Classic Mythological and Pastoral Art

Engravings and etchings depicting mythological themes and 18th century portraits, showcasing classical figures, intricate details, and expressive compositions.

Lithograph by Jan Baptist Weenix depicting a sleeping girl, showing figure, posture, clothing, and indoor setting.

Copper engraving and etching by Étienne Jeaurat from 1734 depicting Jupiter and the nymph Egine, showing mythological figures with classical poses and detailed composition.

Etching by Benoist depicting a portrait of François de Médicis, Grand Duke of Tuscany, executed in the 18th century with attention to facial features, attire, and regalia.

Etching and copper engraving by Bernard Lépicié depicting Youth, created in 1745, showing a young figure with classical attire and expressive pose.

Lithograph by Jan Baptist Weenix depicting a sleeping girl, showing figure, posture, clothing, and indoor setting.

This copper engraving and etching by Cornelis van Dalen, created between 1653 and 1664, depicts shepherds in an intimate scene, emphasizing pastoral figures and detailed composition.

Copper engraving and etching by François Rolland Elluin around 1760 depicting Frere Luce, demonstrating mid-18th-century French portrait engraving techniques.

Aquatint and etching by Jean Pierre Marie Jazet, created in the first half of the 19th century, depicting a young conscript in a military context.

Etching by Johann Adam von Bartsch from 1800 depicting Mary holding the infant Jesus on her lap with John the Baptist standing beside a stone table with a bowl and fruits.

Etching and copper engraving by Pierre François Basan, 1743-1797, depicting an interior scene with two women engaged in daily household activities.

Engraving and etching by Jacques de Favanne between 1736 and 1770, depicting a scene with a doll and steering wheel, reflecting 18th-century design.

Etching by Maria Anna Angelika Catharina Kauffmann from 1787 depicting the care of a sick person, showing figures, interior space, and medical attention.

Esme de Boulonois engraved a copper portrait of Anthonis Mor between 1645 and 1682, showing facial features, attire, and figure details.

Etching by Giovanni Battista Fontana depicting Saint Agatha in prison, created in 1569, showing the saint in chains within a cell with architectural details.

Copper engraving and etching by Chevilet depicting the temptations of St. Antonius, showing figures, gestures, demons, and landscape elements, created between 1728 and 1776.

Copper engraving and etching by Philipp Galle depicting Sibylla Cumana, showing figure, gesture, posture, clothing, head, hands, and symbolic attributes, produced between 1550 and 1612.

Copper engraving by Georg Pencz from the first half of the 16th century depicting the mythological figures Sophonisbe and Arthemisia.

Hendrick Goltzius engraved and etched a copper print between 1575 and 1617 depicting the Holy Family, showing religious figures in a domestic setting.

Johann Adam von Bartsch etching depicting a concert with musicians and audience, created in 1798, showing performance details and arrangement of figures.

Etching by Gérard Jean Baptiste Scotin II around 1729 depicting L'Indifferent in detailed linework.

Copper engraving by Charles David around 1620 depicting Calliope, the muse of epic poetry, with symbolic attributes and classical motifs.

Copper engraving and etching by Marie-Louise Adélaïde Boizot between 1760 and 1800 depicting a girl holding a book.

Copper engraving and etching by Nicolas Delaunay from 1760-1792 depicting a sentinel in default, showing the figure, posture, and setting.

A copper engraving and etching by Michel Aubert, created between 1724 and 1757, depicting the character 'L'Économe', representing a person managing resources, shown in human figure and domestic context.

Copper engraving and etching by Johann Gotthard von Müller from 1774 depicting a cistre player, showing the musician, instrument, posture, and musical performance details.

Aquatint by Andreas Ludwig Bissel depicting doctors, created between 1790 and 1847.

Photo production of a painting by Werther who sees Lotte with her brothers and sisters, to Wilhelm von Kulbach, Anonymous, After Wilhelm von Kaulbach, 1859 - 1885 Photograph. visit card paper. cardboard albumen print brothers or sisters (second degree family relationships). slicing bread

Etching by Gerard Valck showing girls searching for fleas, created between 1671 and 1726, illustrating a domestic and playful scene.

Copper engravings by an unknown engraver depicting an old man with a young woman and a drinker with a woman, created between 1780 and 1830, showing figures, interaction, and domestic or tavern settings.

An etching by Crispin van den Broeck from 1571 using Clair-Obscur on a clay plate depicting the biblical scene of the visit to Mary.

The etching by Johann Leonhard Raab from 1881-1888 depicts an oyster breakfast, showing table setting, oysters, dishes, utensils, figures, and dining environment in late 19th-century Europe.

Woman with two young children, Alexis François Girard, After Ary Scheffer, c. 1830 print publisher: Parispublisher: London paper etching wet-nurse. baby-sitter

The Misers, by Q. Matsys. Caldesi & Montecchi (British, active 1850s)

Photo production of a print to a painting, representing an old man sells birds. .

Etching and aquatint by Johann Friedrich Bause from 1777 depicting musicians and a young figure, showing instruments, gestures, and settings.

Etching by Nicolas Joseph Voyez l'âiné, 1760-1806, depicting an elderly figure in a study room, showing detailed interior, figure, and 18th-century European style.

Femme juive polonoise; Le Prince, Jean-Baptiste (1734-1781); 1765 (1765-00-00-1765-00-00);Branicki, Aleksander (1821-1877), Branicki, Aleksander (1821-1877)-collections, Branicki, Władysław (1848-1914), Branicki, Władysław (1848-1914)-collections, collection from Sucha-collection, Le Prince, Jean -Baptiste (1734-1781). Habillament des Diverses Nations, Dédié a M. Pajou, Poland, Pajou, Augustin (1730-1809)-dedication for, Tarnowska, Anna (1876-1953), Tarnowowska, Anna (1876-1953)-collections, Tarnowski, Juliusz (1864 -1917), Tarnowski, Juliusz (1864-1917)-collections, Tarnowski, Juliusz Gabriel (1901-1989), Tarnowski, Juliusz Gabriel (1901-1989)-collections, French (culture), Jews

Pencil drawing by Arthur Pond from 1739 portraying Doctor Miscelin, showing facial features and period clothing with careful attention to detail and 18th-century portrait techniques.

Etching by Pierre Charles Canot from 1759 showing a chinoiserie scene with a fisherman.

Copper engraving and etching by Pierre Narcisse Guérin depicting the historical figure Sophonisbe, created between 1794 and 1833.

Etching by Antoine de Marcenay de Ghuy depicting portraits of Virtue and Pomone, produced between 1730 and 1755, showing figures, attributes, and symbolic elements.

Copper engraving and etching by Charles Nicolas Cochin père around 1727 titled 'The Storyteller,' depicting a figure in the act of narration.

Copper engraving by Crispin van de Passe from 1612 depicting the biblical story of Susanna with the two elders, illustrating a scene of judgment and virtue.

Etching and aquatint by Jean Pierre Marie Jazet, created in the first half of the 19th century, depicting small Fragedian figures in various scenes.

Photo production of a print of three children, one of whom paints, one draws and one model is, by Etienne Fessard, Pierre Petit, After Etienne Fessard, After Carle van Loo, c. 1860 - in or before 1865 photograph This photo is part of a cover with 38 photos and 17 text magazines. Paris photographic support albumen print child. painting (including book-illumination, miniature-painting). drawing

Copper engraving and etching by Pierre Audouin depicting the muses Melpomene, Polyhymnia, and Erato, created around 1805, showing classical figures and detailed composition.

A copper engraving and etching by Edmé Jeaurat, created in 1736, depicting a mountain forming a fissure with figures emerging, showing mythological and natural elements.

Engraving by Thomas Goff Lupton from 1829 depicting an idle servant, showing figure, posture, and early 19th-century printmaking techniques.

Etching by William Hebert from 1762 depicting three seated people, showing gestures, attire, and composition within a neutral interior scene.

Copper engraving by Ephraim Gottlieb Krüger, 1776-1834, showing a couple playing music at a window, with instruments, figures, and architectural details.

Copper engraving and etching by Pierre Louis Dumesnil between 1743 and 1797, illustrating a mythological subject involving Bacchus.

Etching and copper engraving by Lambert Antoine Claessens depicting a tavern scene with people smoking pipes, created between 1823 and 1834.

Copper engraving and etching by Gérard René Le Villain from 1760-1812 depicting a vigilant mistress, showing figure, attire, and 18th-19th century European printmaking techniques.

Lithograph by Eugène Delacroix from 1834-1843 titled 'Hamlet and Ophélie (Act III, Scene I)', depicting Hamlet with Ophélie in the scene.

Copper engraving and etching by Antoine François Dennel from 1780 depicting a comparative study of rose buttons, illustrating 18th-century French botanical and decorative engraving techniques.

Etching by Auguste Claude Simon Legrand, created between 1788 and 1815 in punctuation manner, depicting Virginie in a tomb.

Copper engraving and etching by Emmanuel Jean Nepomucène de Ghendt created between 1760 and 1815, depicting an allegorical or genre scene titled 'The Evening'.

Copper engraving by Willem van Swanenburg from 1612 depicting the biblical story of Lot and his daughters, showing figures, gestures, and narrative elements.

Etching by John Burnet titled The Salutation, produced in 1813, showing two figures in a gesture of greeting or acknowledgment, with attention to composition and detail.

Etching by Géraud Vidal titled 'The regrets deserved,' created between 1770 and 1801 in a punctuation manner style, depicting reflective emotion.

An etching by Johann Adam von Bartsch from 1803-1804 showing Maria with Jesus and John, a preparatory study for 'La Belle Plaboinière', illustrating figure positions and interaction.

Ludwig Buchhorn created a copper engraving print between 1797 and 1803 depicting a woman accompanied by a putto, highlighting figures and musical motifs.

This aquatint by Cornelis Brouwer, 1781, depicts a musician playing loudly, showing musical instrument, posture, expression, and surrounding interior elements.

Copper engraving by Pieter Schenk depicting allegorical scenes representing the five human senses, created between 1676 and 1711, showing figures, gestures, and symbolic objects.

Copper engraving and etching by Bernard Picart in 1714 depicting the history of Meleagros from the Count of Orleans tapestries, showing mythological figures and narrative scenes.

Etching by Bernhard Rode illustrating fables and stories, showing human and animal figures, actions, and allegorical elements, created in 1763.

Photo production of a drawing by a woman who changes a baby, Anonymous, After A. Müller, c. 1871 - c. 1881 photomechanical print maker: Germanypublisher: München paper collotype taking care of children

Copper engraving and etching by Francois Dequevauviller around 1784 depicting workers in fashionable attire, showing figures and detailed clothing.

Copper engraving and etching by Pieter Tanjé depicting the biblical scene of Joseph and the wife of Potiphar, created between 1726 and 1761.

An 1820 lithograph by Josef Lanzedelly showing Leopold IV and Katharina of Burgundy in historical attire with portrait details.

Jean Pierre Granger created a copper engraving and etching around 1818 illustrating Psyche, emphasizing classical artistic forms and engraving techniques.

Etching by Maria Anna Angelika Catharina Kauffmann from 1794 showing the younger Pliny being reproved, highlighting figures, gestures, and classical attire.

Etching and copper engraving by Pierre Filloeul depicting a beautiful bouquetiere, created between 1724 and 1780, showing figure and floral elements.

A copper engraving and etching by Johann Christoph Teucher depicting the lost son claiming his inheritance, created in the 18th century.

Copper engraving and etching by Jan Punt depicting a self-portrait of Jan Punt, created in 1770.

Woodcut by Sebald Beham from the first half of the 16th century showing Jared and his wife, emphasizing their relationship within a biblical narrative.

Engraving by Jan van der Vaart (1682-1693) depicting the Duchess of Somerset. The work emphasizes her figure, clothing, posture, and facial features in Dutch late 17th-century engraving style.

Aquatint by Louis Philibert Debucourt depicting 'Aitamed Gastronomes,' created between 1770 and 1832, showing social dining activities.

Etching and copper engraving by Jacques Lavallée from 1800-1805 depicting three riders, showing figures, horses, attire, and surrounding landscape.

Copper engraving by Theodorus van Kessel depicting Gregor the Elder reading, created between 1635 and 1660.

Copper engraving title page by Michel Lasne, 1610-1667, illustrating the Universal Story Prophana with allegorical and narrative elements.

Copper engraving and etching by du Four depicting the Music Master and the Assembly of the Gods, created between 1732 and 1792.

Etching and steel engraving by Francois Hubert, 1778 and 1821-1828, depicting an interior scene with a young woman and dog, and an old man at a window, showing domestic interaction and character.

Copper engraving and etching by Jean Boulanger in 1666 depicting John the Baptist.

Copper engraving and etching by Charles Simon Pradier depicting Horace Bénédict de Saussure, created between 1818 and 1847.

Mes respects chez vous, m'ame veuve Tout-le-Monde! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Mary, Queen of Scots being urged by Sir Robert Melville to abdicate (from "Oeuvres de Walter Scott: Histoire d'Écosse," series one, volume 26, chapter 29) 1835 Pierre-Léonard Dandeleux French This scene, showing an armored man thrusting a sheet of paper at the seated queen, likely represents Sir Robert Melville urging Mary, then imprisoned at Lochleven Castle, to resign the crown of Scotland in favor of her infant son. During their meeting on July 24, 1567, Melville dramatically drew from his scabbard a letter from the English ambassador, which contained a message from Elizabeth supporting his case.. Mary, Queen of Scots being urged by Sir Robert Melville to abdicate (from "Oeuvres de Walter Scott: Histoire d'Écosse," series one, volume 26, chapter 29). Pierre-Léonard Dandeleux (French, Troyes 1783-1850 Troyes). 1835. Etching. Furne, Gosselin, Perrotin (French, Paris). Mary, Queen of Scots (British, Linlithgow 1542-1587 Fotheringhay). Prints

Etching by Johann Adam von Bartsch from 1782 depicting Christ among the scribes and with Maria and Martha, showing figures and interactions.

Photo productions of the cheerful Speelman by Ary de Vois and Isaac bless Jakob by Govert Flinck, Anonymous, After Ary de Vois, After Govert Flinck, c. 1866 - c. 1874 photograph This photo is part of a cover with 25 photos. photographic support. cardboard albumen print historical persons. glass, rummer. violin, fiddle. Isaac sitting in bed blesses Jacob who, disguised in Esau's clothes, brings food to his father; Jacob's hands and neck are covered with goatskins

Photo production of a drawing of a bride that is dressed by women, Anonymous, After A. Müller, After Carl Jager, c. 1871 - c. 1881 photomechanical print maker: Germanypublisher: München paper collotype dressing the bride

Sultane Reine (The Queen Sultana), plate 29 from Caravanne du Sultan à la Mecque (The Sultan's Caravan to Mecca), Joseph Marie Vien the Elder, French, 1716 - 1809, Joseph Marie Vien the Elder, French, 1716 - 1809, Black ink on cream laid paper, Youth in costume of highest ranking and most richly dressed woman in Turkish court. He wears ermine-trimmed robes, high jeweled and feathered turban, necklace and jeweled tasseled belt. Shown facing frontally, landscape beyond., France, 1748, figures, Print, Print

Etching by Ernst Karl Gottlieb Thelott depicting the festival of the bean king, produced between 1780 and 1834, showing participants in costumes, festive activities, procession, and 18th-19th century celebration.

Copper engraving by François de Poilly the Elder from 1650-1693 showing Maria with the Christ child and Johns boys, depicting religious figures, drapery, posture, and detailed composition.

Etching by Pieter de Mare produced between 1778 and 1796 depicting a farmer and a sitting woman with a child, showing figures, posture, and late 18th-century engraving techniques.

Sculptuur L'Amour et le Satyre Door Jacques-Léonard MAILLET, Anatole Louis Godet, After Jacques-Léonard Maillet, c. 1871 - in or before 1876 photomechanical print paper Sculptures. Satyr (S) (in General). Cupids: 'Amores', 'Amoretti', 'Putti'

Etching by Pierre François Basan depicting a rural scene titled 'The Butter Threshold,' showing figures, a building, domestic objects, and landscape. Created between 1743 and 1797.

Reproduction of a portrait of Philip IV of Spain, Anonymous, c. 1892 - in or before 1897 photomechanical print paper collotype king. youth, adolescent

Jean Moyreau's etching from 1726-1731 depicts people, monkeys, and coquettes meeting galans at a rendezvous, with detailed figures and social interaction.

Prince Willem praise grave in Delft, ca. 1625; Prince Willem praise grave in Delft. Prince Willem van Oranje praise in the new church in Delft, completed in 1623. Part of the Steel enrolled group to the paintings of the historic gallery of the Society Arti et amicitiae.

Copper engraving by Sébastien Vouillemont from 1630-1660 depicting Fuidian with a young man, showing figures, interaction, and detailed composition.

Clair-obscur woodcut depicting a synagogue, created by Tobias Stimmer in 1572.

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