Classic Frame and Chandelier Designs

Artistic sketches of elegant light fixtures and decorative frames, showcasing elaborate shapes and intricate floral motifs in various styles.

Jewelry or Ornament Design. 1596. Mignot, Daniel (French engraver and goldsmith, active from 1593, died 1616). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Design for a light crown, c. 1835 Paris tracing paper. graphite (mineral) Chandelier, a candlestick

Drawing, Design for a Frame; Italy; black chalk, pen and ink, brush and watercolor on paper

Jewelry or Ornament Design. 1596. Mignot, Daniel (French engraver and goldsmith, active from 1593, died 1616). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Insigne van Sint-Rochus, Guillaume Joseph Vertommen, 1841 print paper etching the confessor and pilgrim Roch(us) (Rocco, Rock) of Montpellier; possible attributes: angel (with ointment box or spoon), dog (sometimes with loaf), (pointing at) plague-spot on thigh, pilgrim's shell, staff, hat and wallet

Jachttrofee en Guirlandes, Hubert, Silentus, after the trees Quellinus (1), 1719 print Two ornaments on one leaf. Above: a hunting trophy with attributes such as a hunting horn, arrows and arrows, nets and antlers. Lxxvi leaf, no 1. Around an egg list. Below: two garlands with shells and marine animals. LXXVI leaf, no 2. Amsterdam paper etching hunting trophies. ornament ~ festoon, garland

Woodcut by Albrecht Dürers workshop from 1515 showing the Golden Fleece and dragon crowning the left portal of Emperor Maximilian Is honorary gate, with figures and decorative details.

Designs for Locksmiths Artist's working dates 1660-1711 France. Etching on paper . Jean Bérain, I

Ornament print with design for goldsmith art, Daniel Mignot, 1593 Central is a pendant with pearls displayed surrounded by small black work ornaments. paper engraving ornaments ~ art. ornaments, jewels

Pendant Design with a Male Diety with a Shield Flanked by Two Reclining Men. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp). Dimensions: Sheet: 6 3/4 × 4 13/16 in. (17.2 × 12.2 cm). Series/Portfolio: Designs for Pendants I. Date: after 1581.Vertical panel with a pendant design at center, with a male diety holding a shield to his right sight, and standing on an orb at center, surrounded by strapwork ornament and grotesques. To either side, two nude reclining male figures facing outwards towards dragon-headed grotesques. The ornament hangs from a ribbon and has three pearls descending from the bottom and left and right sides. Plate 2 from a set of ten plates with pendant designs, with deities and strapwork backgrounds. The first edition of the series was published in Antwerp by Philips Galle in 1581 and exists in two states; two later editions - the first published by Theodoor Galle after 1600 and the second by Johannes Galle after 1636 - were also produced in Antw

Flat decoration with farmer on the country. Flat decoration with ornaments and floral motifs on a vertical striped background. In a wreath of flowers a scene of a farmer at work on land. Two birds are on branches on the left and right. Including floral motifs, leaves and ornaments and other agricultural tools. Publisher number 290.

Frontispiece for Feste Bacchique Artist's working dates 1705-1762 France. Etching in black on ivory wove paper . Jean Moyreau

Ornaments with mascaron and leaf vines, Bernard Picart (workshop of), After Bernard Picart, 1683 - 1733 print Two performances on a leaf. Above: Ornament with mascaron and leaf vines. Below: ornament with two horns with flowers. Amsterdam paper etching / engraving ornaments ~ art. mask, mascaron ~ ornament. foliage, tendrils, branches ~ ornament

Rocailles Met Putti, Anonymous, after Franz Xaver Habermann, 1731 - 1775 print Rocaille ornaments with leaf motifs and two winged putti. Publishing number 141. Augsburg paper etching Rocaille Ornament. Cupids: 'Amores', 'Amoretti', 'Putti'

Personificatie van de Poëzie en ornamenten.Two performances on a leaf. Above: poetry's personification with a winch in hand. In addition to her a winged figure, with the flame of inspiration on the head, which plays flute, and putti with books and globe. Below: ornament with lobsters.

Ornament of Acanthusranken with resting Hercules, Paul Androuet Ducerceau, 1660 - 1690 print This print is part of an album. Paris paper etching acanthus ~ ornament. (story of) Hercules (Heracles)

Keyhole plate; Diverses Pièces De Serruriers. Keyhole plate decorated with leaf refrices, masks, animals and grotesque figures. Leaf 10 from series of title sheet, blade with assignment and 14 sheets with batter and forging, keyhole plates, keys, door knockers and door knobs. Second edition.

Flat decoration with grotesken, 1607 print A set is struggling in the middle. Page 7 from series. print maker: Germany (possibly)after design by: Augsburg (possibly)publisher: Augsburg paper etching

Hans Collaert (Flemish, 1566 - 1628), Jewelry Design, 1582, engraving

Cartouche for coat of arms, c. 1630 - c. 1680 print Print no. 5 in a bundle of eight numbered prints with cartouches for coats of arms, first leaf entitled "New Weapon Schilde". Tied together with a string in a cover of 19th-century decorative paper. paper engraving armorial bearing, heraldry

Designs for Locksmiths. Jean Bérain I (French, 1640-1711); after Hugues Bris e Ville (French). Date: 1660-1711. Dimensions: 169 × 118 mm (image/plate); 316 × 214 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Frisian with empty medallion above cartouche with mask; Orders à la mode. Leaf 4 from series with Dutch copies to prints from series with the same name.

. Crowned medallion, with the Lamb of God in the middle, flanked by putti. Print is part of a series of designs and decorations for goldsmiths.

Wall panel with two Satker children under octagonal frame, 1647 print A landscape can be seen in the list. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper engraving

Map of the Water Board of the Krimpenerwaard (part of the arms of arms), David Coster, 1741 print Part of the edge of the weapons of the fifth edition of 'The Hooge Heemraadschap van de Krimpenre Waard', a wall map (consisting of a map and a edge of the arms) of the Water Board of the Krimpenerwaard. paper etching / engraving armorial bearing, heraldry Krimpenerwaard

Designs for Two Candelabras 19th century Anonymous, French, 19th century French. Designs for Two Candelabras 360142

Print, Fan leaves, Fifth and sixth plates of the set, "Divers Desseins de grands Eventails, Encrans, et autres Ornamens, inventés et gravés par Nicolas Loire"; Engraved by Alexis Loir; After Nicolas Loir (French, 1624 - 1679); France; etching, engraving on laid paper; 1944-16-9-2

Design for a wall or ceiling decoration.

. A landscape with trees in which the merciful Samaritan bends itself about the attacked traveler. A horse is next to it. The scene is caught in a wide ornament with rollerwork and figures.

It measures all over the world.

Lindig E., Brunnen. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. III) (1903): View. Pressure on paper, 31.9 x 23.8 cm (including scan edges) Lindig E. : Brunnen. (Aus: Drucke von Seminararbeiten der Königlich Technischen Hochschule Berlin, Bd. III)

Drawing (Italy)

Parts of the ornament edge of a map, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print Fragments of the edge of the map 'Carte Chronologique du Roi'. This print is part of an album. paper etching ornament derived from plant forms. ornament derived from architectural details

Project for a Reliquary, Pen and ink, brush and watercolor, sepia on paper, The base has a receptacle for a relic. A cherub at the foot of the shaft, two more beside the upper receptacle, on top a cross with two more., Italy, 1725-1750, metalwork, Drawing, Drawing, Project for a Reliquary, Pen and ink, brush and watercolor, sepia on paper, The base has a receptacle for a relic. A cherub at the foot of the shaft, two more beside the upper receptacle, on top a cross with two more., Italy, 1725-1750, metalwork, Drawing, Drawing

Hanger met Victoria, laurierkrans in de hand, anonymous, after Hans Collaert (I), 1581 print Pendant with Victoria at the top, standing on a sphere under an arc. No. 9 from series of 10 sheets with fronts of pendants. Precious stones in settlements of grotesken and rolling work. Netherlands (possibly) paper engraving During, Trinket, 'charm'. Victory

Candlestick with vase, anonymous, after Jean François Forty, in or after 1775 print An ornamented five -armed candlestick with flowers, garlands and in the middle a vase with ram heads. France paper etching Chandelier, a candlestick. vase ~ ornament

Grave monument with medallion, miter and bars, anonymous, 1650 - 1800 drawing A burial monument with an oval medallion with a miter and bars on either side. In addition, draperies, garlands and a smoking vessel. paper. ink. pencil pen / brush grave, tomb. ornament ~ medallion. insignia of bishop, e.g. mitre, crozier

Zaar Carl (1849-1924), Certosa di Pavia monastery. Bronze light (without dat.): View. Pencil watercolor on the box, 29.8 x 22.3 cm (including scan edges) Zaar Carl (1849-1924): Kloster Certosa di Pavia. Bronzeleuchter

Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard, Charles James Richardson, 1806-1871, British, 1871, Graphite, pen and black and brown inks, with brush applied to brown ink on smooth, medium, white wove paper, Sheet: 10 1/2 × 9 3/8 inches (26.7 × 23.8 cm), architectural subject, City of Westminster, England, London, Palace of Westminster, United Kingdom

Bottom floating two on trumpets of blowing centaurs with coated fish tails on water; Iacobus Androuetius du Cerceau Inventor Ante Annos Non Paucos Conscripsit (...). Copy to the print of Jacques Androuet Ducerceau, derived from a flat decoration from Enea Vico. Leaf from series with architectural fantasies and grotesken with fabber designs, garlands, candelabers and mascarons.

Two putti flanks a monogram, Gerrit Visscher, After Alexis Loir (I), 1690 - 1710 print Two putti flanks a monogram. Between them in a mask. At the bottom of a cartouche with monogram. Amsterdam paper etching / engraving letter combinations such as letterword, anagram, letter square, monogram, etc.. ornaments ~ art. cupids: 'amores', 'amoretti', 'putti'

Element earth as a young woman with horn of abundance and rose bush in frame with ornaments, Nicolaes de Bruyn, 1582 - 1635 print Element earth as a young woman standing with horn of abundance in rose bush. In oval list within rectangular frame with ornaments derived from plants and animals. Netherlands paper engraving earth (one of the four elements). 'Cornucopia', Horn of Plenty

Domus Aurea, Volta Gialla, grotteschi, details (recto) Unidentified building, thermal window, elevation (verso). Dimensions: sheet: 16 15/16 x 10 3/8 in. (43.1 x 26.4 cm). Draftsman: Drawn by Anonymous, French, 16th century. Series/Portfolio: Goldschmidt Scrapbook. Date: early to mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Coat of arms of the Huydecoper family; Coats of arms. At the bottom of a blank cartouche. From series of 20 sheets.

Design for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags 1740-96 Sir William Chambers British, born Sweden. Design for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags 362916

Two designs for decorative panels in rococco style. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 19 1/2 x 13 5/16 in. (49.5 x 33.8 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Pendant (Pendeloque) with De Tijd, H. Collaert, After Monogram Filer EVG, 1555 - 1576 print One of 9 sheets, from a series of 12. On six sheets is a figure in the niche. Three pearls hang on each pendant. print maker: Antwerpafter drawing by: Netherlands (possibly)publisher: Netherlands (possibly) paper engraving pendant, trinket, 'breloque'. Father Time, man with wings and scythe

Vignette with men in a workshop at work and the weapon of the city of Amsterdam, Anonymous, 1600 - 1699 print Netherlands paper vignette. workshop-interior. coat of arms (as symbol of the state, etc.) (+ city; municipal) Amsterdam

Intake of Saint-Venant, 1710; Eroberung St. Venant. Intake of Saint-Venant. The siege opened on 6 September and the city taken by the Allies on September 30, 1710. The central representation of the army camp and the seal faced in a richly decorated ornamental picture frame with a cartouche at the top of the city. At the bottom of a cartouche with the description of the events in German. Leaf in the bound set of plates released under the title: RepraesTatio Belli ... of the Spanish Successions-Krieg CA. 1720.

Print, Design for an Escutcheon in Form of Sailboat, in Recueil Noveau de Differens Cartouches; Designed by Jacques de Lajoüe (French, 1687-1761); Italy; pen and brush and black ink, wash, graphite on off-white laid paper

Firebuck ..

Print, Escutcheon, from "Recueil Nouveau de Differens Cartouche"; Designed by Jacques de Lajoüe (French, 1687-1761); Print Maker: Gabriel Huquier (French, 1695-1772); France; etching on paper; Plate: 21.7 × 18.6 cm (8 9/16 × 7 5/16 in.) Paper: 31.7 × 24.7 cm (12 1/2 × 9 3/4 in.)

Architecture fantasy, at the bottom of Staan Amor between four oil lamps; Leviores et ut videtur Extemporaneeae Picturae Quas Grotteweschas Vulgo Vocant (...). Flat decoration with grotesken. Above Amor is a flat decoration with mascarons. At the top of a flat decoration with griffins, birds and a winged Herme. The whole in a rim, decorated with windows and squares. From series of 20 sheets.

Design for a stained Glass Window in The Petruskerk in Sloterdijk, Pieter Jansz, c. 1664 drawing Design for a stained glass window with an empty coat of arms, a cartouche and a soldier. Amsterdam paper. graphite (mineral). ink pen / brush the soldier; the soldier's life. male persons from classical history. coat of arms (as symbol of the state, etc.)

Kali Unidentified ca. 1800 These eighteen drawings depict sculptural piers in the Pudu Mandapa (New Pillared Hall), a temple festival hall built around 1630 as an addition to the Minakshi-Sundareshvara temple complex at Madurai. The hall was constructed at the behest of the Nayaka ruler Tirumala Nayak (r. 1623-59), whose reign marked a high point in temple and courtly patronage at the southern city of Madurai. The interior gallery is adorned with 124 elaborately sculpted piers, capitals and lintels decorated with narrative reliefs of the Brahmanical gods and local legends devoted to their worship. These meticulously executed ink drawings are on English laid paper watermarked J. Whatman and with the firms trademark fleur-de-lis and the year 1798. View more. Kali. Unidentified artist, Indian. India, Madurai, Tamil Nadu. ca. 1800. Ink and wash on J. Whatman paper watermarked 1798. Paintings

Print, Page Three from "Toisieme Livre Contenant Des Frises ou Paneaux en Longueur Inventés Par G. M. Oppenort Architecte du Roi et Gravés par Huquier"; Designed by Gilles-Marie Oppenord (French, 1672-1742); Etched by Gabriel Huquier (French, 1695-1772); France; etching on paper; 41.3 × 27.5 cm (16 1/4 × 10 13/16 in.); 1959-85-15

Pendant (pendeloque) with time; Hangers. Niches, decorated with volutes of roller and fitting work, mascarons, animals and grotesken .. One of 9 sheets, from a series of 12. On six sheets, a figure is in the niche. Three pearls hang on each pendant.

Drawing, Design for a Candelabrum; Italy; pen and ink, brush and wash on paper

Cartouche with a large and a small compartment, Jacob Lutma, after Johannes Lutma (1584-1669), c. 1654 - c. 1678 print Wings folded on both sides. Amsterdam paper etching ornament ~ cartouche

Jean Baptiste Pillement was one of the most influential designers of the Rococo period, known for his varied and prolific chinoiseries (European variants of Chinese and Japanese motifs). His designs were spread throughout Europe primarily via their translation into prints. This print is one of a set of six etched by Pillement himself. Each depicts a so-called Persian flower, largely fantasies, presenting strange, alienlike floral forms that could be adapted to various uses from textiles to wall decorations. Persian Flowers, 1755. Jean Baptiste Pillement (French, 1728-1808). Etching; plate: 30.8 x 20.7 cm (12 1/8 x 8 1/8 in.); sheet: 42.7 x 28.3 cm (16 13/16 x 11 1/8 in.).

Oval Cartouche with text from Solon, 1558 - 1630 print There are a man and a woman on the cartouche. At the top left and top right are Hermen, bottom left and bottom right are weapon trophies. Belongs to series of 6 magazines. Netherlands (possibly) paper etching

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), eight emblems for the funeral of Prince François de Médicis, a violin out of his cover: Cantet Tibi Gloria . Fifth piece (A. de Vesme 975. Dutuit 55) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Cartouche with Sea Motifs, François Nicolas Martinet, French, 1739 - after 1796, Engraving on paper, Cartouche with Sea Motifs., France, ca. 1739-1796, Print, Print

Lazio Rieti Toffia S. Lorenzo7. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Fresco fragments, sculpture, painting, stucco, architecture Antiquities: Architectural fragments, sculptural fragments Object Notes: Already existing in the 10th century, it became for some time, after the devastating incursion of the Saracens, cathedral and seat of the bishops of Sabina. Actual structure dates from the late 1200's and is decorated in the interior with votiv frescoes. Some objects are conserved from the Roman era: inscriptions, relief fragments, tomb sculpture fragments. See TCI, Lazio, p. 481 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance a

Driearmige Swiss, 1771 print An ornamented three -armed girandole with garlands Paris paper etching / engraving Chandelier, a candlestick

Genz & Bolte, Ornamental Studies. (From: Desken d. Students of TH Berlin, 1885-1887, ed. J.E. Jacobsthal.) (1885-1887): Views. Light pressure on paper, 48.3 x 32.4 cm (including scan edges)

Trophies with shield and drum; Attributs soldiers; Troisiéme Livre de Trophées (...). On the left a trophy with a helmet, a shield with a lion and an obelisk, a fasces, a book, a mirror, a snake and a painting palette. Right a trophy with flags, a drum, trumpets, helmets and weapons.

Blackwork Designs for Gold- and Silversmiths. This design could be used for the back of a portrait medallion, as well as a watchcase. The blackwork ornament has three variations on the same theme and also evidences the beginnings of a stylized naturalistic style that would develop in 1620-1640. The four designs for rings just fit on the page.

Design for a light wreath. .

Design for a Frame. Artist: Johann Oktavian Salver (German (active Würzburg) 1732-1788). Dimensions: 18 7/16 x 13 1/4 in. (46.8 x 33.7 cm). Date: 1755. Museum: Metropolitan Museum of Art, New York, USA.

Design, presumably for a wall blaker, anonymous, c. 1770 - c. 1780 drawing Italy ink. drawing

Architecture fantasy with Saturn at the top in his floats, anonymous, c. 1530 - c. 1540 print Flat decoration with grotesken. At the bottom a cartouche with a ship flanked by two sitting monkeys. The whole in a framework edge, decorated with masks. Left and right a hanging garland of fruits and marine animals. From series of 20 magazines. paper etching / engraving ornament derived from architectural details. triumph of Saturn; 'Carro di Saturno' (Ripa)

Candlesticks and chandelier with rider and cherub; New hanging pups and kerckrones (...). Three prints on a leaf. Left: a dual wall sconce with a man on horseback and two women. Middle: a wall sconce with two angels and a cherub. Right: a chandelier with two layers with leaf motifs.

Rand of arms of a map of the Alblasserwaard and the Vijfheerenlanden (Deel), Anonymous, 1716 print Uncuted leaf with four coats of arms. At the top left that of Willem Pieter van der Laken, Drost and Schout van Ameiden and Tienhoven and Water Council of the Water Board of the Alblasserwaard and the Vijfheerenlanden. At the top right that of Martinus van Barnevelt, Drost van Noordeloos and Water Council of the Water Board of the Alblasserwaard and the Vijfheerenlanden. Bottom left that of Christiaen Frederik van Dalen, Water Board of the Water Board of the Alblasserwaard and the Vijfheerenlanden. At the bottom right that of Johan van Asperen, Watergraaf van de Nederwaard and Water Board of the Water Board of the Alblasserwaard and the Vijfheerenlanden. To be cut part of the edge of the second edition of 'Den Alblasser Waard and Vyf Heeren Landen, together Groot 33110. Mergen / Nieuwe Caerte showing the whole Alblasserwaert'. paper engraving armorial bearing, heraldry Alblasserwaard. Vi

Drawing of Two, Five and Seven painting the rosebush. Tenniel, John, Sir, 1820-1914. 1866. Drawings, Illustrations. Henry W. and Albert A. Berg Collection of English and American Literature

Square pendant for water background, Giovanni Battista Costantini, 1622 print Pendant in the list of stylized and cut open leaves. Left and bottom right is a water bird. From series of 6 () Blades. Rome paper engraving

Sir Robert Smirke the younger, 1781-1867, British, Study of the Capital of a Pillar, 1802-1804. Gray wash and graphite on moderately thick, moderately textured, beige, wove paper.

Design for Upright Decorative Panels. Artist: Anonymous, French, 18th century. Dimensions: sheet: 13 3/4 x 10 3/8 in. (35 x 26.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for a Candlestick; Designed by Joseph Anton Seethaler II (German, 1799-1868); Germany; pen and ink, brush and wash, graphite on paper; 61 × 29.8 cm (24 in. × 11 3/4 in.)

Part Dolna Pilaster II, from the Loggie Di Raffaele Nel Vaticano series; Volpato, Giovanni (1740-1803), Rafael (1483-1520), Teseo, Lodovico (1731-1782); 1774 (1774-00-00-1774-00-00);

Ornament Design, Arabesque Panel with Eagle between Urn and Crown. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Oval cartouche with text of solon; Solon./Si principles et Maiores / Secundum fees Urxerint (...); Flat decorations: cartouches with quotes from philosophers in a picture frame, grotesken, figures, garlands and trophies. There are a man and a woman on the cartouche. At the top left and at the top right are hermen, bottom left and bottom right do weapent trophies hang. Belongs to series of 6 sheets.

Candlestick, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Candlestick., Rome, Italy, 1746-1809, metalwork, Drawing, Drawing

Braid work with scenes goldsmith, anonymous, after master p.r.k., 1720 - c. 1730 print Cartouche of braid work with seven scenes of a gold or silversmith at work. The serial title in the cartouche. Left under a cup, right under a cup. Print number 114. paper etching jeweller, goldsmith, silversmith. ornaments ~ art

Two Frisians with Arabesken; Quatorzieme Cahier des Arabesques. Two Frisians with Arabesken. Upstairs with a medallion with girlsh head, flanked by horns of abundance and birds. Under with a winged scepter and arabesken.

Reliekhouder, 1666 - Before 1678 This print is part of an album. after design by: Wemdingpublisher: Neurenberg paper engraving auricular ornament, lobe style ~ ornament. relics (and reliquaries)

Two large and six small chandeliers, Anonymous, After Daniël Marot (I), After 1703 - Before 1800 print Netherlands paper etching

Design for an Alter with Saint Michael and the Dragon. Artist: Attributed to Johann Baptist Modler (German, 1700-1774). Dimensions: 18 7/8 x 13 7/16 in. (48 x 34.2 cm). Date: 1715-74. Museum: Metropolitan Museum of Art, New York, USA.

View in Switzerland. .

Schmalz Otto (1861-1906), travel sketches from Bavaria, Austria and Italy (02.03.1887): Naples: Sacramen houses in the museum (detail relief resurrection). Pencil on paper, 42.7 x 30.9 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Bayern, Österreich und Italien

Woman with flowers in landscape, Jean Moyreau, After Jean Antoine Watteau, 1728 - 1740 print In a landscape there is a woman with flowers in her apron. Around the show a frame with arabesks and roses. Paris paper etching standing figure - AA - female human figure. flowers. landscapes (+ landscape with figures, staffage)

Design for a Book Cover, Alice Cordelia Morse, American, 1863-1961, Brush and gouache on paper, Hanging feature composed of intertwined greenish gray snakes, at the top a dragon head. Verso: graphite sketches., USA, ca. 1887-1903, graphic design, Drawing, Drawing

Amsterdam, Picart, Bernard, Premier of the Magnificent Carriages of Monseigneur le duc d'Ossuna Extraordinary Ambassador and First Plenipotentiary of Our Majesty the Catholic Church Philippe: V. pour la Paix faits Pour l'Entreé public de his Excellence in Utrecht MDCCXIII, Fond du Premier Carosse, State Coach of the Duke of Ossuna, 1713, verso lower right - stamped, Embroidered cloth for the bottom of the golden coach with Juno in the clouds. Part of a series of seven plates showing the state carriage of the Spanish ambassador the Duke of Ossuna, used during his public entry into Utrecht for the peace negotiations in 1713., print, prent, prints, prenten, height 281 mm, width 251 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1714 - 1714, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

Twee convenient, Carl Albert von Lespilliez, After François de Cuvilliés (Sr.), 1745 print Front and top views of two ornamented chests with rocailles, upstairs with a female mask. after design by: GermanyParis paper etching ornamental cupboard. mask, mascaron ~ ornament

Frame, Engraving on paper, A rectangular frame decorated with trophies of love and music at top and either side. Further embellished with floweres and ribbons., Europe, France, ca. 1780, Print, Print

Portret van Selim 2, Claude Dubosc, 1692 - 1745 print Numbered in the middle: 11. France paper etching / engraving historical persons. ruler, sovereign

Vignette with Lier and Mask, 1821 - 1860 print Vignette on a pedestal with a mask with veil. In ornamental frame. paper etching vignette. piece of sculpture, reproduction of a piece of sculpture. mask, mascaron ~ ornament

Diamond -shaped cartouche surrounded by shell motif, Gabriel Huquier, after Jacques de la Joue (II), c. 1710 - c. 1772 Diamond -shaped cartouche surrounded by shell motif surrounded by volutes and different leaves. Part of a series of twelve numbered ornament prints. paper. rope etching / engraving ornament derived from plant forms

. Allegoric vignette with weapentrophy and the emblem of the Amsterdam exercise joy to Nut of the Schuttery, 1786. Stuck on a leaf inside a drawn cartouche.

Water, in or after 1729 - 1800 print Allegory of the water element in a frame of plants, snails and dolphins. A half -naked woman and three children are in a landscape at a fountain with three dolphins. Twice a four -line German and French text in the lower margin. paper etching 'Acqua', 'Carro dell'acqua' (Ripa). mother and child(ren), woman and child(ren) (family group). garden fountain. dolphin ~ ornament

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributes Hieroglyphics, K Consoles, Hollande, Holland, verso - stamped, An ornamented console with volutes and an animal skull, above a coat of arms with a lion, books, bunches of grapes, a pair of scales, a map, a medallion with a swan and a round medallion with a beehive and a dog resting by the sea. Print number 41., print, ornamental print, prints, ornamental prints, height 377 mm, width 229 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

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