fountains.

Battle of Cassano, 1705; Blutiges affect Zwischen Cassano u. Triglio an Dem Fluss Adda. Battle at Cassano d'Adda in Lombardy, among the Allies under the Prince of Savoye and the French under the Duke of Vendome, August 16, 1705. Rectangular show in a richly decorated ornamental frame with a cartouche at the top of a cartouche with a map of the area between two Naked men. At the bottom and cartouche with the description of the battle in German. Leaf in the bound set of plates released under the title: RepraesTatio Belli ... of the Spanish Successions-Krieg CA. 1720.

Stanislaus I, King of Poland.

Ornament with leaf motifs, 1678 - 1743 print A vignette with symmetrical ornament with braid and leaf motifs. France paper ornaments ~ art. foliage ~ ornament

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 44e Cahier, Dessus-de-portes, Dessus de porte pour Vestibules et autres, Smoking barrel, arms and medallion, verso - stamped, Two dessus-de-portes. Above with a smoking barrel surrounded by arms, flags and shields, below with figures in a round medallion flanked by two seated women. Print number 262., print, ornamental print, prints, ornamental prints, height 332 mm, width 205 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Unknown architect, table card for the Schinkelfest March 13, 1867. Monthly competition December 1866 () (03.1867): View. Ink on paper, 24.4 x 29.5 cm (including scan edges)

A Papal escutcheon, Filippo Marchionni, Italian, 1732-1805, Charcoal, pen and ink, brush and black watercolor on paper, Most of the right half is roughly sketched. Grotesque birds form the upper part of the outside framing, dolphins the lower part. A mast is at the bottom., Italy, 1740-70, ornament, Drawing, Drawing

Drawing of 17th century silver belonging to an album, Anonymous, c. 1725 - c. 1728 album Amsterdam paper drawing

Design drawing. Artist: Christopher Dresser (British, Glasgow, Scotland 1834-1904 Mulhouse). Dimensions: sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm). Date: ca. 1883, based on earlier design. Museum: Metropolitan Museum of Art, New York, USA.

This etching by Paul Flindt d. J. features ornamental motifs created using the roulette technique around 1600, reflecting decorative styles of the early 17th century.

Medallion with man with scyth, anonymous, After Pierre Ranson, 1746 - 1775 print A round medallion with flowers, corners and a performance of a man with a scythe working on the land. Around rocaille ornaments, a threshing flail, a rake, a sickle, roses, branches with fruit and birds. Augsburg paper etching ornament ~ medallion. standing figure. agricultural implements: scythe

Goddess in punishment for crime.

Bound Volume, Frontispiece for Book 4, in Eight books of Ornament; William Delacour (French, 1741 - 1767); Engraved by François Vivares (French, 1709 - 1782); France; engravings on white laid paper, bound in half-calf and marbled boards; Open: 41.4 x 48.1 x 11.7 cm (16 5/16 x 18 15/16 x 4 5/8 in.)

Deraisme, Pierre -Georges (n.1859 - D.1932), Arabesque (main title), 1895. Graphite and watercolor on white cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Charles Germain de Saint Aubin, La Toilette, in or after 1756 La Toilette

Cartouche, Pierre Edme Babel, French, ca. 1720-1775, Engraving on paper, France, Europe, 18th century, Print, Print

Coat of arms with lion, surrounded by leafkrans, Claude Mellan, 1608 - 1688 print paper engraving armorial bearing, heraldry

Design for a Decorated Panel, Gilles Paul Cauvet, French, 1731-1788, Red crayon on paper, The half figure of a winged woman carries upon the head the base of a tripod with a burning fire. In the centre above is a female head supporting a hanging shield and garlands., France, ca. 1775, Drawing, Drawing

Vaas en halffiguren, unknown, after just Nathan François Boucher, 1752 - 1782 print At the top, two female semi -figures flank a vase, a square tablet underneath, a winged mask with drapery and the serial title at the bottom. Paris paper etching ornament ~ arabesque. vase ~ ornament. sitting figure - AA - female human figure. mask, mascaron ~ ornament

Amsterdam, Schenk, Pieter (I), Lejuge, Thomas, Folkema, Rinske Jacobsz, Johannes Jacobsz, Liure de Feuillages et d'Ouvrages d'Orfevrerie, Two brooches and a vase, In the middle is a vase set with precious stones with a high bouquet of flowers, flanked by two large brooches with a closed crown., print, ornament print, prints, ornament prints, height 167 mm, width 202 mm, print maker, printmaker, 1697 - 1718, fourth quarter 17th century, first quarter 18th century, paper, engraving, engraving (printing process), Work conception, 1648 - 1685, after a design by, Publication (Event), Publication, Northern Netherlands, 1660-12-26 - 1711, publisher

Bound Print (France)

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 42). Artist: After Georges Reverdy (French, active Lyon, 1529-57); After Jacob Floris (1524-1581). Dimensions: Sheet: 7 7/8 × 10 5/16 in. (20 × 26.2 cm)Plate: 5 1/8 × 11 13/16 in. (13 × 30 cm)Overall: 8 1/4 × 10 5/8 in. (21 × 27 cm). Publisher: Carlo Losi (Italian, 1757- after 1805). Date: 1773.Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point. Museum: Metropolitan Museum of Art, New York, USA.

Panel Decoration, Etienne de Lavallée-Poussin, French, 1735-1802, Brush and watercolor, white gouache, over black chalk on white laid paper, Paris, France, France, ca. 1780, architecture, Drawing, Drawing

Fan -shaped flowers, Edouard Gautier d'Agoty, After Jean Baptiste Pillement, 1770 print Fan-shaped flowers and flowers in half moon shape. Paris paper etching fabulous flowers

Cloisonné. Dated: 1890-1891. Dimensions: image (irregular): 15.24 × 9.53 cm (6 × 3 3/4 in.) board: 20.96 × 16.19 cm (8 1/4 × 6 3/8 in.). Medium: pen and black ink over graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: James Henry Moser.

Festoen of Fruit and Flowers, 1655 - 1678 print On the right is a grape voucher. Amsterdam paper engraving

Drawing, Project for Book Illustration; A Panel with Attributes and Recollections of a Hero; Netherlands; graphite, pen and black ink on paper, brush and ink wash on paper; Sheet: 22.3 x 13.3 cm (8 3/4 x 5 1/4 in.)

Third sheet from Livre de Legumes; Livre de Legumes (series of seven blades with ornaments and vegetables. Third sheet from Livre de Legumes: Series of seven ornament sheets with vegetables.r.b. Gene. 16

Wall painting in the Altoviti Palace, Rome, 16th century. Palazzo Altoviti, Rom, XVI Jahrh. Chromolithograph from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Design for a Cartouche Surmounted by a Tiger, Jacques de Lajoüe, French, 1687-1761, Gabriel Huquier, French, 1695-1772, Engraving on white laid paper, A tiger holding a thyrsus atop a barrel that is probably pouring wine, his paw resting on the head of a putto. Clusters of grapes and leaves decorate the cartouche. Enormous fish are at bottom foreground., France, 1740, ornament, Print, Print

Censer, Pen and brown ink, brown wash over, black chalk Support: to be checked, Italy, Italy, 1730-60, metalwork, Drawing, Drawing

Print (France)

Perzië; Les Perses et leur Religions; Trofeeën; 2e Cahier.Two trophies with shields. Links with a dagger, a snake, a book, a smoke barrel and a shield with an angel and a snake. Right with weapons, corners, grapes, keys, a mask and a shields with an animal and a mermaid.

Designs for a Capital, and for a Doorway 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Designs for a Capital, and for a Doorway 340342

Symfonie; Instruments de Symphonie; Trofeeën; 2e Cahier.A trophy with a crown, a hat with feathers, a drum, clarinets and a horn.

Idyll; Hirzyl, Hermann (1864-1939); 1895 (1854-00-00-1902-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, roads (transport), German graphics, idyll, German (culture), ornaments, landscapes, idyllic landscapes

Family crest with Roos, Jan Brandes, 1770 - 1808 drawing Family crest consisting of a helmet with a helmet forest of roses above a shield with roses growing from a heart. With inscription 'Burry' or 'Burij'. paper. pencil armorial bearing, heraldry

Decorated Cartouche with Classical Architecture, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688-1776, Engraving on paper, Decorated Cartouche with Classical Architecture., France, 1720-1775, Print, Print

Print, Design for Tureen, from Dixieme Livre des Oeuvre de Juste-Aurele Meissonier, plate 62 in Oeuvre de Juste-Aurele Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Etched by Gabriel Huquier (French, 1695-1772); France; etching on off- white laid paper; Platemark: 17.7 x 27 cm (6 15/16 x 10 5/8 in.)

Epitaaf; Epitahium; Memorial monuments. Design for an epitaaf with cartouche with a canopy. Left and right are two putti with a list, a skull and a torch. Publisher number XXXII.

Arabesques de 1566. MS. de la bibliothèque royale.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839 - 1828. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Invention of painting, 1791 - 1815 print A girl paints the circumference of the shadow of her lover on the wall. Scene caught in an oval list on a pedestal. paper etching / engraving the origin of painting and drawing

Back and seat upholstery with a frame of flowers around a vase with flowers, Chair upholstery with flowers and vases Dossier du fauteuil, Siege du fauteuil 19th Cahier de Cartouches et Ornemens de l Oeuvre de Ranson , print maker: Pierre Gabriel Berthault, (mentioned on object), Pierre Ranson, (mentioned on object), publisher: Esnauts & Rapilly, Paris, 1778, paper, etching, h 289 mm × w 225 mm

Corner decorations in the ceiling of the Great Gallery of Versailles, Johann Martin Preissler, After Jean Baptiste Massé, After Charles Le Brun, 1752 print print maker: Germanypublisher: Paris paper etching / engraving (decorated) ceiling. cupids: 'amores', 'amoretti', 'putti'. caduceus (staff with two snakes, attribute of Mercury) Versailles

Silver parure with brilliants and white Oriental pearls.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Parures

Cinderella 1848 Germany. Eugen Napoleon Neureutherís intricate, large-scale Cinderella depicts a fairy tale included in the collection Childrenís and Household Tales, first published by the Brothers Grimm in 1812. Neureuther produced other images of stories from Grimmsí collections set amid Gothic architectural frameworks, including Sleeping Beauty. This print served as a subscription print for the Bohemian Art Society, whose proceeds helped support artists in that region.. Etching on ivory wove paper . Eugen Napoleon Neureuther

Two Weapons, Anonymous, 1550 - 1650 Two performances on an album magazine. These are two showers with weapons. Above a double shield with three goat heads and a antlers on the left and a weapon with two lions and two stork (possibly the Vogelaer family). At the bottom of a double shield. The shield on the left is related to the Verlaen or Van der Laen family (Keper with three tons). On the right a celebrated shield with two crutches and two roses. The prints are part of an album. paper engraving Two performances on an album magazine. These are two showers with weapons. Above a double shield with three goat heads and a antlers on the left and a weapon with two lions and two stork (possibly the Vogelaer family). At the bottom of a double shield. The shield on the left is related to the Verlaen or Van der Laen family (Keper with three tons). On the right a celebrated shield with two crutches and two roses. The prints are part of an album. paper engraving

Designs for Two Silver Serving Dishes and Trays. Artist: Anonymous, French, 19th century. Dimensions: sheet: 9 5/16 x 14 1/2 in. (23.7 x 36.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for a Chandelier; Italy; pen and ink, brush and watercolor on paper

Epi de faitage or ornamental ceramic spike from Manerbe or Pre-d'Auge, Calvados, France, 18th century. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Design for a Frieze with Acanthus Scrolls and a Vase in the Center ca. 1777 Gilles Paul Cauvet French. Design for a Frieze with Acanthus Scrolls and a Vase in the Center 397676

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 53e Cahier, Wall candlesticks, Bras de Cheminée à l'Anglaise, Candlestick with medallion, verso - stamped, A two-armed wall candlestick with a third candle and an oval medallion with wreath and bow. Print number 316., print, ornament print, prints, ornament prints, height 327 mm, width 200 mm, 1736 - 1780, print maker, 1772 - 1779, paper, etching, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Coat of arms with monogram, Jan Brandes (Possible), 1787 - 1808 drawing Coat of arms with a monogram in frame with angel heads and leaf work. Vissebo paper. pencil. watercolor (paint) brush letter combinations such as letterword, anagram, letter square, monogram, etc.. ornament ~ cartouche

Portrait of William III. Left and right a coat of arms with a crown. Top left and right a putto. Bottom left and right a griffin. Bottom center an uncompleted cartouche, Portrait of William III, Prince of Orange, print maker: Josua van Iperen, (mentioned on object), Low Countries, 1670 - 1749, paper, etching, h 480 mm × w 375 mm

Coat of arms of Guillaume Bartolot Le Jeune; Gifted weapon shields. Copy of coat of arms of Guillaume Bartolot Le Jeune but without the bird on the helmet and with a blank shield.

Bacchanal, mosaic, Pompeii Mosaic depicting a lion with cupids and Bacchanalian figures, from the House of the Centaur at Pompeii still image. Illustrations. 1869 - 1870. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Cupids, Mythology, Bacchantes, Lions , Mythology, Mosaics , Italy

January; Ianuarius; First six months of the year. In a Rocaille cartouche skating and sledding figures. Around the show Rocaille ornaments, floral motifs, a waterman, the corresponding sign of the zodiac and two fantasy figures. Publisher number 74.

Nachrapnik decoration from the 17th century in the collections of the Krasi Michry Arrangement in Warsaw - views from the front and side; Frania, Zygmunt (1882-Post 1932); 1919 (1919-00-00-1919-00-00);

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