Classic Sculptures and Actresses

A collection featuring classical sculptures and vintage photographs of actresses, highlighting elegant poses and historical artistry in muted tones.

Ingres, Jean Auguste Dominique, Goupil & Cie, Marville, Charles, La source, Reproduction of La source by Jean Auguste Dominique Ingres, recto - printed, photomechanical print, reproduction, page, photos, photographically illustrated books, Ingres, Galerie Contemporaine, Ludovic Baschet, éditeur., 126 boul. Magenta., height 239 mm, width 122 mm, French, 1816-07-18 - 1879, photographer, 1873 - 1878, paper, Woodbury type, cliché maker, Work conception, 1780 - 1867-01-14

Ingres, Jean Auguste Dominique, Goupil & Cie, Marville, Charles, La source, Reproduction of La source by Jean Auguste Dominique Ingres, recto - printed, photomechanical print, reproduction, page, photos, photographically illustrated books, Ingres, Galerie Contemporaine, Ludovic Baschet, éditeur., 126 boul. Magenta., height 239 mm, width 122 mm, French, 1816-07-18 - 1879, photographer, 1873 - 1878, paper, Woodbury type, cliché maker, Work conception, 1780 - 1867-01-14

Musée du Louvre - Pigalle - Mercure , Sculpture, Gods, Mercury Roman deity. Nicholas Catsimpoolas Collection

`Kąpiąca się` Bathing woman - Sculpture by Olga Niewska. Wołyński, Jan (1882-1929), photographer

Standing actress leaning on column, from the Actresses series (N668) ca. 1888 Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.. Standing actress leaning on column, from the Actresses series (N668). ca. 1888. Albumen photograph

Female nude study in studio.

Musée du Louvre - la nymphe Salmacis. No. Cgue 505, Par F. Jos. Bosio , Sculpture, Goddesses, Salmacis Greek deity. Nicholas Catsimpoolas Collection

Venere dell'Esquilino - Museo Campidoglio , Antiquities, Sculpture, Goddesses, Venus Roman deity. Nicholas Catsimpoolas Collection

Floor lantern in the shape of a naked lady, she keeps on her head a chalice fixed, Louis-Emile Durandelle, Ducher et Cie, c. 1878 - 1881.

Blancard, Hippolyte (1843 - D.1924), Universal Exhibition of 1889: The Fisherman of Poulpes , Sculpture in the ancient -bump (dummy title), 1889. Platinum draw. Carnavalet museum, history of Paris.

Blancard, Hippolyte (1843 - D.1924), Universal Exhibition of 1889: fisherman finding the head of Orpheus in his net, sculpture in the round (dummy title), 1889. Platinum draw. Carnavalet museum, history of Paris.

12/31/1929. Sculpture by Agustín Querol Despair.

Etching by Richard C. Kromar von Hohenwolf titled 'Female Back Act,' depicting the rear view of a female figure, emphasizing form and anatomical observation.

Statuette of a Boy with Raised Arm. Hippolyte Bayard (French, 1801 - 1887)

Ganimede, Vaticano , Antiquities, Sculpture, Supernatural beings, Ganymede Greek mythology. Nicholas Catsimpoolas Collection

Zephyrus, Jean Nicolas Laugier, after Pierre Prud'hon, 1820 print paper etching / engraving (Story of) West (West), the West Wind; "Pavonio oh Zeffiro '(Ripa)

Standing female naked with stick, Jac van Looij, 1865 - 1930 drawing paper. chalk standing figure - AA - female human figure (+ nude human being)

Lazio Roma Rome S. Maria in Aquiro40. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study of a female nude model, seen on the back and leaning on a column with a jug above the head, in the studio of sculptor / painter Jacques de Lalaing, preliminary study for circular fountain, 1903. Replica Venus of Milo in background.

`Naga kobieta z dzbanem` - Sculpture by Olga Niewska en face view of sculpture.. Wołyński, Jan (1882-1929), photographer

Statue of Porcia, Claude Mellan, 1677 print print maker: Franceafter drawing by: Franceprinter: Parispublisher: Paris paper engraving (story of) Porcia. piece of sculpture, reproduction of a piece of sculpture

Roma - Apollo e Dafne - Gall. Borghese , Sculpture, Gods, Goddesses, Nymphs Greek deities, Apollo Deity, Daphne Nymph, Bernini, Gian Lorenzo, 1598-1680. Apollo and Daphne. Nicholas Catsimpoolas Collection

Painting of a female nude by Voillemot; about 1870 - 1890; Albumen silver print

Image of the Capitoline Venus in the Capitoline Museums; Roma - Museo Capitolino, Venere Capitolina .. Part of photo album with recordings of churches, images and antique buildings in Rome.

The Young St. John the Baptist 1836 Luigi Bienaimé The Accademia in Carrarra owns a model for 30.143.1 said to have been executed in 1820. The design of the figure was traced from a Thorvaldsen relief at Brahetrolleborg.. The Young St. John the Baptist. Luigi Bienaimé (Italian, Carrara 1795-1878 Rome). Italian, Rome. 1836. Marble. Sculpture

`Przebudzenie` The Awakening - Sculpture by Olga Niewska from 1929 Female act, sitting. Side view of the sculpture, at the workshop.. unknown, photographer

Blancard, Hippolyte (1843 - D.1924), Universal Exhibition of 1889: Gallery Rapp and Desaix inside the Palais des Arts, round -bump sculpture of a man dressed in the ancient, a phial in the left hand , a lyre in the right, a woman by his side, 7th arrondissement, Paris (dummy title), 1889. Platinum print. Carnavalet museum, history of Paris.

Amoret Bound.. Claudius E. Goodman (British, active 1850s)

Study of a feminine nude model, seen from aside, in the studio of sculptor / painter Jacques de Lalaing, preliminary study for woman who heard on the edge of a pelvis, element for a fountain in Musee des Beaux Arts, Tournai and for circular fountain, 1903 .

Nude. Artist: Possibly by Eugène Durieu (French, Nîmes 1800-1874 Geneva). Dimensions: 4 5/16 x 6 1/8. Date: ca. 1851. Museum: Metropolitan Museum of Art, New York, USA.

Venus accord to the sculpture of Wiktor Brodzki. Cleastle from Tygodnik Powszechny 1883 (2) 705 Schübeler, Julian (before 1865 1890), Brodzki, Wiktor (1825 1904)

Lazio Roma Rome Gesu09. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Victoire de Paeon , Sculpture, Antiquities, Goddesses, Nike Greek deity. Nicholas Catsimpoolas Collection

Seen sculpture of a woman on her back with her arm against her head, c. 1875 - c. 1900 photograph On the shelf in the background a reproduction of a pleurant from the flaw of Isabella van Bourbon (BK-AM-33-G) Europe cardboard. photographic support sculpture (+ relief ~ sculpture). the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure Europe

Detail of the tomb of Pope Clemens II in the Dom of Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print interior of church Bamberg stupid

Salt paper photograph showing Michelangelo's 'A Prisoner' statue in the Renaissance Hall of the Louvre, Paris, produced around 1860 in stereo format, depicting classical sculpture of a seated male figure.

The Greek Slave. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History

Boy with goose. N. M. Athens 2772 , Sculpture, Antiquities, Boys, Geese. Nicholas Catsimpoolas Collection

Amazon, from Epidauros, N. M. Athens , Antiquities, Sculpture, Warriors, Amazons. Nicholas Catsimpoolas Collection

`Ikar` Icarus - Sculpture by Olga Niewska award from the President of the Republic of Poland for the best team in the international tourist airplane competition Challenge 1934.. Marcinkowski, Zdzisław (1880-1944), photographer

A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Human Figure, Anterior View, Undissected (Finished Study for Table VI). Date/Period: 1795 to 1806. Drawing. Graphite on moderately thick, slightly textured, cream wove paper. Height: 540 mm (21.25 in); Width: 406 mm (15.98 in). Author: George Stubbs.

Actress wearing long gloves and plumed hat, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes ca. 1891 Issued by W. Duke, Sons & Co. Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.. Actress wearing long gloves and plumed hat, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes 649837

Study of Head and Hand. Louis Fleckenstein (American, 1866 - 1943)

Sculpture in the stairwell of the castle of Saint-Cloud, representing the Pool Star, Ernest Eléonor Pierre Lamy, c. 1860 - in or before 1870 stereograph Castle of Saint-Cloud cardboard. photographic support albumen print interior ~ representation of a building. sculpture. stars and constellations: Polaris, Pole star

Anonymous (German), Statuette of Psyche, 19th century, ivory.

Sculpture of Hermes. Unknown, photographer about 1865-1885 Sculpture of a nude male figure wearing a helmet with wings. The figure has wings growing out of his heels. He is standing on one foot with the other leg raised behind him. One arm is reaching up above his head and the other is at his side, holding a caduceus.

Weibliche Rückenfigur; Paczka-Wagner, Cornelia (1864-1930); before 1907 (1889-00-00-1907-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, female acts, modernism (style)

Ariadne 1857 Oscar Gustav Rejlander British, born Sweden Working in a placeVictorian Englandwhere any photographic nude was considered offensive because the process implied not only the "nastiness" of the artist and vendor, but also "the degradation of the person who serves as model on the occasion," Rejlander sought to ally his work with that of noted painters. This nude study is one of a series based on figures in the work of Raphael, Titian, Correggio, Rubens, Murillo, and Gainsborough; the precedent here is Titian’s Venus and Adonis, and Rejlander’s intention was to show how the painter adhered to or strayed from the ways a real body can twist and turn. Critic A. H. Wall defended the propriety of Rejlander’s Studies from the Nude, saying, "Refined and ennobled by art, real beauty, palpable flesh and blood, speaks of nothing but its own inherent loveliness."Such references to painting did not always afford adequate protection, however. Writing of Rejlander’s famous Two Ways of Lif

Study of female nude model, draughtsman: Gijsbertus Johannus van den Berg, 1800, paper, h 513 mm × w 350 mm

Roma - Museo Vaticano - Cupido, detto il genio del Vaticano (scultura antica) , Antiquities, Sculpture, Gods, Cupid Roman deity. Nicholas Catsimpoolas Collection

Roman sculpture of Narcissus, restored by Valerio Cioli, Anonymous, c. 1852 - in or before 1862 photograph In the book still described as a sculpture of Cupido by Michelangelo. photographic support albumen print sculpture (+ relief ~ sculpture). (story of) Narcissus

Ondine , Bathing, Nudes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Dancers: Girl putting her tights Fernand Pelez (1848-1913). "The dancers: girl putting her tights". Black pencil with white and pastel rehaught on paper glued on canvas, circa 1905. Museum of Fine Arts of the city of Paris, small palace.

Nike of Samothrace , Antiquities, Sculpture, Goddesses, Nike Greek deity, Nike of Samothrace. Nicholas Catsimpoolas Collection

Artistic poses, plate IV: a woman standing, twisting her trunk to left. Lithograph by Robert J. Colenso.

Umbria Perugia Bettona Palazzo Podesta4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescos, decorative arts Owner: Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Teramo Pinacoteca6. Hutzel, Max 1960-1990 Collections include a panel painting of Pope Clement by Giovanni da Sulmona, a polyptych by Giacomo da Campli, painted Castelli ceramics, paintings of St. Sebastian and other saints, and a Last Supper, perhaps by Bernardo Rantvic or the Fiammingo School. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Etching 'Ready to Fly' by Fritz Hegenbart, circa 1890, depicting a figure preparing for flight in a landscape setting.

Study of a male nude model, sitting on a pied feature with a knee up and head resting in the arms, in the studio of sculptor / painter Jacques de Lalaing, in the background painting of two women ...

Lazio Roma Anzio Villa Spigarelli2. Hutzel, Max 1960-1990 Post-medieval: A 19th century neoclassical villa built on the imperial villa said to be of Nero which was in ancient Antium (modern Anzio). The park and villa incorporate antiquities such as architectural fragments, sarcophagi, urns, and statuary found on the site. Antiquities: possible nymphaeum, urns, sarcophagi, sculpture, architectural framents, mosaics, portrait busts, terracottta sculpture fragments, Pompeian third style wall paintings, portrait bust in Julio-Claudian family style Object Notes: Hutzel gives a short history of the villa and park, commenting that no proper history has been written on the site German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and th

Study of a male nude model by hand in a stellage, seen from below, in the studio of sculptor / painter Jacques de Lalaing.

Sculpture in the Vestibule of the Grand Trianon, representing Amor, Ernest Eléonor Pierre Lamy, c. 1860 - c. 1880 stereograph Trianon cardboard. photographic support albumen print sculpture. vestibule, hall. (story of) Cupid, Amor (Eros)

Detail of the image Venus Victrix by Antonio Canova; Roma - Galleria della Villa Borghese Venere Vitrice; Dettaglio (A Canova). Part of travel album with pictures of sights in Italy (part I).

Photo production of the painting 'Venus and Cupid' by Titian; Firenze - Galleria Uffizi - Venere Carezzata da Un Amorino; Tiziano Vecellio. Part of travel album with pictures of sights in Genoa, Florence and Venice.

Photographic study for "intelligence", which separates and what unites men, council room of the Palais des Nations Jos� Mar�a serves (1874-1945). Photographic study for what separates and what unites men . Intelligence , Hall of the Council of the Palais des Nations. Period test on black and white silver paper. 1936.

Enric Monjo / Mediterrania, 1965, mármol. Museu de Vilassar de Mar.

Sculpture of Ganymedes and Jupiter as an eagle in the Galleria Degli Uffizi in Florence, Italy, Fratelli Alinari, After Anonymous, 1857 - 1900 photograph Florence cardboard. paper albumen print piece of sculpture, reproduction of a piece of sculpture. attributes of Jupiter: eagle. (story of) Ganymede Uffizi Gallery

Zorn, Anders Leonard, Cabin - Kajuta, Kajuit, verso - stamped, Second nude women standing in the doorway to the cabin, a space below deck., print, prints, height 297 mm, width 196 mm, Swedish, 1860-02-18 - 1920-08-22, print maker, printmaker, 1917 - 1917, paper, papier, etching, etchings

Female nude, study. Gerson, Wojciech (1831-1901), painter

Desnudo femenino. Regreso del baile, de Genaro Béfani. Tarjeta postal. Años 1920.

Description: Hong Kong's little house of wax. Life-sized wax models of Mona Lisa and a Chinese concubine. Location: Hong Kong Date: 1969

Theseus or Olympus , Antiquities, Sculpture, Kings, Theseus, King of Athens. Nicholas Catsimpoolas Collection

Terracotta sculpture of a dancing priestess of Bacchus, Marcel Gustave Laverdet, c. 1852 - in or before 1857 photomechanical print Paris paper photolithography piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts). maenad(s), female bacchant(es)

BAS-RELIEF OF THE MISERICORDE, Church Saint-Gervais-Saint-Protais 4th arrondissement, Paris BAS-RELIEF OF MERCY, St. Gervais-Saint-Protais Church (IV�me Arr.), 1903-1904. Photograph of Eugene Atget (1857-1927).

'The Message of Love', 19th century, (1912).Artist: Eugene Delaplanche

Grillet jeune, Sculpture of a man and a sword by Leopold Borbone, This photograph is part of a cover with 18 photographs on 18 sheets and 14 text sheets., photograph, photo, photos, photographically illustrated books, height 139 mm, width 192 mm, photographer, 1854 - 1859, photographic paper, photo paper, albumen print, albumine print

Aphrodite Pan and Eros N. M. 2335 , Sculpture, Antiquities, Gods, Goddesses, Aphrodite Greek deity, Eros Greek deity, Pan Greek deity. Nicholas Catsimpoolas Collection

Sculpture of Sint -Cecilia in the Basilica of Santa Cecilia in Trastevere in Rome, Italy, Anonymous, After Stefano Maderno, 1860 - 1880 photograph This photo is part of an album. Rome paper albumen print grave-building, monumental tomb. piece of sculpture, reproduction of a piece of sculpture. the virgin martyr Cecilia of Rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies Santa Cecilia in Trastevere

Eva Braun's Photo Albums, ca. 1913 - ca. 1944. These albums are attributed to Eva Braun (four are claimed by her friend Herta Schneider, nee Ostermeyer) and document her life from ca. 1913 to 1944. There are many photographs of Eva, her sisters and their children, Herta Schneider and her children, as well as photographs of Eva's vacations, family members and friends. Included also are photographs taken by and of Eva Braun at Hitler's chalet Berghof (or Kehlstein), photographs of Hitler and his entourage, visitors to Berghof and the scenery around Berchtesgaden, and some studio portraits of Eva and members of her family.

Abruzzo Chieti Chieti Museo Nazionale di Antichita6. Hutzel, Max 1960-1990 Exterior views of part of the former Villa Frigeri, which along with a neighboring palazzo, houses the Museo Nazionale di Antichita. Views also of the gardens, fountain (17th century) and the restored interior. The so-called "Capestrano Warrior" (5th century B.C.) is found in the Antiquities core collection under Men, Youths, Warriors--Stone--Etruscan, Italic. Hutzel views include statues, funerary monuments, portrait busts and mosaics, many of which were excavated from Alba Fucens. Hutzel paid particular attention to the colossal statue of Hercules (late Hellenistic); the funerary temple reliefs of Lucius Storax; various nudes, torsos and heads, including the portrait bust of Agrippina Minore and the sepulchral portrait relief of Lucius Poditius (1st century A.D.); gravestones with inscriptions and bas-reliefs; Roman coins; bronze figurines (mainly warriors); and bronze vessels, utensils, helmets and ornaments.

Sculpture of naked woman

. Psyche is under a tree on a stone sofa and pushes Amor off.

`Bokser` The Boxer - Sculpture by Olga Niewska from the year 1932 (cement).. unknown, photographer

CONSTANCE DEJAUX Constance Dejaux ". Anonymous photography. Stereoscopic view on albuminum paper, 1850-1900.

Morning, nude on bed, second stone , Nudes, Sitting. George Bellows (1882-1925). Prints and Drawings

LAS HIJAS DEL RHIN - 1910-1912 - O/L. Author: ROGELIO EGUSQUIZA (1845/1915). Location: PRIVATE COLLECTION.

Campania Salerno Cava dei Tirreni Museo03. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Nude at Mirror. Attributed to Bruno Braquehais (French, 1823 - 1875)

Winter garden of the Pommerian House of Prince Napoleon, 18 Avenue Montaigne, 8th arrondissement, Paris Winter garden of the Pompeian House of Prince Napoleon, 18 Avenue Montaigne, Paris (VIIIth ARR.). 1863-1866. Photograph of LaLanche J. and Cie.

Standing naked woman with raised arms, Samuel Jessurun de Mesquita, 1922 print cardboard

1912. text. 1911 - 1913. General Research Division. Art , Poland

Flute playing angel, neckline from the altarpiece "Throwing Madonna with Child and Saints" (Frari Triptych) of Giovanni Bellini, Santa Maria Gloriosa dei Frari, Venice. .

Anencéphalie, View of the back of an unknown person suffering from Anencephaly, recto - printed, photograph, photo, page, photographs, photographically illustrated books, Revue photographique, des hopitaux, Planche VI., height 127 mm, width 97 mm, photographer, 1865 - 1870, paper, albumen print

Allegory of the Earth, Saturn Removing Cybele, Sculpture by Thomas Renaudin (1627 -1706), Tuileries Garden, 1st Arrondissement, Paris Saturn Removing Cybele ", 1675-1687, Allegory of the Earth. Sculpture by Thomas Renaudin (1627 -1706), Tuileries Garden. Photography of Eugène Atget (1857-1927). Albuminous paper draw. 1911.

Lydia Sokolova, ballet dancer (1896-1974) who, despite her exotic, Russian-sounding name was born Hilda Tansley Munnings in Wanstead, East London. She became part of Sergei Dhiagilev's Ballets Russes in 1913 and was their first English ballerina, famous for dancing the role of the Chosen Maiden in L鯮ide Massine's reworking of The Rite of Spring. Date: 1927

Pantaleon Szyndler (1846-1905). Polish painter. Bathing Girl, 1881-1884. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland.

Portland Vase. Glass paste. 5-25 AD. Globular body and narrow neck with two handles, is decorated with mythological scenes of love or marriage. Detail. British Museum. London. England. United Kingdom.

Monkey ca. 1732 Meissen Manufactory German. Monkey. German, Meissen. ca. 1732. Hard-paste porcelain. Ceramics-Porcelain

White Captive sculpture of a female torso. Erastus D. Palmer (American, active New York 1860s)

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