Classic Landscape Prints

Etched prints of landscapes featuring harbors and ruins, showcasing classical architectural elements against nature's beauty.

Capriccio puts Bretonse Haven, Jeanne Françoise Ozanne, After Nicolas Marie Ozanne, c. 1760 - C. 1780 print paper etching harbour Brittany

View of Pireus, Jacques-Philippe Le Bas, After Julien Le Roy, 1758 print Print Maker: Parisafer Drawing by: Greece paper etching harbour. ruin of a building ~ architecture. landscape with ruins Athene

Aske Hall, Print made by John Scott, 1774-1828, British, after Joseph Mallord William Turner, 1775-1851, British, 1821, Etching; engraver's proof (a), open etched state on moderately thick, slightly textured, cream wove paper, Sheet: 16 1/8 × 22 1/4 inches (41 × 56.5 cm), Plate: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm), and Image: 7 5/8 × 11 inches (19.4 × 27.9 cm)

Capriccio puts Bretonse Haven, Jeanne Françoise Ozanne, After Nicolas Marie Ozanne, c. 1760 - C. 1780 print paper etching harbour Brittany

Print made by William Miller, 1796-1882, British, Dryburgh Abbey, 1834. Line engraving, before title on medium, slightly textured, cream wove paper with chine-collé.

The Two Cows Near a River.Tivoli. Artist: Jan Both, Dutch, 1618-1652

River landscape with ships and a ruin, Anonymous, Jeremias Wolf, 1673 - 1724 print Augsburg paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). city-view, and landscape with man-made constructions. ruin of a building ~ architecture. mountains

Caudebec, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the four elements. Earth. First issue of a suite of 4 rooms. (A. de Vesme 753; dutuit 136) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Conway in the County of Caernarvon. Paul Sandby; English, 1731-1809. Date: 1776. Dimensions: 239 × 315 mm (plate); 320 × 463 mm (sheet). Etching and aquatint in sanguine on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Richmond, Yorkshire, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof, touched

The Distant City. Rodolphe Bresdin; French, 1825-1885. Date: 1868. Dimensions: 97 × 181 mm (image); 127 × 208 mm (sheet). Etching on tan chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Fryderyk Schiller figure; Reinhart, Johann Christian (1761-1847); 1800 (1800-00-00-1800-00-00);Schiller, Friedrich (1759-1805), Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, dedications, landscapes, landscapes, relay

Shipwreck at a rocky coast, Daniel Lerpinière, After Claude Joseph Vernet, 1782 print London paper etching / engraving shipwreck. rocky coast

Print made by James T. Willmore, 1800-1863, British, Mercury and Argus, 1841. Etching and line engraving; first published state on thick, moderately textured, cream wove paper with cream chine-collé.

Artist: Schelte Adams Bolswert, Flemish, 1586-1659, After: Peter Paul Rubens, Flemish, 1577-1640, En quo discordiaciues, Etching, sheet: 32.5 × 44.5 cm (12 13/16 × 17 1/2in.), Made in Flanders, Flemish, 17thcentury, Works on Paper -Prints

Babylon, John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Engraving

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Pejzaż - Sepolcro volgarmente detto dei Orazii e Curiazii a Albano. Reinhart, Johann Christian (1761-1847), graphic artist

Isola Bella, on the Lago Maggiore, James Fittler, 1758-1835, British, after Joseph Mallord William Turner, 1775-1851, British, 1818-1820, Etching and engraving on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 10 9/16 × 15 inches (26.8 × 38.1 cm), Plate: 9 × 12 inches (22.9 × 30.5 cm), Chine collé: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm), and Image: 5 9/16 × 8 9/16 inches (14.1 × 21.7 cm)

Print made by Robert Wallis, 1794-1878, British, St. Malo, undated. Line engraving on medium, slightly textured, cream wove paper.

Fishermen at the Tiber, near the Soracte. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jan Both.

Print made by Edward Francis Finden, 1791-1857, British, None, 1832. Line engraving and etching on medium, slightly textured, cream wove paper.

View Taken in the Region of Subiaco, from Views of Italy. Constant Bourgeois (French, 1767-1841); printed by Comte de Charles Philibert Lasteyrie du Saliant (French, 1759-1849). Date: 1818. Dimensions: 199 × 293 mm (image); 252 × 339 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

W. R. Smith, active 1819-1851, Richmond, Yorkshire, 1827. Line engraving and etching on moderately thick, slightly textured, cream, wove paper.

Print made by James T. Willmore, 1800-1863, British, Oberwesel, 1838-1852. Etching; open etching on medium, slightly textured, cream wove paper with chine-collé.

Lake of Albano, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1828, Open etching and line engraving, engravers proof on moderately thick, slightly textured, cream, wove paper, with beige chine colle, Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm), Plate: 6 1/16 × 8 1/2 inches (15.4 × 21.6 cm), Chine collé: 5 3/4 × 8 1/4 inches (14.6 × 21 cm), and Image: 3 5/8 × 5 1/4 inches (9.2 × 13.3 cm)

Avanzo del Teatro a Albano; Reinhart, Johann Christian (1761-1847); 1792 (1792-00-00-1792-00-00);Albano (Italy), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, antique, grottoes, landscapes, sheep, shepherds, landscapes, ruins, relay, theaters, theaters (architect.), Antic theaters

Lago Maggiore, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1828-1837, Line engraving, engraver's proof on moderately thick, moderately textured, cream, wove paper, with cream, chine colle, Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm), Plate: 6 × 8 1/2 inches (15.2 × 21.6 cm), Chine collé: 5 11/16 × 8 inches (14.4 × 20.3 cm), and Image: 3 1/2 × 5 3/16 inches (8.9 × 13.2 cm)

William Bernard Cooke, 1778-1855, British, East & West Looe, Cornwall, 1818. Etching and engraving on thick, slightly textured, cream, wove paper, with cream, chine collé.

Church of Saint-Necataire. Artist: Eugène Isabey (French, Paris 1803-1886 Lagny). Dimensions: Sheet: 21 3/16 × 14 5/16 in. (53.8 × 36.3 cm)Image: 10 1/4 × 13 7/16 in. (26 × 34.2 cm). Printer: Godefroy Engelmann (German (born France), Mulhouse 1788-1839 Mulhouse). Series/Portfolio: Voyages Pittoresques et Romantiques dans L'Ancienne France. Date: 1831.This is from the series of prints Eugène Isabey made for the 'Auvergne' chapter of the book 'Voyages pittoresques et romantiques dans l'ancienne France'. Museum: Metropolitan Museum of Art, New York, USA.

Castle of Balzerrano, in Abbruzo, Sir Richard Colt Hoare, 1758-1838, British, 1791, Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper, Sheet: 15 3/8 x 20 7/8 inches (39.1 x 53 cm) and Contemporary drawn border: 15 13/16 x 21 5/16 inches (40.2 x 54.1 cm), castle, cityscape, Grand Tour, landscape, Abruzzo

Thomas Jeavons, ca. 1800-1867, British, Kidwelly Castle, 1837. Line engraving and etching, 3rd state on moderately thick, slightly textured, cream, wove paper.

Dunstanborough Castle, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1808, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 1/4 × 10 1/2 inches (18.4 × 26.7 cm), castle, coast, hill, landscape, ruins

Italian Landscape with the Tiber River and Men with Cattle and a Boat. Artist: Friedrich Preller the Elder (German, Eisenach 1804-1878 Weimar). Dimensions: sheet: 11 13/16 x 18 1/8 in. (30 x 46 cm). Date: 1873. Museum: Metropolitan Museum of Art, New York, USA.

Etching by Jacques-Philippe Le Bas titled 'After Dinner,' created between 1727 and 1783. The work illustrates a post-meal scene with figures and domestic surroundings.

Malmaison, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving, engraver's proof

Grobowiec antyczny, bliżej idą trzy woły o długich rogach poganiane przez pasterza. Reinhart, Johann Christian (1761-1847), graphic artist

Waterval in Tivoli, Giovanni Battista Piranesi, 1748 - 1778 print View of the waterfall in Tivoli. Title on block at the bottom right. Rome paper etching waterfall. city-view, and landscape with man-made constructions Tivoli

Cattle and Shepherds in a Southern Mountainous Landscape. Artist: Karel Dujardin (Dutch, Amsterdam 1622-1678 Venice). Dimensions: sheet: 5 11/16 x 7 5/16 in. (14.5 x 18.5 cm). Date: mid-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Pieskowa Skała. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

unknown, Hackert, Georg, Jacob Philipp, Italy, Alloja, Vincenzo, Avanzi del teatro di Taormina in Sicilia, Theater of Taormina, verso - stamped, Remains of the ancient Greek theater in Taormina, Sicily. People are walking among the remains and a herd of goats are grazing. In the background, Mount Etna. Below the image the title., print, prent, prints, height 394 mm, width 546 mm, print maker, printmaker, 1781 - 1820, paper, papier, engraving, engraving (printing process), German, 1737-09-15 - 1807-04-28, after, after painting by, Publication (Event), Publication, 1755 - 1805-05-04, publisher, uitgever van privilege

Near Genoa, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Brown wash and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 7 3/8 × 10 5/8 inches (18.7 × 27 cm) and Image: 5 1/8 × 6 3/8 inches (13 × 16.2 cm)

Etched by Joseph Mallord William Turner, 1775-1851, British, Bonneville, Savoy, 1816. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

Bliżej Kultury Dubois de Montpéreux, Frédéric (1798 1850), Hellmuth (Fl. 1840 1843), lithography of H. Nicolet (Neuchtel)

S. Fisher, active 1831-1844, Crickieth Castle, North Wales, 1837. Line engraving, 3rd state on medium, slightly textured, beige, wove paper.

Cave of Pan, near Sunium, Greece 1805 Simone Pomardi Italian In 1801 the Irish archeologist Edward Dodwell hired the Italian painter Simone Pomardi to accompany him to Greece. Their purpose was, "to explore the country's antiquities, to compare its past with its present state, and to leave nothing unnoticed, which, to the classical reader, can be an object of interest, or a source of delight." This drawing of a cave at Sunium records geological features and ancient sculptures, the latter including a male figure holding a hammer near the back wall, and a headless statue below the entrance. Turbaned Turks, representatives of the rulers of Greece at this period, acts as guards. Dodwell and Pomardi worked individually and together to create important visual records of major sites, and this image was etched to illustrate Dodswell's "A Classical and topographical tour through Greece during the years 1801, 1805 and 1806," published in London in 1819.. Cave of Pan, near Sunium, Greece 66090

Etched by Joseph Mallord William Turner, 1775-1851, British, Lake of Thun, Switzerland, 1808. Etching and mezzotint, printed in brown ink Engraver's proof (a) on medium, slightly textured, cream laid paper.

James Baylis Allen, 1803-1876, British, Phryne going to the Bath as Venus, 1859-1879. Steel engraving.

Neustadt and Bremberg in 't Odewald, Ernst Willem Jan Bagelaar, 1800 drawing Drawing from album with 13 drawings made in Germany by Captain Bagelaar, during the campaign of 1800. paper pen / brush landscapes in the temperate zone. prospect of village, silhouette of village NEUSTADT. Germany

The Roman Forum from the Tower of the Capitol, George Cooke, 1781-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1818-1820, Etching and engraving on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm), Plate: 10 1/16 × 13 inches (25.6 × 33 cm), Chine collé: 9 1/2 × 12 1/4 inches (24.1 × 31.1 cm), and Image: 4 5/8 × 8 3/4 inches (11.7 × 22.2 cm)

River Landscape with Travelers Rhine (series title), print maker: Jan van Aken, (mentioned on object), intermediary draughtsman: Herman Saftleven, (mentioned on object), publisher: Nicolaes Visscher (II), (mentioned on object), Amsterdam, 1624 - 1661 and/or 1681 - 1700, paper, etching, engraving, h 219 mm × w 278 mm

Drawing, Landscape with Classical Figures; Italy; graphite, pen and black ink on paper

Baden in Diois, Anonymous, 1856 print Four images of faces on the Diois area. paper letterpress printing city-view, and landscape with man-made constructions France

Interiore del sepolcro della Famiglia de Nasoni Sulla Strada de Terni; Frauenholz, Johann Friedrich (1758-1822), Reinhart, Johann Christian (1761-1847); 1792 (1792-00-00-1792-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, tombs, landscapes, landscapes

St. Agatha's Abbey, Easby, John Le Keux, 1783-1846, British, after Joseph Mallord William Turner, 1775-1851, British, 1818-1823, Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream, wove paper, Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm) and Image: 8 1/16 × 11 3/16 inches (20.5 × 28.4 cm)

Artist: Giovanni Battista Piranesi, Italian, 1720-1778, Veduta delle Cascatelle a Tivoli (View of the Small Waterfalls at Tivoli), from Vedute diRoma, Etching and engraving, platemark: 47.7 × 71.8 cm (18 3/4 × 28 1/4 in.), Italian, 18thcentury, Works on Paper -Prints

Ludlow Castle, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1831, Line engraving and etching, 3rd state on moderately thick, slightly textured, cream, wove paper, Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm), Plate: 10 × 12 inches (25.4 × 30.5 cm), and Image: 6 1/4 × 9 1/2 inches (15.9 × 24.1 cm)

On Babia Góra; SchouPpé, Alfred (1812-1899); 1893 (1893-00-00-1893-00-00);Babia Góra (Poland, Slovakia - Góra), Poland, SchouPpé, Alfred (1812-1899), SchouPpé, Alfred (1812-1899) - collections, Society of Encouragement - 1860-1940) - collection, gift (provenance), mountains, recovered war losses, landscapes, mountain landscapes, Poland (culture), message (provenance), ruins, Polish drawings

A Subiaco (pejzaż z rysownikiem na pierwszym planie). Reinhart, Johann Christian (1761-1847), graphic artist

Edward Lear, 1812-1888, British, Castel D'Aci.

Coastal landscape of Sicily, Willem Fortuyn, 1777 print Swimmers and fishermen on the rosting of the coastal landscape of Sicily. Rowing and sailing ships on the water. In the middle of the Rosten a spiritual one. At the bottom of a map of the south coast of Italy and the north coast of Sicily (channel of Messina) and a legend in Italian. Amsterdam paper etching / engraving coast. sea and coastal fishery Sicily

Auf dem Kamm. Müller-Bernburg, Ernst (1874-1941), graphic artist, Verlag Georg D.W. Callwey (Monachium ; wydawnictwo ; 1884-2009), publishing house

W. R. Smith, active 1819-1851, Richmond, Yorkshire, 1818-1823. Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream, laid paper.

Six Marines, 1833. Eugène Isabey (French, 1803-1886). Lithograph on chine collé; sheet: 36.7 x 55.6 cm (14 7/16 x 21 7/8 in.); platemark: 21.4 x 28.8 cm (8 7/16 x 11 5/16 in.).

A Harbor 17th century Anonymous, French, 17th century French. A Harbor 339898

Zabudowania w Puari. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Bliżej Kultury Hellmuth (Fl. CA 1840 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

W. R. Smith, active 1819-1851, Richmond, Yorkshire, 1819. Etching and line engraving on moderately thick, slightly textured, cream, wove paper, with cream, chine colle.

Plymouth from Mount Batten, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1817, Etching and engraving, Engraver's proof (touched) on thick, slightly textured, cream, wove paper, with cream chine collé, Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm), Plate: 9 × 11 7/8 inches (22.9 × 30.2 cm), Chine collé: 8 13/16 × 11 7/8 inches (22.4 × 30.2 cm), and Image: 6 3/8 × 9 7/16 inches (16.2 × 24 cm)

Berchem, Nicolaes Pietersz., Amsterdam, Gronsveld, Johannes, Landscapes with shepherds and cattle, River landscape with shepherds and cows, verso lower left - stamped, River landscape with rock formation and cattle with a woman milking a cow in the foreground on the left. Second print from a series of four with landscapes with shepherds and cattle., print, prent, prints, prenten, height 148 mm, width 197 mm, 1645 - 1728-03-17, print maker, printmaker, 1679 - 1728, paper, papier, etching, etchings, engraving, engraving (printing process), aquatint, Noord-Nederlands, 1620 - 1683-02-18, intermediary draughtsman

Cephalonia, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Etching and engraving, engraver's proof on thick, slightly textured, beige, wove paper, Sheet: 11 7/8 × 17 7/16 inches (30.2 × 44.3 cm), Plate: 6 15/16 × 9 1/4 inches (17.6 × 23.5 cm), and Image: 3 1/2 × 5 5/16 inches (8.9 × 13.5 cm)

View of an imaginary port city, draughtsman: Josua de Grave, 1660 - 1712, paper, pen, brush, h 95 mm × w 165 mm

Robert Wallis, 1794-1878, British, Trematon Castle, 1830. Line engraving, 3rd state on moderately thick, slighlty textured, cream, wove paper.

Dunfermline, John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Etching and engraving, engraver's proof

Der Spaziergang. Josef Albert (German, 1825 - 1886)

Fear, 1866. Odilon Redon (French, 1840-1916). Etching; image: 11 x 20 cm (4 5/16 x 7 7/8 in.); platemark: 14 x 22.3 cm (5 1/2 x 8 3/4 in.); sheet: 27.4 x 35.1 cm (10 13/16 x 13 13/16 in.).

Reliquiae Mausolei Augusti, 18th century, Giovanni Battista Piranesi, Italian (Rome), Italian, 1720-1778, 9 3/8 x 14 1/16 in. (23.81 x 35.72 cm) (plate)16 1/8 x 21 1/2 in. (40.96 x 54.61 cm) (sheet), Etching, Italy, 18th century

Paris from Pere-la-Chaise, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving

View of Lake Nemi, Anonymous, After Hendrick van Cleve, 1585 print View of Lake Nemi with a temple in the middle of the lake. On the lake a few ships. The print is part of a series that depicts different places in the Mediterranean. print maker: Antwerpafter design by: Antwerppublisher: Haarlem paper engraving ruin of a building ~ architecture Sought

PROCLAMACION DE LA PRINCESA YSTOCOTI-TLEMOC - DIARIO DE LA NAVEGACION HECHA POR DON JUAN FRANCISCO DE LA BODEGA Y QUADRA (1775). Author: E GUERRERO (S XVIII). Location: MINISTERIO DE ASUNTOS EXTERIORES-COLECCION. MADRID. SPANIEN. PRINCESA YSTOCOTI-TLEMOC. JUAN FRANCISCO DE LA BODEGA Y QUADRA (1744-1797).

Bacchus and Ariadne, Charles Cousen, 1813-1889, British, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving

The SeaSerpent. Artist: Stephen Alonzo Schoff, American, 1818-1904

John Cousen, 1804-1880, British, Harfleur, 1834. Line engraving.

Waterfall, Paulus Lauters, 1840 - 1841 print Numbered in the bottom right: La Renaissance, No. 18 (2nd Année). Brussels paper waterfall

Gezigt van de Dorp Slooten / Sext van de Sparwouder Poort, in Haarlem, 1761 - 1804 print Leaf with 2 show. Above: a face on ditches. Below: a face at the Spaarnwouderpoort in Haarlem. A title and a caption under each performance. Numbered in the top left: No. 111. Amsterdam paper letterpress printing city-view, and landscape with man-made constructions Spaarnwouder port. Locks

Joseph Mallord William Turner, Norham Castle, January 1, 1816, Etching and mezzotint printed in brown inks.

Sir Richard Colt Hoare, 1758-1838, British, One from Views in Saxony, France, Spain, Reba, Italy, Sicily.., ca. 1817. Watercolor and black ink over graphite on wove paper.

Brussels-distant view, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving

Lazio Viterbo Bagnaia Villa Lante013. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fishermen Drying Nets before Castle 1850-1860 England. Charcoal and stumping with brush and black ink on ivory wove paper . Elizabeth Murray

Illustration depicting Moab losing sight. The illustration is set within an ornate frame.

Andreas Pic de Leopold (Lithographer) (After Wouwerman, Philips); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'A Stop at an Inn'. 1832 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

David Lucas after John Constable, Hadleigh Castle (Large Plate), 1830 and 1832 Hadleigh Castle (Large Plate)

Il belLido. Etcher: Luigi Rossini, Italian, 1790-1857

Etched by Joseph Mallord William Turner, 1775-1851, British, The Drawing of the Clyde, 1809. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

Obozowisko u podnóża Himalajów. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Liber Studiorum: Plate 31, Conway Castle, N. Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.9 x 12.6 cm (7 7/16 x 4 15/16 in.).

Basement of the amphitheatre of Catania, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, pen, h 252 mm × w 384 mm

Colchester, Essex, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Etching and engraving, engraver's proof (touched), Image: 6 1/2 x 9 1/16in. (16.5 x 23cm)

View of Paterernò, 1778 drawing paper. chalk. watercolor (paint) brush

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