Classic Hollywood Glamour

Stylized portraits of elegant women from the 1950s, adorned with jewelry and vintage fashion, captured in dramatic lighting to evoke glamour and sophistication.

Vintage photograph. Portrait of woman in dress smiling.

DEBORAH KERR.

AVA GARDNER. 1953.

Maureen Duval. November 04, 1953.

SHELLEY WINTERS.

ROSALIND RUSSELL.

Laraine Day (1920-2007), acriz de cine estadounidense.

CYD CHARISSE.

Vintage photograph. Portrait of woman in dress smiling.

JOAN CRAWFORD in HUMORESQUE (1946), directed by JEAN NEGULESCO.

EVELYN KEYES.

ANN BLYTH.

Sara Montiel, Head and Shoulders Publicity Portrait for the Film, "Serenade", Warner Bros., 1956

DONNA REED.

Hedy Lamarr (1914-2000), actriz cinematográfica e inventora austríaca de origen judío, naturalizada estadounidense. Inventora del Wifi.

ANN SOTHERN.

LINDA DARNELL in MY DARLING CLEMENTINE (1946), directed by JOHN FORD.

JENNIFER JONES.

JANE WYMAN in MAGNIFICENT OBSESSION (1954), directed by DOUGLAS SIRK.

Photograph of Betty Lynn (1926-) an American actress.

Hedy Lamarr, 30S.

ANN BLYTH.

Carol Raye "Sent up" the airlines war with a parody on a hit tune that substituted. "Canberra" for "Camelot," a rather bumpy, rhythmical road.Modren Miss. For her role in a new English Production, Carol Raye, who plays the part of a newspaper woman, has to take up smoking, learn to type and play the piano. The film will be called "While I Live." July 16, 1947. (Photo by Reuterphoto).

Lita Baron, Half-Length Publicity Portrait for the Film, "Don Ricardo Returns", Producers Releasing Corporation, 1946

JOAN FONTAINE.

Vintage Photograph. Portrait of woman in low cut dress. Frame 6

JEAN SIMMONS.

Louise Hovick, half-length Publicity Portrait for the Film, "Ali Baba Goes To Town", 20th Century-Fox, 1937

JUNE DUPREZ in NONE BUT THE LONELY HEART (1944), directed by CLIFFORD ODETS.

12/31/1939. Ava Gardner at the beginning of her acting career.

YVONNE DE CARLO. 1959.

MARGARET LOCKWOOD in THE WICKED LADY (1945), directed by LESLIE ARLISS.

Close-up of a young woman smiling

NEVA PATTERSON.

BARBARA RUSH.

RITA MORENO.

ELEANOR PARKER.

SARA MONTIEL in SERENADE (1956), directed by ANTHONY MANN.

LANA TURNER.

MAUREEN O'HARA in WAR ARROW (1953).

SARA MONTIEL.

Frances Dee, American actress, 1934-1935. Artist: Unknown

LORETTA YOUNG.

Rita Johnson, Publicity Portrait for the Film, "Edison, The Man", MGM, 1940

GAIL RUSSELL in CALCUTTA (1947), directed by JOHN FARROW.

RITA GAM.

GREER GARSON in PRIDE AND PREJUDICE (1940), directed by ROBERT Z. LEONARD.

Yvonne De Carlo, Canadian-born American film and television actress, 1940s. Artist: Paramount Pictures

JANET GAYNOR.

ELIZABETH ALLAN in ACE OF ACES (1933), directed by J. WALTER RUBEN.

LINDA DARNELL in THE WALLS OF JERICHO (1948), directed by JOHN M. STAHL.

Klara Luchko, Anonymous

GENE TIERNEY in PERSONAL AFFAIR (1953), directed by ANTHONY PELISSIER.

JANE WYMAN in MAGNIFICENT OBSESSION (1954), directed by DOUGLAS SIRK.

Jane Wyman, Warner Bros. Pictures. December 10, 1954. (Photo by Warner Bros. Pictures Distributing Corporation).

Yoshiko made her debut as an actress and singer in the 1938 film Honeymoon Express. She was billed as Li Xianglan, pronounced Ri Koran in Japanese. The adoption of a Chinese stage name was prompted by the Film company's economic and political motivesa Manchurian girl who had command over both the Japanese and Chinese languages was sought after. From this she rose to be a star and Japan-Manchuria Goodwill Ambassadress. Though in her subsequent films she was almost exclusively billed as Li Xianglan; she indeed appeared in a few as 'Yamaguchi Yoshiko.' Many of her films bore some degree of promotion of the Japanese national policy (in particular pertaining to the Greater East Asia Co-prosperity Sphere ideology). At the end of World War II, she was arrested by Chinese government for treason and collaboration with the Japanese. However, she was cleared of all charges, and possibly the death penalty, since she was not a Chinese national, and thus the Chinese government could not try her for

LILLI PALMER in BODY AND SOUL (1947), directed by ROBERT ROSSEN.

LILLI PALMER in BODY AND SOUL (1947), directed by ROBERT ROSSEN.

BARBARA RUSH in PRINCE OF PIRATES (1953), directed by SIDNEY SALKOW.

Mary Parker, who is guest artist in 2UE's Ladder To Fame, to be heard at 7.30 pm on Saturday. She is a sister of Michael Parker, secretary to the Duke of Edinburgh. August 9, 1955.

ANN SHERIDAN in NORA PRENTISS (1947), directed by VINCENT SHERMAN.

ROSALIND RUSSELL in SISTER KENNY (1946), directed by DUDLEY NICHOLS.

AUDREY HEPBURN in LOVE IN THE AFTERNOON (1957), directed by BILLY WILDER.

Hollywood, California: c. 1960 A portrait of movie star Elizabeth Taylor.

Bronwen Pugh, guest announcer, BBC television service. December 30, 1954.

SHELLEY WINTERS in CASH ON DELIVERY (1954) -Original title: TO DOROTHY A SON-, directed by MURIEL BOX.

LORETTA YOUNG in THE FARMER'S DAUGHTER (1947), directed by H. C. POTTER.

Photograph of Jane Greer (1924-2001) an American film and television actress.

Blonde Betty Lucas is the latest Sydney actress to win success in the English theatre. After being in England only 16 weeks she is playing the part of Toinette in Molieres The Stage Success Imaginary Invalid at the Nottingham Repertory.The Imaginary Invalid is the play that won Peter Finch the interest of Laurence Olivier during the Old Vic's Australian tour.Well-known in Sydney radio, Betty was a leading member of May Hollin worth's Metropolitan Theatre. She appeared in One Wild Oat during the comedy's long run at the Palace. July 9, 1950. (Photo by John Vickers).

A model of the portable, visual phone of the future, circa 1956

SYLVIA SIDNEY.

Thelma ScottBack from Queeensland, where she has been on location with the Charles Chauvel "Sons of Matthew" film unit, actress Thelma Scott will be heard on the air again next Sunday night in the 2GB play "Black Limelight," with John Bushelle.Ex-"Sun" reporter Neville Friedlander, who went to Canada several months ago, has been appointed director and chief producer of the Canadian Broadcasting Corporation's international service to Australasia. February 21, 1950. (Photo by Noel Rubie Pty. Ltd.).

Mary Anderson, Head and Shoulders Publicity Portrait, 20th Century-Fox, 1943

Irene Hervey, head and shoulders Publicity Portrait for the Film, "Mickey", Eagle-Lion Films, 1948

DANA WYNTER.

Actress Rochelle Hudson, Publicity Portrait, 1935

Actress Jean Willes, Publicity Portrait, Columbia Pictures, 1951

IDA LUPINO in MOONTIDE (1942), directed by ARCHIE MAYO.

JOAN CRAWFORD.

12/31/1945. An image of actress Loretta Young, full of the charm and simplicity of the golden age of Hollywood. -approximate date.

Angelina Arena - Stage & Screen. May 22, 1952.

BARBARA RUSH in IT CAME FROM OUTER SPACE (1953), directed by JACK ARNOLD.

LINDA DARNELL in BLOOD AND SAND (1941), directed by ROUBEN MAMOULIAN.

Neva Carr-Glynn. August 5, 1954.

Hollywood, California: 1941 A portrait of actress Hedy Lamarr.

JOAN COLLINS.

TALA BIRELL in THE SONG OF BERNADETTE (1943), directed by HENRY KING.

Portrait of woman

EVE ARDEN.

AGNES MOOREHEAD. 1947.

Playwright Anita Loos. January 1, 1953. (Photo by Associated Press Newsphoto).

MARIE WINDSOR.

ELSA LANCHESTER.

Portrait of woman

Vintage Photograph. Woman with short hair wearing black lace blouse looking toward camera

Constance Bennett. July 07, 1949.

ANA MARISCAL in LA FLORISTA DE LA REINA (1940), directed by EUSEBIO FERNANDEZ ARDAVIN.

AUDREY HEPBURN in SECRET PEOPLE (1952), directed by THOROLD DICKINSON.

JANE WYMAN.

AGNES MOOREHEAD.

MARGARET LOCKWOOD in JASSY (1947).

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